Writing Magazine

TRUE CRIME

With a past as a probation officer and a partner who is an ex-murder detective, there is no question that Mari Hannah’s crime fiction bears the stamp of authenticity. But it also involves the kind of emotion you would expect in an epic romance. In her new novel, Without a Trace, her central character DCI Kate Daniels is involved in investigating a public crime that is also a personal tragedy when the love of her life, Jo, is on a flight from London to New York that disappears.

‘Kate is out of her depth, forcing her way into an investigation,’ says Mari. ‘I piled the pressure on her. But it’s about love and loss and never giving up.’

Readers of Without A Trace will be caught up as much in the heartstringjerking relationship between the two women as they are by the thrilling developments of the unfolding crime investigation. ‘People will forget what you’ve said, people will forget what you did, but people will not forget how you made them feel,’ says Mari. ‘There is no substitute for emotion if you want people to be involved with the book. I’m very happy if I’ve tugged at my readers’ hearts.’

Multi-award-winning, bestselling author Mari says she deals in universal emotions: ‘Love, loss, grief. That’s the whole point of writing, isn’t it, to get people feeling emotional? I think crime fiction has to have heart. It has to have

You’re reading a preview, subscribe to read more.

More from Writing Magazine

Writing Magazine1 min read
Fiction Factory Poetry Competition 2024
For its Poetry Competition, Fiction Factory is inviting entries of original, unpublished poems up to 40 lines. The competition will be judged by Helen Cox. The winner will receive £100, feedback on five poems and an hour-long mentorship Zoom call. Fi
Writing Magazine2 min read
Small Press Opportunities
The Journal of Compressed Creative Arts, published by Matter Press, a US nonprofit literary press, is looking for what they term ‘compressed creative arts’, writes Gary Dalkin. They accept fiction, poetry, creative nonfiction, and visual arts, as lon
Writing Magazine3 min read
Tips And Exercises For Writing Historical Fiction:
In writing historical fiction, it’s easy to get lost in the dates and facts that you’ve been researching (Who was monarch at the time? Which countries were allied in the War of Spanish Succession?). This can lead to sterile writing, and getting caugh

Related