MHQ: The Quarterly Journal of Military History

MISTAKEN TARGETS

Neutrality in warfare has existed as a legal or social concept for centuries. It is a lofty ideal: that a nation can declare to the world that it wants no part in any quarrel beyond its borders, and then rely on the forbearance of warring neighbors to respect that declaration. Far too often, they do not. It is hardly surprising, then, that violations of neutrality fill the historical record. The earliest iterations of neutrality in the Western world were religious in nature, as in medieval times, when all combatants were to spare the church and its clergy from depredation and attack. But the protection was often illusory, and cloister and cleric frequently suffered the ravages of war, just as their secular counterparts did.

Throughout history, violations of neutrality in wartime have been both deliberate (to achieve a strategic goal or to avert a greater calamity) and accidental. The opening weeks of World War I provided some notable examples. Belgium had been guaranteed independence and neutrality by the 1839 Treaty of London, but in 1914 Germany deliberately violated the terms of the treaty when it chose to use Belgian territory as the most expedient

You’re reading a preview, subscribe to read more.

More from MHQ: The Quarterly Journal of Military History

MHQ: The Quarterly Journal of Military History10 min readInternational Relations
Reprisals In War: A Result Of Lawful Force Or War Crime?
One of the most iconic paintings to depict the horrors of war is Francisco Goya’s The Third of May 1808, which depicts an incident during the Peninsular War against Napoleon in Spain. The nighttime scene of a group of Spanish civilians facing executi
MHQ: The Quarterly Journal of Military History1 min read
Subscribe Now!
CHOOSE FROM NINE AWARD-WINNING TITLES Your print subscription includes access to 25,000+ stories on historynet.com—and more! SHOP.HISTORYNET.COM ■
MHQ: The Quarterly Journal of Military History2 min read
Battle Hymn Of The Republic
The lyrics to America’s most famous marching song of the Civil War were written when their author was half-asleep and first sold to a magazine for the whopping sum of five dollars. Julia Ward Howe had been visiting Washington, D.C. in November 1861 w

Related Books & Audiobooks