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A Death in Summer: A Novel
A Death in Summer: A Novel
A Death in Summer: A Novel
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A Death in Summer: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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One of The Chicago Tribune's Best Reads of 2011

One of Dublin's most powerful men meets a violent end— and an acknowledged master of crime fiction delivers his most gripping novel yet

On a sweltering summer afternoon, newspaper tycoon Richard Jewell—known to his many enemies as Diamond Dick—is discovered with his head blown off by a shotgun blast. But is it suicide or murder? For help with the investigation, Detective Inspector Hackett calls in his old friend Quirke, who has unusual access to Dublin's elite.

Jewell's coolly elegant French wife, Françoise, seems less than shocked by her husband's death. But Dannie, Jewell's high-strung sister, is devastated, and Quirke is surprised to learn that in her grief she has turned to an unexpected friend: David Sinclair, Quirke's ambitious assistant in the pathology lab at the Hospital of the Holy Family. Further, Sinclair has been seeing Quirke's fractious daughter Phoebe, and an unlikely romance is blossoming between the two. As a record heat wave envelops the city and the secret deals underpinning Diamond Dick's empire begin to be revealed, Quirke and Hackett find themselves caught up in a dark web of intrigue and violence that threatens to end in disaster.

Tightly plotted and gorgeously written, A Death in Summer proves to the brilliant but sometimes reckless Quirke that in a city where old money and the right bloodlines rule, he is by no means safe from mortal danger.

LanguageEnglish
Release dateJul 5, 2011
ISBN9781429972918
Author

Benjamin Black

Benjamin Black is the pen name of the Man Booker Prize-winning novelist John Banville. Black's books include The Black-Eyed Blonde, Christine Falls, The Silver Swan, among others. He lives in Dublin.

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Reviews for A Death in Summer

Rating: 3.55248622320442 out of 5 stars
3.5/5

181 ratings30 reviews

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  • Rating: 2 out of 5 stars
    2/5
    After reading the first few chapters, I skipped to the last to see whether there was any point in continuing. There didn't seem to be. A Death in Summer strikes me as dull and formulaic in both plot and characters. The country-house murder of a ruthless, nouveau-riche tycoon; an exotic wife; the estranged family relationships; an investigator who reveals his own secrets as he uncovers the poisonous secret beneath the glitter that led to murder. One might say that this has been done to death.In future, I'll stick to John Banville, whose books I greatly enjoy.
  • Rating: 3 out of 5 stars
    3/5
    In a word: bleak. Centers on the emotional -- and physical -- effects of a murder on the investigators who turn out to have personal connections to the victim and the victim's family and friends. This is the fourth book in a series set in Dublin but it can be read as a stand-alone mystery.
  • Rating: 4 out of 5 stars
    4/5
    I've heard that most people who love the Benjamin Black novels don't enjoy the John Banville novels and vice versa. I've read both and in general, I agree. I vastly prefer Banville's mysteries and I think that the reasons are two-fold: Garret Quirke and the 1950's Dublin setting. Coupled, of course, with Banville's absolutely gorgeous prose. I've read all four Benjamin Black novels and while it would be difficult for me to choose a favorite, "A Death in Summer" reminded me of one my favorite mystery writers, Raymond Chandler. There was something in the pacing of the novel and the vulnerability of Quirke that reminded me of Philip Marlow in "The Big Sleep." The way the plot unfolded reflected the soporific heat of the Dublin summer. Quirke shares similarities with another one of my favorite detectives, John Lawton's Inspector Troy. Both Troy and Quirke are handsome, flawed, and prone to choosing the wrong women. Like Philip Marlowe. Can't wait to read about Quirke's next case.
  • Rating: 3 out of 5 stars
    3/5
    Good old Quirke. The coroner/sleuth/ladies man is back to solve another puzzle. I've read the other Dr. Quirke books by Benjamin Black, and there's just something so appealing about the Dublin city life and Dr. Quirke in it: his mournful boozing, the earnest but misguided attempts at parenting his adult daughter, and the stream of ladies that nevers ends, despite no apparent effort on his part to attract them. In fact, I picture him much as the detective George Gently played by Martin Shaw on the British television series Gently. In any case, this story involves the suspected suicide of the high-profile society member and horseman Richard Jewell. Quirke ends up at the country estate almost immediately and assists in interviewing the widow, a striking French woman who is calm and collected despite the horror she just discovered. As in many television shows, the medical examiner here seems more of a detective than a doctor...he pretty much leads the investigation for all purposes. Yes, it's a bit of a stretch but Quirke is just that kind of character, one that Black (a pseudonym of author John Banville) writes well. Because it takes place in Ireland, there are gorgeous descriptions of country estates, drawing rooms, and endless cups of tea. As in all Black novels, many descriptions of the facets of light and dark, the penumbras of shadow play. I noticed a new motif in this particular novel-trees are often described extensively and with a sense of purpose to the story. It's a nice touch that makes the story feel more of a journey than a procedural.So with all that going for it, it should be better than it is. Don't get me wrong, I really enjoy the series and the character of Quirke is up there with Wallander for me in terms of crime fiction. But this one disappointed me in two ways. First, it introduces a story line about Sinclair, Quirke's assistant, and his possible relationship with Phoebe, Quirke's troubled but plucky daughter. It's compelling, but it doesn't seem to develop-it drops off completely. Then, there are the other characters that make up the suspects, and I felt like they were all sort of caricatures-from beginning to end, they never changed in their behavior. Instead of developing some complexity or depth, they simply remained the same as when the story introduces them. This made predicting and solving the crime fairly easy for the reader. Usually in a detective story, the underlying rule is 'nothing is as it seems'; yet in this one, yep, it pretty much is exactly how it seems.And, no spoilers here, but in terms of imagination, the plot of this book has been on every other episode of Law & Order SVU. Mental illness, homeles children, anti-Semitic hate crimes, and business corruption fill in the blanks, but the basic premise is pretty bland and predictable. It's still an enjoyable read, as there's something strangely peaceful about the old-school sleuthing that Quirke does.
  • Rating: 3 out of 5 stars
    3/5
    The fourth installment in Black's Quirke series. This novel, like the previous ones, is set in post-World War 2 Dublin. Quirke is once again drawn into investigating a murder with Inspector Hackett. This time, a wealthy businessman's murder is made to look like suicide. I think this was my least favorite of the series so far, but I still enjoyed the book. I love the setting and the tone of these books. Black does noir so well. However, I did feel kind of here-we-go-again when some of the answers to the mystery were revealed.
  • Rating: 3 out of 5 stars
    3/5
    While I've enjoyed the Benjamin Black novels featuring Irish pathologist Quirke, and this is a fine entry into the series, I would caution readers of mysteries that these are not "who done it?" style stories. On offer here is a more thoughtful character driven study, not a tale of deduction. A fine, well written book, just be aware of what you're getting.
  • Rating: 5 out of 5 stars
    5/5
    Another LT win. And another excellent addition to the Quirke series.Philanthropist Richard Jewell is shot--head blown clean off--and it looks like suicide. Except it's rather difficult to shoot oneself with a shotgun. And since Inspector Hackett is called to the scene and Quirke is the medical examiner on call, well, they walk right into trouble. Again.We finally get to meet Sinclair, Quirke's assistant, as more than a shadow in the corner. He becomes very real in this novel. And, as always, we get new interesting characters related to the victim. Some I'm sure will be back, though whether as a minor but important plot point, like Jimmy Minor, or more major, like Sinclair, is still to be seen.And Quirke. He's still mostly likeable, but still also a bastard in some ways, as he shuffles his way through figuring out the mystery, which, as always, is far nastier than it initially seems. The Dublin of the 1950s has an underbelly as dark as NYC or LA. And it makes for wonderful stories. I look forward to the next adventure Quirke has.
  • Rating: 4 out of 5 stars
    4/5
    I have enjoyed every one of Benjamin Black's dark mystery novels set in 1950s Dublin, and A Death in Summer is no exception. The fourth book in the series featuring the pathologist Dr Quirke with his complicated and troubled life. This time, he is called in at the suicide of a rich and powerful man, only it's not suicide and nothing is clear or easy. Meanwhile, we learn more about Quirke's ambitious assistant. For the first two-thirds of the novel nothing seems to fit together or to be going anywhere. Plot lines lead to apparent dead ends in a meandering sort of way, but Black's writing is always so enjoyable I was willing to wander wherever he wanted to take me. Of course, in the final third of the book things get going, in churning, gut wrenching fashion, in which he pulls everything together at the last possible moment. Atmosphere is the star of this novel, with scenes described evocatively in very few words. I'd recommend beginning this series at the beginning, with Christine Falls, but if you've been following Quirke along his lugubrious way, you won't be disappointed with this one.
  • Rating: 3 out of 5 stars
    3/5
    This felt a bit less lyrical, and "thinner" in the story than previous ones. Still enjoyable, except for Dr Quirke's unaccountably charming way with the posh ladies...
  • Rating: 4 out of 5 stars
    4/5
    Having enjoyed Banville's forage into Chandler's World with a "new" Philip Marlow novel, "The Black-Eyed Blonde", I decided to give Banville's "Quirke" series a try. After all, it was obvious in The Black-Eyes Blonde, Banville was no slouch as a writer and, more evidence of this is that Banville was short-listed for the Booker Prize in 1989 for "The Book of Evidence", won the Booker Prize in 2005 for "The Sea" and was awarded the Franz Kafka Prize in 2013. Banville has at least a dozen or so other most-prestigious awards--and, it is rumored, he is on the short-list for a Nobel Prize in Literature. Even though Banville has labeled his crime fiction as "cheap fiction" , Banville's writing has been called perfectly crafted, beautiful, and dazzling. His skill shows up here in this pleasurable read of his "cheap fiction". The only book in the Quirke series in the Library at the time I went looking was "A Death in Summer" from 2011, by Banville's alter-ego Benjamin Black. I read it in three stayed-up-late sittings. The writing is magnificent and, as he is known-for a terrific sense of humor it, fortunately, in a subtle and not easily perceived way, shows through in this novel-which is the 4th book of the Quirke series. Beginning with the main protagonist "Quirke" , starting with the character's name, moving on to his occupation, and his dialogue and his image of himself, that sense of humor continues to reside in a light dusting throughout the personalities, the language, the places, and the physical being of the other characters. The plot does not hold center stage here--the people, and the places do. The plot is importantly there however, is believable, i effective and not fabricated, but who did it and how was it done frequently turns over the stage to who who is, and why and what who will do next , and why who did what was done in the first place. Make no mistake, however; the book has power, reward, suffering and pain, laid on with a most delicate hand.
  • Rating: 2 out of 5 stars
    2/5
    Disappointing. As others have said, the plot and solution are very predictable. This was the first book in this series that I've read, but I don't think I'll read any of the others; I didn't find any of the characters, except for Inspector Hackett, very engaging. Perhaps if I'd read the series in order, I'd feel differently; throughout, I sensed that I was supposed to know (and care) more about Quirke than I did. That's always a danger when you pick up a series in the middle, but I do think that this outing seemed to depend a little much on the reader's prior experiences with the characters.
  • Rating: 4 out of 5 stars
    4/5
    I enjoy Dr. Quirke and have read Benjamin Black's other Quirke novels. The character of Quirke is an interesting one, with all of the complexity, strengths, frailities and flaws one would expect of a human being. Benjamin Black presents a fine, intelligent, multi-layered story that makes one think. And that is commended.
  • Rating: 2 out of 5 stars
    2/5
    I received A Death In Summer through the Early Reader Program. Having read several of Black's (pen name for John Banville) mysteries I was pleased to have scored his latest book. Alas, while it was beautifully crafted and his writing did not disappoint, the plot was tired and character development was non-existent. Dr. Quirke's character needed much more back-story. He seemed as weary of his life as I was when I finished. Black's reliance on innuendo and veiled hints really didn't add to the mystery, just made me impatient to get to the end.I would have trouble recommending this to other readers. I think loyal Banville/Black readers will enjoy the writing, but should lower their expectations re. the plot. It may be time for Banville/Black to retire Dr. Quirke. They both seem bored with the whole mystery game.
  • Rating: 3 out of 5 stars
    3/5
    Good, as usual; but the story pattern of the Quirke novels is starting to become too apparent.
  • Rating: 4 out of 5 stars
    4/5
    Benjamin Black is a pen name for Booker Award-winning novelist John Banville. I enjoyed Banville's book The Sea and I have a special fondness for novels set in Ireland so I thought I would give this book a whirl.Newspaper magnate Richard Jewell was found dead in his home office apparently of a self-inflicted gunshot to the head. DI Hackett of the Irish police force (called the Guards in this book which is set in the 1950s but now called the Garda) investigates along with his friend, pathologist Quirke. Fairly quickly they establish that Jewell was murdered and then the hunt is on for the perpetrator. There are lots of possibilities as Jewell was not well liked. Jewell leaves behind his wife, Francoise, his daughter, Giselle, and his sister, Dannie. None of the women seem devastated by his death although Dannie calls in her friend David Sinclair who is Quirke's assistant to help her deal with the trauma. Francoise certainly seems quite cool and collected. Quirke gets to know Francoise quite well and his daughter, Phoebe, becomes friends with Dannie through David Sinclair. By the time the mystery is unwound relationships have been made and unmade. I suspected who the murderer was and the reason for the murder well before the end so this wasn't the most gripping whodunit for me. However, I was sufficiently intrigued by Quirke, Phoebe and David to keep reading. There were numerous references to Quirke's past that were not clear to me but maybe if I had read the preceding books they would be. I will be looking for those since I think this series has promise.
  • Rating: 3 out of 5 stars
    3/5
    I picked up A Death in Summer because I had read The Black Eyed Blonde and really liked it. I will say up-front that Benjamin Black is a very good writer. But there were several times when I wanted to give up on this book. It moved so slowly that I wasn't sure that the murder was even being investigated, much less that it would ever be solved.There are many, many clues as to who the murderer is and the motive, but they are so buried amidst all the other slow moving stuff that one could fail to recognize them - or right off the bat you know and you wonder why it took the whole book to figure it out. When I started the book I was so impressed with Black's writing that I wanted to get the other ones in the series, but I think I will pass. Once was enough.
  • Rating: 4 out of 5 stars
    4/5
    This was my least favorite of the series. It seemed to retread old ground, and the mystery wasn't very interesting or hard to figure out. Not bad, but not up to the first three books, in my opinion.
  • Rating: 3 out of 5 stars
    3/5
    Something about this novel was just . . . lacking. There were so many points of interest that Black could have picked up on, yet he seemed to leave them dangling as loose threads, never weaving them into any meaningful, complex tapestry. Take the setting of 1950s Ireland, for instance: yes, it's there, and we're not in 2011 anymore, but Black could have done so much more with setting and scene, made it so much more vibrant (or gloomy, as may be more appropriate) than it actually was. Some fashion details, classic cars, and the pervasive absence of cell phones do not a period setting make. True, this novel could not have existed without the ability for the wealthy and entitled to exert their power over basically everyone else, but I would have liked to have seen Black really take his milieu and run with it.Then there's the predictability. Mild spoilers here, but in this book 2 + 2 really does equal 4, and characters do behave in quite predictable ways. Even Phoebe-- who I have found unpredictable before-- seems rather dull and unexiciting here. Where you can expect to find anti-Semitism, you find it. Where you can expect to find Church corruption, you find it. If it doesn't look like a suicide, well, no fancy deduction needed: it isn't. If it has a whiff of sexual corruption, expect as much. Appears to be mentally unstable? Count on it. This really wasn't one for page-turning suspense and surprise conclusions.And is Black perhaps getting tired of this set of characters? As mentioned above, even quirky Phoebe seemed tiresome. There's a plot with her and Sinclair, but it fizzes into nothingness. One potentially interesting character from the last novel in the series appears to be written out. Quirke seems to be going through the motions, "playing" an alcoholic detective with a weakness for women stereotype (nothing wrong with that; I can appreciate that in a main character) rather than coming alive on the page as a distinctive example of one (now, that's a problem).I would have liked to see more of Quirke in his coroner, role, too; it may have been making him into too much of a private detective here that made a lot of the plot hang loosely on coincidencial encounters and "surprising" discoveries. Perhaps he was too far out of his element? I'm not positive what Black needed to do with this novel, but it needed another go-round and think-though at the outset before becoming a published work. It's ultimately disappointing and predictable, full of lost opportunities and humdrum cliches.
  • Rating: 4 out of 5 stars
    4/5
    I just finished a who dunnit by an author new to me, Benjamin Black, the pen name of John Banville. The book is set in Dublin, Ireland where Richard Jewell, aka "Diamond Dick" a rich powerful newspaperman is found with his head blown off by a shotgun. Crusty old detective Hackett calls in his friend Quirke a medical examiner to help solve the crime. Quirke, who is well named by the way, quickly gets personally involved with Jewell's beautiful french wife, Francoise.Detective Hackett and Quirke are crusty old guys with a few nicks and scrapes. The writing is superb and the plotting tight. This was a great find and I recommend it highly. Get it at your local library, I did, save some bucks.
  • Rating: 4 out of 5 stars
    4/5
    Another solid read from Benjamin Black. After newspaper tycoon Richard Jewell commits suicide (so it seems), Quirke is called in to help out his friend Hackett. Once again, Quirke gets wrapped up in situations he shouldn't and straddles the lines between his career, personal life, and family. Another chapter in the great adventures of Dr. Quirke. Fun read as usual.
  • Rating: 4 out of 5 stars
    4/5
    Richard Jewell, infamous newspaper magnate, has apparently shot himself. But Dr Quirke and Inspector Hackett, who are called out to the crime, begin to suspect that it is murder rather than suicide.Through several twists, turns and blind alleys they eventually work out who is responsible and why - and who are involved in other crimes along the way.This was a good story, with plenty of twists and turns and red herrings. Just when you think you know who did it, something else happens to make you think differently. It is not a who-done-it that you are sure from the beginning. I'm not sure it's "chilling" as the Sunday Telegraph apparently described it, so don't let that put you off.An all round good read.
  • Rating: 4 out of 5 stars
    4/5
    This is a detective story by Julian Barnes. A defter touch than most, more interested in character than most, but not too well plotted,
  • Rating: 5 out of 5 stars
    5/5
    The continuing story of Quirke,a pathologist and Dubliner whose life is full of troubles inflicted by both himself and others. He becomes involved with the wife of a murder victim who draws him into a web of events from which he finds it difficult to extricate himself.The writing is excellent,both as far as the story is concerned and in the style itself.
  • Rating: 4 out of 5 stars
    4/5
    How is Quirke so easily seduced by every woman he meets? Ending in some way similar to the last book.
  • Rating: 4 out of 5 stars
    4/5
    It was a drowsy day in summer, a perfect day for a death:"When word got about that Richard Jewell had been found with the greater part of his head blown off and clutching a shotgun in his bloodless hands, few outside the family circle and few inside it, either, considered his demise a cause for sorrow."Thus begins A Death in Summer, the fourth novel of this series. As Richard "Diamond Dick" Jewell lays there in his own gore in his beautiful estate called Brooklands, Quirke and Hackett, the two "Connoisseurs of death," arrive on the scene. Jewell runs the Daily Clarion, Dublin's top-selling newspaper, and while the death looks like a suicide the press isn't going to run it as such, since suicides were never reported in the newspapers. Quirke, who had met Jewell some time earlier at a charity function, doesn't believe it's a suicide anyway. When talking to Françoise Jewell, Richard's widow, and his sister Denise (Dannie), he is stymied by their seeming lack of care and wonders "who are these two women really and what was going on here?" That's but one question on his mind as he and Hackett begin their investigation. They will once again mix in the Olympic realm of the moneyed classes who are very adept at hushing up any hint of scandal and quite skilled at keeping secrets, as the investigation takes Quirke back to Françoise (more than once) and to Jewell's business rival, Carlton Sumner. One of the leads will also take Quirke to the orphanage where he spent a short amount of time before being taken to an industrial school; although he's there to inquire after someone who may hold some information, he also wonders if he isn't there to "knead" some of his old wounds. But what he learns may just be the key to unlocking the whole sordid business.Aside from the portrait of the powerful in Dublin, Black also takes a look at the deep vein of anti-Semitism that flourishes there. Jews are another group of people who find alienation in the city; many of them won't use their real names and opt for one that is less ethnic. Even though the latest Lord Mayor, Briscoe, is Jewish, there are still a lot of people who are victims of prejudice; David Sinclair, Phoebe's new boyfriend, is one of them. There are several subplots that eventually come together at the end, and there are enough diversions to keep any mystery reader well occupied. While Black continues to amaze me here with his imagery and his gift for language, and especially with his characters, this book just takes forever to get anywhere. Normally I don't mind the slow pace in Black's novels, but this one sort of dragged in several spots. When the action picks back up again, however, it turns that out the slow interludes can be forgiven because of the most evil and haunting nature of the crime, which ultimately has Hackett making the proverbial deal with the devil to gain any sort of justice:"It's the times, Dr. Quirke, and the place. We haven't grown up yet, here on this tight little island. But we do what we can, you and I. That's all we can do."highly recommended -- as are all the novels in this series. They are simply superb.
  • Rating: 5 out of 5 stars
    5/5
    Despite his endearing character imperfections, Quirke truly is an engaging and fascinating man easily capable of stealing your heart, even if only for 320 pages. He readily admits his self-indulgent life's missteps with earnest introspection. Garret Quirke steadfastly remains not only a prominent (not always in the best sense) pathologist, but also fittingly quite adept in discerning the villain, as Detective Inspector Hackett is unhesitatingly aware. Quirke's exceptionally notable and preeminently distinguished prominence with Dublin's privileged circles stems from dubious family connections well known if one is a follower of Quirke's previous adventures. When a lovely English summer day is unpleasantly disturbed by the grim discovery of the wealthy, notorious publisher Richard Jewell, aka Diamond Dick embracing a rifle in death, the immediate consensus suggests suicide. Of course, even a rank amateur could detect such an obvious fallacy. Meanwhile, the elegantly composed and lovely French widow Françoise seeks comfort with her husband's edgy half-sister Dannie in the drawing room sipping the Brits' requisite gin and tonic, any visible grief lies well submerged beneath the upper societal strata's strict protocol despite such a grisly event.Françoise, a fleeting past acquaintance who is shrewdly willing to exploit any means to deflect even the minutest suspicion upon her marvels at the fateful alignment with our precocious, yet often dispirited Quirke, who immediately stumbles into a reflective attraction for the ostensibly tangible suspect. Successful in her seductive attempts, Quirke's conflicted conscience reminds him that his continued dalliance jeopardizes his long-standing relationship. The subtle complexity of unanticipated actions hurls Quirke into a startling swirl of bewildering events which surprisingly involve not only his daughter Phoebe, but also his assistant Sinclair, who also is Dannie's confidante, a highly unstable woman. Most intriguing to me is Quirke's measured affective and philosophical evolution. Yes, he stumbles a bit along the way, but as the villain is suitably identified, Quirke definitely develops into a more emotionally stable, balanced and highly laudable character. At long last, John Banville's alter ego, Benjamin Black reveals Garret Quirke's immense possibilities.
  • Rating: 4 out of 5 stars
    4/5
    One of the pleasures for serious readers of mysteries is the continuation of a series over the years, a pleasure not available to the mainstream fiction reader. The detective, and sometimes other key characters, age over time and you have this wonderful sense of moving through life in tandem with a favorite character. Alexandria Alter, writing earlier this month in the Wall Street Journal, discusses this idea in an article titled “The Really Long Goodbye”. Kurt Wallander, John Rebus, J. P. Beaumont, Harry Bosch, Dave Robicheaux, Kinsey Millhone and Jack Reacher are just a few examples of sleuths who have advanced in years as the number of books in the series has mounted. Happily Benjamin Black (aka John Banville) is allowing his detective, Dr. Garret Quirke, to do the same.Set in 1950s Dublin, the addition of this 4th novel in the Quirke series, seems like more of a mystery than the others. The victim is identified immediately, newspaper tycoon Richard Jewell, and Quirke, a Dublin pathologist is brought into the case. There is an eerie foreshadowing of Rupert Murdoch here, as Jewell’s multifarious dealings and bizarre family connections are gradually revealed. Quirke is as complicated as ever, a loner of course, but for example in each book the relationship with his formerly estranged daughter deepens a little. It is this evolution of Quirke’s character that is one of the most appealing aspects of this series.It has been frequently noted in reviews that John Banville has found a second career writing as Benjamin Black. He has been quoted as saying that he prefers the Quirke novels to his award-winning progeny. As readers we are all the richer for these beautifully layered, elegantly written mysterious, with our friend Dr. Quirke at the center.
  • Rating: 3 out of 5 stars
    3/5
    With humidity as thick as molasses, an Irish heat wave threatens to bring Dublin to a slow crawl in this 1950s drama. Like Ireland itself, time moves slowly and this novel could have been written in a time dating from 1920s forward. Only references to concentration camps and the French resistance give us an accuracy to bring time forward.
    Like a take-off on Holmes and Watson, Inspector Hackett and his trusted partner, pathologist Dr. Quirke make an odd pair poking around in the affairs of dead newspaper owner, Richard ‘Diamond Dick’ Jewell. In a country still torn with prejudice after World War II the Irish seem surprised to find a Jewish conclave here in Dublin, one treated with respect unless they happen to get in the way. Jewell apparently got in someone’s way.
    Dropping clues like flies on a sticky summer day, Black allows us to see ahead of his investigators and we want to shout out warnings and have them discard the red-herrings. As the only so-human, flawed protagonist, Quirke, stumbles blindly ahead, only seeing the clues like a mole suddenly blinded by the bright sky after sticking his snout of a hole for the first time. Surely he can’t help but notice what he has been tripping over, especially when a bloody finger is attached to his front door in an envelope.
    Jewell’s death has so many possible suspects that it takes the entire book to whittle them down slowly, one at a time keeping you guessing until the very end. The plodding pace of the book helps evolve the storyline and makes this one worth hanging in there until the inevitable conclusion.
  • Rating: 4 out of 5 stars
    4/5
    “Benjamin Black” is the pen name taken by Booker Prize-winning Irish author John Banville for a series of mystery novels, all but one of them featuring the pathologist Dr. Quirke, a lumbering black hole of a man given to dulling his internal void with alcohol. As such, you would expect the books to have a literary quality, and in this they do not disappoint. This newest book, A Death in Summer, opens with the discovery of Richard “Diamond Dick” Jewell, wealthy publisher and philanthropist, lying across his desk with his head blown off and his favorite shotgun in his hands. This time, Detective Inspector Hackett calls in Dr. Quirke first thing, in a semi-official capacity. Neither of them accepts that Jewell committed suicide, and given Jewell’s rapaciousness as a businessman, suspects are thick on the ground. Like the other Quirke novels, A Death in Summer is not a mystery for readers captivated by the art of detection. There is no careful reconstruction of the crime, no well-laid trail of clues for the reader to decipher against an exotic background. For Black, the background is half the story—1950s Dublin, a city of class divisions nearly impossible to traverse, as muses the decidedly non-U Hackett:“Petty crooks he could deal with, the dregs of the slums, but when it came to the likes of Carlton Sumner and the Jewells he was on shaky ground, in unfamiliar territory. That was why he needed Quirke as a guide and a protector. Although Quirke had come from nothing—literally so, almost, since he had no parents and had passed his childhood in orphanages—he had been taken up into the world of money and position when he was adopted by the Griffin family. Quirke knew his way about in places where Hackett felt lost….” Dublin’s role in Black’s novels is much like Los Angeles was for Raymond Chandler—a sullen, insinuating presence that threatens to corrupt everything it touches. Here its character switches from foggy, damp, and brooding to dry, hot, and inescapable as the city suffers through a heat wave. (The Dubliners might deal better if they shed their tweed jackets, woolen socks, and felt hats, but they seem incapable of such affronts to tradition.)Quirke is drawn to Jewell’s preternaturally poised French widow, an anomaly even among Dublin’s upper crust. As before, Quirke’s hapless daughter Phoebe gets drawn into the affair, as does his assistant David Sinclair. Sinclair loses a piece of himself, but perhaps Phoebe gains…And this is the difficulty with A Death in Summer if you have read the previous novels: it resembles a soap opera, melodramatic and repetitious. The plot reads as if Black draws a certain number of cards from a deck labeled “plot devices”, then reshuffles and draws again for each book. By now these turns have become predictable. While offering the same pleasures of the earlier novels in style, atmosphere, and characters, the book ultimately lets Black’s fans down. He can do better.
  • Rating: 4 out of 5 stars
    4/5
    A DEATH IN SUMMER is the most accessible of the four Quirke books by Benjamin Black but that is not to say that the characters are not as dedicated to understanding that which cannot be understood as they are in the other books.Quirke is brought to the home of Richard Jewell, Diamond Dick, the very wealthy and very powerful owner of a chain of newspapers that he had inherited from his father, who had been Lord Mayor of Dublin, an outstanding achievement for a man of his background in the Dublin of the early twentieth century. Inspector Hackett has been called to the Jewell home after a shot rings out and Diamond Dick is found dead with the shotgun in his hands. Richard Jewell wielded a powerful weapon, the “scurrilous and much-feared Daily Clarion, city’s top-selling paper. The older Jewell had been something of an uncut stone, given to violent vendettas and a loathing of trades unions, but his son, though no less unscrupulous and vengeful, had sought to polish the family name to a high luster by means of well-publicized acts of philanthropy. Richard Jewell was known for his sponsorship of orphanages and schools for the handicapped….” Those who knew Jewell well found the notion of Diamond Dick as philanthropist laughable.Ostensibly a suicide, Hackett and Quirke realize that the manner in which Jewell is holding the gun indicates that the scene that has been staged. Jewell has been murdered and there is likely to be a trove of suspects from among all the people who have reason to hate Richard Jewell.Jewell’s French wife, Francoise d’Aubigny, does not appear overcome with grief. But her sister-in-law, Dannie, seems truly desolate. Quirke is surprised to learn that Dannie and his daughter, Phoebe, are friends and that Dannie also knows Quirke’s assistant, Doctor David Sinclair. It is David who hears Dannie’s repeated comment, “the poor orphans.”The Dublin of A DEATH IN SUMMER is less weighed down by the engulfing presence of the Catholic Church. The influence of the church is there but it is the presence of another group that runs through the story. The Jewell family are Jewish by blood although not by practice. David Sinclair is also Jewish and the author mentions Briscoe, the Lord Mayor of Dublin. Briscoe’s first term began in 1956 so the time frame is established; Dublin is moving closer to the relative freedom of the sixties and away from the stultifying atmosphere of the early fifties.Quirke is the ultimate outsider, an orphan adopted into the powerful Griffin family, but that doesn’t change his perception of his place in the world. It does, however, influence how other people perceive Quirke and the connection to the Griffins gives Quirke an inside look at the world of Richard Jewell. Inspector Hackett has no difficulty encouraging Quirke to take advantage of his social station. Quirke, despite the pleas of his daughter, is drawn to the puzzle that is the investigation of a crime. Quirke and Hackett make a good team.A DEATH IN SUMMER is about anomalies. Dublin is suffering through a heat spell that the residents of the city are ill equipped to handle. The Jewell family has denied being Jewish, not overtly, but covertly as they send Dannie “to the nuns” for her education. Yet Dannie’s hope for acceptance lies with David Sinclair. Quirke and Phoebe are not participants in the story, they are observers to a degree that is different from their roles in the previous three books. The soul of the book is David Sinclair, a peripheral character.

Book preview

A Death in Summer - Benjamin Black

1

When word got about that Richard Jewell had been found with the greater part of his head blown off and clutching a shotgun in his bloodless hands, few outside the family circle and few inside it, either, considered his demise a cause for sorrow. Jewell, known to the jauntier among his detractors as Diamond Dick, had been a wealthy man. The bulk of his money he had inherited from his father, the notorious Francis T.—Francie—Jewell, sometime Lord Mayor and proprietor of a highly successful newspaper chain that included the scurrilous and much-feared Daily Clarion, the city’s top-selling paper. The older Jewell had been something of an uncut stone, given to violent vendettas and a loathing of trades unions, but his son, though no less unscrupulous and vengeful, had sought to polish the family name to a high luster by means of well-publicized acts of philanthropy. Richard Jewell was known for his sponsorship of orphanages and schools for the handicapped, while the recently opened Jewell Wing of the Hospital of the Holy Family was in the vanguard of the fight against tuberculosis. These and other initiatives should have made Dick Jewell a hero in a city beset by poverty and chronic ill health, but now that he was dead many among the citizenry declared themselves ready to dance on his grave.

His corpse was discovered that Sunday afternoon in his office above the stables at Brooklands, the place in County Kildare jointly owned by him and his wife. Maguire, the yard manager, had come up by the outside stairs to give him a report of a stallion that was lame and unlikely to run the following Thursday in an evening fixture at Leopardstown. The door to the office was ajar but Maguire had known better than to walk in without knocking. Right away, though, he had the feeling that something was seriously amiss. When asked later to describe this feeling he could not; only the hair, he said, had stood up on the back of his neck, and he distinctly remembered hearing Blue Lightning sending up a whinny in the quiet below in the yard; Blue Lightning was Dick Jewell’s darling, a three-year-old with the highest potential.

The shotgun blast had lifted Jewell out of his chair and flung him backwards at a crooked angle across the desk, where he lay with a bit of jawbone and a few teeth and a bloodied stump of spine, all that was left of what had been his head, dangling down on the far side. On the big picture window in front of the desk there was a great splatter of blood and brains, like a giant peony blossom, with a gaping hole in the middle of it giving a view of rolling grasslands stretching off to the horizon. Maguire at first could hardly take in what had happened. It looked as if the man had shot himself, but Diamond Dick Jewell was the last person Maguire or anyone else would have expected to blow his own head off.

Rumors and speculation started up at once. It added to the shock of the event that it had taken place on a drowsy Sunday afternoon in summer, while the beeches along the drive at Brooklands sweltered in the sun and the mingled smell of hay and horses lay heavy on the summer air. Not that many were privy to the details of what had happened. Who knew better than the Jewells how to hush up a scandal? And a suicide, in these days, in this place, was a very grave scandal indeed.

*   *   *

In the Clarion offices on Eden Quay the atmosphere was a combination of pandemonium and wondering disbelief. The staff, from copyboys to editorial, felt as if they were moving underwater, or through a medium heavier and more hindering than water, and yet at the same time everything seemed to be racing along like a river in spate and carrying all before it. The editor, Harry Clancy, had come in from Portmarnock, where a caddy had been sent on a bicycle to intercept him at the twelfth hole, and he was still in golfing gear, the studs in his shoes rattling out a tattoo on the lino as he marched back and forth in front of his desk dictating a eulogy which his secretary, the no longer young and faintly mustached Miss Somers, was taking down in longhand on a pad of copy paper.

… should have been struck down in the prime of life, Clancy was intoning, by a cerebral hemorrhage— He broke off and looked at Miss Somers, who had stopped writing and sat motionless with her pencil suspended over the sheaf of paper on her knee. What’s the matter?

Miss Somers seemed not to have heard him, and began writing again. … in the prime of life… she murmured, scoring the words laboriously into the cheap gray paper.

What am I supposed to say? Clancy demanded. That the boss blew his brains out?

… by a cer-e-bral hem-orrh-age…

All right, all right, cut that. Clancy had been pleased with himself for having hit on such an acceptable-sounding cause of death. It had been a kind of hemorrhage, had it not? There was bound to have been plenty of blood, anyway, seeing it was a shotgun Jewell had used on himself. The Clarion would not say it was suicide, nor would any of its rivals; suicides never got reported in the press—it was an unspoken convention, to spare the feelings of the relatives and make sure the insurance companies would not seize on it as an excuse to renege on paying out to the family. All the same, Clancy thought, better not to print an outright lie. It would get around soon enough that the boss had topped himself—Jesus, there was an apt phrase!—no matter what convenient lies were told. "Just say at the tragically early age of forty-five and at the pinnacle of his professional career and leave it at that."

He thrust his hands into his pockets and crossed clatteringly to the window and stood looking down at the river. Did no one ever clean this glass? He was hardly able to see out. Everything was shimmering in the heat out there and he could almost taste the cindery dust in the air, and the river had a bilious stink that no thickness of grimed glass could shut out. Read it over to me so far, he growled. He had been on fine form on the course today, with three bogeys and a birdie at the ninth.

His secretary risked a sideways glance at him. That pink pullover might be all right on the golf course, she thought, but here in the office it made him look like a superannuated nancy boy. He was a stout man with a head of auburn curls, graying now, and a cross-hatching of livid veins over his cheekbones that was the legacy of a lifetime’s hard drinking. He should beware a brain hemorrhage himself, Miss Somers considered. He was the fourth editor she had worked for in the forty years of her employment at the Clarion, not counting Eddie Randall, who broke down after a fortnight in the job and was sacked. She remembered old man Jewell, the well-named Francie; over a hot port in Mooney’s one Christmas he had made an indecent proposal to her that she had pretended not to understand. All the same, he was a real man, not like the fellows going about now, calling themselves journalists—what ever happened to reporters?—and spending half the working week playing golf and the other half in the pub.

Clancy was off again, pacing and prating: … scion of a great Dublin family and a— He stopped again, checked as Miss Somers delicately but unignorably cleared her throat. What is it now?

Pardon me, Mr. Clancy—but what was that word?

What? He was baffled.

"Do you mean scion? Miss Somers asked. I believe that’s how it’s pronounced, not skion."

She would not raise her eyes to his, and he stood in the middle of the floor breathing hard and gazing at the white parting down the center of her silver hair with an expression of angry helplessness. Bloody, impossible, dried-up old maid! Oh, do forgive my ignorance, please, he said with weary sarcasm, "—scion of a great Dublin family… And a ruthless bastard, he was thinking, who would tear out your heart as quick as look at you. He waved a hand impatiently and went and sat down behind his desk. We’ll finish it later, he said, there’s plenty of time. Ask the switch to get me Hackett over at Pearse Street, will you?"

*   *   *

But Inspector Hackett, of course, was out at Brooklands. Like Clancy, he was not in a good mood. He had just finished his Sunday dinner—a nice leg of lamb—and was getting ready to go down to Wicklow for a bit of fishing when the phone rang. A phone call on a Sunday afternoon had to be either from his sister-in-law, threatening a visit with her brood, or from the station. Today, somehow, just by listening to the bell shrilling, he had known which one it was, and that the matter was going to be a weighty one. The new fellow, Jenkins, had picked him up in a squad car; he had heard the yowling of the siren from three streets away. His wife had made him a sandwich from the leftover lamb—May’s main task in life nowadays seemed to be to keep him fed—and the warmish wad of bread and meat wrapped in greaseproof paper and making his jacket pocket sag was an annoyance to him. He would have thrown it out of the window of the squad car when they got into the country except that he would have felt disloyal.

Jenkins was in a state of high excitement. This was the first serious job he had taken part in since he had been assigned to work with Detective Inspector Hackett, and serious it certainly promised to be. Although initial reports from Brooklands had suggested that Richard Jewell had killed himself, Hackett was skeptical, and suspected foul play. Jenkins did not understand how the Inspector was managing to be so calm—even with all his years of service he could not have dealt with more than a handful of murder cases, and certainly not with one as sensational as this, if murder it was. All he seemed concerned about, however, was the fact that his fishing trip had to be canceled. When he had come out of the house, his missus hovering behind him in the shadow of the doorway, he had been scowling, and the first thing he had done when he got in the car was demand why the hell the siren had been going, since it was Sunday and there was hardly a vehicle on the streets, and after that he had not spoken a dozen words until they got to Kildare town. There they had to ask the way to Brooklands, which made him all the more annoyed—Would you not have thought of looking at the bloody map before you set out? And then, when they reached Brooklands at last, there was the worst humiliation of all. A corpse was one thing, but a corpse with nothing where its head should be except part of the jaw and that gristly bit of spine sticking out at the back was altogether another. Get out! the Inspector had shouted at him when he saw him turn green. Get out before you puke on the evidence! And poor Jenkins had stumbled down the wooden stairway outside and coughed up the remains of his dinner in a corner of the cobbled yard.

It felt strange to Hackett to be standing here, on a fine country estate, with the birds singing all about and a slab of sunlight falling at his heels from the open doorway of Jewell’s office, and at the same time to have the old familiar smell of violent death in his nostrils. Not that he had smelled it so very often, but once caught it was never to be forgotten, that mingled faint stink of blood and excrement and something else, something thin and sharp and insidious, the smell of terror itself, perhaps, or of despair—or was he being fanciful? Could despair and terror really leave a trace? He heard Jenkins down in the yard, dry retching now. He could not find it in his heart to blame the poor chap for his weakness; Jewell was a frightful sight, sprawled across the desk as crooked as a corkscrew with his brains spattered all over the window behind him. The shotgun was a beauty, he noticed, a Purdey, if he was not mistaken.

Jenkins came clumping up the wooden stairs and stopped just inside the door. Sorry, Inspector.

Hackett did not turn. He was standing at the desk with his hands in his trouser pockets and his hat pushed to the back of his head. There was a shine, Jenkins noted, on the elbows and the backside of his blue suit. He peered past his boss’s shoulder at the thing that had been thrown over the desk like a side of beef. He was disappointed; he had been hoping for a murder, but the corpse was holding the gun in its own hands.

They heard a car drawing up in the yard. Jenkins glanced back down the stairs. Forensics, he said.

The Inspector made a chopping gesture with the side of his hand, still not turning. Tell them to wait a minute. Tell them—he laughed shortly—tell them I’m cogitating.

Jenkins went down the wooden steps, and there was the sound of voices in the yard, and then he came back. Hackett would have liked to be alone. He always had a peculiar sense of peace in the presence of the dead; it was the same feeling, he realized with a start, that he had now when May went up to bed early and left him in his armchair by the hearth, with a glass of something in his hand, studying the faces in the fire. This was not a good sign, this hankering after solitude. It was the other, sweeter smells, of horses and hay and the like, that was making him think in this way—of the past, of his childhood, of death, and of the ones of his who had died down the years.

Who was it found him? he asked. The groom, was it?

Yard manager, Jenkins, behind him, said. Name of Maguire.

Maguire. Aye. Scenes such as this of bloody mischief were a stopped moment of time, a slice taken out of the ordinary flow of things and held suspended, like a specimen pressed between the glass slides under a microscope. Did he hear the gunshot?

He says not.

Where is he now?

In the house. Mrs. Jewell brought him in, he was that shocked.

She’s here, the missus—the widow? Jewell’s wife was foreign, he recalled. Spanish, was it? No, French. Did she hear the gun?

I haven’t talked to her.

Hackett took a step forward and touched the dead man’s wrist. Cold. Could have been lying here for hours, no one the wiser. Tell those forensics lads to come up. Jenkins went to the door. And where’s Harrison, is he on the way? Harrison was the state pathologist.

Sick, apparently.

Or out on that boat of his, more likely.

He had a heart attack, it seems.

Did he?

Last week.

Christ.

They’re sending Dr. Quirke.

Are they, now.

*   *   *

Maguire was a big man with a big square head and square rope-veined hands that even yet were noticeably trembling. He sat at the kitchen table in a patch of yellow sunlight with a mug of tea before him, staring at nothing. He was ashen, and his lower lip too was unsteady. Hackett stood and gazed at him, frowning. The ones that look the toughest, he was thinking, are always the hardest hit. There was a vase of pink tulips on the table. Off in the fields somewhere a tractor was buzzing; haymaking, on a Sunday afternoon, to get the best of the weather. Rain was forecast for later in the week. A big wireless set standing on a shelf beside the sink was muttering to itself in an undertone.

Hackett had met Richard Jewell only once, at a fund-raiser for Garda widows. Jewell had a bland sheen to him, like all rich men, and only the eyes were real, set like rivets into a smiling mask. Good-looking, though, in a wolfish way, with too many big white teeth and a nose like the head of a stone axe. As he moved among the crowd, glad-handing the Commissioner and the Mayor and making the women weak at the knees, he seemed to be holding himself aloft, turning himself this way and that, as if he were indeed a precious gem to be admired and envied. Diamond Dick. It was hard not to be impressed. Why would such a man think of shooting himself?

Will you take some tea, Inspector? Mrs. Jewell inquired. Tall, slender, with intense dark eyes, she stood by the sink with a cigarette in her fingers, cool and preternaturally calm, in a dress of dove-gray silk and narrow patent-leather shoes with stiletto heels. Her very black hair was tied back, and she wore no jewelry. Some tall, stately bird, a heron, say, would have looked less incongruous than she did in the midst of these homely surroundings.

No, thank you, ma’am, Hackett said. Jenkins made a sound and Hackett half turned in his direction, lifting a hand. This, by the way, is Detective Sergeant Jenkins. Whenever he said the young man’s name he had to bite his lip in order not to grin. Jenkins: for some reason it made him think of a picture he had seen somewhere when he was a child of a donkey wearing a hat with holes in it for the big furry ears to stick up through. And indeed Jenkins’s own ears were remarkably large, and were even pointed a little at the tops. He had a long, very pale face and an Adam’s apple that seemed to be attached to the end of an elastic string. Though eager and always obliging, he was a hapless specimen. Many are the things, Hackett told himself, that are sent to try us.

Tell me, ma’am, he said carefully, were you here when—when it happened?

Mrs. Jewell arched an eyebrow. "When did it happen?"

We won’t know for sure till the pathologist arrives, but my fellows think maybe four or five hours ago.

Then no. I got here at—she glanced at a clock on the wall above the stove—three, half past three, something like that.

Hackett nodded. He liked her accent. She did not sound French, more like that Swedish woman in the pictures, what was she called? Can you think of a reason why your husband…?

She almost laughed. No, of course not.

He nodded again, frowning at his hat, the brim of which he was holding lightly between the tips of the fingers and thumbs of both hands; it irked him that in front of this woman he felt like an applicant for something or other, all meekness and humble deference. It struck him suddenly as odd that everyone was standing, except Maguire, sunk there in shock at the table. What was the matter with the fellow, had he lost his nerve altogether?

He turned his attention to the woman again. Forgive me for saying so, Mrs. Jewell, but you don’t seem very surprised.

She widened her eyes—how extraordinary they were, black and glittering, the lids tapered at the corners like a cat’s. But certainly I am, she said. I am—she groped for the word—I am baffled.

This seemed to allow of no further advance, and he turned to the yard manager again. You say you didn’t hear the gun?

At first Maguire did not realize it was him who was being addressed, and Hackett had to put the question again, more loudly. The big man stirred as if he had been prodded from behind. No, he said, frowning at the floor. I was probably out on the gallops.

Hackett looked to Mrs. Jewell. The gallops, where the horses are exercised, she said.

She had finished her cigarette and was casting about for somewhere to deposit the butt, with an air of slightly amused vague helplessness; it was as if she had never been in a kitchen before, not even this one, and were both taken with and puzzled by the quaintness of all these strange implements and appliances. Jenkins spotted an ashtray on the table and came forward quickly and brought it to her, and was rewarded by an unexpectedly warm, even radiant smile, and for the first time Hackett saw what a beautiful woman she was—too thin, and too chilly in her manner, but lovely all the same. He was surprised at himself; he had never been much of a connoisseur of women’s looks.

Did you go up to the office? he asked her.

Yes, of course, she said. He was silent, turning the hat brim slowly in his fingers. She smiled with one side of her mouth. I was in France for all of the war, Inspector, she said. It is not the first dead body I have seen.

Ingrid Bergman—that was it, that was who she sounded like. She was watching him, and under her scrutiny he lowered his eyes. Was that what her husband was to her now, a dead body? What a queer person she is, he thought, even for a Frenchwoman.

Suddenly Maguire spoke, surprising himself as much as them, it appeared. He got me to clean the gun, he said. The three of them looked at him. He gave it to me yesterday and asked me to clean it. He returned their looks, each one’s in turn. I never thought, he said in a tone of wonderment. I never thought.

There was nothing to be said to this and the others went back to being as they had been, as if he had not spoken.

Who else was in the house? Hackett asked of Mrs. Jewell.

No one, I think, she said. Sarah—Mr. Maguire’s wife and our housekeeper here—was at Mass and then to visit her mother. Mr. Maguire himself, as he says, was out on the gallops. And I was still on my way here, in the Land Rover.

There’s no other staff? Yard hands, stable girls—he did not know the technical titles—anyone like that?

Of course, Mrs. Jewell said. But it is Sunday.

Ah, right, so it is. That tractor, the needling sound of it, distant though it was, was giving him a pain in the head. Perhaps your husband was counting on that, on the place being deserted?

She shrugged. Perhaps. Who can say, now? She clasped her hands lightly together at her breast. You should understand, Inspector… She faltered. Forgive me, I—?

Hackett.

Yes, yes, sorry, Inspector Hackett. You must understand, my husband and I, we live … separately.

You were separated?

No, no. She smiled. Even still, sometimes, my English … I mean, we have our own lives. It is—it was—that kind of marriage. She smiled again. I think perhaps I have shocked you, a little, yes?

No, ma’am, not at all. I’m just trying to understand the circumstances. Your husband was a very prominent person. There’ll be a lot of stuff about this in the papers, a lot of speculation. It’s all very … delicate, shall we say.

You mean, there will be a scandal.

I mean, people will want to know. People will want reasons.

People? she said scathingly, showing for the first time a spark of passion, a spark, and no more. "What business is it of people? My husband is dead, my daughter’s father. That is a scandal, yes, but for me and for my family and for no one else."

Yes, Hackett said mildly, nodding. That’s true. But curiosity is a great itch, Mrs. Jewell. I’d recommend you keep the phone off the hook for a day or two. Have you friends you could stay with, that would put you up?

She leaned her head far back and looked at him down the length of her narrow fine-boned nose. Do I seem to you, Inspector, she asked icily, "the kind of person who would go into hiding? I know about people, about their itch. I know about interrogations. I am not afraid."

There was a brief silence.

I’m sure you’re not, Mrs. Jewell, Hackett said. I’m sure you’re not.

Jenkins in the background was gazing at the woman with admiring fascination. Maguire, still lost in himself, heaved a great sigh. Mrs. Jewell’s anger, if it was that, subsided, and she turned her face away. In profile she had the look of a figure on a pharaoh’s tomb. Then they heard the sound of another car squeaking its way onto the cobbles of the yard.

That’ll be Quirke, Inspector Hackett said.

*   *   *

The late afternoon had turned tawny and Hackett was pacing in a paddock behind the stables. The parched grass crackled under his feet and spurts of amber dust flew up. The country was in need of rain, all right, though it was only the start of June. He saw Dr. Quirke approaching from the direction of the house and stopped and waited for him. Teetering along on those absurdly dainty feet of his the big man seemed not so much to walk as to stumble forward heavily, limping slightly; it was as if he had tripped over something a long way back and were still trying to regain his balance. He wore as usual a dark double-breasted suit and a black slouch hat. Hackett believed that if they should chance upon each other in the middle of the Sahara Desert Quirke would be in the same getup, the jacket buttoned across and the hat pulled down over one eye and the narrow tie

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