The Chronicles of Downton Abbey: A New Era
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About this ebook
The Chronicles of Downtown Abbey: A New Era is a perfect gift book for fans of the Emmy Award-winning series and feature film, inviting readers inside the third season.
The Great War has ended, but Downton Abbey is far from peaceful...
"Americans can't get enough of Downton Abbey," said The Boston Globe. As Season 3 of the award-winning TV series opens, it is 1920 and Downton Abbey is waking up to a world changed forever by World War I. New characters arrive and new intrigues thrive as the old social order is challenged by new expectations.
In this new era, different family members abound (including Cora's American mother, played by Shirley MacLaine) and changed dynamics need to be resolved: Which branch of the family tree will Lord Grantham's first grandchild belong to? What will become of the servants, both old and new?
The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes us deeper into the story of every important member of the Downton estate. This lavish, entirely new book from Jessica Fellowes focuses on each character individually, examining their motivations, their actions, and the inspirations behind them. An evocative combination of story, history, and behind-the-scenes drama, it will bring fans even closer to the secret, beating heart of the house.
Jessica Fellowes
JESSICA FELLOWES is an author, journalist, and public speaker. She is the author of The Mitford Murders novels as well as the New York Times bestselling official companion books to the Downton Abbey TV series. Former deputy editor of Country Life, and columnist for the Mail on Sunday, she has written for the Daily Telegraph, the Guardian, The Sunday Times, and The Lady. Jessica has spoken at events across the UK and US, and has made numerous appearances on radio and television. She lives in Oxfordshire with her family.
Read more from Jessica Fellowes
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Reviews for The Chronicles of Downton Abbey
64 ratings2 reviews
- Rating: 5 out of 5 stars5/5Again, great reading for Downton Abbey fans, of whom there are legions. This will help bridge the gap between seasons.
- Rating: 5 out of 5 stars5/5Very interesting time period. I love the PBS show. I love reading about the contrasts and differences between the up-stairs and down-stars lives. Lots of cool pictures. Would reccomend to my friends.
Book preview
The Chronicles of Downton Abbey - Jessica Fellowes
THE EARL & COUNTESS
OF GRANTHAM
For a large household, organisation was vitally important, and this was certainly
true at Downton Abbey. Lady Grantham would be responsible for the working
out of the daily round, in consultation with Carson, as butler, and Mrs Hughes,
as housekeeper. Once agreed, the schedule for the week would then be
written up and displayed in the servants’ hall.
Robert It’s not so good for you.
Cora Don’t worry about me. I’m an
American. Have gun, will travel.
Robert Thank God for you, anyway.
Lord Grantham – Robert – has many good qualities: he is kind, loyal to his family, loving to his wife, adoring of his daughters, a fair employer and generous to those around him. But, for him, all these things are peripheral in the face of his most important role in life – as the 7th Earl of Grantham. As he sees it, he has been put on this earth with one prime objective: to keep Downton Abbey in its proper state and hand it over in this condition to his heir. Yet the gods appear to be against him in this enterprise: the American heiress he married to safeguard the future of the estate failed to produce the required son and heir; the next in line (a first cousin) was lost on the Titanic , leaving a distant, unknown, middle-class relative – Matthew Crawley – as heir. A brutal war undermined Robert’s certainties and prosperity, and now, in the post-war years, he has lost the family fortune in an unwise business venture and faces an uncertain financial future.
Shattered by this recent sequence of events, the mere mention of hiring a new footman is enough to rattle him. Hugh Bonneville, who plays Lord Grantham, explains: ‘His purpose is to preserve the estate and hand it on to the next generation. So whenever anything occurs that threatens him and this idea, it sets him off kilter.’ For someone as well-meaning as Robert, this situation seems terribly unjust.
It’s not all bad. The American heiress he married was, of course, Cora – a woman of resilience and unfailing supportiveness. Where Robert is emotionally insecure, she is sure of herself and undaunted by the difficulties they could face. His daughters may not be able to inherit Downton, but his eldest has done the next best thing and become engaged – at last – to the man who will. And that man, Matthew, is someone who Robert has grown to love as a son.
If anything gives Robert an advantage in these shifting times, it is probably his marriage to Cora. Elizabeth McGovern, who plays Cora, the Countess of Grantham, says of her character: ‘She finds it much easier to assimilate change than Robert, although whether that is because she is an American or because of her character is debatable. But it is this readiness that places her in the middle between her children and the older generation.’
Cora draws Robert into his role as a parent and reminds him that he should mind less about tradition and reputation and more about the happiness of his children. ‘Cora is much more able to see Branson as a young man, rather than as a chauffeur,’ says McGovern. As a mother, she has a role in life, no matter what else is going on, but being Robert’s wife is also very important to her. Cora recognises both her position as countess and the responsibilities that it entails, but also her husband’s need for her emotional support. That said, her determination to get stuck into the war effort did mean that she withdrew from her marriage for a time, leaving Robert feeling isolated.
Robert Sometimes I feel like a creature
in the wilds, whose natural habitat is
gradually being destroyed.
Furthermore, much of what Robert sees around him, and particularly what he reads about in the newspapers, can only serve to underline his fears that he is becoming an outmoded, defunct element of society. As Britain began to recover its senses after the war, it became clear there was no hope of returning to the way things had been in 1914. In 1920 Devonshire House, one of the most famed palaces on Piccadilly (the venue for a party for Queen Victoria’s Diamond Jubilee in 1897), was sold by the Duke of Devonshire to a financier. The Duke had been crippled by the debts of his predecessor and the first death duties his family had had to pay, which amounted to around half a million pounds. (The house was later demolished and only the wine cellar and gates remain – the latter form the entrance to Green Park.) The sale of the house marked the end of an era. For Robert it would have been a vivid sign that even the grandest, richest families were not immune to the stringent financial pressures of the post-war