Everand Logo

Welcome to Everand!

  • The Paris Review

    Norma Does Not Lie: On Believing Women

    by Alison Kinney Oct 20, 2017 4 minutes

    Sondra Radvanovsky and Joseph Calleja. Photo: Ken Howard for the Metropolitan Opera.

    Ten years ago, the first time I saw Vincenzo Bellini’s 1831 opera, Norma, at the Met, I noticed one quirky bit of stage business. In the opera, the Roman proconsul Pollione has come to 50 Gaul to pacify the locals. He’s also pursuing a young, lovely priestess, Adalgisa. But his buddy Flavio calls him out: Pollione has already seduced the high priestess, Norma. Norma broke her vows and betrayed the revolution for Pollione’s sake—and gave birth to their two sons. So what about Norma and the kids?

    You’re reading a preview, subscribe to read more.

    More from The Paris Review

    The Paris Review1 min read
    Life Poem 1
    A leaf falls here/there, now/thenbehind the rain, a curtain of rain,the trees in their own time.I see now that time falls in layers. There were deer there once, in the clearing,three deer, large as memory objects.They stood in a circleas if they knew
    The Paris Review1 min read
    Haptographic Interface
    I’m a Keats botso are youour living handsheld toward each otheron the internetsolution sweetI stood on a peakin Darien, googledmy errorI am so colonialI am tubercularmy alveoli a-swellmy actual bloodyour actual bloodwe made loveI planted basilI plant
    The Paris Review1 min read
    The People’s History of 1998
    France won the World Cup.Our dark-goggled dictator died from eating a poisoned red applethough everyone knew it was the CIA. We lived miles from the Atlantic.We watched Dr. Dolittle, Titanic, The Mask of Zorro. Our grandfather, purblind and waitingfo

    Related Books & Audiobooks