The Paris Review

Was Holly Golightly Bisexual?

Audrey Hepburn as Holly Golightly in Breakfast at Tiffany’s

The name Holly Golightly is synonymous with sex and sophistication, but viewers may not know as much about her as they think. Audrey Hepburn’s portrayal of the character in the 1961 adaptation of Truman Capote’s Breakfast at Tiffany’s, with her iconic little black dress, ushered in a new fashion era for women. But the movie also signaled a change in the average person’s attitude toward sexuality. As the 50s became the 60s, sexual mores strayed from the rigid monogamy of the past into the culture that produced key parties, beatniks, and the Free Love movement.

Hollywood’s standards lagged behind. The Motion Picture Production Code, which banned such on-screen events as excessive kissing — and please, don’t even about sex — came into effect in 1934. Since then, homosexuality had for the screen in 1960, the production code’s grip on American filmmaking was already beginning to loosen, thanks to the competing racy material in foreign films and on television. Axelrod found himself with the challenge of satisfying audiences who wanted movies that reflected their changing attitudes, while still making a movie the tight rules of the Production Code would deem decent enough to release.

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Credits
Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages

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