Garden & Gun

CHIPPING AWAY AT THE OLD BLOCKS

I of the South Carolina Lowcountry. Gunning ringbills, mallard, wigeon, and woodies mostly, from palmetto-frond blinds in the Combahee marsh or by jumping the black-water ponds behind the barrier-island dunes on Capers, Pritchards, and Fripp. Other duck hunters out there somewhere. In the hush of the high-tide slack wind, in the crystalline frost that comes with it, you could hear the gabble of duck calls and a dog rattle his collar a mile or more away.

We called the decoys blocks, an easier word when whispering in the predawn can’t-see. They were indeed blocks in duck hunting’s early days, lovingly and artfully carved from cedar, magnolia, or pine, but by the time I came to the gun in the sixties, most of mine were plastic, outside of a few treasured hand-me-down L.L. Bean coastal corks.

I’M A DUCK HUNTER, STRICKEN EARLY AND STRICKEN HARD, AS A LAD OF SIXTEEN, CAST LOOSE UPON THE WATERS

Then I ran off to

You’re reading a preview, subscribe to read more.

More from Garden & Gun

Garden & Gun3 min read
The Tao of “Woo!”
Spring has sprung and the grass has riz, which means it’s bachelorette party season—the time when brides-to-be join forces with their besties to storm the streets in matching pastel outfits, feather boas, and tiaras increasingly askance as the night
Garden & Gun2 min read
THE WELCOMING COMMITTEE Benjamin Deaton and Anna Scott K. Masten
While New York and Los Angeles have long been the epicenters of the contemporary American art trade, Atlanta is making a strong case for joining that list. One combined force shifting attentions south: Benjamin Deaton and Anna Scott K. Masten, who, j
Garden & Gun3 min read
The Art of Marriage
The first time I saw Joan Griswold, I said, “Damn, she’s pretty. What does she do?” “Paint,” I was told. “You mean…?” “Yep. An artist.” “Well, where’s her ocelot?” You see, I didn’t grow up around artists. I did once happen upon Salvador Dalí, in a d

Related Books & Audiobooks