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Whistling Past the Graveyard
Whistling Past the Graveyard
Whistling Past the Graveyard
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Whistling Past the Graveyard

Rating: 4 out of 5 stars

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From an award-winning author comes a wise and tender coming-of-age story about a nine-year-old girl who runs away from her Mississippi home in 1963, befriends a lonely woman suffering loss and abuse, and embarks on a life-changing road trip.

Whistling past the graveyard. That’s what Daddy called it when you did something to keep your mind off your most worstest fear...

In the summer of 1963, nine-year-old Starla Claudelle runs away from her strict grandmother’s Mississippi home. Starla’s destination is Nashville, where her mother went to become a famous singer, abandoning Starla when she was three. Walking a lonely country road, Starla accepts a ride from Eula, a black woman traveling alone with a white baby. Now, on the road trip that will change her life forever, Starla sees for the first time life as it really is—as she reaches for a dream of how it could one day be.
LanguageEnglish
PublisherGallery Books
Release dateJul 2, 2013
ISBN9781476707730
Whistling Past the Graveyard
Author

Susan Crandall

Susan Crandall is a critically acclaimed author of women’s fiction, romance, and suspense. She has written several award-winning novels including her first book, Back Roads, which won the RITA award for best first book, as well as Whistling Past the Graveyard, which won the SIBA 2014 Book Award for Fiction. Susan lives in Noblesville, Indiana, with her family.

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Rating: 4.14950177076412 out of 5 stars
4/5

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  • Rating: 5 out of 5 stars
    5/5
    I have never read anything by this author before and now I'm wondering why not! The story was fantastic and her characters jumped off the page fully formed with a clear picture of them forming in my mind almost as soon as they opened their mouths. I began reading this with no preconceived notions of the story, but thought it would be a bit more fluff than substance. That was not the case and that's what made it more intriguing with every page (or kindle page) turned.
    Loved it!
  • Rating: 4 out of 5 stars
    4/5
    I understood Starla's "red rage" and her "bees in the stomach". Having attended college in the south several years after the timeframe of this book I was witness to similar behavior and situations. I think Susan Crandell captured the period, the characters, the humanity and inhumanity perfectly.
  • Rating: 5 out of 5 stars
    5/5
    Loved, loved loved this book. I listened to the audio version and it was wonderful. 'Red rage' has a whole new meaning for me now;) Highly recommended for lovers of southern lit. You wont be disappointed.
  • Rating: 5 out of 5 stars
    5/5
    What a fantastic coming of age novel set in 1963 Mississippi.I love books with sassy, spunky young heroines. In this book, Starla is that character. She is nine years old and lives with her grandmother who seems to spend most of her time upset or yelling at Starla. Starla's dad is far away working on an oil rig and her absent mother, all but abandoned her for a dream of being a famous Nashville singer.Starla eventually runs away and hitch hikes, only to be picked up by a timid, lonely black women named Eula. The two embark on a life-changing road trip through the south. Starla quickly realizes that Eula has a white baby in her possession.Starla finally convinces Eula to take her to Nashville to find her mom. Along the way, Starla is exposed to the pure hatred and prejudice of the south that she was sheltered from before. She and Eula meet many cruel people, but they also find true, deep friendships on their journey.This book is beautifully written and I couldn't wait to pick it up and read each day. It is a book that is a pleasure to read and one that leaves you sad when it finally ends. I loved every minute of it. You will love the character of Starla. She has guts but is such a kind soul, that you can't help but fall in love with her. I definitely recommend this book!
  • Rating: 5 out of 5 stars
    5/5
    Told by is 9 1/2 year old narrator, Whistling Past the Graveyard is a riveting coming of age story. Running away from home in Mississippi, where she lives with her Grandmother, Starla sets out for Nashville to find her Mother, who she is convinced has become a country music star. Unfortunately, Starla sets out with no preparation after an altercation with the Mother of the neighborhood bully, whose nose Starla recently broke! She accepts a ride from a black woman, Eula, and things begin to take a serious turn from the worse when she meets the woman's abusive husband. There is really much too much story here to even begin to talk about it at length in what I intend to be a short review. What I can tell you is that there are a couple of times when it appear the story may get off track or be consumed by horror, but the author deftly gets things back moving in a more positive direction. After all, it is the journey, not the destination that matters here as we see how Starla copes with situations she could never have imagined in her cozy Mississippi home and discovers her own gifts along the way.The publishers would love you to compare this book with TO KILL A MOCKINGBIRD, but the comparison is unfair to both books. This book has a lot more rough edges and lacks the pure perfection of MOCKINGBIRD, but it casts a clearer eye on race relations in the early 1960s and gives its black characters a real voice that is rather lacking from Harper Lee's book. In getting her message across, through the words of her young narrator, the author never resorts to sermonizing. Although Starla may, at times, be wise beyond her years, her voice pulls us through the story from start to finish.There is a lot more to enjoy in this book--highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    In this story the main character is a child who decides to run away from her home in Mississippi and visit her mother in Nashville. The storyline integrates the hardships we overlook everyday into a dialogue that gets the reader to take a look at himself without becoming offended. Not only does it give the reader a childs' sight from the outside, but also how these same things make no sense to the child. Although, the story takes place in the 1960's dealing with issues of the times, it enables us to see those same problems exist for everyone no matter who they are. Once the reader begins, it is hard to put down as you're drawn into the story and loose track of time until you reach the end of the book wondering what is next for Starla and Eula. Starla, reminds me a little of the characters Shirly Temple played. I could see her standing there with her hands on her hips ready to stand her ground no matter what.
  • Rating: 3 out of 5 stars
    3/5
    A most enjoyable book. The cover touted it as being similar to To Kill a Mockingbird. I did get a sense of that especially with the time and the setting. I was entranced by Starla and Eula. Some of the other minor characters were intriguing as well. The book is a bit reminiscent of Huck Finn as well; Starla's journey with Eula especially. This is much different than her other titles and the break is going down a good path. A great coming-of-age story. Covers many current and historic issues that will make great fodder for book clubs.
  • Rating: 5 out of 5 stars
    5/5
    I received an advanced uncorrected digital galley of Whistling Past the Graveyard by Susan Crandall from NetGalley.com in return for my honest thoughts and opinions of the work.Whistling Past the Graveyard is the story of outspoken, sassy, nine-year-old, Starla Claudelle whose beautiful way of thinking and loving people unconditionally contrasted with the cruelty and discrimination of the time. Starla was white and although her Mamie, taught Starla, by example, to think that her color made her superior to a black person, Starla's sincerity and innocence enabled her to defy such ignorance and befriend Eula, a kindly black woman who treasured Starla and made her feel loved for the first time in her life. Whistling Past the Graveyard is Starla's journey. Her mother had abandoned her when she was three years old to pursue her dreams of becoming a famous singer in Nashville. Her father worked on an oil rig in the Gulf, and Starla was left in the care of her grandmother, Mamie, who seemed to resent the child and often was spiteful and cruel to her without reason. A series of events prompted Starla to search for her mother. Along the way, she met, Eula, a selfless, loving black woman who was an inspiring mother-figure to Starla. This shameful period of our history, a time of disgraceful discrimination based on skin color, prohibited these colorblind friendships, but together, Starla and Eula, created their own kind of family touching and transforming many that they encountered.I loved this novel. The story was substantial. The characters were well-developed and connected with the reader. I was sorry when the book ended. I highly recommend reading it.
  • Rating: 5 out of 5 stars
    5/5
    The year is 1963, and Starla Claudelle runs away from her grandmother's house, striking out for Nashville, TN where her mother lives. She accepts a ride along the way from Eula, a black woman driving an old rattletrap truck. They go to Eula's to spend the night and eventually strike out for Nashville together. Along the way Starla and Eula both learn a lot of lessons about life. This is the best book I have read so far in 2013, and I highly recommend it. Book discussion groups would find it a good one to read.
  • Rating: 5 out of 5 stars
    5/5
    One of the very best books I have read in a long time. Mississippi in 1963 is all you need to know to realize what the crux of this book will center on. Nine year old, hot tempered Starla, needs to escape life with a very strict and structured grandma. Her mother is in Nashville and the book is about the journey she makes to get to Nashville and the people she meets who will change her forever. Everything about this book is so well done. Setting is captured, , not just in place but in time. Love the characters. Starla seems to go from 9 to 19 and back to 9 in her abilities, but it all works perfectly. I agree with others who have said it ranks with "The Help".
  • Rating: 5 out of 5 stars
    5/5
    Fantastic story....Enjoyed it from page one. My favorites of course are Starla and Eula. What a lesson in strength and faithful friends. The love they shared simmered off the pages as the story progressed. We all want to be heard, valued and most of all Loved. Thank you Susan Crandall-You have touched me I have grown.
  • Rating: 5 out of 5 stars
    5/5
    Whistling Past the Graveyard by Susan Crandall Narrated by, Amy RubinateI truly enjoyed this book, my favorite character was Eula, there were times Starla would get on my nerves and you just wanted to shake her, but she was young & naïve, abandoned by her mother, raised by a grandmother who is much tougher on her than anyone realizes. She is a sassy little thing and has this idealized idea of her mother who she thinks is a big star in Nashville plus a father who works out on an oil rig and doesn’t come home very often. When Starla gets into trouble she runs away from her Grandmother Mamie’s home to be with her mother, but things don’t go as smoothly as Starla thinks, she is picked up by a black woman, Eula, who is traveling with of all things a white baby (remember this is 1963) Eula promises she will get her to Nashville but they need to stop at her house first and Eula’s husband is none too happy to have two white children in his home, this is when things get a might complicated for Starla & Eula.The friendship between Eula & Starla is sweet and I loved how much they each learned from each other even when they didn’t realize it, Starla’s eyes were opened to what goes on in the world outside of her little Mississippi town where the only “coloreds” she knows are the help for the rich people in town, but what I liked was with Starla’s naïveté she doesn’t judge Eula on the color of her skin just by her deeds and the size of her heart.This is a road trip book and these two are on a doozy, and it seems like what could go wrong did go wrong, plus they have a white baby named James along for the ride (again I remind you these 3 are traveling from Mississippi to Nashville in 1963) so you can guess what some of the trouble they run into is. I don’t want to give too much away but let’s just say Starla’s daddy hasn’t been all that honest with her about her mamma. As I said before there are times when Starla’s “red rage” (as she calls it) get her into more trouble than she needed to be in and there were times I just wanted to yell Starla NOOOO, but what fun would that book have been?Amy Rubinate narrates this one and does a great job she sounds like a young girl when narrating Starla and when narrating Eula she is an African-American woman, it is almost like two different people are narrating but it is only the very talented Rubinate each character has their own voice and there was never any trouble knowing who was talking. Highly recommend reading this one on audio!I highly recommend this book, if you are a fan of Saving CeeCee Honeycutt and/or Calling Me Home I would say get this book right now!4 ½ Stars
  • Rating: 5 out of 5 stars
    5/5
    It is 1963 in rural Mississippi. Nine year old Starla Claudelle is being raised by her very strict paternal grandmother, Mamie. It isn’t easy, and she often feels neglected or unloved. Starla’s father is away working on an oil rig in the Gulf of Mexico. Her mother, Lulu, has been gone to Nashville for many years, working at becoming a country singer.After sassing Mamie, fiery, red-haired Starla is not allowed to go to the Fourth of July festivities. When she sneaks out to join her best friend, she is caught by the neighborhood gossip. Fearing Mamie will send her away to reform school, Starla runs away. She feels if she can make it to Nashville, her father will join them and they can be a real family again.Taking off down the country road out of town, Starla is offered a ride. The black woman introduces herself as Eula. She is traveling with a white baby she calls James. Though segregation is is serious issue, Starla accepts the ride hoping it will get her closer to Nashville and her mother.The adventure that follows changes everything for Starla and Eula, forever altering both of their lives. It becomes a long and dangerous journey traveling without men, with race issues, the needs of an infant, and many unforeseen problems.Life isn’t always what it seems, and dreams are sometimes just that. This is a hard lesson for Starla. Family can be more than blood, often being about the deep bonds of the heart and soul. Starla and both Eula learn this valuable fact of life together.Susan Crandall has written a wonderful coming of age novel, yet it is about so much more. It is filled with life lessons, wisdom, warmth and love. I recommend this great spirited novel, and look forward to more books like this from her.
  • Rating: 4 out of 5 stars
    4/5
    Set in the early 1960's, this novel follows the adventures of nine year old Starla. After running away from home, she takes a ride from a black woman, Eula. Quickly she realizes that Eula has taken the white baby that she is traveling with and things begin to unravel. When Eula's husband tries to murder Starla, Eula rises to her protection, killing him with a skillet. Starla quickly convinces Eula to take her to Tennessee, where she hopes to be reunited with her mother, someone she believes is a famous singer.I had a hard time putting this book down. Starla's innocence and curiosity about the world kept me guessing what would happen next. I thought the book did a good job of portraying the race relations and tensions of the time. Overall, highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    Whistling Past the Graveyard was a truly wonderful book. I have seen comparisons to To Kill A Mockingbird, and while I enjoyed it, I don't feel it rose to the level of Harper Lee's masterpiece.The story opens in 1963 Mississippi and is told by Starla, a 9-1/2 year old girl being raised by her strict grandmother. Her father works on the oil rigs and only gets to come home for short periods of time every few months. Her mother has moved to Nashville and is trying to become a recording star. Starla's grandmother isn't just strict, she is often cruel. She seems to resent having Starla around. Starla is headstrong, getting into trouble regularly. She dreams of when her mother will be famous and come to get her. Then her father won't have to work on the oil rigs anymore, and they can be a real family. Starla sneaks out while grounded, and getting in trouble again, decides to run away to Nashville to find her mother. She starts walking in what she believes is the general direction of Nashville. As it begins getting dark, a black woman named Eula offers her a ride. She hesitates at first, but then accepts. Thus begins the road trip that will change Starla's life forever. The people she meets and the experiences she has make Starla see the world in a whole new way. This is a remarkable coming-of -age novel. The narration of the book feels wonderfully authentic. Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    Excellent! Yes, it is a similar story of the civil rights era as in The Help, but it is so different. The main character is a nine year old girl, growing up in the deep south in 1963. The innocence of the character will make the reader chuckle and then the story will take a gritty turn when the reality of the times intrudes on her existence. This is a story of true friendship made more poignant through the coming of age of the character during a very turbulent time in our country's history. The author did a wonderful job of developing the characters and their experiences.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this book. Taking place (mainly) in Cayuga, Mississippi in 1963, this novel follows Starla Claudelle as she runs away from home in a split second decision that will change the direction of her life, as well as the lives of many others.Abandoned by her mother, Starla lives with her Mamie- her father's mother- while he works at an off shore oil rig. Mamie plainly hates Starla as well as her absent mother and spends most of her time making Starla miserable. When Mamie's cruelties, as well as those of her small town, finally push her over the edge, she runs away, hoping to find her mother in Nashville. On the way, she meets Eula, a black woman traveling in a beat up truck with a white baby. Eula takes Starla home with her. What happens next (I won't include spoilers) sends the three of them on an adventure that will force them to face the hard, cold realities of life and will teach them the true meaning of love and family.My heart went out to Starla. A young girl who was clearly unloved and unwanted by those around her. Her mother wasn't the only one who had abandoned her. Those around her had clearly abandoned her as well. Although it had some harrowing moments, this story warmed my heart. Crandall gets deep inside the minds of her characters and the motives behind their actions. I look forward to reading more of her books.Read this book if...*you enjoy southern fiction*you enjoy books about racial issues *you enjoy stories that take place in the 1960's*you enjoy stories that take place "on the road"
  • Rating: 5 out of 5 stars
    5/5
    So I love, LOVE this book. I was drawn to it to start with because of the age and gender of the narrator -- I seem to really enjoy novels told from the perspective of young girls, especially period pieces -- as well when its set.Starla is a superb narrator and a fantastic character. Crandall takes full advantage of the youth and, at times, naivete of her storyteller. Especially given the time and setting of the novel. There's a lot happening in the 1963 South that might not get noticed or, perhaps, commented on by an older narrator or not as astutely as it does by Starla. All of the things that get her in trouble with her Mamie, all of her sassisng, give us readers a fuller story.Yes, there are things she says, even sometimes to adults, that seem like they might get her in more trouble than they do but it gives better observations on the setting or what she's feeling, experiencing or what's happening than we would get had she been meek and/or respectful.The racial dynamics, even those Starla's aware of, are very much apart of the novel. Though she's only nine years old, she understands that she's white and what that means for versus someone who's not - at least based on what she's been taught. The author does really well not playing it down, changing it to look better, somehow making it look better, or anything. It's was true so it is.The relationship between Eula and Starla is real and honest and I just love it. We see so much growth from the both of them. They're both very unique characters who, at the start, are stuck in what the time and society allows for them, but, also, neither of them is quite adhering to what their 'role' is supposed to be.They're not cookie cutter images of the period, but they're also not so far out of the norm that they don't fit. They're just great, real characters. Who needed each other.It's being mentioned a lot with The Help and Whistling Past the Graveyard identifies a lot of issues and injustices facing African Americans in the 1960s as well, albeit mostly different ones as the setting is different. Plot wise, however, I think that To Kill a Mockingbird is one that fits better as Starla and Scout seem to be cut from the same cloth.Starla reminded me, with her her 'sass,' her refusal to be that quiet little girl in the corner of a bit of Scout and also of Teaspoon from How High the Moon by Sandra Kring -- and not just because they all three have fantastic names and great fathers. She's not a character I'll forget soonWhistling Past the Graveyard's story is absolutely heartbreaking at times, but it's also very uplifting and includes some of my favorite relationships and moments in a book of recent memory.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this book - my read of the year so far. It reminded me of 'The Help' but really I think I'm drawing very superficial comparisons. We hear the story through the voice of Starla, a fiercely independent 9-year-old girl living in Mississippi with her grandmother. Starla has a keen sense of justice and of her own self which are completely misunderstood by her grandmother who cannot seem to spend the time to get to know her only grandchild. Starla's mother has abandoned her to become a 'famous singer' and her father has little to do with her as he is working on the oil rigs in the gulf. On the 4th July, cirumstances arise which cause Starla to flee her suffocating home town and set out to find her mother. She quickly teams up with Eula, a black woman travelling with a white baby. As Eula's back story is slowly revealed, a beautiful relationship between these two unlikely friends develops. All the characters and situations that occur as they travel across a dangerous south filled with prejudice and injustice are convincing and gripping.Starla's voice is original and convincing and the story is compelling. The writing is beautiful and important points are made without unnecessary graphic descriptions which makes the issues raised even stronger. I really didn't want this gorgeous book to end and would highly recommend it.
  • Rating: 2 out of 5 stars
    2/5
    A quick read but nothing earth-shattering._Whistling Past the Graveyard_ is a coming of age story set in Mississippi during the Civil Rights Era. The protagonist, Starla, a nine-year old girl from a broken home, finds a mother in Eula, a domestically abused black woman who picks her up hitch-hiking. After trials, tribulations, happy accidents and crushing disappointments, Starla finds family and herself.
  • Rating: 2 out of 5 stars
    2/5
    First off let me say I didn't finish this book, but skimmed the last 200 pages. Secondly, I would actually give this book 2.5 stars if I was able. The 2 star rating seems a bit harsh since I didn’t dislike the book; the writing is solid, the dialog authentic and the story relatively interesting. So why did I stop reading and give it only a 2 star rating? The story and characters were not as complex as I was expecting. I feel like this is more of a book for younger readers (middle school or high school). Readers who may not be that familiar with the South, and specifically the Jim Crow era would learn a little something about both. I read books for Children, Juveniles & YAs, but I like to know up front the audience to whom it is aimed. Another coming of age novel, The Book Thief by Markus Zusak is classified as a YA novel, which I could never understand, since it covered complex themes, had fully fleshed out characters, and he took an over-written period in history (WWII) and made it seem fresh and original. I fear many adults may have missed an excellent book because it was miscategorized, but I digress.

    Alas, I have limited time to read, and so I have to be selective (not that I don’t read mindless cozy mysteries occasionally-but I know upfront I am reading for sheer mindless entertainment, not great writing or thought provoking ideas). But when I see a book targeted to adults being heralded as a classic by both critics and fellow customer reviewers my expectations are high. This book fell very short of my expectations (and I’m sure it didn’t help that the last book I finished, for the second time, was The House of Mirth by Edith Wharton-now there’s a Classic!), but I would recommend it to middle school students and high school students.
  • Rating: 4 out of 5 stars
    4/5
    Mississippi in 1963 and 10 yr old Starla has had enough living with her grandmother Mamie who's strict rules become just a little too much. Starla is grounded again and decides it's time to take off and find her mother in Nashville. Along the way she meets Eula, a colored woman with her own problems. Ms. Crandall does an excellent job of being true to the era and the things we love and hate about the south. I highly recommend this book.
  • Rating: 5 out of 5 stars
    5/5
    Set in Mississippi and Tennessee as the Civil Rights movement was beginning,10 year old Starla, is an excellent narrator. She runs away from her grandma to find her mom in Nashville. She is offered a ride by Eula, a black-woman who has stolen a white baby from the steps of a church. As they make their way to Nashville, Starla sees first hand the treatment of blacks in Mississippi. She discovers that love in a family does not necessarily include a mom who has no use for her. Not quite the intensity of To Kill a Mockingbird, but it's clear that a child makes an excellent narrator for showing us history. If you like The Help, you'll enjoy this book as well.
  • Rating: 5 out of 5 stars
    5/5
    Plucky 9 year old Saarland runs away from home to search for her mother in Nashville. She meets Eula a woman with her own secrets. Through their experiences Starla and Eula form a bond each bringing what the other sorely needs. There is a out of Ian in this book but it’s balanced by a lot of laughter. This is funny, sad and thoroughly enjoyable.
  • Rating: 4 out of 5 stars
    4/5

    In Whistling Past the Graveyard by Susan Crandall
    by Susan Crandall we meet nine-year-old Starla Claudelle. Starla has lived with her Mamie, her paternal grandmother, since she was three, but she dreams of reuniting with her mother, who is trying to become a famous singer in Nashville. Her father works on an oil rig in the Gulf, so Starla is stuck in Cayuga Springs, Mississippi, where she is always on the brink of being put on restrictions by her strict, curmudgeonly Mamie.

    Set in 1963, racial tensions abound in Mississippi. Starla is indifferent to them since she is more concerned with the seemingly impossible task of staying in her grandmother’s good graces. When she fails again and is on restrictions (grounded) for the Fourth of July celebrations, Starla decides to sneak out anyway. When an interfering neighbor catches her, events lead Starla to decide it is time to run away. She takes off, completely unprepared, and plans to hitchhike to Nashville to find her mother.

    Once she’s been walking on the road for hours, Starla begins to regret her decision until a black woman, Eula, stops to give her a drink of water and offers her a ride. Starla isn’t the only passenger, as Eula also has a baby, James, with her. Once they stop to spend the night at Eula’s house and her husband is less than thrilled with the guests Eula’s brought home, Starla’s adventures really begin.

    Along the way in Whistling Past the Graveyard, Starla learns about segregation and racism first hand. She also learns that love and family can go beyond skin color and heredity.

    Starla is a likeable, sassy, head-strong protagonist. Most of the characters and circumstances Starla encounters are very indicative of how a nine- year-old would see people and events: one dimensional, good and bad, black and white. While there are certainly undercurrents of events happening that Starla picks up enough understanding to broaden her own outlook on life, readers will discern more of the truth of exactly what is happening.

    The title is obviously taken from whistling when passing a graveyard to keep the ghosts and scarey thoughts away and whistling to get past frightening events is mentioned more than once. It certainly is something a child would pick up on and repeat.

    I would think Whistling Past the Graveyard by Susan Crandall would have a great appeal to those who like stories set in this time period.

    Highly recommended

    Disclosure: My Kindle edition was courtesy of Gallery Books via Netgalley for review purposes
  • Rating: 3 out of 5 stars
    3/5
    First and foremost, I adored Eula, the black woman. She was complex, multi-dimensional and evolved nicely throughout the story. While the book is told from Starla's point of view, the story is centered around her relationship with Eula.

    With that said, Starla got on my last dead nerve. I felt that Crandall was a little heavy-handed with Starla's rebellion, disobedience, and lack of self-control. Time after time after time, she put others at risk doing exactly what she had been warned not to do, and seemed only marginally regretful when her actions came full circle. While I think Crandall tried to have her maturity evolve over the course of the story, it was too little, too late for me. I got to the point where I thought, "If Starla does that, she deserves what she gets," killing my sympathy for this character.

    The fact that it was told from Starla's point of view raises the comparison of Scout from Harper Lee's To Kill A Mockingbird. That is where the comparison ends. Scout is painted with a realistic brush, making rash decisions occasionally, and learning from them. She seems a typical young girl, struggling with what adults expect of her, and what she wants to do. Starla, on the other had, was a frustrating character who didn't seem to learn from her mistakes, even when she realized (too late, always) others would be hurt.

    Very fast-paced story, a bit predictable and milquetoast. However, it is a good summer book, and won't bog you down.
  • Rating: 5 out of 5 stars
    5/5
    This is a coming-of-age story that will stay with you for awhile. Little nine year old Starla Claudelle will steal your heart away from the first page. The setting is summer 1963 in Mississippi. Segregation is in full force, and civil rights demonstrations are just beginning. Starla is being raised by her Mamie (who is her dad's mother). Starla's dad works on the off-shore rigs, so Starla doesn't see him nearly as much as she'd like to. Starla has not seen her mother since she was three. After another fight with her Mamie, and after another grounding, Starla decides to run away from home and go to see her Mama who lives in Nashville. Little does she know that Nashville is 600 miles away from her home, but she sets out anyway. When she is walking a lonely country road, Starla accepts a ride from a black woman who is transporting a white newborn baby. So begins Starla's adventure, and her trip will forever change her life. I found I laughed and cried with plucky little Starla. What a wonderful story! I highly recommend it. I couldn't put it down and read it in a couple of days, so it's not a long book, but it's chock full of humanity.
  • Rating: 3 out of 5 stars
    3/5
    3.5***

    Starla is a nine-year-old spitfire. Her Momma, left to become a famous singer when Starla was just three years old and her Daddy works on an oil rig out in the Gulf of Mexico, so Starla lives with her strict grandmother, Mamie. After being put on restriction yet again, Starla decides she’s going to go to Nashville and find her Momma. Then her Daddy can come live with them there and they’ll be a family. On the outskirts of town, she accepts a ride from Eula, a black woman driving a dilapidated pick-up truck. But Eula also has a white baby in the truck, and things get complicated quickly.

    Set in 1963 Mississippi, this coming-of-age novel also treats some serious subjects – domestic abuse, alcohol abuse, racism, and child abuse. Starla is a compelling narrator, even if her understanding of issues isn’t always complete. There were several times when I was truly frightened for her, given her penchant for leaping into the fray without thinking of consequences. But this same tendency also endeared her to me; she was so brave and righteous about “what’s fair.” She was also incredibly resourceful, and fairly quick with a story (though most of the adults saw through these prevarications rather quickly).

    It was a very fast read, and I was interested from beginning to end.
  • Rating: 3 out of 5 stars
    3/5
    Kind of torn on this one. Felt like it was written for a YA audience, but plot encompasses some pretty adult stuff. Also, I don't feel qualified to comment on the authenticity of the portrayal of life in 1960s Mississippi by this white author. While it's not like she glosses over the social challenges of the day, I feel like maybe she's co-opting a story that isn't really hers to tell.
  • Rating: 4 out of 5 stars
    4/5
    In the summer of 1963, nine-year-old Starla Claudelle runs away from her strict grandmother’s Mississippi home. Starla’s destination is Nashville, where her mother went to become a famous singer, abandoning Starla when she was three. Walking a lonely country road, Starla accepts a ride from Eula, a black woman traveling alone with a white baby. Now, on the road trip that will change her life forever, Starla sees for the first time life as it really is—as she reaches for a dream of how it could one day be

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Whistling Past the Graveyard - Susan Crandall

July 1963

My grandmother said she prays for me every day. Which was funny, because I’d only ever heard Mamie pray, Dear Lord, give me strength. That sure sounded like a prayer for herself—and Mrs. Knopp in Sunday school always said our prayers should only ask for things for others. Once I made the mistake of saying that out loud to Mamie and got slapped into next Tuesday for my sassy mouth. My mouth always worked a whole lot faster than my good sense.

Don’t get the wrong idea, Mamie never put me in the emergency room like Talmadge Metsker’s dad did him (for sure nobody believed the stories about Talmadge being a klutz). Truth be told, Mamie didn’t smack me as often as her face said she thought I needed it; so I reckon she should get credit for tolerance. I heard it often enough: I can be a trial.

I was working real hard at stopping words that were better off swallowed; just like Mamie and my third-grade teacher, Mrs. Jacobi, said I should. I got in trouble plenty at school for being mouthy, too. Most times I was provoked, but Principal Morris didn’t seem to count that as an excuse. Keeping one’s counsel was important for a lady in order to be an acceptable person in society. Not that Daddy and I thought I needed to become a lady, but it meant a lot to Mamie, so Daddy said I had to try.

Anyway, I’d only been about half-successful and had been on restriction twice already since school let out at the end of May. Once for sass. And the second time . . . well, I don’t really count that as my fault. If it wasn’t for a dang rotten board, it never woulda happened.

Out past the edge of town was a haunted house, a big, square thing with porches up and downstairs. It had a strange room stacked on top that was made most all of windows—that’s where people saw the ghost lights on foggy nights. There wasn’t a lick of paint left anywhere on that house, and the shutters had lost most all their teeth. Vines grew through the broken windows on the first floor, snaking around the inside and back up the fireplace chimney. It was hundreds and hundreds of years old, from back in the days of big cotton. I’d been there plenty of times, but I’d never seen a ghost—and I wanted to see a ghost almost as much as I wanted a record player. I figured my problem was I’d always been there in the daytime. What kinda ghost would be out in broad daylight? So I got me a plan. After Mamie went to bed, I snuck out, rode my bicycle out there to see my ghost, planning to be back in bed long before she woke up. I pedaled as fast as I could and had been all sweaty and out of breath, and my legs almost too shaky to climb the front steps, by the time I got there.

I hadn’t been inside that house more than a minute, not near long enough for a ghost to get interested in me, when I stepped on that rotten board. One leg shot through to the basement. I kicked and pushed and hollered, but there wasn’t no getting out. It was the middle of the morning the next day when the police found me. Mamie was madder than I’d ever seen her . . . and that’s saying something. I got restriction and the belt and my bicycle taken away for the rest of the summer. It’d been worth it if I’d seen my ghost. I reckon all my hollerin’ and kickin’ had kept it away.

I’d been off restriction for over a week. The Fourth of July parade and fireworks was coming up the next day, the best part of the whole summer—other than Daddy’s visits home, which were almost as scarce as holidays. He worked down in the Gulf on an oil rig ’cause all the jobs in Cayuga Springs didn’t pay as good. We had to talk with letters ’cause there wasn’t a phone out there in the ocean. Sometimes he called from Biloxi when he got a weekend off, but that was long-distance and cost a lot of money so we had to talk fast, and Mamie hogged the phone telling him all sorts of stuff I know he didn’t care about. I did most of the letter talking between me and Daddy; he wasn’t much of a letter writer. But he liked mine and said they always made him smile, so I wrote a lot.

On July 3 I woke up with bees in my belly. As I put on my white Levi’s shorts and tied my Red Ball Jets, I promised myself I wouldn’t sass or do anything to make Mamie need to say a prayer. I couldn’t risk missing everything—and that’s what Mamie’d do, she’d ground me ’cause she knew that would hurt way more than a wallop. Mamie always knew what punishment I most dreaded. It was like she could see inside my head.

If I got in trouble now, I’d have to wait a whole nother year for fireworks.

I took extra care in making my bed just right; I even made hospital corners on the bottom sheet. I zipped my pj’s into the Tinker Bell pajama bag that Daddy gave me two Christmases ago and set it just so against my pillow, nice and neat. I even picked up the dirty sock I’d dropped last night on the way to the hamper instead of kickin’ it under my dresser with the others that Mamie thought the washer had eaten.

Then I stood back and tried to look at my room through Mamie’s squinty, work-checking eyes.

A-okay.

I felt good as I headed down to the kitchen, sure that she wouldn’t find nothing wrong with my room today.

Through the screen door I saw her hanging a load of our pink bath towels on the line that ran from the back of the house to the corner of the garage. She had two clothespins in her mouth, her lipstick making a bright red O around them. She had on a yellow dress and flat canvas shoes that matched. Even this early with no one but me and the squirrel in the backyard tree to see, Mamie took care about her appearance. She was always looking at magazine pictures of Jackie Kennedy and trying to fix herself up like her—Mamie even got a new haircut last year. Worryin’ ’bout how I looked was one part of being a lady I wasn’t looking forward to. Thank goodness I was only nine and a half and still had some time left.

With a quick glance to make sure Mamie was still busy pegging towels, I opened the bottom cabinet door and stepped on the shelf. Why she expected me to fetch the step stool all the way from the utility room every time I needed something from the top cupboard, when the shelf on the bottom worked just fine, was one of Egypt’s mysteries. I got down my favorite bowl, Daddy’s from when he was a kid; the picture on the bottom had faded so much you could barely see the cowboy and his lasso anymore.

I poured myself a bowl of Sugar Frosted Flakes—they’re grrrrrreat!—and before I even got a spoonful to my mouth, Mamie come in the back door and said, Good morning, Jane.

The spoon stopped halfway to my face; milk ran over the edge and dripped onto the table. Starla, I said through pinched lips, but was careful not to look up at her ’cause she was sure to think I had on what she called my defiant face.

We agreed yesterday to start callin’ you by your middle name, Mamie said just as if it was the honest truth. It’s so much more suitable for a young lady.

We hadn’t agreed. Mamie agreed. I just stopped disagreeing.

I started to say that out loud, then remembered my self-promise not to sass.

It’s high time for you to start thinking about how the world looks at you, she said. Your name is one of the first things people know. Mamie was real concerned over what people know about us. She stood up real straight and stuck out her hand like she was going to shake hands with an invisible somebody standing beside the sink. Then in a prissy, high voice she said,  ‘How do you do? I’m Jane Claudelle.’  She switched back to her normal Mamie voice. "See how nice that sounds. Starla makes people think of a trailer park—she flipped her hand in the air—just sittin’ there waiting for the next tornado." Mamie had a real thing against trailer parks. We weren’t rich, couldn’t even afford help like the LeCounts next door, but Mamie liked to make sure I remembered there was folks out there who had less than us.

Fireworks. Fireworks. Remember the fireworks.

I shoved the Frosted Flakes in my mouth to keep all the words spinning around in my head from shootin’ out.

Truth be told, no matter how hard Mamie tried to make me agree, I’d never give up the only thing my momma gave me before she went away—the only thing left since Mamie burned Mr. Wiggles with the Wednesday trash the last week of third grade anyway. She said he was too filthy for human contact. I know nine-going-on-ten was too old for stuffed animals, but it still felt wrong going to bed without him.

Daddy likes my name, I said after I swallowed. Mamie liked everything about Daddy, so that couldn’t be considered sass . . . could it?

Mamie huffed. Porter let Lucinda have anything she wanted—and see what it got him. The way she was looking at me made me think I was what he got and he’d be a whole lot better off without me. But I was Daddy’s girl; he’d be lost without me.

Lucinda— Mamie started.

Lulu. The word was out of my mouth before my mind could grab ahold of it. All the sudden, I felt like I was sliding on ice, arms flailin’, about to fall flat. Lulu had told me not to tell.

What? Mamie’s head turned and her brown eyes stared at me.

I’d started it. If I clammed up now, it’d be even worse. I dunked a flake floating in the milk with my spoon, staring at it as it popped right back up. She wants to be called Lulu, I said real quiet, not sassy at all.

Since when? Mamie’s red lips pinched together.

She said so in my last birthday card. My birthday cards from Lulu was private, even Daddy wouldn’t let Mamie snoop in them.

Certainly not by her own child!

Now that I’m gettin’ so grown up, she said it’d be better for her career if people think we’re sisters.

Career my— Mamie snapped her mouth shut like she did when she wanted to yell at me in the grocery store but couldn’t because we was in public. What will people think, you talkin’ like that? You call her Mother or Momma, or I’ll get out the soap. She sighed. Lulu, dear Lord, give me strength.

I bit my tongue and slid out of my seat.

Real quick, I washed my bowl and spoon and set them in the drainer, all the while the pressure was buildin’ up inside me, like it always did before I did something that got me in trouble. Lulu was gonna be famous, that’s the only reason she left me and Daddy when I was just a baby. People around here were so jealous . . . so was Mamie, that’s why she always looked so sour whenever Lulu’s name come up. Lulu was gonna be famous all right, and then she’d come back and get me and Daddy. We were gonna live in a big house in Nashville with horses and whatnot, and Mamie would have to stay stuck here in Cayuga Springs all by her hateful self.

Just before I went out the back screen door, I turned around and looked at Mamie. I was real proud when I kept my voice respectful. My name is Starla. Not Jane.

Then I run out the back screen before she could say anything else. I heard it slam behind me, but kept running around the corner of the house.

I was real surprised not to hear Mamie hollerin’ for me to come back.

I decided to spend some time in my fort, just to stay out of Mamie’s sight so I wouldn’t fall into getting in trouble. Course my fort wasn’t really a fort, but a giant, waxy-leafed magnolia in our side yard. Mamie said it was almost a hundred years old. Back before I knew people weren’t as old as I thought they were, I asked if she remembered when it sprouted. She’d scrunched up her face like she was gonna be mad before she laughed and told me she was only forty-two years old, too young to even be a grandmother of a six-year-old.

Anyway, the tree. The branches go clean down to the ground and there’s just enough space for me to get inside. Nobody can see me. I keep Daddy’s old Howdy Doody lunch box in there with stuff I don’t want Mamie to stick her nosy nose into—mostly stuff that belonged to my momma and whatnot. I’d even found two pictures of her in a drawer in Daddy’s room. Mamie kept everything in there just the same as it had been when Daddy’d been growing up. I wasn’t even supposed to go inside, even though Daddy had told Mamie I could have his room ’cause it was bigger and he wasn’t hardly ever here. Mamie had told Daddy she’d think about it, but that was a lie. When I asked her when I’d be able to change rooms, she’d looked at me with those hateful eyes she gets and said, Never. Now I sneak in there and sleep at night sometimes, even though I never even wanted to before. What with Mamie’s bedroom being downstairs, she never even knew. I was always careful not to leave clues.

I opened the lunch box and pulled out the birthday cards from Lulu—one for every year except for when I turned six; that one must have got lost in the mail.

I laid on my back and read them, tracing my finger over the big, loopy L in Love you and the little x’s and o’s that were kisses and hugs sent through the mail. I spent some time thinking about Momma—Lulu recording her songs up in Nashville, getting famous. The memory of her was worn and fuzzy on the edges, since I hadn’t seen her since I was three. But I know I have the exact same color of red hair, so that’s the brightest spot in the picture I kept in my head.

Back when Momma and Daddy and me all lived together, I remember liking to twist her hair around my finger while she held me on her hip. I loved the way it felt soft and slippery, like the satin edge of my blanket. Momma didn’t like it though, ’cause she’d spent a long time getting it to look just right and I messed it up. I remember her and Daddy getting in a fight once when she smacked my hand away. It was all my fault, and I’d felt bad. When we all got to live together again, I’d be careful not to cause any fights. I put away the birthday cards and closed the lunch box. Then I just laid there for a spell, watching light dance with shadows and thinking about what I was gonna name my horse. By 10:32—I knew the time exactly ’cause Daddy had given me a really neat Timex with a black leather band for Christmas—it was already about a thousand degrees out. The brick street out front looked like it was wiggling from the heat. Dogs had already crawled under porches and into garages to get out of the hot sun. They would come out after sunset with cobwebs on their noses and dirt clinging to their coats like powdered sugar.

Wish I had a dog.

One like Lassie.

She’d follow me everywhere. I was thinking on how she coulda gone to get help when I fell through the floor in the haunted house when I heard clack-clack-chhhhhh, chhhhhhh, chhhhhhh, chhhhhh, clack-chhhhhh chhhhhh-clack. I knew who was coming, wearing the metal, clamp-on skates she’d just got for her fifth birthday—Priscilla Panichelli. I called her Prissy Pants. She wore dresses with cancan slips and patent leather shoes every ding-dong day. She wasn’t even gonna have to work at changing into a lady when her time came.

I was kinda surprised she’d risk getting those shoes all scuffed; skating on our broken-up sidewalk was dangerous business—which accounted for the clacks. I bet her big brother, Frankie, who was in my grade and called her way worse things than Prissy Pants, had made it a dare.

I moved so I was behind the tree trunk and held real still, just in case. Besides dressing like a doll, Prissy Pants could be a real pain in the behind with her goody-two-shoes, tattletale ways.

Then I heard trouble. A bicycle was coming fast with a card clappin’ against the spokes. It meant only one thing: Jimmy Sellers, turd of the century. Jimmy was gonna be a hood, anybody could see that. But Mamie, and truth be told a lot of the other old people on our street, thought he was a nice, polite Christian boy ’cause he was a real brownnoser, too.

Prissy Pants was like a lightning rod to Jimmy’s thunderbolt. She was just too shiny and clean to not try and mess up—even though it always seemed like an accident.

As I said, I had no warm place in my own heart for Prissy Pants, but Jimmy was twelve, almost a grown-up. Him picking on her was just . . . wrong.

I held my breath and hoped that bicycle would buzz right on by.

Chhhhhh-clack-clack. Silence.

Prissy Pants must have seen Jimmy.

The card slapped the spokes just a little faster, and I thought trouble would just keep rolling down the street. I moved around the trunk and peeked out just in time to see Jimmy’s bike jump the curb and head right for Priscilla.

She stood there in front of the LeCounts’ house like a possum staring at a Buick.

Jimmy pedaled faster.

I jumped out of my fort, too far away to do nothin’ but hold my breath.

At the very last second, he cut the handlebars and swerved around her. Priscilla jerked backward and fell flat on her flouncy heinie. One of her skates come loose from her shoe and hung from her ankle by the leather strap—she wouldn’t need that skate key hanging around her neck to get that one off.

She squealed, then started a real-tears cry, not her usual just-for-that-I’m-gonna-get-you-in-trouble cry.

Jimmy swooped in a circle and come back around. He stopped his bike and looked down at her. Gosh, looks like you’d better practice some more with them skates.

Prissy just cried louder and used her key to loosen her other skate.

I got what Daddy calls my red rage. I was hot and cold at the same time. My nose and ears and fingertips tingled and I couldn’t breathe.

I run down the block and grabbed his handlebars, jerking them to the side. Instead of making Jimmy fall down, he just let the bike go and stepped over it as it fell into the grass beside the walk.

Go back to your tree, shitbird. Jimmy shoved my shoulder.

Shitbird! I swung. His nose popped.

The blood hadn’t even touched his top lip when I heard Mamie yell, Starla Jane Claudelle!

Good-bye, fireworks.

I’d had trouble sleeping because of the sticky heat and thinking on all I was gonna miss: cherry snow cones and fried okra, winning the blue ribbon in the horseshoe throw (this woulda been my fourth year in a row as champion for the ten-and-under age group), penny candy falling like rain from the parade floats, fireworks and sparklers. It was enough to get my ears burnin’ all over again. Grounded on the Fourth of July, of all days. And Miss Prissy Pants hadn’t even stuck around to come in on my side of the story; did nothin’ but get up and bawl all the way home. And of course, Jimmy had been real convincing—I bet his nose didn’t even hurt that much.

Mamie had made me walk Jimmy’s bike home while he held one of our dish towels filled with ice on his nose and she fussed over him like he’d been crippled or something. She made me apologize to Mrs. Sellers (which she probably deserved ’cause she had such a horrible kid for a son) and to Jimmy (which had nearly made me barf). The whole way back to our house I got the ladies-do-and-ladies-do-not lecture, which started and ended with how embarrassed she was by my trashy, street-gutter behavior and always had a bit about not saying ain’t. Hey, I didn’t even want to be a lady.

After stewin’ and sweatin’ all night, I was tired and extra grouchy Fourth of July morning. Guess it didn’t really matter; sass or not, I was still on restriction on the best day of the summer.

I walked into the kitchen, real quiet, hoping to avoid another lecture. Mamie sat at the table in her pink-and-white seersucker housecoat, her pink slippers, and a pink lace hairnet over her pink sponge curlers—I forgot to mention, Mamie liked pink best of all the colors and was real sad that my red hair kept her from buying me pink dresses. She was looking at the S&H Green Stamp catalog, drinking coffee and smoking a cigarette. Mamie loved that catalog enough to marry it. Our grocery even had double-stamp days; if we was out of bread and one of those days was in sight, we’d go breadless. Which is kinda funny, ’cause we got our toaster with Green Stamps.

Mamie looked up at me. I braced myself; if I got sassy now, who knew how long I’d be on restriction—probably till Labor Day. But she didn’t start yammering about me being a lady, or being an embarrassment to her and Daddy (even though Daddy wouldn’t even know to be embarrassed if Mamie didn’t keep telling him stuff). She just nodded toward the fancy, new Norge refrigerator Daddy had bought for her. She’d been so proud of it that she’d made the whole bridge club come into the kitchen to look at it. A long list of chores was taped on the door. She must have been up all night thinking up stuff for me to do.

That should keep you out of trouble today while I’m gone, Mamie said in a way that said this wasn’t gonna be the end of my punishments.

I felt a hot prickle run over my skin—the red-rage prickle. I looked her right in the eye and said, Maybe I’ll just run away from home. Then you won’t be embarrassed by me anymore—and you’ll have to do all this stuff yourself. Like I said, I was grouchy.

I half-expected a slap, or at least another day stuck on to my grounding, but Mamie just blew out a stream of cigarette smoke and pushed herself up from the table and headed out of the kitchen. I’ll go pack your bag. Over her shoulder she said, But remember, you can’t leave until next week, after your restriction is over.

Gritting my teeth, I snatched the list off the refrigerator. It was worse than Cinderella’s.

I stomped back up to my room without breakfast. Milk would have soured right in my mouth.

While Mamie went to the Fourth Festival, I was Rapunzel in the tower. I crumpled the chore list and threw it into the corner of my bedroom. I sat on the floor in front of my window with my elbows on the sill and watched as the LeCounts loaded their station wagon with a picnic basket and lawn chairs and four of the five kids piled in. Ernestine, their colored maid, stood on the porch holding Teddy, the baby, raising his chubby arm for him to wave as the family pulled away. She was probably glad to see ’em go. I liked Ernestine fine, even if she was a grouch most of the time, nippin’ at me to not step on the flowers and to stay away from the cistern. I reckon she had cause to be grouchy. Them LeCount kids was the wildest and noisiest in town; and there just kept getting to be more of them all the time.

Our upstairs is hot as the hinges of Hades. Usually if I wanted to stay out of sight, I’d take to my fort. But today, I sat in my bedroom. I kinda hoped when Mamie got home late this afternoon, she’d find me passed out from heatstroke. Then she’d feel bad over ruining the one good day of the summer for me. Maybe I’d even have to be put in the hospital; that’d fix her.

I sat looking out the window and sweating for long enough that my hair started to stick to my forehead. Then I started to get ideas: What if I went to the parade? Mamie was at the park. I could go stand with the big crowd of kids on the corner near Adler’s Drug Store, where you had two chances at candy when the parade turned from Magnolia Street onto Beaumont Avenue. Mamie would never know. If I came back right after the parade, I could be home before her easy. I’d hurry through enough of the chores to keep her from being too mad. If I looked tired and pitiful enough, all sweaty and weak from hunger, maybe she’d let me go to see the fireworks. Bet she wanted to see them; and I ain’t allowed to stay home alone after dark.

This could work out fine. Course I’d miss getting my blue ribbon and the snow cones, but at least I’d have some of my Fourth of July.

But what if Prissy Pants or somebody from church saw me? Or worse, Mrs. Sellers, who knew I was grounded ’cause Mamie made a big deal of it in front of her.

Just then I heard Jimmy’s bike coming down the street, headed toward town. He had a big, white bandage across his nose. He looked up, saw me in the window, and gave me the finger. I didn’t know exactly what that meant, but I knew it was dirty.

Well, that was it. No way was I letting the turd of the century see the parade and ride back past here with his pockets full of candy while I melted into a big puddle of lady.

I slipped out the back door and down the alley, not that anyone was left in the neighborhood to tattle. Still, at each cross street, I looked careful before I stepped out in the open.

I waited behind the post office until a group of kids heading toward the parade passed by. I talked Drew Drover—he’d had a crush on me since second grade—out of his Ole Miss Rebels baseball cap and put it on over my red hair.

Ten minutes later I wiggled into the middle of the group of kids in front of Adler’s Drug. The color guard had just passed, and people were puttin’ their hats back on. The first float rolled by, the one with the Cotton Queen and her princesses, and a long line of floats and horses and marching bands was behind it. Candy flew like cottonwood seed.

I was a genius.

My luck held through the parade (thank you, baby Jesus). No tattletales saw me, and my pockets was bulging with candy. It’d be a whole lot easier to do my chores eating Pixy Stix and jawbreakers—after all, I hadn’t eaten breakfast.

All of the kids started to head toward the park. I hung back, wishing I could go, too. Even though it’d be several more hours before Mamie got home, the park was too dangerous. Not only was she there, but Drew had taken his cap back and there would be way too many church ladies around for Mamie not to get wind that I wasn’t home doing chores like I was supposed to be.

Starla!

I quick ducked behind the light post. I was tall and skinny, but not skinny enough to hide behind a light post. I was caught.

I peeked around the post and saw Patti Lynn Todd, my best friend in all the world, running toward me. Patti Lynn had a real family with a sister and three brothers and lived in a big house on Magnolia Street. She even had a dog.

I been lookin’ all over for you, Patti Lynn said, tugging my hand. Come on, you’re gonna be late signin’ up for the games.

Can’t. I’m grounded.

 ’Cause you broke Jimmy Sellers’s nose? Patti Lynn knew me well enough not to ask why I was at the parade if I was grounded.

How’d you know?

Everybody knows. Prissy Pants’s brother told. Jimmy’s still trying to get everyone to believe that it was Rodney Evans who done it.

I laughed. Nobody’d believe that story. Rodney Evans was the biggest hood in town, wore a ducktail and rolled-up sleeves on his T-shirt. He walked the streets in his black boots with metal taps on the heels just looking for trouble. And he usually found it. If he’d lit in to Jimmy, Jimmy would have had lots worse than a broken nose.

I’m on restriction for a whole week.

Patti Lynn smiled. It was worth it. Maybe Jimmy’s nose’ll heal all crooked. She linked her arm through mine. Come on. I’ll hang out with you for a while.

You’ll miss all the games and whatnot.

She shrugged. Don’t care. It’s no fun without you.

We headed to the school playground, inventing crazy stories that Jimmy would probably try to get people to believe to hide the truth that he’d been beaten by a girl.

Patti Lynn was the best best friend ever made.

Twenty minutes later, Patti Lynn and I was making daisy chains out of clover blossoms, so I didn’t notice the pink-and-white Packard pull up until I heard the car door slam. Mrs. Sellers, for who knows what reason, had showed up at the playground.

Wish Mamie could see her, out here for all the world to see in red-checkered shorts—Mamie could give her the ladies-do-and-ladies-do-not lecture.

Mrs. Sellers come flying across the pea gravel fast enough that it was shootin’ out from beneath her Keds. I guess I forgot to mention that yesterday I’d discovered she was real prickly when it came to her little boy.

Starla Claudelle! Your grandmomma know you’re here? By then she was on me, diggin’ her fingers into my arm and gritting her nice white teeth at me. All the sudden, I was sorry I’d ever felt sorry for her; she looked like a witch hiding under perfume and powder. I shoulda known a person with a son like Jimmy couldn’t be too good herself.

I looked right up at her with my defiant face. Yes, ma’am. She knows.

Well, we’ll just go and see about that. She pulled me toward her car so fast I couldn’t do nothing but run along beside her.

Bye, Starla, Patti Lynn called. See you later.

Fat chance. I was never gonna get off restriction.

As Mrs. Sellers yanked open the passenger door, she said, Your grandmomma is right, you’re no-good, cheap trash, just like your momma.

My ears started ringing. My face got hot and prickly. When did she say that? Sometimes I think she hates being my mamie—once she told me it was a shame I’d even been born, so I guess she does.

Mrs. Sellers looked at me with a wrinkled forehead. What? Well . . . every time I see her, poor woman. Now get in the car. She tried to shove me in, but I dug in.

My momma is gonna be famous. And your son is a mean son of a bitch! It was the worst thing I’d ever overheard my daddy call anyone; so I figured it fit Jimmy Sellers just right. I yanked my arm free.

She made to grab me again, her face looking for all the world like Jimmy’s when he was gonna beat the living daylights out of someone. I gave her a shove. She fell backwards squealin’ like a stuck pig, landing in the dirt.

I ran like the devil hisself was on me.

You come back here! The

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