UNCUT

BOOKS

JUST seven days after David Bowie’s performance of “Starman” stunned viewers, the July 13, 1972 edition featured a grainy video of Hawkwind performing breakthrough single “Silver Machine” at Dunstable’s Queensway Hall. Sandwiched between The Stylistics’ “Betcha By Golly Wow” and Johnny Nash’s “I Can See Clearly Now”, the clip featured the band’s in-house dancer Stacia performing an ecstatic rite surrounded by Cro-Magnon longhairs. As frighteningly modern as Bowie had looked, he was still recognisably a creature from the world of showbusiness. Hawkwind, by contrast, seemed barely human.

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT2 min read
Limited Time Offer
UNCUT is a place where readers the world over can share our passion for the finest sounds of the past 60 years – old and new, beloved and obscure. Each issue is packed full of revelatory encounters with our greatest heroes, trailblazers and newcomers
UNCUT11 min read
Isobel Campbell
SINCE joining Belle & Sebastian on vocals and cello while still studying music at Strathclyde University, Isobel Campbell has followed her passion to some fascinating places. Even before jumping ship from B&S – during the early days, Campbell and ban
UNCUT2 min read
Flying Below The Radar
THOUGH David Gilmour has no clear memory of hearing The Montgolfier Brothers for the first time, it isn’t hard to discern the qualities in their music that would have appealed to his sensibilities. On “Journey’s End”, taken from their 2005 album All

Related Books & Audiobooks