The Paris Review

Two Revolutions

Martin Puryear’s “Liberty/Libertà,” an exhibition featuring significant new sculptures in the artist’s oeuvre, is the United States’ official contribution to the ongoing 2019 Venice Biennale. The following essay appears in the catalogue accompanying Puryear’s presentation.

Installation view, “Martin Puryear: Liberty/Libertà,” La Biennale di Venezia, U.S. Pavilion, Venice, Italy, 2019. Photo: Joshua White—

“I like a little rebellion now and then,” wrote Thomas Jefferson, then U.S. minister to France, to Abigail Adams. She’d sent him a letter denouncing Shays’s Rebellion, a movement of Massachusetts insurgents, many of whom had served in the Revolutionary War but were now militating openly against the state they’d fought to form. Farmers, unable to pay their debts, had been

Sie lesen eine Vorschau. Registrieren Sie sich, um mehr zu lesen.

Mehr von The Paris Review

The Paris Review43 min gelesen
The Art of Poetry No. 108
Robert Hass read poetry early on, but he first imagined being a fiction writer. And though he would become known around the world for his poems—sometimes giving them titles like “Novella” and “A Story about the Body”—his first publication was a piece
The Paris Review1 min gelesen
Silvia Guerra
The dry, black branches of winter seen in flight run singing. Come here to drink translucent drops on fresh leaves. Come over here, and try to light that wick. If you descend from the summit, humming, perhaps I can see you, perhaps at the river’s cur
The Paris Review6 min gelesen
Cover: courtesy of Francesca Colussi. Pages 40–69, courtesy of Robert Hass; page 70, © 1998 by Fred Viebahn; page 73, © 1996 by Jock McDonald; page 77, © 2007 by Miriam Berkley; pages 106–23, courtesy of Francesca Colussi; pages 124, 139, courtesy of