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The Bridge of Dreams and Predators: Two Short Novels
The Bridge of Dreams and Predators: Two Short Novels
The Bridge of Dreams and Predators: Two Short Novels
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The Bridge of Dreams and Predators: Two Short Novels

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Two cities, Paris and Osaka and two short novels about desperate lives.

Predators: A Tale of Paris
Residing in Passy, Paris, Greek-American journalist Rick and African-French Martiniquean Yolanda, author and ex-model, lead a socially active and domestically quiet life. Unexpectedly they are asked by the wealthy and powerful Ogawa family, through Rick’s old editor in Tokyo, to let their daughter, Masami, homestay with them. This changes their lives. Their acne-ravaged and troubled Japanese guest idolizes Yolanda and likened herself to an abandoned cat perpetually searching for a home. After Masami starts giving Yolanda expensive gifts wrapped in exquisite Japanese paper, the couple soon wonder whether Masami is shoplifting, when does not have to, to demonstrate affection in some twisted way. The mystery deepens with the appearance boyfriend Brian, a secretive person and a seemingly talented poet. Without quite understanding why, he arouses Rick’s “cynical” journalistic suspicions. Then when Masami is about the leave, the Ogawas beg Rick and Yolanda to let Masami stay longer for a reason that will prove crucial to understanding the outcome of the strange mix of relationships in this tale.

The Bridge of Dreams: A Tale of Modern Japan
Homeless and disabled, Motoshima Saburo, 58, sells The Big Issue on Osaka’s colorful Ebisu Bridge, a short pedestrian thoroughfare filled with tourists, lovers, artists and hustlers of every stripe. Constantly struggling with both destitution and loneliness, which he compares to a jail where one is both prisoner and warden, Saburo falls into a moral battle with Ken, an aging toy boy and “dating club” tout, for the soul of “The Waif,” a tranquilizer addicted 17-year-old runaway, whom Ken has used for a haywire robbery. Saburo assumes the role of father and lover, though he cannot be either to the confused girl who will not tell him or anyone else her name. The story is set in 2009, in the midst of the Great Recession, which adds to the desperation that the three main characters face and casts an ominous shadow over the daily buoyancy on Ebisu Bridge.

LanguageEnglish
PublisherAlex Shishin
Release dateMay 15, 2010
ISBN9781452389790
The Bridge of Dreams and Predators: Two Short Novels
Author

Alex Shishin

Alex Shishin has published fiction, non-fiction and photography in Japan, North America, and Europe in print and online. Originally from the San Francisco Bay Area, Shishin is a permanent resident of Japan. Shishin is the author “Nippon 2357:A Utopian Ecological Tale,” and five other ebooks published exclusively by Smashwords and available for free. He is co-author with Stephan F. Politzer of “Four Parallel Lives of Eight Notable Individuals,” also published by Smashwords. Shishin's short story "Mr. Eggplant Goes Home," first published in “Prairie Schooner” received an O. Henry Award Honorable Mention and was anthologized in “Student Body: Stories About Students and Professors” (University of Wisconsin Press). His short story "Shades," originally published in “Sunday Afternoon” (Kobe) was anthologized in The Broken Bridge: Fiction from Expatriates in Literary Japan (Stone Bridge Press) and reprinted by invitation in “The East” (Tokyo).  Shishin’s book “Rossiya: Voices from the Brezhnev Era” (a Russian-American memoir of a train odyssey through the Soviet Union and Poland) was published by iUniverse. It is available as a print-on-demand book and an ebook. Shishin has also published a collection of photographs entitled “Ordinary Strangeness” with Viovio in conjunction with his joint exhibition at the Twenty-first Century Museum of Art, Kanazawa, Japan. It is available from the publisher online. Alex Shishin holds degrees in English from the University of California, Berkeley (BA, Phi Beta Kappa) the University of Massachusetts, Amherst (MFA) and the Union Institute and University (PhD).

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    The Bridge of Dreams and Predators - Alex Shishin

    The Bridge of Dreams and Predators

    Two Short Novels

    By Alex Shishin

    Published by Smashwords

    Copyright 2010, 2017 Alex Shishin

    All Rights Received

    No part of this book may be reproduced or transmitted in any form or by any means, electronic, electrostatic, magnetic tape or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the copyright owner and publisher.

    Smashwords Editions License Notes

    Thank you for downloading this free ebook. You are welcome to share it with your friends. This book may be reproduced, copied and distributed for non-commercial purposes, provided the book remains in its complete original form. If you enjoyed this book, please return to Smashwords.com to discover other works by this author. Thank you for your support.

    These two novellas are works of fiction. Similarities to actual people, places (except landmarks) and events encountered in either of these novellas are entirely coincidental.

    Predators

    A Tale of Paris

    The digital calendar on my desk told me that exactly two years had passed since Masami Ogawa had come to Paris and changed Yolanda’s and my life forever. I was alone in our high-rise apartment in Passy on this abnormally cold August day--an oppressive day with a sky the color of slate, neither promising rain nor allowing a beam of sunlight to pass. I was watching my wife being interviewed live on French national television about our work against land mines. The interviewers were decent. They stuck to the topic. No questions about Miss Ogawa, or Yolanda’s first marriage, or her being married to an American white guy, or about her being an ex-super model once celebrated as The Black Venus of Martinique. Nothing, in short, like what she experienced with the American media.

    Relieved, I turned the TV off. I had a pressing book review deadline. I also had writer’s block. I tried to force myself to write; then I shut down the computer and went shopping.

    I took the Metro to Montparnasse and walked to a noisy little street filled with garish sex video joints to a small shop selling foie gras from the central Pyrenees that Yolanda especially liked. Next I wandered to Gallery Lafayette, buying an expensive wallet I didn’t need, and then to the Montparnasse cemetery.

    As I meandered past Sartre and Beauvoir, Marguérite Duras, Saint Saëns, my mood lightened--it inevitably does in Parisian cemeteries--though today death sat on my nerves.

    Sitting opposite Guy de Maupassant’s grave was a young blond man, probably in his late twenties, with an opened bottle of white Medoc wine. He wore blue jeans and a checkered shirt that was too thin for this chilly day. His long hair was combed severely back, revealing a pale forehead with a fading violet bruise. His face was so pale it seemed frostbitten. His lips were tight and colorless; his eyes were set in dark, weary craters. His white sneakers, which seemed freshly washed, were nearly worn through at heels.

    You’re an American, he said to me. The voice was distant but not unfriendly. I can tell by your mannerisms.

    Greek-American, I said.

    I like Americans. I like Greeks too, he said. He gave me a second look and said, You are married to Yolanda St. Cloud! I’ve seen your photographs in Le Monde. I’ve read her book.

    Yolanda had written a compassionate memoir about her difficult life with the Guatemalan director Dario Salinas, whom she had married at twenty-six. Before coming to Hollywood he had produced brilliant documentaries on working people and poverty in the Caribbean. Hollywood had co-opted him--enriching him and emasculating him as a political artist. Yolanda had written that he had loved her though he philandered. He was having problems with alcohol and cocaine when he crashed his Cessna into the San Gabriel Mountains, leaving his young widow with little else but debts as a legacy.

    You found me out, I said. Mind if I join you?

    The young man made room for me on the weathered marble. I sat down. He handed me the bottle. I drank.

    Not a bad vintage, I said.

    May I ask you something? he said, Is it remotely possible that you and Madam St. Cloud were once childhood sweethearts?

    I wish, I said. That’s a unique question, you know. No one has ever asked me a question like that. You have a story to tell. So tell it.

    Tell me yours first, he said, looking at Guy de Maupassant. It’s important to me how couples meet.

    Yes, it’s--crucial, I said, thinking of Miss Ogawa.

    Six years ago, I told him, Yolanda was on a book promotion tour of Japan. My English language newspaper had set up an interview for the day after her arrival in Tokyo. The paper’s star multi-lingual Japanese columnist was supposed to interview Yolanda, but he caught food poisoning in a Shinjuku bar the night before. I was sent in his place to the New Otani Hotel. The chief reason they sent me was that I was available and also because I spoke a little French. When I called from the lobby, Yolanda told me in impeccable English to come up to her suite. I went up and fell in love.

    It happens like that, the young man said and sighed.

    The crazy thing, I said, was that she fell in love with me! Me--a dumpy guy two inches shorter and ten years older than her! You explain it--

    He stared at Guy de Maupassant’s grave and said nothing.

    A week later we were married. So here I am, a journalist dabbler, a once a week lecturer at the Sorbonne, a de facto housewife.

    He passed me the bottle.

    I had to shut off that damn tape recorder in the middle of our interview-- Excuse me. I’m a little drunk. I’m an unreliable narrator, I said.

    People in love always are, he said. For me love has gone irrevocably bad.

    Not irrevocably--

    Yes, irrevocably! Irrevocably, irrevocably!

    Tell me--

    No, you tell me--are all happy families alike as Tolstoy says?

    These days I often feel guilty about my happiness, I said.

    I understand, he said softly, I read about your troubles. How could you let it happen to you?

    Perhaps because we were too content with each other’s company.

    The young man did not speak. He was not gazing at Guy de Maupassant but at me.

    Maybe not, I said and unburdened myself, telling him the story I tell here.

    •••••

    It started with a phone call from Tokyo on a brilliant June evening. My ex-editor from the English language daily, an American guy, was on the line with a favor to ask me.

    A major stockholder has this daughter who idolizes your wife, Rick. She’d like to home stay with you in Paris for a few months.

    A few months! We’re working stiffs, I said.

    Rick, they’re on my neck here. Really on my neck. Couldn’t you at least go through the tatamae motions of considering it?

    I’ll talk to Yolanda, I said.

    About what, darling? said Yolanda.

    We were in the kitchen cooking Beef Stroganoff after a particularly passionate afternoon lovemaking session. We were in the mood for largesse.

    Yolanda took the portable telephone from my hand. She listened. A wide smile broke out across her face. She laughed once, twice. Nodding her head. I’ll talk to him, she said.

    Putting her long fingers over the mouthpiece, she said, Rick, Masami sounds like a lovely girl. Let’s have her!

    Did he tell you how many months?

    Only about two months. Really, Rick, remember how kind your old newspaper was when we got married? And I really liked all the Japanese people I met when I visited.

    "I have other

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