Judgment: A Faerie Justice Story
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Tyrone has come home, if home still exists. Once upon a time, he was part of the People, the faerie people that hide in plain sight throughout Europe. He grew up in Nuremberg, only to leave centuries ago to live with the humans. Now he returns to photograph a human trial, one guaranteed to bring justice to a world without justice. And he hopes to find his People, one last time.
“...the always impressive Rusch can successfully tackle any genre she sets her sights on.”
—Barnes & Noble.com (Editor’s Pick) on Hitler’s Angel
“Chilling murders, mind-blowing suspense, a touch of time travel and a bit of romance combine to a thought-provoking, entertaining vacation from reality.”
—RT Book Reviews on Snipers
Kristine Kathryn Rusch
New York Times bestselling author Kristine Kathryn Rusch writes in almost every genre. Generally, she uses her real name (Rusch) for most of her writing. She publishes bestselling science fiction and fantasy, award-winning mysteries, acclaimed mainstream fiction, controversial nonfiction, and the occasional romance. Her novels have made bestseller lists around the world and her short fiction has appeared in eighteen best of the year collections. She has won more than twenty-five awards for her fiction, including the Hugo, Le Prix Imaginales, the Asimov's Readers Choice award, and the Ellery Queen Mystery Magazine Readers Choice Award.
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Judgment - Kristine Kathryn Rusch
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Judgment
Copyright © 2015 by Kristine Kathryn Rusch
First published in Faerie Tales, edited by Martin H. Greenberg and Russell Davis,
Daw Books, May 2004
Published by WMG Publishing
Cover and layout copyright © 2015 by WMG Publishing
Cover design by Allyson Longueira/WMG Publishing
Cover art copyright © Padebat/Dreamstime
This book is licensed for your personal enjoyment only. All rights reserved. This is a work of fiction. All characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. This book, or parts thereof, may not be reproduced in any form without permission.
Tyrone stopped in front of the statue of Hans Sachs, which had somehow survived the bombings. The buildings around it had all been destroyed. No matter how hard Tyrone tried, he couldn’t remember what they had been. The remains of a wall, two stories made of stone, suggested a church, but so many buildings in Nuremberg were made of stone that his impression was probably wrong.
The air smelled of dust, and beneath it, the faint hint of rot. He clutched his camera as he sat on a pile of rubble, the debris loose beneath his feet.
He had known Sachs, although the man did not look like his statue. The statue portrayed a robust figure, draped in robes and wearing medieval garb. The curly hair was right, but the artist failed to capture the thick brown tangles, and the beard was too neat, too well-trimmed.
Sachs had been too busy to be tidy.
Sachs, Die Meistersinger