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Better Nate Than Ever
Better Nate Than Ever
Better Nate Than Ever
Ebook247 pages3 hours

Better Nate Than Ever

Rating: 4 out of 5 stars

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Soon to be a Disney+ Original movie!

“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton

A New York Times Notable Book of the Year
A Publishers Weekly Best Book of the Year
A Slate Favorite Book of the Year

A small-town boy hops a bus to New York City to crash an audition for E.T.: The Musical in this winning middle grade novel that The New York Times called “inspired and inspiring.”

Nate Foster has big dreams. His whole life, he’s wanted to star in a Broadway show. (Heck, he’d settle for seeing a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York. There’s an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom.

Tim Federle’s “hilarious and heartwarming debut novel” (Publishers Weekly) is full of broken curfews, second chances, and the adventure of growing up—because sometimes you have to get four hundred miles from your backyard to finally feel at home.
LanguageEnglish
Release dateFeb 5, 2013
ISBN9781442446908
Author

Tim Federle

Tim Federle is the showrunner and executive producer of High School Musical: the Musical: the Series, which he created for Disney+. His novels include the New York Times Notable Book Better Nate Than Ever and its Lambda Literature Award–winning sequel—which Lin-Manuel Miranda called “a wonderful evocation of what it’s like to be a theater kid” (New York Times). A film adaptation of Nate, written and directed by Federle, will premiere on Disney+ in spring 2022. The film stars Aria Brooks, Joshua Bassett, Lisa Kudrow, and Rueby Wood as Nate. Tim’s hit series of cocktail recipe books, including Tequila Mockingbird, have sold over half a million copies worldwide. He cowrote the Broadway musical adaptation of Tuck Everlastingand won the Humanitas Prize for cowriting the Golden Globe and Academy Award–nominated Best Animated Feature Ferdinand, starring John Cena and Kate McKinnon. A former Broadway dancer, Tim was born in San Francisco, grew up in Pittsburgh, and now divides his time between Los Angeles and the internet.

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Reviews for Better Nate Than Ever

Rating: 4.098765561728396 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    A fun book for anyone who has ever dreamed of running away to New York and auditioning for a Broadway show.
  • Rating: 5 out of 5 stars
    5/5
    Laugh out loud funny! For example, "and here I am, staring into a dressing-room mirror my hat off and the brim - much tighter than I'd realized - having branded a red rim across my forehead giving me the overall look of a post-lobotomy grade schooler who, as a final wish before the infection sets in , gets to visit the Worlds Biggest Old Navy just once."
    Students will like this book in a Diary of a Wimpy Kid book style. I'm afraid the committee won't consider it for Newbery due to some language, gay references and how Nate is embarrassed his father works as a janitor at the hospital, and how he describs attending religious camp. I loved the book! It looks at bullying from an interesting point of view.
  • Rating: 5 out of 5 stars
    5/5
    Fun and funny book about Nate who runs away from home to audition for ET, The Musical, on Broadway. He is only to be gone overnight but it seems the team for ET is not done with him.I chuckled throughout this book. Nate has such a dry sense of humor and has a delivery that makes him one of the funniest characters I have read. I loved him. I also liked how he gives us glimpses into his life without pulling us out of the immediate story in which he is involved. I enjoyed Libby, his best friend. She was his straight sidekick. She watched out for him. His glimpses into life in New York was so refreshing. It was nothing like Jankburg, his home town. I look forward to reading the rest of the series. There are a few questions left open and I want answers.
  • Rating: 3 out of 5 stars
    3/5
    I wanted to like this book. It has gotten so many good reviews, and there were parts that were very well done. And Nate is a strong character. But the gay slurs bothered me, as did many of the stereotypes. I guess I sort of understand their purpose from Nate's perspective, but they diminished my enjoyment of this book.
  • Rating: 5 out of 5 stars
    5/5
    Oh my god, what an adorable book.

    One thing that I love about middle grade is the larger-than-life characters. I mean, not that you can't have them in other age groupings/genres, but... think about Ramona Quimby or Junie B Jones, and tell me you don't feel something for how perfectly dramatic and intense and REAL their childhoods were.

    Same goes with Nate. With his big dreams, his love of musical theatre, and a heck of a lot of nerve, he's one of those unforgettable characters.

    The kind that makes you think about when YOU were a kid and you lived and breathed the Phantom of the Opera for like a year and thought you were going to play the Phantom on Broadway even though you were a girl and couldn't sing that well. (...oh wait, is that just me? Okay then.)

    This is one of those books I wish I'd had back then, for so many reasons.

    And plus, because I'd be remiss if I didn't mention this, the fact that this is LGBT middle grade fiction is basically the best thing ever. There's not a lot of LGBT MG out there, so the fact that we get such a positive story, and such a brilliant character is... well, it's awesome.
  • Rating: 4 out of 5 stars
    4/5
    Nate and his best friend Libby conceive of a plan for Nate to head to New York City to try out for ET the musical. The adventure takes him on an amazing road trip as a 13 year old on his own. He gets to meet his estranged aunt who is also a struggling actress and her best friend Freckles. While his friend covers for him for awhile, eventually the rouse runs out when Nate gets a series of call backs and doesn't come home as planned. Nate is awkward, likable, really tough on himself, and doing the work to try to figure out just who he is. Life in his small Pennsylvania town is tough and he feels like he might just find his place in the world if he could be somewhere like New York.
  • Rating: 4 out of 5 stars
    4/5
    Very enjoyable!
  • Rating: 5 out of 5 stars
    5/5
    children's middlegrade fiction (13 y.o. boy who loves to belt showtunes runs away to audition for ET the musical in NYC). I'm not that into musicals or show business, but I appreciate Nate's enthusiasm and spunk, and just really wanted to be his friend through all of his trials and ordeals. A lovely book about accepting oneself.
  • Rating: 4 out of 5 stars
    4/5
    I read this book because my son (14 in 8th grade) read it in just a few days and he challenged me to read it faster! He borrowed it from his English teacher and was told he could have it for one week. So, the challenge was on.

    It is an adorable story about a young boy named Nate, who is almost 14, who leaves his home to audition for a play (E.T.) in New York. His best friend helps him with the plan. He does all this on a weekend when his parents are not home and his older brother is "in charge".

    Nate and his brother do not get along at all. His parents don't get along, at all. He gets picked on at school. The courage it takes to bus to NY and audition on his own is crazy. He sees a whole new world in New York. He learns a lot about himself and how to accept people who are different. Or, more to the point, that there are places where people who are different are accepted. It is OK that he'd rather sing than play football.

    A very real voice comes through in this story! And, we both read it fast enough to get it back to the English teacher!
  • Rating: 4 out of 5 stars
    4/5
    This book was so funny and enjoyable, especially for a former Broadway nerd.
  • Rating: 3 out of 5 stars
    3/5
    This is for all the forward-thinking misfits looking to find their places in the world. This is aimed at older elementary to middle school but its biting humor and breathless references to Broadway shows and New York City will require a higher level of sophistication to appreciate. For those kids who have it, they will love this. But even less-sophisticated kids may enjoy Nate's ebullient voice.
  • Rating: 3 out of 5 stars
    3/5
    Dreaming of singing and dancing? Love Broadway musicals. If yes, then this is the book for you.
  • Rating: 3 out of 5 stars
    3/5
    really 2 1/2 stars it was too unbelievable to me.
    I couldn't believe he was that naive about NYC.
    I couldn't believe he would have both low esteem and the belief he could get into a Broadway show.
  • Rating: 4 out of 5 stars
    4/5
    At first I had trouble getting into this book, but as the story goes along Nate is just such a loveable guy. He's smart and funny and manages to keep a very positive outlook considering he's having a hard time with everything. The story is crazy, funny, heartwarming and gut wrenching and you really feel for Nate's hard time and you want to tell him it will all get better.
  • Rating: 5 out of 5 stars
    5/5
    Loved it! Great voice, great characters, funny and heartbreaking and heartwarming.
  • Rating: 5 out of 5 stars
    5/5
    Better Nate Than Ever by Tim Federle is 42nd street reimagined for the younger set. Nate Foster lives Jankburg, PA, which might as well be the middle the of nowhere. Nate and his friend Libby, adore all things Broadway. They know Broadway's history and trivia in the same way that my father knows American film history from the 1930s-1950s. When there's a casting call for an upcoming E.T. the Musical (can you imagine such a monster?), Libby helps Nate run away from home long enough to try out.Nate isn't the typical stage brat. He hasn't been taking lessons all his life. He's not especially physically fit. He's actually the age of the lead character (and they tend to cast younger). He's an overweight, mensch of teen who is gaga for Broadway and he hopes he can win a spot in the production on his enthusiasm alone.Following Nate through his grueling adventures in Manhattan helped me remember how much I adore the American musical. As a kid, my parents took me and my brother to local productions of the classics on a semi-regular basis. As an adult, I haven't kept up. Part of that is a lack of disposable income and a lack of time. But there's still the old movie versions, and those I've been watching. Turns out my son is rather fond of 42nd Street too.The trip to New York is also a bit of an awakening to Nate. Although Manhattan is a huge culture shock, it's also a welcoming place. It's also a place where Nate begins to realize he might be gay. But as Nate reminds everyone in first chapter or so of the book, his sexuality isn't up for discussion and is basically his business alone.Reading this book as a parent of a boy about Nate's age, I love the message of letting children (specially newly minted teens) take risks. Yes, Nate's parents don't know at first what he's doing. And yes, he has consequences for his actions, but they do warm to his plan as he's clearly got potential and he's clearly passionate about his future in musical theater.
  • Rating: 3 out of 5 stars
    3/5
    Much more young adult themes than the cover suggests, this book is Glee-lite for aspiring Broadway bound thespians.
  • Rating: 4 out of 5 stars
    4/5
    Note: I listened to this book in audio (CD) format.Read by author Tim Federle, Better Nate Than Ever tells the story of a restless boy who dreams of becoming a star on Broadway. When he learns that there will be open auditions for a musical adaptation of E.T., he and his friend Libby hatch a scheme to travel to New York City. Many readers will share Nate's passion for musical theater and his itch to escape suburban life. Additionally, I think it is great that the author was able to record the audio book himself. At first it was a little confusing to hear a grown man's voice for a child narrator, but many audiobooks for children are narrated by adults. I know that not all authors feel comfortable with recording their voices, but I am sure he knows the story best himself, and is therefore well-equipped to share the intricacies of Nate's journey.
  • Rating: 4 out of 5 stars
    4/5
    Oh, to be young and so full of dreams like our Nate. Thanks to his friend and co-conspirator, Libby, he leaves his Pennsylvania home and goes off to New York City to try out for a musical version of ET - alone. He steals his brother's fake ID and his mother's ATM card, packs a few snacks and extra clothes and heads to the city by bus. He plans to be home before it is noticed he is missing. But there would be no story if everything went as planned.The one thing that disturbed me about the book was the stereotype that a person who loved the theater and acting must be gay. What bothered me is that it was not either argued against or embraced by anyone in the story.
  • Rating: 4 out of 5 stars
    4/5
    This is a solid middle school level book that I thoroughly enjoyed. In the first book, Nate and his best friend Libby hatch a plan to get Nate on a bus to New York City to audition for a Broadway show—ET, the Musical! As the novel progresses, Nate tells about his family and his life at school. His life leaves much to be desired at home and school. His father doesn’t understand him and demonstrates very little love. His mother is under the thumb of Nate’s father. Nate’s brother is an athlete and, therefore, is more important and loveable. Nate is not an athlete, but he is a talented theatre person. Libby has taught him everything she knows. After auditioning, Nate gets a call-back. No way is he getting on the bus to go home. He’s staying in a place that already feels like home. Follow the ups and downs of auditioning and being homeless in New York City for one night as Nate is determined to be a star!
  • Rating: 4 out of 5 stars
    4/5
    This is a first novel by Federle and it is a lot of fun. Thirteen year-old Nate heads from Jankburg (near Pittsburgh, PA) to New York City to audition for a role in the new musical E.T., The Musical. The problem is, he didn't bother telling anyone except close friend Libby what he is about to do! While his parents are on a weekend trip to celebrate their anniversary and older brother is charged with watching him, Nate takes a Greyhound bus to NYC. He does get an audition and he also meets up with his aunt, whom he hasn't seen since he was very young.What follows are the trials and tribulations of being alone in New York, being broke in New York and what it is really like to audition for a play.I loved a lot of this book, Nate is a good character who has a dream and while he is afraid on some level he doesn't let that stop him from trying.The only thing I have to say bad about the book is the rather disjointed narrative when Nate is both talking to people and thinking inside his head. I had to go back a couple of times to check to see which conversation was about which thread. Once I got more used to the narrative I was able to follow better.I will read more from this author if there are more coming.
  • Rating: 5 out of 5 stars
    5/5
    The hilarious story of a hopeful 13 year old boy who worships theater and wants to make it big on Broadway.Better Nate Than Ever takes many aspects of auditioning in New York and dramatizes them to make them bigger and scarier than in reality. They way that Nate views New York City adds to the humor of the story.
  • Rating: 5 out of 5 stars
    5/5
    Better Nate Than Ever was absolutely terrible for my reading schedule. It totally made me not want to read . . . anything else, that is. Seriously, it's a good thing this was a short audiobook or I would probably still have put off my other books to finish this one. I just kept inventing reasons that I needed to listen to more, tasks to do so I could listen rather than read my print books, which is a good sign.Why Did I Read This Book?Well, Better Nate Than Ever was already on my radar, because I do love stories with glbtq themes. However, the wanting turned to needing because my friend MG read it, and said it was completely wondrous. Thus, when I had the chance to get the audio, I went for it the way Nate Foster goes for donuts.What's the Story Here?Nate Foster is a kid with big dreams. He's flamboyant, hungry all the time, and possessed of a fantastic best friend who will egg him on to try his hardest in everything. Libby, his bestie, tells him about an audition for the Broadway musical of E.T., and helps him plan a day trip to New York City, so that he can try out for the show. Bad idea bears, right, guys? A thirteen year old off to the city by himself, and it's not like Nate's possessed of a lot of street smarts. Anyway, shenanigans and tomfoolery will be had. Snooty mothers and pompous smirkers will be faced. Hopes and dreams will be attempted with everything Nate's got.How are the Characters?Nate and Libby are sympathetic, because they're the outcasts (and because they use flopped Broadway plays as epithets, which is hilarious and clever). However, they're definitely not idealized or anything, because they can be just as mean as the others. Well, okay, not just as mean, but they are pretty judgmental too. Both of them are teased really severely, for being fat and, in Nate's case, for being gay. I liked that Nate is very obviously flawed, but that you cannot help but root for this crazy kid. I cringed for him when he committed egregious errors, and rooted for him to go home without his aspirations smashed into little pieces along the New York City sidewalk. Also, Federle does dive into some larger family issues on top of the overarching comedic plot, which I thought was pretty fantastic, since the tone remains light but serious issues are covered.And the GLBTQ Themes?What I love here is that romance really isn't a plot line. In fact, Nate isn't gay. He probably is, based on a couple of hints, but he's still in the questioning stage of life. He hasn't reached a firm decision about who he is yet. Better Nate Than Ever is written in a style that addresses the reader, like Nate has just sat down to enact this whole scenario for you in a one man show, which he would TOTALLY do, and Nate straight out says that he's undecided, because he's just thirteen. I love that, because, sure, some people know right away, but just because he loves musicals and fits the stereotype of a gay guy, that doesn't mean he is. There were also some undercurrents of shame in his thoughts, though, so I hope that if he is gay, he can find strength with himself to see that as the positive thing it is, and not something shameful and secretive. All of his feelings felt very real to him, and conveyed how confused he is overall and not ready for all the romance stuff.How was the Narration?Tim Federle was the perfect choice to narrate this. I mean, I do love when authors narrate their own work, because there's something so personal and touching in that. Of course, not every author has a voice for narration, but Federle is fantastic. He does Nate so well, and reads with scads of emotion. Basically, I loved everything about the way he narrated this, and everything about Better Nate Than Ever just made me smile and compulsively keep listening.
  • Rating: 4 out of 5 stars
    4/5
    This book was delightful! Nate's funny and sweet narrative voice captured me from the beginning. This is a hilarious story with a lot of heart, perfect for sharing with middle school Broadway aficionados. Hand it to kids who aren't quite ready for DRAMARAMA. I loved Nate and I hope this isn't the last we hear from him! Nate is sweeter than Carter, but I'd try this on fans of CARTER FINALLY GETS IT.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book and the audio reading by the author. I fell in love with Nate and couldn’t stop rooting for him from page one. He is funny and his skewed sense of the world outside of his small town will entertain the small town resident that can’t wait to leave and be anywhere else but their town. The story is fast chronicling Nate’s escape to NY to audition for ET, a soon to be Broadway play. His best friend helps him with her real world knowledge. Although somewhat realistic I think this book is for dreamer in your midst. It was an ALA Odyssey Honor Book.
  • Rating: 5 out of 5 stars
    5/5
    Nate is from a small town in Pennsylvania where his love for musicals is rarely understood – not by his folks or by his athletic older brother or by the kids who pick on him (and occasionally beat him up). Fortunately, his best friend Libby shares his obsession and has been training him for his big break and when they hear about auditions for “ET: The Musical,” they know Nate’s time has come. Nate’s plan is to runaway (just for one night and a day) to NYC to audition. Big dreams require big risks, right?Anyone who has ever auditioned for anything (or just wanted to) should read Nate. His story is wonderful and his auditions are hysterical. I am not a big tween book reader, but Better Nate Than Ever was a pleasure and I know I’ll be reading it again. But you don’t have to take my word for it – Better Nate Than Ever has garnered a slew of glowing reviews and was mentioned in the New York Times twice in a matter of weeks. So get yourself a copy – you won’t regret it.
  • Rating: 5 out of 5 stars
    5/5
    Kim's BookstackLiked · about a minute agoBetter Nate Than Ever is Glee for the younger set. Nate is a quirky kid whose love of Broadway musicals and ambition to star in those musicals is often misunderstood. His brother picks on him, his classmates pick on him and his parents berate him. If it wasn't for his best friend Libby (think of the little girl whose mom is a travel agent in Sleepless in Seattle) than Nate would not get through life at all. When he decides to cash it all in and travel from his podunk town in Pennsylvania to the big apple to audition for the lead in ET any number of bad things could happen. What follows is a wonderful witty account of a young guy lost in the big city where, with the help of one quirky aunt and phone connection to Libby anything is possible. This book does deal with bullying and sexual uncertainty so I would recommend it for an older audience. Better Nate Than Ever is Tim Federle's debut and you will want to run away to Broadway after reading it!
  • Rating: 5 out of 5 stars
    5/5
    Sometimes you read a book for escape. Sometimes you read it for what you can learn. Sometimes you read it to experience the writing talents of the author. But there come along very special times when you read a book and time stands still, the words disappear and you're there with the characters. You ARE the characters. I experienced that very thing when I read BETTER NATE THAN NEVER in two sittings. Nate is an eighth grader with a dream. He wants to become a Broadway star. Dream big, kid, is what I say. And don't let those dreams get sidetracked...whatever you do. Nate makes it to New York City with the help of his BFF Libby hoping to audition for the next big musical ET:THE BROADWAY MUSICAL VERSION. I've never cheered for a character as much as I cheered for Nate...through the cattle call and the singing and the dancing and the script reading. What I wouldn't have given for that chance when I was a kid. To get away from the jeers of the bullies at school and find a place where people accept you for what you are and for what talent you have. You go, Nate! You keep loving theatre (especially musicals) and never let anyone tell you that you're not good enough. And don't let those bullies rule and ruin your life. Go Nate! Go Nate! Go Nate!

Book preview

Better Nate Than Ever - Tim Federle

Some Backstory

I’d rather not start with any backstory.

I’m too busy for that right now: planning the escape, stealing my older brother’s fake ID (he’s lying about his height, by the way), and strategizing high-protein snacks for an overnight voyage to the single most dangerous city on earth.

So no backstory, not yet.

Just… fill in the pieces. For instance, if I neglect to tell you that I’m four foot eight, feel free to picture me a few inches taller. If I also neglect to tell you that all the other boys in my grade are five foot four, and that James Madison (his actual name) is five foot nine and doesn’t even have to mow the lawn for his allowance, you might as well just pretend I’m five foot nine too. Five foot nine with broad, slam-dunking hands and a girlfriend (in high school!) and a clear, unblemished face. Pretend I look like that, like James Madison.

I do, except exactly opposite plus a little worse.

By the way, despite our tremendous height gap, he and I weigh the same. The school nurse told me that once: James Madison was just in, before you, she said, grinning like her news was a Christmas puppy, and you weigh the exact same! This is the one attribute at which I’m not below average: body heft.

Oh, and I already knew that James Madison was in the nurse’s office before me that day, because we’d just passed in the door frame, and he licked the Ritalin crumbs from his lips and lunged at me to make me scream a little.

I screamed a little.

Luckily, I picked a good key and turned the shriek into a melody, walking into the nurse’s office humming a tune. Life hasn’t always been easy (my first word was Mama, and then The other babies are teasing me), but at least I’m singing my way through eighth grade, pretending my whole existence is underscored.

There. There’s your backstory. I was always singing.

Not that there’s any evidence. My parents weren’t very good about documenting my childhood; my older brother got all the video footage, including his first seven poops. By the time I was born, disturbing the tranquility of Anthony’s remarkable career as a three-year-old wonder-jock, the video cameras were fully trained on his every sprint, gasp, dive, and volley.

Those are sports terms. Reportedly.

So I always sang, not that there’s any proof of it. No high-res shots of little Nate Foster scurrying around the Christmas tree, belting Santa Baby in a clarion, silver soprano.

That’s just my imagination of my voice. Again: Nobody ever recorded it.

But I’m getting off track—you’re distracting me—and there is a lot to do.

No pressure, but if you pull this off, you are going to be my hero forever. This is Libby, my best friend for as long as I can remember (two years and three months, specifically, but I hate when stories are hampered by math). Libby’s standing in my backyard tonight, lit only by the moon. Although it might actually be the neighbor’s motion-activated floodlight.

Bark! Bark! That’s their dog. Yes, she’s definitely being lit by their floodlight.

"Libby, if I don’t pull this off and make it back home by tomorrow night, I’m dead. Like, my parents will never let me leave Western Pennsylvania again."

I’m hugging my bookbag, which is stuffed with three pairs of underwear, one plastic water bottle (singers have to stay hydrated), deodorant (just in case I need it on the trip; so far I’m good, but I saw on the Internet that a teenager’s body can begin stinking at any moment), and fifty dollars. Fifty dollars should be safe through at least Harrisburg, and once there, I’ll take my mom’s ATM card out and get some more cash.

Oh, yeah. I borrowed my mom’s ATM card. I’m babysitting it, we’ll say.

The plan is this: If I get money in Harrisburg, it’ll be less suspicious than visiting an ATM in our little town (unofficial motto: 48.5 miles from Pittsburgh and a thousand miles from fun). When she gets her bank statement, Mom won’t suspect it’s me who stole from her; Harrisburg is the capital of Pennsylvania and thus must be crawling with big-city criminals.

I’m serious, Lib. If anything goes wrong, my parents’ll never let me leave home again. Ever.

"Luckily, they’ve never let you leave home before, either. So if you get permanently grounded for this, Nate, you won’t really know what you’re missing out on anyway."

Unless I get trapped in New York without a hotel, in a freak late-October blizzard. Unless I finally make it back here after my trip and really do know what I’m missing out on, because I actually eat one of the famous New York street pretzels. Imagine: pretzels sold on the street! It’s as if anything is possible. Do they also sell hopes on the street? Do they sell hugs and dreams and height-boosting vitamins? Or hot dogs? I bet you they do.

Feather circles my feet in the grass, whining. I’m sure he has to pee. Feather is so well trained (my older brother did the dog rearing; he’s not only the town sports star but a dog whisperer, too, in addition to donating his old issues of Men’s Health to the library and also volunteer lifeguarding) that the dog only goes when we instruct him to. For a moment I want to believe Feather’s just sensing that I’m leaving. That he’s only whining because he’s scared. As scared as I am.

"Go, boy." But really, he just has to pee.

Something stirs in the woods behind the house. Libby crouches down and her jeans strain at the knees. We have identical bodies, other than the obvious stuff.

So we’re good on the alibi? I say.

Yes. We’re good. I’ll cover your dogsitting duties while Anthony goes off to win another track meet tomorrow. And if anyone calls your landline, I’ll pick up the phone and disguise my voice as yours.

Libby’s being kind. We have the exact same voice already. When I order pizza, they always sign off by saying, "That’ll be thirty minutes, ma’am."

Let’s go over what happens if somebody tries to kidnap you, Libby says.

I act like I’m gonna barf.

That’s right. She has theories for everything, and one of them is that if you throw up on criminals, they’ll run. She watches more TV than I do.

What if I can’t barf? What if I haven’t had anything to eat?

Libby smirks, reaching into her own bag and handing me a twenty-four-pack of Entenmann’s chocolate donuts. Nobody knows me like Libby.

You’re so good to me, I say. Oh, gosh. Now I’m hopping. Maybe I should just stay home? This is crazy.

Don’t you think it would be crazier to stay here? And sell flowers the rest of your life? The family legacy is a floral shop, Flora’s Floras. Mom runs it now, though we’re not making any real money. There’s nothing like a business in which your main product wilts by sundown.

And tell me one more time, I say, "what my New York catchphrase is? It’s—uh—Gosh, that A train subway sure is running local again. Right?"

Libby groans and takes me by the shoulders. "No, Nate. The key is to get it exactly right. The A train is running local today, what a hassle. That’s the phrase. I Googled ‘things that annoy New Yorkers,’ and I need you to trust me." She twitches her nose, her habit when she’s nervous or certain I’m about to screw something up.

The A train is running local today, I say like a studious robot, what a hassle. I can handle this.

The neighbor’s floodlight clicks off, and for a moment it’s just me, Libby, Feather, and a sky of rural darkness, the crisp autumn air that leads to adventure. Or trouble. A bonfire that burns too hot, or a Halloween prank gone horribly wrong, or a boy getting murdered in New York City.

Close your eyes, Libby says. And when I do, and she doesn’t take my hand and put a treat into it—a lucky rabbit foot, once; tickets to a tour of Les Misérables another time—I sense something new is about to happen.

And just as I’m opening my eyes again, and watching her coming at me like I’m a chocolate donut, her mouth open and eyes closed and arms reaching out to me, my brother pulls his pickup truck into the side yard, high beams on full blast. Sixteen-year-olds always drive with their high beams on, to make up for their insecurity and lack of experience manning a seven-ton death toaster.

For the first time ever, Anthony has saved me from something.

"What are you freaks doing out here?" he says, slamming the truck door and turning his baseball hat around backward, rolling up a sleeve like he’s about to get into some dirty work.

Keep your voice down, Anthony, I say, the neighbors are probably sleeping.

Oh please, Nathan, he says, circling the entire length of his truck, inspecting it for the tiniest nick (this is a ritual). "Aren’t you usually belting out the chorus to Gays and Dolls or something around now?"

Try loving showtunes alongside an older brother who can bench-press your weight. No, literally! Before he became too embarrassed to be seen in public with me (right around when Libby dyed my hair blond), Anthony would bench-press me out back and we’d charge seventy cents to the neighborhood kids if they wanted to watch.

"It’s GUYS and Dolls," I’m about to say, but don’t.

Libby moves away and looks at the stars, probably horrified that she was about to kiss me and got interrupted. Probably horrified that she was about to kiss me at all. We’re hanging out here because there’s supposed to be a meteor shower tonight, she says, lying to Anthony. I’m the only person she doesn’t lie to. And your little brother and I never miss a show.

I’m sweating so bad that I think this might be the first time I actually need deodorant.

Listen, Anthony says, walking over to us but stopping a full eight feet away, like we’re going to infect him with terminal jazz hands or something, I’ve got a huge meet tomorrow, in Aliquippa. And I have to be up at the crack of butt. So if you’re planning on staying up all night playing your theater games, howling at the moon, you might as well sleep at Libby’s. I’m serious. I’ve got to get my rest, Nate.

Perfect. He’s playing right into the plan.

Well, gee, Anthony, if this game is such a big deal, maybe that’s a sensible idea.

"It’s not a game. It’s a meet."

He makes for the broken sliding screen door (years ago, Anthony wrestled me through the kitchen and out onto the back patio, smashing through the screen, ending up grounded for the first/last time in his whole flawless life) and disappears within, reemerging a moment later. And don’t do anything stupid tonight, guys. I’m serious. Mom and Dad will kill me if they have to ID your body at the morgue.

Anthony is supposed to be watching me this weekend, though I don’t know what parents, in their right minds, leave their gentle-souled thirteen-year-old in the charge of their girl-crazed sixteen-year-old.

This is not to say my parents are in their right minds.

Only that they’re broke. Only that they can’t afford a babysitter, let alone the special weekend Dad is treating Mom to, on account of their admittedly remarkable seventeen years together. I think Dad was just too cheap to afford a divorce, so he splurged on a fancy hotel, someplace that probably has terry-cloth robes and heart-shaped good-night chocolates. Someplace parents like mine will renew their vows and think life can always feel this refreshed, from this anniversary night forward. Until they get home tomorrow and find that their younger son went missing in New York City.

Mood killer!

And now, with Anthony and Feather inside, and Libby and me alone, there’s nothing left to do but leave.

I’m scared, Libby, I say, choosing to pretend the almost-kiss never happened.

Why? Libby says, but I can see she’s scared for me, too. Or wishing she could come. Wishing she could be the co-adventurer in the fantasy she lit in the first place, introducing me to the magical escape of musical comedy. There’s nothing to be scared of, Nate. You’re small and scrappy and can get out of any situation the world throws at you.

Just this past week, I’d been stuffed into a locker by a seventh-grade nose picker who is shorter than I am.

Okay, your Lyft to the bus station is supposed to get here in, like, ten minutes, Libby says, walking me to my own fence. I told him to come to the bottom of the hill, so Anthony wouldn’t see you bailing. What would I do without Libby? What will I do?

What if I make a schmuck out of myself? What if I forget the words to my song?

You’ve been making a schmuck out of yourself for years, Nate, Libby says. At least this time you’ve got the possibility of being paid for it.

What if I stutter my name? I always stutter my name: N-n-nate F-f-oster. Like I’m confessing to the crime of being alive.

Let go and let God, Libby says, or whatever.

What if I lose my voice? What if—

Nate, just stop. She snaps her fingers. In my face. You’re going to sleep on the bus and arrive at nine in the morning. You’re going to ask any adult who doesn’t look like a murderer which way it is to Ripley-Grier studios, and you’re going to find a bathroom and splash down your face and try to run the hot water long enough that it steams any wrinkles out from your shirt, and you’re going to be fine. She looks me up and down. Do you have cough drops?

Yes.

Do you have your water bottle?

Definitely. Duh.

Do you have your headshot and résumé?

"Holy Dance of the Vampires, no! Dance of the Vampires!" (Instead of cursing, we shout out the titles of legendary Broadway flops. Dance of the Vampires was an infamous musical from the early two-thousands, starring the original Phantom of the Opera actor, this time as a blood drinker. Evidently it featured an entire song called Garlic. Not even kidding.)

Okay, okay, let’s not panic, Libby says. I must’ve left my headshot and résumé at her place, last night, when this entire adventure scheme was hatched. It could potentially be very charming to Broadway, she reasons, discovering a boy from off the street who doesn’t even have a photo of himself. Besides, let’s be honest about your résumé: You’ve only played a mushroom in a junior high pageant about the merits of eating vegetables.

She has a point. Although I played the broccoli.

Also, I don’t really even have a headshot, so Libby and I just took my eighth-grade picture and blew it up, revealing my horrible skin and overuse of hair product and that blasted underbite that I always forget I have. This is one of the reasons I’m actually not so sad my parents didn’t document my life. This is one of the reasons I’m glad I left that picture at Libby’s last night.

The Lyft pulls up, and she hands me a fifty-dollar bill.

Libby!

Just take it. Your dad might be a doctor, but it’s not like he shares the wealth. My dad is not, in fact, a doctor. He is a maintenance engineer at the University of Pittsburgh Medical Center—he cleans toilets—but whenever classmates hear my dad works at the Medical Center, they just assume he’s a doctor, and who am I to ruin another kid’s dream?

I’ll pay you back, I say. With interest. I’ll make this up to you.

She looks around, checking for stray raccoons on the frighteningly dark back road to my house, and sticks out her index finger at me. I do the same, and we touch them and smile, and she says, Don’t forget to phone home, yeah?

Definitely. I’m just going to be gone for a day. I’ll be back by this time tomorrow night.

"You better be. Your brother and parents will be pulling in at the same time, and you know he’s going to have a pickup truck full of trophies, and they’re gonna be ready to kill each other. And there’s something very, like, specific about arriving home and realizing your thirteen-year-old is missing. Even if they never notice you when you’re—you know—here."

You getting in, or what? the driver calls out from an open window.

I look at my outfit, like maybe I’m actually dressed as SuperBoy and can just avoid this cab ride altogether. Like maybe I could just fly to New York and avoid getting mugged in the Greyhound bathroom before I even make it out of Pittsburgh.

Break a leg, Libby says, hugging me and giving me a quick kiss on the cheek. And text constantly, and here—she thrusts a mysterious manila envelope out at me, pulled from her bag. Take this, and don’t open it till after your audition. After they fall completely in love with you.

Thank you, Libby. I will. And they won’t.

And from just above, a star blasts a trail across the night sky—like

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