Memories of languages

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Hierarchies
I suppose I always have been searching for hierarchies ever since. Good designs need several types of hierarchies. Most designs rely on scripture and language. We are not surprised to discover hierarchy in Books of law, Holy Books, studies, even in novels, manuals, scientific descriptions, and school books. Large hierarchies always have been most important. Any hierarchy, which is too big too fail may run into dangerous phases. Usually these hierarchies will not last very long. Currently the most dangerous hierarchies are monetary structures, which are used to manipulate markets and investments. They may ruin global economy and for this reason I invested considerable time in the study of The Monetary Catastrophe (82 documents)

Safe hierarchies
At a very young age we all learn how to deal with hierarchies. We learn to understand our parents, teachers, professors, policemen, judges and kings as hierarchical leaders. Their activities have one thing in common: communication by language. The oldest is the safest hierarchy. If a hierarchy more than 5000 years old it must be considered as successful. This is what I wanted to investigate: the PIE-language.

Language
Language is the basic tool for communication and I wondered whether such a successful tool might be using a hierarchy as well as the great number of other hierarchical masterpieces, which were depending on language as their basic tool. These investigations started more than 20 years ago, approximately 1990. I started looking for the basic principle of linguistic hierarchy in the divine name, which in the Indo-European roots had been defined as Dyeus. Of course I already knew Dyeus had been the ancestor for a great variety of Indo-European divine names, such as Dios, Dio, Dieu, Zeus, Zio and Deus. In a very early phase I also discovered the correlation between the ego-pronouns and the corresponding divine names in a language. A great number of ego-pronouns seemed to represent a core of the divine name. None of the etymological handbooks however even mentioned the correlations. The study promised to be a long search in a great number of resources. All kinds of relations needed to be investigated. Any hierarchy consists of singular top or a few top level-elements and a great number of low-level elements. Of course I was searching for these summits and even although I initially must have been very close to the top I must admit I needed a few corrections on my adventurous track. Initially there had been an idea that both principal words in the so-called Swadesh-lists 1 had been a twin couple, in which the most prominent of all words (the ego-pronoun 2) represented the male element and the second prominent of all words (the thou-pronoun 3) the female element. This idea however had to be considered as controversial after I discovered the ego-pronoun ieu in Provencal language. This discovery did lead to the new paradigm that the ego-pronoun had to be considered as the top-element in the etymological hierarchy. The importance of the ego-pronoun over all other words had been confirmed by the hierarchy Morris Swadesh in his lists 4. The marvelous sample of the ego-pronoun ieu in Provencal language also correlated to the divine name Dieu in this language. In fact this discovery signaled I was on the correct track and it was a matter of time to collect and setup the proofs for the theory of hierarchical levels in languages.

1 2 3 4

hierarchical order of words as proposed by Morris Swadesh The pronoun for the first person singular (in English I) The pronoun for the second person singular (in Englisch thou) Swadesh lists

Vowel Structures
Especially the long ego-pronouns seemed to be characterized a great number of vowels. I thought of vowels as the hierarchical top-level for letters. And if this was a valid paradigm, I should consider one of these as the master letter. Of course I had not been the first person to think of these ideas. I knew the Kabbalah suggested the idea of a world, generated from a single vowel Yod or from the single word YH5. With the letters yod and hei, the Holy and Blessed One created His world6. A singular vowel i, a singular word (YH, or Yah), probably completely consisting of pure vowels. Yes, this might have been chosen as a fundamental element in a hierarchical system. Other authors claimed to have identified various strings of characters. Joscelyn Godwin describes seven vowels A, E, H7, I, O, Y, in the Mystery of the Seven Vowels in Theory and Practice and in the book cover he also correlated the vowels to corresponding colors by placing these inside a seven-colored rainbow: A (red), E(orange as a mixture of yellow and red), H (yellow), I (green), O (Turquoise or green-blue), Y (blue), (violet). Inside his work however he quotes different assignment systems of various authors.

Fig. 1: The rainbow's colors correlated to the vowels by Joscelyn Godwin Barthelemy found a parallel to these medals in an inscription in the theater of Miletus (Asia Minor), discovered by English explorers in the seventeenth century. This inscription, though damaged, had evidently had seven columns, each headed by a sequence of seven vowels, followed by a prayer that the city of Miletus and all its inhabitants should be preserved. The first column began , then continued with the alphabetical order . The second column had in the corresponding place , and so on in alphabetical order, starting with each vowel in turn, and continuing " ... holy one, preserve the city of Miletus and all its inhabitants." These permutations of vowel-sequences seem to have prevailed in a great number of later magical Abraxas-papyri, in which the authors wrote series of vowels in alphabetical and reversed alphabetical order8. Did the authors recite these vowel chords in a delirium or psychedelic session?

5 Heavenly Torah 6 Isaiah, 26:4

7 this letter seems to be a consonant, but in fact is a Greek letter eta (long e) 8 Vowel-Sequences in Archaic Manuscripts

As a last witness to the divine vowel-names, who is also the oldest and the best-known, Joscelyn Godwin quotes a passage from the De Elocutione of Demetrius9, who says: In Egypt the priests, when singing hymns in praise of the gods, employ the seven vowels, which they utter in due succession; and the sound of these letters is so euphonious that men listen to it in place of aulos and cithara. The vowels however have been considered as a special, sometimes even sacred and secret character class in most European alphabets. The number of vowels varied and may have grown form a very reduced set to an abundant seven or even more. I preferred to reduce the original basic vowels to three elements. The fundamentals seemed to be reducible to the triad YEU as found in the PIE-word for the sky-god *Dyeus. The Proto-Indo-European sky god concept had been personified by *Dyeus, who appears in many other Indo-European religions with similar attributes. Dyeus was addressed as Dyeu Ph2ter, literally "Sky Father" or "shining father", as reflected in Latin Jupiter; Dispiter and Greek Zeus pater. 10 Another problem had to be solved in selecting the hierarchical order of sacredness. Which of the vowels represented the philosophical core? The Y, E or U? The first idea was to eliminate the trailing letter U, which could not be interpreted as a leading (principal) symbol. This would reduce the choice between the leading Y and the central vowel E. In this study of course I noticed Plutarch's On the E at Delphi, who describes the inscription E at the entrance of Apollo's sanctuary. Interesting are the two coins reproduced in Imhoff-Blumer and P. Gardner, 11, which show the E suspended between the middle columns of the temple. Learned scholars should note that the letter represented is E, not Ei: therefore such explanations as are based on the true diphthong are presumably wrong. Plutarch puts forward seven possible explanations of the letter. The second explanation offered by Plutarch is in fact the correct one. This is how Plutarch suggests it12: Ammonius smiled quietly, suspecting privately that Lamprias had been indulging in amere opinion of his own and was fabricating history and tradition regarding a matter in which he could not be held to account. Someone else among those present said that all this was similar to the nonsense which the Chaldaean visitor had uttered a short time before: that there are seven vowels in the alphabet and seven stars that have an independent and unconstrained motion; that E is the second in order of the vowels from the beginning, and the sun the second planet after the moon, and that practically all the Greeks identify Apollo with the Sun. Apart from these theses I suggest to consider E as the central vowel core in the PIE-word*Dyeus, positioned between Y and U. The central vowel, which had often been considered sacred and hidden, to me seemed to be more mysterious and important than both neighbors Y and U. From this standpoint I considered the ancient religious philosophy as bipolar (with both Y and Uelements as androgynous elements) and simultaneously monotheistic with an E as a central symbolic core. On the other hand the system may also be considered as a triple structure based on the vowels Y, E and U.
9 late Hellenistic or early Roman period 10 from the Proto-Indo-European root word morpheme *dyeu- (zero-grade forms *dyu- and *diw-) with the meaning 'to shine'. 11 A Numismatic Commentary on Pausanius, plate X nos. xxii and xxiii (text p. 119} 12 Appendix Iv The Meaning Of The E At Delphi

The same vowels had also been found in the French word Dieu and the corresponding Provencal ego-pronoun ieu, but the most convincing description seemed to be Jupiter, which had been derived from IOU-piter, father of the IOU-concept.

IU-piter
The idea of Y and U-elements as androgynous elements has been confirmed by the IOU-piter, which is twofold (as IU-piter) or in its triple version IOU-piter. The I and U obviously seemed to be a bipolar structure, which I interpreted as an androgynous fertility principle. The central vowel O had to be considered sacred, probably to be hidden in the priests' brains. The central letter may have been the Roman version of the Greek E which is found in the principal divine name Zeus. Zeus and Jupiter both were thought to have given birth als a singular parent. Minerva was born to only one parent, Jupiter. It is said that she "leaped forth from his brain" fully matured and wearing a complete suit of armor.

IA13
The idea of a Trinity-concept may also be identified in the biblical YHWH-concept. According to the Catholic Encyclopedia (1907) Diodorus Siculus (1st century BCE) writes YHWH as (Iao). Others listed in the Wikipedia-site Tetragrammaton applied similar spellings: (Iaoth), (Iao), (Iaou), (Ieuo) , (Ia), (Iabe), Iaho and Jehjeh. Most of these translations are vowel combinations which also may be understood by inspecting the "mothers of reading" in the Tetragrammaton: In the spelling of Hebrew and some other Semitic languages, matres lectionis (Latin "mothers of reading", singular form: mater lectionis, Hebrew: mother of reading), refers to the use of certain consonants to indicate a vowel. The letters that do this in Hebrew are aleph, he, waw (or vav) and yod (or yud). The yod and waw in particular are more often vowels than they are consonants. The triple vowel-structures IA , the Roman IOU-piter concept and the PIE-word*Dyeus all seemed to be based on a 3 vowel-sequence. The next step would be to find out whether these words were related to other vowel-sequences.

An Anomaly at Chur, Switzerland

I invested a trip to the Swiss mountains near the Rhine's bifurcation at Chur, also written as Romansh: Cuira14, which by the way use the same vowel-combination UI (but in a reversed sequence) as IU-piter.. At this bifurcation a linguistic anomaly seemed to have been survived all Barbarian Invasions and migration of peoples. At this point we may find three or four different egopronouns and incidentally also their corresponding divine names. The west-sided branch used the ieu-core corresponding to the French version of Provencal egopronoun ieu, which may have mutated to the modern French ego-pronoun je and the divine name Dieu. The south-sided branch used the iou-core corresponding to the Italic version of the original Romanitalic ego-pronoun iou, which may have mutated to the modern Italian ego-pronoun io and the divine name Iou-piter.

13 A Brief History Of Gnosticism 14 Surmeiric dialect

The east-sided branch used the iau-core corresponding to the Slavic version of the ego-pronoun iau, which may have mutated to the modern ego-pronoun ja15 for the Jauer-languages and the Asian or eastern divine name Dyaus. Of course the Jauer have been named after their most important word, the ego-pronoun jau. The north-sided branch for symmetry has been concentrating on another vowel, the letter H, or eta, which would have generated a basic vowel core and ego-pronoun ihu. The letter H obviously may have caused some problems for its consonant behavior and its after introduction the H may as well have been produced an ego-pronoun in a German dialect-form IH, which further north mutated to ich and in the Netherlands ic and ik.

The -rune as an ego-pronoun

I documented these concepts in maps. This happened before I became aware of the Danish concept of the -rune, which may very well have been a special variant of the letter eta, or H. The , which must have been the Nordic representation of the H, must have received an immense variety of symbolism, ranging from i (eternity), ancient legends, history, family relations such as tt (family) and other religious concepts (such as sir, the gods). But as a special application various Scandinavian dialects used the -rune as an ego-pronoun. In many western, northern, and southwestern Norwegian dialects, and in the western Danish dialects of Thy and Southern Jutland, has a significant meaning: the first person singular pronoun I, and it is thus a normal spoken word; usually, it is written as when these dialects are rendered in writing. In western and southern Jutish dialects of Danish, is also the proclitic definite article: hus (the house), as opposed to Standard Danish and all other Nordic varieties which have enclitic definite articles (Danish, Swedish, Norwegian: huset, Icelandic, Faroese: hsi (the house)). These dialects are rarely committed to writing but some dialect literature exists. The Danish concepts have been spread to Great Britain, where they have been introduced into the English language. Did Wycliffe try to introduce the concept of the runic ego-pronoun into the dual Y-letter, representing the I and the U simultaneously. The Scandinavian creation legend describes the first human beings as Ask and Embla, which may have been represented by A and E, joined as the bipolar unity . Of course these ideas had been studied and documented. The graphical representation of the concepts had been inspiring many artists and may be found in the web 16. From the ancient, sometimes medieval, sources must have been a fertility concept, which as well in linguistic concepts as in artwork and color symbolism represented androgynous bipolarity.

15 Indo-European 'ego', Slavic ja= Runic ek, and Celtic 16 Images representing ask and embla

Colors
It may be considered strange to find the chapter colors in a work titled Memories of Languages, but the reason is very simple if we understand colors as just another, alternative alphabet of vowels, which - of course - as a paradigm needs to be illustrated. In an early phase I discovered a strange correlation between colors and basic religious hierarchies. Some colors such as red, blue and purple revealed a strange statistical preference for sacred paintings, for ornamental temple decorations, for flags and heraldic signs, some military symbols and ancient political dress-codes. Roman nobility and divine Caesars reserved some of these special colors for their own and their next of kin. The hierarchical top levels had reserved some of the colors for their own. I guessed the color symbolism might have been used to contribute to the imperial stability. The colors red, blue, purple and maybe also white also had been found in the book Exodus and Chronicles. Unfortunately the explanation of the symbolism had been missing, but the definition as a divine command to use these colors for the sacred temple area and for the priests' dress-code had been instructive enough. Red, blue and purple and maybe also white represented the highest hierarchy in color symbolism. By a strange coincidence I discovered an ancient scripture in my own library. The hand-written manuscript of my basic school did contain the first lessons in which a priest must have taught the 8years old children the story of Creation, Adam and Eve. Strange as it may seem I noticed the remarkable facts that I myself had drawn Adam in red and Eve in blue. This color combination however had been used before mankind's fall. Strange as it may seem the couple Adam and Eve had been colored purple after they had been expelled from Paradise. At the sight of the manuscript I remembered the classroom scene and yes, I remember the colors and the strict obedience of all children in the classroom to exactly copy the correct colors for our drawings. And indeed - all male individuals had been drawn in red and all women in blue. Of course no pupil dared to ask the teacher or the priest why the colors red, and blue had to be altered at mankind's fall. In 1954 pupils had been drilled to learn without investigations. Purple seemed to be the principal color, which had been used by all emperors and imperial structures. Red had been located at a second hierarchical level and blue followed the hierarchical third place. Very early I already identified the gender symbolism in red and blue. However it took some time to find out the ancient correlation of red as a male symbol and blue as a female symbol. Red obviously had been the main Roman symbol for masculine warriors. The blue, female symbol did not play an important role in the military and political structures. Blue however had been used in combinations red and blue for temple decorations, which belonged to the divine, religious world.

The Color alphabet for Illiterate readers

Another color, yellow, hardly ever had been used to symbolize sacred elements. If the holy element had to be depicted yellow it had to be interpreted as the most valuable gold. In medieval artwork and books yellow used to represent the male traitor Judas17, some times even St. Peter18, and evil women. The act of denying Jesus and the false vow to never desert Jesus probably inspired the artists to dress St. Peter with the traitor's symbol yellow. These simplified versions of color symbolism must be considered as the standard communication in illiterate medieval populations.

17 Yellow for Judas 18 Yellow for Saint Peter

The primary colors therefore must be seen as the alphabet for the illiterate population. The colors had been universal characters, which were to be understood globally. Even the foreign traders were able to read the colored temple decorations, which informed the visitors of the bipolar deity, which had to be reunified to an androgynous couple.

Three-colored rainbows
Three-colored rainbows may be considered as three-vowel words or structures. And if someone describes a three-colored rainbow he or she may have intended to refer to some symbolic structure. Of course we may interpret the rainbow as a seven-colored structure. This however seemed to be a modern concept19. But to make things worse, the medieval artist didn't care at all for the correct physical representations. The seemed to be concerned for correct symbolic representation. The double rainbow in the Stuppach Madonna for example has not been drawn the correct way. 20 The colors red and blue have been ordered in a particular way, which contrary to physics have been rearranged to fit the symbolic meaning. The inner rainbow has been drawn with a red banner at the inside, immediately followed by the blue banner, which should be located at the outside borderline of the rainbow. The blue banner is broader than the red banner, which may indicate to attribute the blue symbol to the adult Mother Mary and the tiny red banner to the male child. According to the laws of physics the red band should be at the upper side of the primary rainbow, which obviously has been ignored by the painter - probably to associate the red (male) symbol to the child Jesus. Most of the ancient depictions of rainbows have been painted in a way that the red and blue colors have been arranged as adjacent elements. In fact the medieval artists merely followed their masters Homer, Aristotle or others. According to Homer the rainbow merely had one color: purple - (porphureos). Xenophanes (ca. 570 - 475 BC) described the rainbow as having three bands of color: purple, green/yellow, and red.21 Aristotle defines three colors red, green, or purple: There are never more than two rainbows at one time. Each of them is three-colored; the colors are the same in both and their number is the same, but in the outer rainbow they are fainter and their position is reversed. In the inner rainbow the first and largest band is red; in the outer rainbow the band that is nearest to this one and smallest is of the same color: the other bands correspond on the same principle. These are almost the only colors which painters cannot manufacture: for there are colors which they create by mixing, but no mixing will give red, green, or purple. These are the colors of the rainbow, though between the red and the green an orange color is often seen .
22

Aristotle therefore shows why the rainbow has three colors and that these are its only colors. Islam defines four rainbow colors, which are combined with elements: red, yellow, green, blue23. John Dollond considered two spectral colors blue and yellow. Albertus Magnus identified the rainbow colors as red, green, and blue. The Edda-poems rainbow Bifrost has been tri-colored, probably (but not sure): gold, red, blue. Romantic writers in the early 1800s identified the following 3-color symbolism: gold symbolizes God, the free people represented the red and the slaves the blue elements.
19 20 21 22 23 False Rainbow Symbols (in symbolic and religious paintings) The double rainbow in the Stuppach Madonna Ancient Greek Color Vision Source: Meteorology - by Aristotle (Written 350 B.C.E) - Translated by E. W. Webster About Rainbows

For this reason I considered the idea of a three-colored rainbow, which had to be corresponding to a threefold linguistic symbolism. The rainbow's definitions had not been checked by others. They must have been defined by authorities, which simply ordered how the symbolism had to be understood. The threefold symbolism had to be obeyed by all artists, authors, philosophers as fas as they were under the control of these authorities.

Bibles
Highest translation quality for Exodus 25:4 blue, purple and scarlet yarn and fine linen seemed to be delivered from English Bibles. Techaileth, generally supposed to mean an azure or sky-color, is to be translated from the Hebrew original. Some translators however preferred to use the secondary Greek source in which the intermediate Greek word Hyacinthos had to be translated. Hyacinthos, interpreted as a precious stone, may have had any color. Continental Bibles seemed to be problematic and unreliable in translating Exodus 25:4 . I traced the problems of translation errors in interpreting symbolic colors, culminating in Luther's translations, in which the Hyacinth's color had been interpreted as yellow instead of blue. This error seriously might have contributed to the misunderstanding of color symbolism. It wasn't Luther however who initiated the translation error. It has been found in earlier Bibles, especially in the Dutch Bibles24.

Wycliffe's Bible
Especially Wycliffe's masterpiece impressed me. In his Bible Wycliffe may have introduced the ego-pronoun Y as a capital letter, which later has been converted to I. May Wycliffe have intended to introduce the greatly needed Claudian letter Y?

The Claudian Letters

The letter Y had been a special character with an adventurous historical record culminating in the Claudian letters. In early Greek the Y was pronounced like English oo [u]. In Classical Greek, it was pronounced like French u or German , [y]a sound that is not found in most dialects of English. Claudius now introduced the , a half H to represent the so-called sonus medius, a short vowel sound between U and I before labial consonants in Latin words such as optumus/optimus, later used as a variant of y in inscriptions for Greek upsilon (as in Olympicus).Claudius did indeed introduce his letters during his own term as censor, using arguments preserved in the historian Tacitus's account of his reign. In time, the letter Y was added to the Latin alphabet, filling the role of the broken "H" which Claudius had promulgated. Novas etiam commentus est litteras tres ac numero veterum quasi maxime necessarias addidit; de quarum ratione cum privatus adhuc volumen edidisset, mox princeps non difficulter optinuit ut in usu quoque promiscuo essent. Exstat talis scriptura in plerisque libris ac diurnis titulisque operum. Besides this he [Claudius] invented three new letters and added them to the alphabet, maintaining that they were greatly needed; he published a book on their theory when he was still in private life, and when he became emperor had no difficulty in bringing about their general use. These characters may still be seen in numerous books, in the daily gazette, and in inscriptions on public buildings. Suetonius, Lives of the Twelve Caesars, xli.3

24 Analysis of the Translation Errors in Exodus 25-4

Scientists
The Y-symbol for Albertus Magnus25
Obviously the mystical wisdom had not been lost in 1617, in which the androgynous Y-Symbol for Albertus Magnus has been documented. The image of Albertus Magnus pointing to the androgynous couple of man didn't fail to convince me to look for further evidence.

Goethe's color theory

Reading J.W. Goethe 's scientific color theory (1808-1810) I was struck by correspondence of the main colors (blue and yellow) in the dressing codes, which have been described in The Sorrows of Young Werther. Blue and yellow belong to the same principal colors (blue, yellow and red) Goethe identified in his color theory. Goethe presented a circular diagram in which the three primary colors of red, blue and yellow alternate with the three secondary colors of orange, violet and green. A translation error of Goethe's work obscures the correct interpretation of Goethe's idea and I decided to mark the error by coloring the words, so readers may easily identify the missing word yellow in the erroneous English translation. Am 6. September Es hat schwer gehalten, bis ich mich entschlo, meinen blauen einfachen Frack, in dem ich mit Lotten zum erstenmale tanzte, abzulegen, er ward aber zuletzt gar unscheinbar. Auch habe ich mir einen machen lassen ganz wie den vorigen, Kragen und Aufschlag, und auch wieder so gelbe Weste und Beinkleider dazu. Ganz will es doch die Wirkung nicht tun. Ich wei nicht ich denke, mit der Zeit soll mir der auch lieber werden26. The translation from German to English does contain an error in which the color simply has been removed: September 6. It cost me much to part with the blue coat which I wore the first time I danced with Charlotte. But I could not possibly wear it any longer. But I have ordered a new one, precisely similar, even to the collar and sleeves, as well as a new waistcoat and pantaloons. But it does not produce the same effect upon me. I know not how it is, but I hope in time I shall like it better. 27

The flag of Columbia

Goethe however happened to have inspired Francisco de Miranda, born in Caracas 1750, who according to his own documentation used Goethe's philosophical theories for designing the Flag of Colombia as a tricolor of yellow, blue and red: In a letter written to Count Simon Romanovich Woronzoff (Vorontsov) in 1792, Miranda stated that the colors were based on a theory of primary colours given to him by the German writer and philosopher Johann Wolfgang von Goethe. Miranda described a late-night conversation which he had with Goethe at a party in Weimar during the winter of 1785.

25 Dictionary of Sacred Words 26 Die Leiden des jungen Werthers 27 The Sorrows of Young Werther at Project Gutenberg

Fascinated with Miranda's account of his exploits in the United States Revolutionary War and his travels throughout the Americas and Europe, Goethe told him that, "Your destiny is to create in your land a place where primary colors are not distorted. And this is why the Venezuelan flag is applying the invincible basic colors yellow, blue and red. I wasn't really surprised to discover the philosophical background for the three-colored design. After all it had been designed following the best available sources at the time. It could have been another set of colors as well if Miranda had met another philosopher. And by the way there is no special objection against yellow, blue and red. Threefold of course may have to understood as a combination of unity and bipolarity. In the Flag of Colombia Miranda did choose a large area of yellow/golden and smaller areas of red and blue. Did he eventually consider yellow as the primary color to be ruling over red and blue?

Investigative tools and fields

The discovery of hierarchical orders in religion, imperial, monetary and political color symbolism did lead to rather complex investigations in the field of ancient artworks. I visited a great number of temples, museums and churches to check theories. Complete libraries of books had to be checked for color symbolism. None of the history books had been devoted to such topics, but the works did contain a great number of illustrations. Most (but not all) illuminated sacred books did contain the same color symbolism I already had been using in my first manuscript of the Creation legend.

Scribd
I decided to document all of the reports in separate Scribd-manuscripts and to order topics in Scribd-collections. The collections grew to a total of well over 500 documents, some of which had been designed as chronological overviews. Some of these documents may seem irrelevant. However I knew the existence of my early school manuscript from 1954 had been a lucky chance. If it had not been conserved I would have lost an important clue. After some time searching for red, blue and purple I noticed I had started to think in red and blue symbols. I had learned automatically assign attributes to red and blue elements. Things started their own life and probably I considered my view as a possible ancient viewpoint for some basic philosophical hierarchies. I knew the imagination might influence my decisions to classify and identify these uncertain observations. I also realized the manuscripts were prone to become inconsistent. Early documents did contain notes which had been overthrown by later discoveries. It seemed to be impossible to keep things consistent and update the old manuscripts for each new paradigm.

Steinbeck
I investigated my father's library with thousands of books and their hand-written notes. Some of these books did lead to a search for similar hierarchical structures. I remember to have found John Steinbeck's East of Eden with the clue timshel, My father's manuscript had been suffering from reading. The book was worn out and I found the clue fascinating. The author even suggested to order an investigative study for the truth of timshel. And in fact I remember to have consulted a linguistic German specialist, who again explained the veritable Hebrew backgrounds, which are not s simple as Steinbeck may have interpreted the analysis28: But the Hebrew word, the word timshel29Thou mayest that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if Thou mayestit is also true that Thou mayest not. Yes it's true. It might have been considered as a top level hierarchy, but after analysis I considered this search as a modern absurdity. Why do we need sacred texts if Thou mayest might be explained as equally true to Thou mayest not.? Timshel may have been important, but not a top hierarchy.

28 Quoted by John Steinbeck: But the Hebrew word, the word timshel ... 29 East of Eden: Timshel, Man's Choice Between Good and Evil

Diaries
Anyway I reconstructed my diaries and my parents' diaries. I refreshed my memory and memories became renewed as if the events had been taking place yesterday. I remembered the day Ash Wednesday 1961, at which I found myself visiting the medieval gloomy church in the center of Roermond, just next to our school. I must have been 13 years old. I remember to have been astonished about the blue and red colors of the count's mausoleum. In the course of time I learned that there had been many medieval graves in this style. There had been the graves of imperial British families in Fontevraud abbey, in France. And of course there had been Widukind's grave in church in town of Enger30, which might have been predecessor for all these red and blue tombs.

Trading Routes
At a very early stage I remember to have invested considerable time in the reconstruction of Trading Roads and locations, which might have been devoted to some divine Being. I reconstructed the European trading routes name Der Hellweg31 and The Amber Road.

Tuisco
Some towns also seemed to have been devoted to the German Creator God Tuisco and his son Mannus (Man), for which the Wikipedia entry Tuisto reports: The most frequently occurring, Tuisto, is commonly connected to the Proto-Germanic root *tvai- "two" and its derivative *tvis- "twice" or "doubled", thus giving Tuisto the core meaning "double". The second variant of the name, occurring originally in manuscript E, reads Tuisco. One proposed etymology for this variant reconstructs a Proto-Germanic *tiwisko and connects this with Proto-Germanic *Tiwaz, giving the meaning "son of Tiu". This interpretation would thus make Tuisco the son of the sky-god (Proto-Indo-European *Dyeus) and the earth-goddess. In fact both roots may be correlating. The twofold concept *tvai- and the *Tiwaz - "son of Tiu" idea are basically bipolar concepts. A remarkable correlation of town names for Tuisco have been identified in Duisburg (Tuiscoburgum) and Doesburg (Tuiscoburgum Batavorum)32.

30 Widukind's grave in church in town of Enger, District of Herford, North Rhine-Westphalia, Germany 31 Hellwege , Hellenwege, Hellstraen, Hellenstraen usw. 32 Orbis Latinus - Letter D

The Brabantian dialect

I investigated a few evenings in the Brabantic dialect and chose to list the dialect words I found in a number of Brabant's authors33. For my study the most interesting words seemed to be mens (English: man), houdoe (a common goodbye greeting) and another word which now is to be considered as a standard in Dutch language: Doei (goodbye). There is a remarkable application of the word mens (human being or man, both male and female) as a spouse in a couple. In English this word mens might be replaced by the better half. Mien Mens is my better half. Houdoe, oudoe and its variants oudogo, Hadich, Hojje, Doeg and Doei all seem to be based on the French Adi, Aju, Adieu, which have been found in the neighboring areas SouthernLimburg and central Netherlands. Adieu clearly seems to be related to the French word Adieu (goodbye) and it would be quite normal to consider Houdoe as a variant of Aju and Adieu. Doei and Doeg (which some decades ago have not been used in Brabant) seem to have been derived from Dag (Good Day)34.

Poetry and Paintings

The library also contained a great number of biographies. I started to read some of these poetry and found some fine samples of hierarchical thoughts. Poets may have been expressing the very core of wordings. Herman Hesse's poem Sprache clearly reflects the importance of red and blue for creation, which for clarity and simplicity will be quoted in the original German version. Hesse describes the beginning and end of the creation's design as a flower in a poet's description of a flower: In einer Blume Rot und Blau, In eines Dichters Worte wendet Nach innen sich der Schpfung Bau, Der stets beginnt und niemals endet. To simplify things I didn't matter to mix up various languages in my documentation. It would have been too difficult and time-consuming to standardize the manuscripts to English versions. Genuine samples of color symbolism seemed to have been found in The Red Book jung by the Swiss psychiatrist Carl Gustav Jung35, which may be investigated in the excellent web-version. And yes, I could imagine Jung's psychedelic voyage, which might have been a search for a similar hierarchical structure.

33 The Brabantian Dictionary 34 Houdoe 35 also known as Liber Novus (Latin for New Book), is a 205-page manuscript written and illustrated by Swiss psychiatrist Carl Gustav Jung

The PIE-Trinity-Concept in a table

The PIE-Trinity-Concept describes the top-hierarchy of the proto-Indo-European symbolism. All singular symbolic PIE-trinity-hierarchies would result in the following concept: vowel inside Dyeus vowel inside Dieu vowel inside IOU-piter vowel inside IA (from YHWH) Claudian letter Western Danish dialects Provencal ego-pronoun ieu corresponding to Dieu Y I I I Y I A (Ask/male) I E E (O), skipped in the name Jupiter A H Y (man) E O A H (eta ?) moon man-woman (androgynous) purple U U U W U E (Embla/female) U U U -third vowel is missingearth woman

Roman-italic ego-pronoun iou I corresponding to Iou-piter Jauer ego-pronoun iau, Southern German dialect ih Planet-element (Plato) Species (Plato, Symposium) Rainbow (Homer) I I sun man

Colors in Exodus 25:4 (in listed sequence) Colors in 2 Chronicles 3:14 (in listed sequence) The Parallel Lives by Plutarch Schoolclass Religion in1954-1955

blue blue red (for men) red (male in paradise)

purple purple purple (for Caesars) purple (couple after the fall)

scarlet (red) crimson (red) - no reference for blue blue (female in paradise)

Table 1: The PIE-Trinity Concept in a table

Summary
The largest short-living hierarchy is the most deadly of all hierarchies. Today's most dangerous hierarchy is the monetary hierarchy, which now has reached a global size and will ruin the global economy. The oldest of all hierarchies is the most successful of all hierarchies. This hierarchy is the PIElanguage with its hierarchical vowel structures, the primary color-hierarchy, and the ego-pronouns as top-elements in the etymological hierarchy. A chronological overview of these elements has been listed in The Hermetic Codex II - Bipolar Monotheism. The PIE-Trinity-Concept documented in Reconstruction of the PIE-Trinity-Concept describes the top-hierarchy of the proto-Indo-European symbolism. The analysis has been documented in a series of Scribd-manuscripts, for which an overview has been presented in this scripture titled Memories of language.

Appendix: Overview of some relevant references (in English)

2012 Vowel-oriented Symbolism The PIE-Trinity-Concept
Reconstruction of the PIE-Trinity-Concept - Published: 10 / 24 / 2012 A PIE-trinity-concept may be reconstructed from the sources divine names such as Dyeus, Dieu, IOU-piter, IAO, the Claudian letter, Plato's Symposium, Homer, Exodus 25:4, 2 Chronicles 3:14, The Parallel Lives by Plutarch, Schoolclass Religion in1954-1955 and the anomaly for the ego-pronouns near Chur, Switzerland.

Retrospects
Memories of Languages - Published: 10 / 23 / 2012 The oldest of all hierarchies is the most successful of all hierarchies. This hierarchy is the PIE-language with its hierarchical vowel structures, the primary color-hierarchy, and the ego-pronouns as top-elements in the etymological hierarchy. A Retrospect on the Pronouns' Etymology - Published: 09 / 10 / 2012 discussing a check for integrity and contradictions respectively "Cargo Cult Science" as defined by Richard Feynman.

Color Codes in Josephus' records

The Symbolism of the Colors Purple, White, Red and Blue - Published: 09 / 04 / 2012 Josephus seems to have categorized red and blue as images of the fire and the sky. In contrast purple and white have been considered as representing their sources (the sea, respectively the earth).

Back to the Roots (Archetypes, Trinity, the Assyrian Ego- pronoun)

The Trinity Concept - Published: 07 / 21 / 2012 The idea of reducing symbolism to its roots has been inspired by combining earlier insights with the remarkable explanations in Tengri, Khuday, Deos and God, in which the earliest written divine concept of the sky-god has been documented as 3 stars indicating a 3-fold basic concept, which subsequently has been reduced to a singular star. Notes to the Turkic Runic Alphabet - Published: 07 / 20 / 2012 The Turkic sky god Tengri is strikingly similar to the Indo-European sky god, *Dyeus, and the structure of the reconstructed Proto-Indo-European religion (PIE-religion) is closer to that of the early Turks than to the religion of any people of Near Eastern or Mediterranean antiquity. As a remarkable observation the Assyrian first personal pronoun seems to be related to the divine name (God), which also has been observed in modern languages such as French/Provencal (ieu related to Dieu), Italian (io related to Dio) and in a great number of Mediterranean dialects

The Superman Archetype's Colors - Published: 07 / 20 / 2012 In a historical retrospect the designers of the most popular superheros preferred the primary colors red and blue to characterize their most important symbolism. The ancient decorations of temples, sculptures, bibles, paintings, frescoes, coats of arms, flags have been revived in the modern comics, games and movies of the twentieth century. Subconsciously the archetypes survive and will be inherited to the next generations to perform their stabilizing functionality in coming generations.

Red and Blue in C.G. Jung's "The Red Book" - Published: 07 / 16 / 2012 The bipolarity, the androgyny, the coloring of initials, the colors' red and blue in Jung's masterpiece corresponds to similar symbolism in a great number of medieval manuscripts. Jung created this document as his private overview and record of his own experiences.

Capita Selecta on Red and Blue Coloration - Published: 07 / 10 / 2012 In a search for the oldest traces for flags I found a description in the Kudrun (or Gudrunlied), which provides us with a medieval description of medieval flags1. In tale the 27th (How Ludwig and Hartmut met the Hegelings2) Hartmut names to Ludwig the banners of the coming knights. The earliest historical evidence for an existing flag may be found for the Frisian flag. Additionally I found another source for the East India Company's flag as a predecessor for the Stars and the Stripes. Evidence may be found for masonic origins for flags and other predecessor links between flags.

Reinterpretation of the Creation Legend - Published: 07 / 03 / 2012 There are serious suggestions to investigate the correct translations of the Biblical word bara, which had been misinterpreted as to create instead of to separate. A correct translation to separate leads to the question of the objects to be separated and the intention of the separating process.

Designing a High-Precision language

Language as an "Intelligent Design" - Designing a High-precision Language - Published: 06 / 26 / 2012 Studying Phaedrus' ideas I considered the precision of our linguistic tools. What could be said about its precision and tolerances? The IO-Words in the Welsh Dictionary - Published: 06 / 22 / 2012 In the Dictionary - English to Welsh I found some interesting IO-words, which seem to be correlating to other IO- and IU-words in Mediterranean languages. Some Notes to the Word Awe - Published: 06 / 19 / 2012 The word Awe is a quite interesting object for study. The word may have deviated from an early word aghe ( agony?) to another, newer expression found in the runic dictionary: ewa, ava, euwin, euwinik, which are used for eternity.

Color Symbolism
Some Notes to "The Chronicles of the Picts" - Published: 06 / 09 / 2012 Chronicles Of The Picts provides me with excellent information about the colored people (the Picts) in a region full of whites (the Albiones). Madonna Vasa Vasa - Published: 05 / 19 / 2012 Christ is wearing a red robe. The main outer robes however are a blue coat for the Madonna and a red robe for Christ. The Flag's Colors of Bad Wimpfen - Published: 05 / 05 / 2012 Bad Wimpfen uses a red-white-blue flag, which motivated me to research the origin of these colors. Why Blue has been Made an Inferior Color (explaining the symbolism in positive Red and negative Blue) - Published: 04 / 23 / 2012 To my opinion the avoidance of blue had nothing to with the development of dyes and other forms of artificial coloring. The main reason for avoiding the word blue had been its evil character. It has been a bad omen like the evil eye and the word must have been avoided at any cost. On the other hand blue had to be accepted as a normal antipodal force in life, in which fertility required the synergy of good male and evil female forces for procreation. These fertility forces had to be honored in the temples and required to decorate the sacred locations with red and blue. An Endless Chain of Metaphors - Published: 04 / 17 / 2012 The driving concept of pre-medieval and medieval life and language has been androgynous Man, in which the male and female partners were to be considered as halves of Man. This concept has been symbolized in the couple of paired metaphors for some the ego-pronouns and the divine names.

Rainbows in the Stuppach Madonna

False Rainbow Symbols (in symbolic and religious paintings) - Published: 04 / 09 / 2012 Having identified the false rainbow(s) in the Stuppach Madonna I started a search for some other samples of similar deviations from traditional symbolism in order to study the idea of intentional symbolic ordering of colors in the rainbows. Etymology for Dy, Tiw and (I) - Published: 04 / 08 / 2012 The words for day ( Dyaus, Dies), - Tiw (the supreme sky-god of daylight, respectively Tiwaz, Ziu, Dyaus, Deus, Dis) and the ego-pronoun - (I) are interrelated and most important linguistic elements. Due to these correlations the analysis of the etymological roots in complex greeting formulas may often be misinterpreted. The double rainbow in the Stuppach Madonna - Published: 04 / 08 / 2012 The ultimate information is found in the (two ?!) rainbows or nimbus-circles crowning the divine, probably solar image of God. This or these rainbows respectively nimbus-circles may only be seen in a good photograph from an art-book or close inspection of the artwork itself. The rainbow crowning God is a purple image, which may symbolize a mixture of male red and female blue, resulting in an androgynous symbolism. The adjacent secondary (purple/blue) rainbow is hardly visible at all.

The Etymological Fieldlines - Published: 04 / 08 / 2012 In " for ternity - A World made of Word(s)" it has been documented that in Western Europe two etymological poles may be identified: the -pole at the Scandinavian North pole and the IU-pole in the Swiss city Chur. Both poles seem to have generated a linguistic field distribution for the ego-pronouns. Between these poles, which are not allowed to alter their wordings the population will have to adapt the language to provide us with smooth transfer zones between both poles. These are the field lines of the vector fields we may observe. Of course some border lines of the rivers, sea shores and mountains may influence the pattern, but the dipole's pattern may still clearly be identified...

New Year
The First of April as New Year - Published: 03 / 30 / 2012 In earliest eras the end of March respectively the first of April marked the beginning of the year. The natural beginning of life cycles seems to be the end of March whereas the symbolic beginning of life cycles in contrast seems to be the end of December. The end of December is marked by the sun's rebirth at the winter solstice. In the wintertime the sun is reborn, but nature remains quiet and frozen. At this wintertime only the human being is engaged in turbulent feasts, which in Rome have been named Saturnalia.

Salutations
Salutations, Divine Names, Weekdays and Ego-pronouns in Many Languages - Published: 03 / 07 / 2012 In Europe salutations will often be based on the good day-wishes or alternatively an Adieu-reference (In French a Goodbye or Farewell-salutation). Most of the daywords also correlate to the divine name and to the ego-pronoun. Of course one of the days of the week (usually Tuesday or Thursday) will also correlate to the same divine name which had been chosen as a reference for day. In this overview consisting of 9 maps the standard salutations may be correlating with: divine names, the word for day, ego-pronouns and weekdays (usually Tuesday or Thursday).

The Danish -pronoun

Dictionary of the Germanic Keywords (based on the - respectively I-keys) - Published: 02 / 18 / 2012 This dictionary lists the keywords, which may have been derived from the top-level-rune Asch (), which has been illustrated in (The Creation Legend encoded in a Singular Vowel) and for ternity - A World made of Word(s). The -symbol may be the fundamental symbol for Germanic mythology and language by encoding this symbol the creation legends, the unifying symbolism, the eternity-concept, the clan's stability factors, the home-concept, the ego-pronoun, the basic words to be and the the-article, a number of quality-concepts (courage, respect, fame, etc.), sacredness, holy stones etc. Apart from the -words the holiest of all Germanic words may have been the eternityconcept i (always), inig (uniqueness), ia (mother) and iga (property).

(The Creation Legend encoded in a Singular Vowel) - Published: 02 / 16 / 2012 In a great number of Germanic dialects the phoneme [ae] has several significant meanings. The vowel represents the first person singular pronoun I, a definite article the, the verb is, running water and (in Old-English): law, scripture, ceremony, custom, marriage. In the Germanic legends the -vowel refers to the world's axis, poles, running water and the gods (sir).

for ternity - A World made of Word(s) - Published: 02 / 14 / 2012 The old-English word , which had been defined as eternal law, archaic custom and marriage has also been used as an ego-pronoun in many Norwegian and Danish dialects. This ego-pronoun may have been derived from the central letter in the PIE-root *Dyus.

Mithras Liturgy
Vowel-Sequences in Archaic Manuscripts - Published: 02 / 07 / 2012 Vowels must have been the archaic fundamentals for religious symbolism. This manuscript documents the typical vowel-sequences in various ancient papyri. Addenda to the Mithras Liturgy's Translations - Published: 02 / 07 / 2012 Analyzing Dieterichs book in Marvin W. Meyer's translation A Mithras Liturgy I identified a number of other vowel sequences, which may add some details to the understanding of these vowel-sequences. The Vowels AEEIOYO in the Mithras Liturgy - Published: 02 / 06 / 2012 The English version of the manuscript the Mithras Liturgy reveals some interesting quotations of genuine vowel sequences such as Aeeiouo in several divine names and other sacred texts.

Tuesday and Thursday

Dyaus in the Germanic Weekdays - Published: 02 / 03 / 2012 For its correlation to the ego-pronouns (in Germanic language mostly Ih, respectively I) the most important Germanic deities are those which are related to Tuesday: Tr, Tiw, Tig and Ziu.

The PIE-concept
The I's Antipodes (Published: 01 / 31 / 2012) In a marvelous concept our language has been built around a central core 36, which seems to have been designed around the PIE-names *Dyus Ph2tr (the god of the day-lit sky37) and *deiwos (god)38. Obviously there is a remarkable difference between the original PIEconcept (using a D or Th as first letter for the divine PIE-names Dyaus and Deiwos) and the Mediterranean system (avoiding a D or Th in Jupiter and in YHWH). This topic is to be discussed for its consequences.
36 The Key Morpheme - analyzing the PIE-concept 37 See for details: PIE-religion 38 Deus (Latin pronunciation: [des]) is Latin for "god" or "deity". Latin deus and dvus "divine", are descended from Proto-Indo-European *deiwos, from the same root as *Dyus, the reconstructed chief god of the Proto-IndoEuropean pantheon.

The Key Morpheme - analyzing the PIE-concept (Published: 01 / 28 / 2012) In a vocabulary of words we may try to find the most important word, or to be more precise, to find the top-morpheme or key-word, which may be traced as vowel-sequences in a few word-categories (the divine name, the ego-pronoun, the day and the day of the week).

A Divine Sequence of Vowels (Published: 01 / 24 / 2012) Both divine PIE-names (*Dyus) and (*deiw-os) have been based on antipodes, symbolized by the vowels I and U. A breakthrough may be reached by accepting the jod-consonant as a vowel i.

Redundancy
The Philosophical Nucleus (Published: 01 / 17 / 2012) The top level philosophical hierarchy originally consisted of several redundant structures, which are containing Cup and ring marks, a standardized color hierarchy, a biblical creation legend, a vowel's hierarchy, a word hierarchy. Redundancy allows us to reconstruct disturbed or corrupted hierarchies.

Goethe's Color Theory

Symbolism in Antipodal Colors (Published: 01 / 03 / 2012) Up to 1785 Goethe clearly identified the three basic color elements, in which blue and yellow are the basic, antipodal elements and red is the synthesis of light. A country, Goethe concluded, starts out from a name and a flag, and it then becomes them, just as a man fulfills his destiny. This idea has been interpreted by Francisco de Miranda to derive the present national flags of Colombia, Venezuela and Ecuador (1785).

2011 Vowel-oriented Symbolism Overview

Bipolar Monotheism (Published: 12 / 21 / 2011) - Reads: 1021 Initially bipolarity has been identified in the cups and pillars, in various burial rituals. In a second phase the Indo-European language developed a bipolar god's name *Deiwos and a sky-god's name *Dyeus and its derivatives. In the Proto-Indo-European system all European ego-pronouns seem to have been designed as vowel sequences. In a third stage ancient religions often started from a bipolar deity, such as the Roman god Janus or Dianus,.. In a fourth period of time both Julius Caesar and Tacitus compare the most important deity in Germania to Mercury (Hermes). In the Middle Age the emperors and kings preferred the colors red, blue and purple for their garments, graves and flags.

Claudius' letters
The Y-Proceedings (The Y-Key to the English Ego-Pronouns) Published: 12 / 01 / 2011 One of the first genuine English Ego-pronouns is the capitalized word Y, which has been used by Wycliffe between 1382 and 1395. Suetonius describes Claudius' invention of three new letters Y, and V and added them to the alphabet. Wycliffe may have understood the symbolism of the sound between u and i and the androgynous creation legends.

The Alpine Pronouns

Analysis of a Linguistic Anomaly in the Alps Published: 09 / 29 / 2011 My journey to Graubnden and my research left little doubt that the majority of the Alpine dialects correlate the Ego-pronouns iu/iau/iou to the divine names Diu/Diau/Diou. The Alps seem to have conserved some genuine forms of the original Ego-pronouns and their corresponding divine names. The Secrets of the Pronouns (Diary Fragments 2009-2011) Published: 09 / 13 / 2011 This manuscript describes the decoding process of religious symbolism in the PIElanguages. Vowels for Eternity Published: 09 / 10 / 2011 According to Morris Swadesh in any language the most important word is the ego-pronoun. The most important characters are the vowels the non-vowels merely are to be considered as additional consonants, as helping mates to produce powerful vocals. Dictionary of Sacred Words Published: 09 / 08 / 2011 In fact the vowels may have been the carriers of symbolism, whereas the consonants were merely providing the carrier structure. The Creation of West-European Pronouns (Summary) Published: 09 / 04 / 2011 From this overview we may identify the mayor role of vowels in naming the Gods, the egopronouns and the yes-words. The vowels I and U must be considered as the most prominent male, respectively female symbols, but the most sacred symbol (at least in Greece and the Middle East) seems to have been the E-vowel, respectively the -vowel (Eta ,H).

The Alpine Pronouns

Andermatt Center of the Celtic Anderworld Published: 08 / 16 / 2011 There is no real proof for the idea, that the Celts may have defined the Alps as their mysterious religious headquarters. However the very concentration of the pronouns IEU, IOU and IAU and their controlled deterioration (JE, YO, JA) from the center towards the borders may invite us to look for special landmarks in the Alpine region. A Celtic Religious Centre in the Alps Published: 08 / 14 / 2011 The existence of two parallel series of Ego-pronouns the iu, ieu and iau-series in parallel to the me- and moi-series suggests that the vowel-pronouns I*U may have originated as Celtic etymological and religious traces in the Alpine region, where they may have survived in remote Alpine areas in their most original state. Thou, I and We - An Analysis of Pronouns Published: 08 / 11 / 2011 IU-combinations have been identified in most names for important sky-gods (Iupitter, iu, IHVH), in the Ego-Pronomina (ieu, iou, iau), in the we-pronoun UUI(R), but seldom in the Thou-pronoun. Spelling Joke 26 - Is it a joke at all? Published: 08 / 06 / 2011 One of the most remarkable linguistic inventions has been found in Spelling Joke 26 How do you spell we with two letters without using the letters W and E? Answer: U and I. Languages, Religions and Names Published: 08 / 04 / 2011 Which of these, the Proto-Indo-European language or the Bible, is the elder of both? The Reconstruction of Some Original Ego-Pronouns Published: 08 / 02 / 2011 Originally the Ego-pronouns have been designed as pure series of vowels. Initially the word Ego may have been designed as eio or eiu, which had been derived from Deios or Theios, respectively Deius or Theius. These Ego-pronouns served as the vowel-cores for the divine names. JWR's Scribd-Archive An Overview Published: 08 / 01 / 2011 Gender-Concepts in Creation Legends Published: 07 / 31 / 2011 Complementary creation processes in the biblical Creation Legend. Updating My 12 Paradigms (an overview & summary) Published: 07 / 29 / 2011 The following overview suggests a new set of paradigms as a concept of the origins of myths, grown from a common source of bipolarity, evolving in several sets of symbols the colors, the vowels I,A,U,E,O,Y, the Ego-pronouns (Mannus, man, moi, me, expanding to iu,iau,iou, and culminating in Ih, Y, I), the divine names (Diu the French Dieu , Diaus the Indo-European Dyaus, Dious the Latin IU-piter). An Androgynous Allegory - A Visual Chautauqua Published: 07 / 12 / 2011 The androgynous allegory symbolizes the androgynous religious background, as documented in Hieronymous Bosch's paintings, in the pronouns of our languages, in the flag's colors, in the fertility rites of the Hermetic Codices and numerous other works, in the sagas, narrations, legends and Chautauqua-sessions of the past.

lfric's Sermon
Analysis of lfric's Language (Old English text - before 1025) Published: 06 / 21 / 2011 In this sermon (lfric's Sermon, before 1025) of Old English a number of words have been explained in relation to their possible German roots. Some of these words (such as Tha, The, Gelyfath, Ne, Thurh, Agenne, etc.) however may also be explained in relation to Dutch and French roots or even to alternative German or Latin roots. The X- And Y-Events in the Roman Empire Published: 04 / 30 / 2011 The first event X, probably triggered by a powerful emperor Constantine I around 313, standardized the divine name to Diu or Diu and the corresponding Ego-pronouns to iu or iu. The second event Y, probably triggered by a less powerful European leader between 400 AD-800 AD, redefined the divine name to Di or Di and the corresponding Ego-pronouns to i or i. A Short History of Language Published: 04 / 29 / 2011 Most of the complex Ego-pronouns are using similar patterns for their structure: the predecessor pronouns refer to the archaic me-concept, whereas modern pronouns all use vowels, which originally may have started with a Yod (I), to be followed by another vowel A,E,O and a trailing vowel U.

Dante
The Prime Words in Adam's Language Published: 04 / 23 / 2011 The origin of human speech may have been based on the prime words which most probably may have included the personal pronouns of the first and second person. Dante Alighieri in his De vulgari eloquentia suggests that the name El was the first sound emitted by Adam.

The Mystery of the Seven Vowels

The Sacred Vowels in Pronouns Published: 04 / 06 / 2011 - Reads: 780 Notes to The Mystery of the Seven Vowels (1991) Joscelyn Godwin, who identified Vowels as the sacred symbols in Indo-European and other languages. The number of vowels may vary between three (I, A, U), five (I, A, U, E, O) or seven (I, A, U, E, AE, O, OO), or even more.

Translation Errors in Exodus

Analysis of the Translation Errors in Exodus 25-4 A great number of Bible-translations does not refer to blue, but to yellow. The error has been revealed at the Luther Bible 1534, but the error had been introduced at least 1477 - decades before Luther published his work. Some Color Keys in Paintings Published: 03 / 27 / 2011 Some of the medieval symbols have been devoted to a special message, which could not be written down in plain text, but may have been encoded in some of the graphical elements such as the color codes.

The Vowel's Symbolism

On the Symbolism of the Vowels A-E-I-O-U Published: 03 / 14 / 2011 - Reads: 885 In her overview Joscelyn Godwin correctly describes the various religious symbols hidden in the vowels of ancient languages. The number of vowels may vary between three (I, A, U), five (I, A, U, E, O) or seven (I, A, U, E, AE, O, OO), or even more. Godwin quotes the most interesting series listed by Godfrey Higgins in the one-vowel name I, the two-vowel name IE / EI on the sanctuary of Apollo at Delphi, the three-vowel name lAO, the four-vowel name IEVE, in which U and V are equivalent and the multi-vowel name JEHOVA .

The IU-Codes
The Diety IU Published: 02 / 16 / 2011 IU has been identified as a mayor early deity in several works. The name has been found in a variety of other important divine beings, such as: - IU-piter (Jupiter and Juno) - YHVH (to be interpreted as IU - Iao and Iau - Diaus and other Indo-European names for the sky-god and the Ego-pronouns. English and Globish - Optimized Linguistic Designs Published: 02 / 08 / 2011 The Morse-code-principle of assigning shorter sequences of dots to frequently used symbols obviously has been designed to optimize the communication speed. Now it might be interesting to derive a theoretical linguistic design by shortening words according to their priority. E for Enigma (An Overview) Published: 01 / 24 / 2011 Genuine vowel-structures may be identified in the Ego-pronouns and in divine names, which seem to contain a triple set of gender information: a male I-, respectively an androgynous Aand a female U-element. Androgynous symbols may also have been replaced by other E- or O-vowels or IU-combinations. These male, androgynous and female elements may have been considered as the archaic fundamentals in human society and creation.

Delphi's Letter E
E - of the E-symbol Engraven Over the Gate of Apollos Temple at Delphi Published: 01 / 20 / 2011 - Reads: 758 The shortest of all aphorisms is the E-vowel, inscribed above the entrance portal. The vowel has been explained as a monotheistic concept Thou art one, resembling the biblical response I Am that I Am to Moses, when he asked for God's name (Exodus 3:14). Simultaneously the E-concept may also be the valid answer to the enigma of the ieu-pronouns and the Dieunames in Provencal language.

Symbolism of Colors
Symbolism of Purple and Scarlet in Greek and Roman Societies Published: 01 / 19 / 2011 In order to investigate the symbolism of purple and scarlet in Greek and Roman societies I searched the "The Parallel Lives" by Plutarch for quotations of purple and scarlet, which seem to be the most prominent symbolic colors from the beginning of Roman history until Plutarch's writings around 100 AD.

Red and Blue in Architecture and Artwork Published: 01 / 15 / 2011 There is a strange imbalance between red & blue-combinations and other basic colors like green and yellow. The imbalance has been identified from the earliest forms of Jewish, Greek and Roman cultures. Greek temples were, as a rule, colorfully painted. Only three basic colors, with no shades, were used: white, blue and red.

2010 The Ego-pronouns, PIE, Mirio Wycliffe

The Wycliffe Bible Published: 12 / 24 / 2010 - Reads: 926 The Wyclif Bible clearly defines a common source "nouyt" for the creation of the sky, earth and for man. God made of nouyt hem, male and female defines the first man as a plural individual, male and female character, which implies an androgynous couple. The Ego-pronoun (the personal pronoun of the first person singular) has been defined as an upper case character Y instead of the modern I. In analogy to the Ego-pronoun "iu" in Occitan language the Y-pronoun symbolized an androgynous iu-synthesis in the divine concept. The Central Religious Images in the Garden of Earthly Delights Published: 12 / 09 / 2010 Reads: 991 The central religious image of the Garden of Earthly Delights may be identified in the androgynous symbolism of the red pillar over a blue pond in the fountain(s) of fertility and love.

The Ego-Pronouns
Etymology of the Ego-Pronoun (I) Published: 11 / 27 / 2010 Three layers of successive pronouns (Man-Ieu-I,Yod) may be identified in IE-languages, which all symbolize the creation legend of a first human being. The IeU- and Yod-layers may probably have been influenced by the Hebrew religion at Abraham's contact to the Indo-European migrations. The divine name IHVH corresponds to the IeU-core in the second layer of the pronoun's evolution. Decoding the Ego-Pronoun (I) Published: 11 / 26 / 2010 In Tajik, Persian, Hindi/Urdu and Kurdish the Ego-pronoun is identical to the name of the first human being man, who had been identified as the first man Mannus - Tuisco's child by Tacitus (98AD). In Europe some dialects and languages in the remote mountainous areas still conserve the original form of the European Ego-pronoun in the threefold vowelcombinations ieu, iau respectively iou, which as IU-Symbols refer to the androgynous core in the series IU-piter, Dieu, Diu, Diou, Dio, Dios, Dievas, IHVH, etcetera. In a singular case (the Sardinian dialect Campidanese) the Ego-pronoun du is identical to the divine name Deu. The Hieroglyphs in the Ego-Pronoun Published: 11 / 24 / 2010 Most European languages and dialects (French, Iberian, Italian, Celtic (southern German and English) and Rumanian reveal a simple relation between the Ego-pronoun (I) and the divine name. The divine name may be generated by adding up D, the Ego-pronoun and eventually a trailer character s. Sacred Phonemes - Moulding the sacred words Published: 11 / 19 / 2010 The Ancients of Day described the creation of man as a moulding procedure, in which God created an Adam Cadmon (symbolized by the personal pronoun iu) from an image Diu. They literally developed the idea of a creation from one singular word Diu which has been used as a mould for a complete dictionary.

A History of Proto-Indo-European Religion Published: 11 / 17 / 2010 - Reads: 926 The PIE-System has been designed as a bipolar concept of an androgynous deity, which created an androgynous human being according to its own image, consisting of a male and a female half. The first androgynous human being has been encoded in the divine name (e.g. Diu), in the corresponding pronoun of the first person singular (e.g. iu) and in the colors red (male), blue (female) and purple (androgynous, divine).

Widukind's Tomb
Widukind's Tomb Published: 11 / 15 / 2010 A remarkable tomb in orange-red, blue and purple from the early 11th century is to be found at Enger, Westfalia. It may have been related to the Plantagenet tombs at Fontevraud Abbey (1189-1246) and the grave at Roermond (1240).

PIE-Concept
Antithesis to the Standard PIE-Concept Published: 11 / 14 / 201 In "Indo-European and the Indo-Europeans" Calvert Watkins published a fine representative sample of the available reconstructed Indo-European lexicon, which will be used to check some new evidence against recent scientific positions. The Deity Dis in the Gallic Wars Published: 11 / 12 / 2010 The specified formula for generating the divine name, in which the divine name is being derived by concatenating a character D (respectively Z, Th or ), the pronoun of the first person singular (for English and old-German I) and a trailing character s works perfectly for English and old-German languages: - English: D + i + s => Dis. Hieroglyphs in Indo-European Languages Published: 11 / 12 / 2010 This overview considers the characters I, J, Y, U, V, the characters D, Th respectively and S, as well as the vowels O, A and E, along with the joining element H as the main hieroglyphs in the Indo-European languages. The Indo Europeans - A Ground Zero for Civilisation Published: 11 / 03 / 2010 Etymological traces guide us back to the origin of civilisations. In analogy to genetic information our ancestors pass their roots by inheriting dictionaries and grammatical rules to their grandchildren. Inheriting genes and linguistic codes is extremely resistant to falsifications and will allow us to reconstruct the roots of civilisation A Cultural Earthquake (The Proto-Indo-European-concept) Published: 10 / 26 / 2010 The Proto-Indo-European-concept seems to have been originated 4000 BC at Volgograd, Russia. Originally the concept developed an agricultural revolution, an improved domestication of cattle and an integrated management, which proved to be successful as a combination. Reconstruction of the PIE-History Published: 10 / 25 / 2010 According to etymological studies the PIE-language arose around 3500 before Christ. The language and its derivatives started spreading in all directions, quickly penetrating the continents on westward and eastward directions.

T-V-Distinction in the PIE-Concept Published: 10 / 19 / 2010 In southern Europe the Indo-European core *iou has been used to encode a divine name (e.g. IU-piter), pronouns (e.g. iu) and supreme justice (ius) and as a joint, especially a matrimonial joint.

An Integrated Proto Indo European Concept (Overview) Published: 10 / 12 / 2010 This essay joins the PIE-languages and their pronouns, religions and their gods as well as all correlated symbols (such as colors, paintings and heraldic flags) to an overall concept. The impact and magnitude of an integrated PIE-concept must be considered as much higher compared to the mere sum of the singular concepts.

The PIE Concept - Decoding the Proto Indo European Language Published: 10 / 08 / 2010 This overview investigates the correlation between a number of divine names, the pronouns and their bipolar elements. European languages derived their linguistic concepts from the common Indo-European sky-god Dyaus, which in its purest form has been copied to god's name (Diu) in Provenal language.

Frederi Mistral's poem Mirio

The Keywords in God's Name Published: 10 / 06 / 2010 Obviously the religious IU-concept (applying I and U-symbols to derive divine names and pronouns) has been shared by most Indo-European peoples, the Hebrew and Arabic people. The Book Genesis Inside of a Single Word Published: 09 / 28 / 2010 By Frederi Mistral, in a poem Mirio (published 1859). Etymology for the Pronoun 'I' Published: 09 / 27 / 2010 The most important words in the Proto-Indo-European language (PIE-language) are reported to be the personal pronouns for the first and second person singular, and for the first person plural. In order of their priority these pronouns are I, You and We.

Book of Common Prayer

King Edward VI's Legacy (1537-1553) Published: 09 / 10 / 2010 As a remarkable effect a great number of words in the Book of Common Prayer have been written in UI & UI combinations, which previously had been documented in Latin V and I, e.g. diuine divine, diuerse - diverse, diuision -division, fiue five, iudge judge, riuer -river, wiues wives, etc... Jupiter's Legacy Published: 09 / 08 / 2010 Religion started as a series of bipolar elements, symbolizing the principle of fertility. Usually the bipolar religious symbols cover a range of popular human artefacts, such as: Pillars and circles, the antipodal letter symbols I and U, the colors red & blue. The Keystone to Religion - Interpreting the Kylver rune-stone Published: 09 / 02 / 2010 The combination of an alphabet starting with the sacred combination I, U and, a stacked Tiwaz-rune and the Indo-European divine name Zueius transforms the Kylver stone to a keystone in understanding Germanic religion.

Dyaus' Legacy - A Quest for the Origin of Religion Published: 09 / 02 / 2010 Analysis of early religions starts by identifying the Cup Marks, Pillars and Circles as divine symbols, inherited from the Stone Age. The Cups, Pillars and Rings have been transformed into alphabetic letters U, I and O, which symbolize divine, bipolar elements, comparable to the ancient yoni and lingam symbols.

Summary - Archaic Rock Inscriptions (1891) Published: 08 / 26 / 2010 An Account of the Cup and Ring Marking on the Sculptural Stones of the Old and New Worlds.

Red & Blue, Purple's Symbolism

The Hermetic Library Published: 08 / 25 / 2010 There is a strange trace of a common bipolar symbolism in the applications of the colors Red & Blue, discovered in studies and documented in a series of manuscripts.This religious bipolarity has been named Hermetic for the bi-faced idols and the naming conventions by Roman historians (Caesar and Tacitus) and archaeologists, who compared early idols (including the Hermes of Roquepertuse) with Roman bi-faced idols of Mercury / Hermes. Liturgical (and Royal) colors Published: 08 / 25 / 2010 Reads: 949 Although the Book Exodus defines blue as a divine prescription for the Hebrew High Priests' garments and curtains at the Covenant Tent the symbol blue (and equally yellow) have been avoided as standard liturgical colors, probably resulting from the idea of avoiding any evil influence from the altar.

Fontevraud
Red and Blue in British Royalty Published: 08 / 20 / 2010 Early English royals preferred red and blue garments for their tombs, located at Fontevraud Abbey and for their coats of arms. Further analysis of royal tombs at the British island will not result in an overwhelming amount of evidence for red, white & blue patterns. Red and Blue as Gender Symbols Published: 08 / 17 / 2010 - Reads: 1558 This overview lists some of the relevant gender specific color codes which have been applied in artwork and publications. Modern gender specific colors refer blue to male and pink to female children.

Waiblingen
The Nuns' Church at Waiblingen Published: 08 / 15 / 2010 The Nuns' Church at Waiblingen has been erected between 1426 and 1510. The decorated ceiling is a highlight in the city's architecture. The medieval masons have chosen keystones decorated in red and blue colors. Red and blue are quite common for medieval keystones.

Freemasonary
Blue and Red Symbolism in Freemasonary Published: 08 / 09 / 2010 Reads: 1178 This summary documents the starting point for early religion as an Ancient Symbol Worship. Ancient peoples erected pillars and created circles as religious symbols, representing the male respectively female reproductive organs.

Illuminated Manuscripts
Illuminated Manuscripts Published: 07 / 28 / 2010 - Reads: 1597 Most decorations of all medieval manuscripts are often in two or three primary colors, in which red and blue are the dominant colors for initials, decorations and illuminations. In most analyzed illuminations red and blue must be considered as the dominant symbolic colors.

Notitia Dignitatum
Blue and Red in Notitia Dignitatum Published: 07 / 26 / 2010 The Books Exodus and Chronicles reveal a great number of symbolic colored woven materials (red, blue and purple twining) in the divine instructions for the Covenant tent and for Solomon's temple. Medieval paintings and illuminated manuscripts provide us with a vast number of red and blue colored illustrations.

Colored Idols
colored Idols Published: 07 / 17 / 2010 - Reads: 892 The international exhibition Bunte Gtter (colored Gods), organized by the Munich Glyptothek in 2004

St. Peter
Yellow for Saint Peter Published: 07 / 04 / 2010 - Reads: 909 There are a number of paintings in which Peter has been dressed in yellow, obviously for his threefold denying of Jesus. Symbolism in the Paintings by Hieronymos Bosch Published: 07 / 02 / 2010 - Reads: 2205 The following rules seem to be valid for all Bosch' paintings: - (Except for the Marriage at Cana) Jesus as a Creator and almighty God is dressed in red. - In contrast the mocked (suffering) Jesus is wearing white or green-white - In contrast the suffering Jesus (wearing a crucifix) is wearing blue garments - As an unknown visitor at The Marriage at Cana Jesus is dressed in black - The Virgin Mother Mary is wearing a blue or a red dress. Capita Selecta for the religious symbols Red and Blue Published: 06 / 26 / 2010 Most of the illuminated medieval manuscripts do contain scriptures in alternated red and blue lines, initials or letters. Sometimes gold, purple or green will be applied for extra decorations. Yellow will largely be reserved for a traitor's symbol (e.g. Judas). Dyeing Purple in the Middle Age Published: 06 / 21 / 2010 - Reads: 1324 Between the 10th and the 15th century the red-dyers and blue-dyers have been manufacturing precious textiles in Flanders and the neighbouring countries. The chemical processes required separate guilds for these dyers

The Hermetic Codex Published: 06 / 13 / 2010 - Reads: 2751 The PIE-System has been designed as a bipolar concept of an androgynous deity, which created an androgynous human being according to its own image, consisting of a male and a female half. The first androgynous human being has been encoded in the divine name (e.g. Diu), in the corresponding pronoun of the first person singular (e.g. iu) and in the colors red (male), blue (female) and purple (androgynous, divine).

Threads of Bipolar Symbolism in Religion Published: 06 / 02 / 2010 - Reads: 1435 The overwhelming number of bipolar symbols found in ancient documents reveals a vast religious movement developing parallel to the mainstream medieval religion. In this overview additional information has been grouped according to regional areas to allow the identification of historical threads in European countries. These threads may allow to identify the sequential steps in developing the bipolar symbols.

Hieronymos Bosch
Symbolism in the Garden of Delights by Hieronymos Bosch Published: 05 / 27 / 2010 Reads: 1062 The analysis clearly identifies rose-red and blue as the central symbolic elements, referring to human fertility and the androgynous creation legend. Of course red and blue have been identified in other documents and paintings, especially in the illuminated medieval Bible's manuscripts and medieval religious icons and other paintings.

William of Orange
The Majestic Singular in William of Orange's Letter Published: 05 / 24 / 2010 In a singular, rare case both the capitalization of the singular first-person pronoun, "I" and the second-person pronouns, "U" may be found in a document, written in the 16th century by William of Orange. Red and Blue in the Middle Age Published: 05 / 05 / 2010 An analysis of the ornaments in medieval Bible-codices reveals an overwhelming number of red & blue scripting lines, garments and other ornaments, which are referring to divine commands in the Book Exodus.

The Kingfisher
The Kingfisher - The etymology of kingfisher Published: 05 / 01 / 2010 - Reads: 1789 The name "kingfisher" refers to the Norse roots "Kungsfiskare" and may have been defined by the Normans. The tombs at Fontevraud in France also refer to the etymology for the Kingfisher birds.

Color Codes
Blue and Red in Roermond Published: 04 / 27 / 2010 The colors red, blue and white may correlate to a couple of graves located at abbeys in Fontevrault and Roermond. These tombs belong to the royal clan of the Plantagenets and to the counts of Gelre.

The Last Supper

Color Codings in the Last Supper (Overview) Published: 04 / 17 / 2010 - Reads: 2421 Usually Judas will wear yellow, green or black (or combinations of these medieval evil colors). Sometimes the artist will dress Judas in good colors (blue and red) and applies evil colors for other disciples, in order to trigger the attention of the observers. Color Coding in the Last Supper (by Leonardo Da Vinci) Published: 04 / 16 / 2010 - Reads: 2587 This analysis documents the color codes in the garments at The Last Supper (Leonardo da Vinci) to investigate the thesis that in the Middle Age red & blue may have symbolized the Good and yellow & green the Evil forces.

Judas
Yellow for Judas Published: 04 / 14 / 2010 - Reads: 1280 In ancient and medieval eras yellow is a betrayer's symbol for the evil, which has been documented in a great number of examples in this manuscript. Language and Religion Published: 04 / 07 / 2010 - Reads: 1055 Two different versions of creation legends exist for mankind: The first legend describes the creation of a male person Adam, from which subsequently a female servant Eve has been extracted. The second version of the legend describes the creation of an androgynous being Adam, which has been split in a male Adam and a female person Eve. Blue and Red in Medieval Garments Published: 04 / 02 / 2010 The colors red, blue and purple have been defined as religious symbols in the divine commands in the books Exodus and Chronicles. Body Mirroring at Burials Published: 03 / 30 / 2010 Both the Kurgan period (4th Millenium B.C.) and the "Corded Ware culture"-period (2880 B.C.-2000 B.C.) buried their women left sided and their men right sided as mirrored images, both facing towards the east. Summary of some religious color Codes Published: 03 / 23 / 2010 The document summarizes a derivation of color codes ranging from several coats of arms as referring to decorations in medieval Bibles and the ancient garments' coloring codes, which may have been derived from the biblical Books Chronicles and Exodus. Cross-references for Deities and Man Published: 02 / 22 / 2010 - Reads: 2996 This documentation lists a number of available cross-references between the most important pre-Christian deities with respect to selected parameters: - androgyny, duality, multiplefaced - permanent or temporary fetters, immobility - horns or antlers - references to timeand calendar-keeping. Dies Fasti - Understanding the Fastened Sculptures Published: 02 / 18 / 2010 This document illuminates some of the ancient customs, which may be known to scholars but remain hidden in the old and worn out books, paintings and sculptures.

Patrism, Matrism and Androgyny Published: 02 / 12 / 2010 - Reads: 2609 Our study reveals the struggle of patrism against matrism, in which the ancient Celtic, matristic religions may as well be characterized as androgynous philosophies. Originally all societies relied on androgynous-matristic religions, but historical records clearly reveal the growing predominance of patristic religion, resulting in the eradication of the Cathars, a violent suppression of sexuality and progressive, scientific research.

The Symbolic color Green in Islam Published: 02 / 02 / 2010 - Reads: 1659 Green has been associated with Islam for many centuries. It is not clear why this is so. The colors purple, red and blue traditionally have been in use from early beginnings in Christianity. They may be found in the imperial garments, in the biblical decorations, in icons or paintings and in flags.

A Loss of Symbolism in Communications Published: 01 / 28 / 2010 The androgynous basis of symbolism seems to have been restored. The symbols reveal an impressive monument for the matrimonial link between man and woman, as a divine highlight to praise marriage, as a statue to praise fertility, as a bond linking peoples; and yes, even as an origin for an original and common Divine Principle, which may even have been the source for a common Indo-European deity.

A compact Overview of Bipolar Symbolism Published: 01 / 23 / 2010 The summary will cover etymology in the PIE-language, the name YHWH, IU-piter, the Celtic weaving technology, the Book Exodus, Plato's Symposium, Yin & Yang, Celtic sculptures, Janus & Jana, medieval Bibles, medieval Genesis documents, the Zohar, medieval garments for emperors and kings, the peerage system and flags.

2009 Dyaus, Colors, Exodus, Flags, Hochdorf Red & Blue-combinations

Gender References for Purple, Red and Blue Published: 01 / 18 / 2010 - Reads: 1285 Purple has always been a divine and imperial color. The divine commands in Exodus 28-28 and 39 (-21,22,30) clearly reveal a preference of blue for Aaron and his sons. Etymology for Flags Published: 01 / 14 / 2010 - Reads: 1079 In the Middle Age Europe may have known a basic symbolism ruled by the biblical colors purple, red and blue, which must be considered as androgynous symbols. Another Etymology for Purple Published: 01 / 06 / 2010 - Reads: 1354 Dutch language provides us with a word paars for the color purple, which may have been in use in ancient eras as religious symbols in analogy to the colors red and blue.

Red & Blue & Purple in the Bible

Paint It Purple - A short History of painting Red and Blue Published: 01 / 03 / 2010 - Reads: 2198 According to a number of divine commands in the Book Exodus and the second Book of Chronicles the colors Purple, Red and Blue must have been religious symbols for a very long time. Genesis - Weaving the Words in Red and in Blue Published: 12 / 23 / 2009 The published layout for the Book Genesis explains the basic idea of weaving words like human beings symbolized by male and female persons as married couples. Initially man had started as a couple of two individuals colored red and blue, which had to multiply. Secret color Codes in the Bible Published: 12 / 05 / 2009 - Reads: 2320 The coloring codes for the garments in ancient oil paintings seems to be following the wealthy decorations in the medieval codices, which mainly consist of Bibles. Notes to the Sacred Symbols of Mu Published: 11 / 24 / 2009 - Reads: 1174 While studying these kind of manuscripts, which have been written before 1950, I noticed some problems in understanding these texts due to the background knowledge for modern readers. The main cause for these misunderstandings is a dramatic changeover in social position for women (voting, property, etcetera). The Fundamental Color Symbols Blue and Red Published: 10 / 21 / 2009 - Reads: 4494 A great number of ancient -mostly religious - codings has been conserved in antiquities. One of the fascinating topics in these areas is the use of colors as ancient symbols, which have been documented in writings such as the Bible, in ancient sculptures and in ancient buildings.

Hochdorf
Hochdorf Revisited - A reconstructed Celtic Site Published: 10 / 02 / 2009 - Reads: 1234 The museum is located in an area populated in the 6th century before Christ, but is famous for the findings in an untouched imperial grave, which had been discovered in 1978.

Brabant
The Brabantian Dictionary Published: 10 / 01 / 2009 - Reads: 1192 In a study project I derived the following dictionary Brabantian Dutch English German from three novels by Antoon Coolen: - "De goede moordenaar" (1931), - "Hun grond verwaait" (1927), - "De man met het Jan Klaassenspel" (1933) and some other sources including: - "Telemachus in het dorp" by Marnix Gijsen (1947) and Beekman & Beekman by Toon Kortooms (1950)

Dyaeus
The Sky-God Dyaeus Published: 05 / 15 / 2009 - Reads: 3136 Dyaeus is a common deity, shared by all Indo-European communities. From a great number of palaeolithic dual-headed divine sculptures, burial ceremonies, biblical quotations and color codes the author develops the characteristics for the androgynous sky-god Dyaeus, whose "Hermaphrodites" are referring to the famous androgynous creation legends in Plato's Symposium and in the Kabbalistic Book Zohar.

Contents
Hierarchies............................................................................................................................................1 Safe hierarchies................................................................................................................................1 Language..............................................................................................................................................2 Vowel Structures...................................................................................................................................3 IU-piter.............................................................................................................................................5 IA..................................................................................................................................................5 An Anomaly at Chur, Switzerland...................................................................................................5 The -rune as an ego-pronoun........................................................................................................6 Colors...................................................................................................................................................7 The Color alphabet for Illiterate readers..........................................................................................7 Three-colored rainbows...................................................................................................................8 Bibles..................................................................................................................................................10 Wycliffe's Bible..............................................................................................................................10 The Claudian Letters......................................................................................................................10 Scientists.............................................................................................................................................11 The Y-symbol for Albertus Magnus...............................................................................................11 Goethe's color theory.....................................................................................................................11 The flag of Columbia.....................................................................................................................11 Investigative tools and fields..............................................................................................................13 Scribd.............................................................................................................................................13 Steinbeck........................................................................................................................................13 Diaries............................................................................................................................................14 Trading Routes...............................................................................................................................14 Tuisco.............................................................................................................................................14 The Brabantian dialect ..................................................................................................................15 Poetry and Paintings......................................................................................................................15 The PIE-Trinity-Concept in a table....................................................................................................16 Summary.............................................................................................................................................17 Appendix: Overview of some relevant references (in English).........................................................18 2012 Vowel-oriented Symbolism................................................................................................18 The PIE-Trinity-Concept ..........................................................................................................18 Retrospects................................................................................................................................18 Color Codes in Josephus' records..............................................................................................18 Back to the Roots (Archetypes, Trinity, the Assyrian Ego- pronoun).......................................18 Designing a High-Precision language.......................................................................................19 Color Symbolism......................................................................................................................20 Rainbows in the Stuppach Madonna.....................................................................................20 New Year ..................................................................................................................................21 Salutations.................................................................................................................................21 The Danish -pronoun.............................................................................................................21 Mithras Liturgy.........................................................................................................................22 Tuesday and Thursday..............................................................................................................22 The PIE-concept........................................................................................................................22 Redundancy...............................................................................................................................23 Goethe's Color Theory..............................................................................................................23 2011 Vowel-oriented Symbolism................................................................................................24 Overview...................................................................................................................................24 Claudius' letters.........................................................................................................................24 The Alpine Pronouns.................................................................................................................24 The Alpine Pronouns.................................................................................................................25

lfric's Sermon.........................................................................................................................26 Dante.........................................................................................................................................26 The Mystery of the Seven Vowels.............................................................................................26 Translation Errors in Exodus.....................................................................................................26 The Vowel's Symbolism............................................................................................................27 The IU-Codes............................................................................................................................27 Delphi's Letter E........................................................................................................................27 Symbolism of Colors................................................................................................................27 2010 The Ego-pronouns, PIE, Mirio.........................................................................................29 Wycliffe.....................................................................................................................................29 The Ego-Pronouns.....................................................................................................................29 Widukind's Tomb......................................................................................................................30 PIE-Concept..............................................................................................................................30 Frederi Mistral's poem Mirio...................................................................................................31 Book of Common Prayer..........................................................................................................31 Red & Blue, Purple's Symbolism..............................................................................................32 Fontevraud................................................................................................................................32 Waiblingen................................................................................................................................32 Freemasonary............................................................................................................................32 Illuminated Manuscripts...........................................................................................................33 Notitia Dignitatum....................................................................................................................33 Colored Idols.............................................................................................................................33 St. Peter.....................................................................................................................................33 Hieronymos Bosch ...................................................................................................................34 William of Orange.....................................................................................................................34 The Kingfisher .........................................................................................................................34 Color Codes...............................................................................................................................34 The Last Supper........................................................................................................................35 Judas..........................................................................................................................................35 2009 Dyaus, Colors, Exodus, Flags, Hochdorf...........................................................................37 Red & Blue-combinations.........................................................................................................37 Red & Blue & Purple in the Bible............................................................................................37 Hochdorf...................................................................................................................................37 Brabant......................................................................................................................................38 Dyaeus.......................................................................................................................................38