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A Shilling for Candles
A Shilling for Candles
A Shilling for Candles
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A Shilling for Candles

Rating: 4 out of 5 stars

4/5

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About this ebook

Was there anyone who didn’t want lovely screen actress Christine Clay dead?

Beneath the sea cliffs of the south coast, suicides are a sad but common fact of life. Yet even the hardened coastguard knows something is wrong when a beautiful film actress is found lying dead on the beach one bright summer’s morning. Inspector Grant has to take a more professional attitude: death by suicide, however common, has to have a motive—just like murder…
LanguageEnglish
PublisherTouchstone
Release dateDec 25, 2012
ISBN9781476733302
Author

Josephine Tey

Josephine Tey, author of The Daughter of Time and The Franchise Affair, was born Elizabeth MacKintosh in Inverness in Scotland in 1896. She trained and worked as a teacher before returning to her family home to look after her elderly parents. It was there that she took up writing. Although she described her crime writing, written under the pen name Josephine Tey, as ‘my weekly knitting’ she was and is recognized as a major writer of the Golden Age of Crime writing. She was also successful as a novelist and playwright, writing under the name of Gordon Daviot. Her plays were performed in London and on Broadway. A fiercely private woman, she died at her sister’s home in 1952.

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  • Rating: 3 out of 5 stars
    3/5
    Not quite a 'cosy' murder mystery, but more a 'tidy' murder mystery. It moves along at a reasonable pace, stepping from one interesting tidbit to the next. There are a lot of fascinating details that now come across as 'historical', and for that alone it was worth reading. There is the odd detail than never gets referenced again, which I found frustrating -- something that turned up early in the book turned out to be a throw away line, which I think just indicates that more editing would have improved things.
  • Rating: 4 out of 5 stars
    4/5
    Another fantastic by book Josephine Tey (Miss Elizabeth Mackintosh's nom de plume). Miss Tey wonderfully crafted story and prose will grip you from the very beginning. Highly recommend.
  • Rating: 4 out of 5 stars
    4/5
    Excellent mystery.
  • Rating: 4 out of 5 stars
    4/5
    I enjoy the Alan Grant mysteries. In this one, a famous actress is drowned. We are led on a chase of red herrings until the last couple of pages when the killer is revealed. The characters in this make the story enjoyable; Grant and his team, the young girl, Erica, and several of the suspects. I'm a bit pleased that I suspected the person revealed as the killer, but there wasn't a convincing motive to my way of thinking.
  • Rating: 4 out of 5 stars
    4/5
    Comparable to Agatha Christie novels. Christie seems to have better pacing for the release of clues. Tey seems to have more insights into the human condition. Erica Burgoyne reminds me of Sally Kimball from the Encyclopedia Brown books.
  • Rating: 5 out of 5 stars
    5/5
    extremely well done - too brutal for my shelves
  • Rating: 3 out of 5 stars
    3/5
    Off the south coast of England, near Westover, the body of a female is discovereed. Initially thought to be suicide, evdence points to murder. Inspector Alan Grant is brought in to investiage all the possible suspects.
    A better written book than the first making an enjoyable story.
  • Rating: 3 out of 5 stars
    3/5
    Early one morning, the body of actress Christine Clay is found on the beach. While it initially appeared to be a drowning, after further investigation the local constabulary chose to call in Inspector Alan Grant of Scotland Yard. Grant initially suspected Robert Tisdall, a young man who shared a cottage with Miss Clay at the time of her death. But as he learned more about Clay's life and career, several potential suspects emerged.What follows is a bit of a romp across southern England as Grant delves into the case and strives to learn more about each suspect. If I were giving Grant a performance review, I'd tell him to dig a little deeper and not be taken in by red herrings, like the shady character with a criminal past. Come on, anyone who has read at least one mystery knows that guy's not the murderer! But Grant pursued several obvious leads right into investigative cul-de-sacs, only to emerge and tear down another route. When the murderer was finally identified, I could almost hear Grant smack his forehead in astonishment. Though I hadn't figured it out myself, I should have. If Grant had only looked for the "slightly less obvious," he would have cracked this case in no time.What this novel lacked in suspense, it made up for in fun. Grant is a sympathetic character, and Tey fills this story with a myriad of others who are endearing or comical. This book was a great escape and a welcome break between more "serious" reads.
  • Rating: 3 out of 5 stars
    3/5
    This is the last of Josephine Tey's that I have read (I started with the wonderful Daughter of Time some 30 years ago); and for me it missed the mark of most of her others too.
    It didn't have the brooding atmosphere of The Franchise Affair, or the delicious mystery of Brat Farrar. The sense of place from The Singing Sands wasn't present for me in the balmy south coast cottage. And I struggled to care too much about who killed Christine Clay.
    But it had froth and oodles of fun characters (caricatures?) and red herrings aplenty. My only real complaint is that at the end, I still didn't know why the "shilling for candles" was important...
  • Rating: 4 out of 5 stars
    4/5
    The body of a movie actress Christine Clay is found on Westover beach. Insp Grant follows the obvious suspect but does not apply the handcuffs and he disappears. There is a hint of desperation as he founders about looking into the goings on of her husband and her brother. An astrologer fortells the death, and madness and the Chief Constables daughter all come into the plot.
  • Rating: 4 out of 5 stars
    4/5
    Strange that I can't find a record of reading The Man in the Queue to compare the rating. Nevertheless, I am almost entirely certain, going on my memory which is shaky even though it wasn't that long ago, I'm sure, that I last reread the first of Tey's mysteries, that this is a significant leap forward in terms of the quality of writing. I was reminded how much I love Tey, and that I really mustn't leave it so long between rereads. She may not be quite at Dorothy L Sayer level of genius, but certainly ranks up there with Marsh (I don't care much for Christie, hence the omission.)Plot-wise, things could be a tad tighter, however that did not detract appreciably from my overall enjoyment. Particularly good was the characterisation: even fairly insignificant characters were effectively fleshed-out, and I particularly like Erica Burgoyne whose youthful eccentric charm was an utter delight.As an aside, I have just noticed that Hitchcock made a film extremely loosely based upon this novel in 1937 (Young and Innocent UK and The Girl Was Young US). I wonder what Tey thought of it? He completely changed the plot (including whodunnit), made Erica a beautiful young lady rather than a scruffy albeit spunky adolescent, and left out Inspector Grant! I'm sure it's a fine film, but A Shilling for Candles it ain't!
  • Rating: 3 out of 5 stars
    3/5
    One of my favorite Tey books, of which there are many. (March 2008)

    -----

    Another Inspector Grant mystery, this one far less memorable than the others, in my opinion. Tey’s crankiness on certain subjects definitely comes out, and the story isn’t remarkable either for the mystery, or for Grant’s introspection. [July 2011]
  • Rating: 2 out of 5 stars
    2/5
    It was ok but the racism and snobbishness were too much for me.
  • Rating: 3 out of 5 stars
    3/5
    On the one hand, Tey writes with both social conscience and humor, freeing her readers from Christie-induced exhaustion and cringing. On the other hand, *what* is up with the ending? Too much crazy.
  • Rating: 4 out of 5 stars
    4/5
    A very enjoyable murder mystery featuring Josephine Tey's imaginative detective Inspector Alan Grant. The body of a young woman is found drowned in an area notorious for suicides, but nothing is as it seems. Once again the emphasis is on character rather than detection, though the solution is better incorporated into the story than in "The Man in the Queue". Lots of really diverting red herrings too! Recommended for fans of Ms Tey.
  • Rating: 4 out of 5 stars
    4/5

    I wish I hadn't left getting better acquainted with Josephine Tey's writing for quite so long. In this novel, Tey's second, Inspector Alan Grant investigates the murder of a famous actress, whose death by drowning had been predicted by a celebrity clairvoyant. In her characteristically elegant prose, Tey not only delivers an interesting piece of Golden Age crime fiction, she also explores the concept of celebrity. That Tey's observations on this particular issue still seem fresh today is both a testament to the stength of the writing and to the fact that some things never change.

    Overall, this was a fun read. Alan Grant is a thoughtful and engaging detective, who makes mistakes and sometimes misjudges people and situations in a very realistic way. The secondary characters are also interesting and well-drawn, particularly the wonderful Erica Burgoyne. The mystery at the centre of the novel is engaging enough, with multiple red herrings and a satisfactory resolution. However, the novel does contain multiple instances of the casual anti-semitism which is a recurrent feature of pre-WWII British crime fiction. It is jarring and unpleasant to a contemporary reader, but something which I can generally cope with in this genre.

    My enjoyment of this novel was increased by it being a buddy read with my friend Jemidar, who correctly identifed the culprit very early on. Once Jemidar picked the murderer, all Inspector Grant had to do was work out how the murder was committed. A solid 3-1/2 to 4 star read.
  • Rating: 4 out of 5 stars
    4/5
    This is the second in the Inspector Alan Grant and, as in the first, the solution to the mystery is a little weak. I want to love Josephine Tey, and I already own the rest of the Inspector Grant titles (Touchstone softcovers), except that most famous, The Daughter of Time. So I know I will be reading more and, while I enjoy the stories moderately well, I’m hoping for stronger mysteries in future books. 3½ starsRead this if: you’d enjoy an easy mystery read by a famous author.
  • Rating: 4 out of 5 stars
    4/5
    Inspector Alan Grant is a professional first and foremost. He works his way through his cases and ultimately his legwork matched with his painstaking examination of the clues brings the guilty party to light. In A Shilling for Candles, he is discomforted by the realization that he has a “feeling” that the obvious murderer is innocent. A strange case of an actress found drowned that at first was looked upon as suicide but further examination resulted in a murderer being sought. All the clues are pointing toward the handsome stranger, Robert Tisdall. But with the help of his interesting assortment of witnesses, in particular, young Erica Burgoyne, the daughter of the local Chief Constable, Inspector Grant is eventually able to put the pieces together that make a perfect match and clear the mystery.While A Shilling For Candles doesn’t provide edge-of-seat action, Josephine Tey does give us great characters, an intriguing mystery and delivers her story in a witty, engaging manner that makes this author a delight to read.
  • Rating: 4 out of 5 stars
    4/5
    A body is found on a beach. Although it is first thought to be a suicide, the inquest finds evidence that it is murder. The body is that of an actress who had been vacationing in the area. The top suspect manages to get away from the police. There are plenty of other suspects as well. Inspector Grant must investigate each lead, including some that are not very promising, but he is finally able to resolve the mystery. The title of the book comes from a legacy that the actress left to her brother in her will. This is a fun and well-plotted mystery.
  • Rating: 5 out of 5 stars
    5/5
    Another excellent example of "not your ordinary mystery novel". A body is discovered on a beach, and the immediate assumption of suicide is soon contradicted by the evidence. (I have to say I'm a little impressed that the article found with the body which indicates murder is never mentioned in anything I've read online about the book (and in fact morphed into something else for the film adaptation (1937's Young and Innocent, said to be Hitchcock's personal favorite among his British films); I'm glad to continue to keep the secret.) The most obvious suspect isn't after all so obvious – and turns up missing – and what for about a minute seemed neat and tidy turns out to be a tangled ball of false confessions, astrology, suspects requiring delicate handling, and wardrobe searches. Alan Grant's presence in this book is somewhere between that in The Franchise Affair – peripheral – and the his greater omnipresence in The Man in the Queue - in addition to his there are many points of view, beautifully handled and rewarding, but he is in the forefront here. The plot is gripping; the characterizations natural; if the solution to the mystery is not necessarily one that can be worked out by the armchair detective, that isn't really the point of the book anyway – the impression is that A Shilling for Candles wasn't written primarily as a puzzle to solve. It was, I think, written more as a psychological exercise, an exploration of personality and the consequences of celebrity and of being involved in a homicide. There is the contrast of the rather extraordinary ordinary girl, Erica, with the glitter and sparkle and hollowness of the celebrities. And Alan Grant is a star, in all the best senses of the word. A word I saw used in a summary of one of Miss Tey's other books used the word "excoriating" and it suits here as well. That reference was in regards to the attitude in To Love and Be Wise toward modern writers; here the recipient of the book's scorn is The Public, that seething mindless mass of neediness. The murder victim, Christine, was a star of the first magnitude, and thus even had it been natural her death is not something that could be quietly mourned in private by those closest to her. Her celebrity and the circumstances of her death break it wide open, making both privacy and quiet impossible. Since I read this, Whitney Houston died, and the constant invasion into her family's lives was appalling, down to disruptions of her teenaged daughter's life and, I believe, publication of photos of the nude corpse (see also Marilyn Monroe). I thought the menace of inexcusable paparazzi and the public appetite that allows for them was a more recent development; I honestly don't know if I'm relieved or saddened that it's always been this way. This disparagement of the Masses put together with the little I know about Josephine Tey's career as Gordon Daviot, very successful playwright, gives me pause. Much of what I know about this aspect of her life is from the novel which uses her as a character, An Expert in Murder, by Nicola Upson; it was not entirely to my taste, but I don't question the research that went into it (though I take everything with a grain of salt, of course, if for no other reason that that I've also read Daughter of Time). If I don't plan to use the book as source material for anything, I will take the setting described as something like accurate: in the story, Daviot's play Richard of Bordeaux is at its height, and there are people who go to see the play over and over. And over. (In Daughter of Time, it is, disarmingly, mentioned that Alan Grant saw it four times.) They sought out the actors and snapped up souvenirs. While Miss Tey/Mr. Daviot might have escaped most of the throng (though for some reason I think the pseudonym was an open secret), she probably had a fair awareness of what it was like for her players, who had no such anonymity. It's sobering to read the following quote with that in mind; Alan has picked up Champneis, Christine Clay's husband, shortly after the funeral, which despite the precautions they tried to take became a circus: "Those women. I think the end of our greatness as a race must be very near. We came through the war well, but perhaps the effort was too great and left us – epileptic. Great shocks do, sometimes." He was silent for a moment, evidently seeing it all again in his mind's eye. "I've seen machine guns turned on troops in the open – in China – and rebelled against the slaughter. But I would have seen that sub-human mass of hysteria riddled this morning with more joy than I can describe to you. Not because it was – Chris, but because they made me ashamed of being human, of belonging to the same species." And I think I'll just let that resonate there without further comment.
  • Rating: 4 out of 5 stars
    4/5
    Josephine Tey is one of my favorite mystery authors--easily top five. This isn't a favorite book among her works though. Sadly, she only wrote eight. The introduction to the latest editions by Robert Barnard name The Daughter of Time, The Franchise Affair and Brat Farrar as the standouts; I'd add Miss Pym Disposes to that list of her best. A Shilling for Candles is only her second book and her two earliest books are indeed imo her weakest, though I like A Shilling for Candles better than her first mystery featuring Inspector Alan Grant of Scotland Yard, The Man in the Queue. The strength of most Teys, including this one, isn't in a tidily plotted whodunnit with clues giving you a fair chance at the solution and a particularly clever twist. The introduction points particularly to A Shilling for Candles in that regard as an example, saying that Tey was not interested "in that kind of game." So what are this novel's particular pleasures? Well, her prose for one. Lively, full of wry insights, humor, an apt way with descriptions. Her characters for another, and in this case I definitely thought this cast was more memorable than in her first Grant novel. There is an odious reporter, an eccentric astrologer, egotistical show business people and the delightful Erica Burgoyne, teen detective, who arguably proves better at the business than Inspector Grant. Grant isn't along Sherlock Holmes or Hercule Poirot or even Lord Peter Wimsey lines. He laments that himself at one point that he's "just a hard-working, well-meaning ordinarily intelligent detective." Barnard accuses Tey of anti-Semitism in his introduction, but doesn't cite examples, and I have to wonder if it's he just doesn't get that Grant isn't meant to be a Holmes or Poirot. I don't think we're to take his beliefs as that of the author. He's fallible. It may be that anti-Jewish lines are excised from the later or American editions, or that I have yet to find them in my reread of Tey with 3 more novels to go. Unless I missed it because it's encoded as "Eastern European" in this book. But I find it telling that in the first two books, every time Grant expresses a prejudice and makes assumptions based upon it, he's proven wrong--and the character of Eastern European origin in this book doesn't fit any negative stereotype. It could be I'm giving Tey too much credit for being subtle. Maybe. But I suspect Barnard doesn't give Tey enough credit. I think what I found most poignant in this book though was the portrait of the murder victim we can only get to know through others--film actress Christine Clay. What emerges is a very sympathetic portrait, a vivid one both of her and the prices of celebrity.
  • Rating: 4 out of 5 stars
    4/5
    The discovery of the body of a popular screen actress washed up on a beach on the southern coast of England sparks an investigation headed by Scotland Yard's top detective, Inspector Alan Grant.Christine Clay's death hits the headlines, has a global impact, "society" dusts off its mourning blacks in hope of an invitation to her funeral, and yet what comes out is that almost no-one knew who she really was. A clairvoyant claims to have foretold her death, and her estranged brother seems to have disappeared.This was the second in Josephine Tey's Alan Grant novels. You are probably familiar with other novels such as THE FRANCHISE AFFAIR, and THE DAUGHTER OF TIME.I must confess to being a bit disappointed in the novel. I found the central threads very difficult to focus on and really thought there was rather too much going on. The writing is quite complex, full of little mental pictures because Tey has a graphic style, full of adjectives and adverbs, and the end effect is to slow the reader down. I found myself constantly re-checking what I had just read. In addition the novel felt a bit over populated with characters, and littered with red herrings and dead ends.Sometimes we talk about whether a novel has "stood the test of time", and I think perhaps what I found is that A SHILLING FOR CANDLES was written for an audience a little different to today's.On the back cover of the book is a quote from the Boston Globe: "The unalloyed pleasure of watching a really cultivated mind in action."Maybe that is the clue to the difference: the complexities in this novel come not from the intermingling of threads as in a modern crime fiction novel, but from the language itself. In general it is really a whodunnit rather than a whydunnit, although of course that side is eventually revealed.That doesn't make it any less worth reading, but it does mean it is not an easy read.
  • Rating: 4 out of 5 stars
    4/5
    This is the second Alan Grant book I've read and I didn't read them in order, more's the pity for me. An actress, Christine Clay, has taken a cottage near the ocean to hide out for a while. She is joined by a total stranger to her, Robert Tisdall, who was also looking to get away from life for a while. One morning, Christine turns up dead, drowned in the sea, and Inspector Alan Grant from the Yard is called in by the local constables. He has his eye on Tisdall for doing the crime for various reasons, but his case is solidified when Clay's will is read and Tisdall comes into an inheritance. Hmm. But Grant's got a niggling doubt -- and so sets out to investigate anyone who may have had it in for Christine...and finds that there are more than a few people who would have liked to have seen her dead.The characters are entertaining but the book is just average. Perhaps this is because it's only the second book of the series. The mystery is good and solid, and there are a number of suspects and red herrings that are thrown out for the reader's consideration, but some of the plot lines seemed a bit confusing at times. The end, truthfully, I saw coming from a long way out so that was sort of off putting. However, many people really enjoyed this one, so it's one you'll have to try yourself. I'd recommend it to fans of Tey, or to fans of Golden-Age mystery, or to readers of British mystery in general.Overall -- not bad; not one of my favorites by this author but still a fine read.
  • Rating: 4 out of 5 stars
    4/5
    This is the second novel of six in Tey’s Inspector Alan Grant series. A famous actress has taken refuge incognito in a friend’s beach house. She is discovered to have drowned during her early morning swim. It appears to be an accident but the reader is not surprised when there are suspicious circumstances discovered. Tey is more like Dorothy Sayers than like Agatha Christie in that Tey writes mysteries that are novels rather than puzzles. This story is similar to a “police procedural” in that we follow the working of the Inspector as he puzzles over this crime and comes to discover that there is more than one crime. But unlike most police procedurals, there are many supporting characters with whom we become concerned and interested in learning about. We also learn a little more about Alan Grant. While this is not my favorite of the Tey novels I’ve read (those would be The Daughter of Time, another Alan Grant novel, and Miss Pym Disposes, a crime novel) I enjoyed this book, found it a relaxing, fast read and would highly recommend it to those who like Golden Age mysteries.
  • Rating: 5 out of 5 stars
    5/5
    This is my second Tey mystery and I'm SOOO hooked on these books!It's a simple murder mystery - woman found dead on a beach, and she happens to be a famous actress with many potential enemies. But Tey makes it so much more. The beauty of Tey's writing is her subtlety. She does not TELL you that things are so, she SHOWS you. She honors our intelligence by letting us put the pieces together on our own. And by the way, this book has a GREAT female lead character (she stole the show from Inspector Grant).
  • Rating: 3 out of 5 stars
    3/5
    The last several weeks have been fallow ones for reading. I have been chewing my way through two big, meaty books (Winter's Tale and War and Human Civilization). Both are excellent, but I haven't been able to summon the motivation to really fly through either of them. I bought the Tey as a break, and gulped it in two days. As usual with Tey, more notable for the path through than for the resolution.
  • Rating: 4 out of 5 stars
    4/5
    A great writer who died too young. Her characters are good.
  • Rating: 4 out of 5 stars
    4/5
    when an actress is found drowned, the logical suspect is her house guest who fled. This doesn't seem to fit the situation and finding the motive stirs up a lot of mud. Interesting and kept my attention throughout
  • Rating: 3 out of 5 stars
    3/5
    Adapted by Hitchcock as "Young and Innocent" (1937). By no means Tey's best! (By common consent, The Daughter of Time and The Franchise Affair vie for that honor; though I prefer Brat Farrar.) (***)

Book preview

A Shilling for Candles - Josephine Tey

Chapter 1

It was a little after seven on a summer morning, and William Potticary was taking his accustomed way over the short down grass of the cliff-top. Beyond his elbow, two hundred feet below, lay the Channel, very still and shining, like a milky opal. All around him hung the bright air, empty as yet of larks. In all the sunlit world no sound except for the screaming of some seagulls on the distant beach; no human activity except for the small lonely figure of Potticary himself, square and dark and uncompromising. A million dewdrops sparkling on the virgin grass suggested a world new—come from its Creator’s hand. Not to Potticary, of course. What the dew suggested to Potticary was that the ground fog of the early hours had not begun to disperse until well after sunrise. His subconscious noted the fact and tucked it away, while his conscious mind debated whether, having raised an appetite for breakfast, he should turn at the Gap and go back to the Coastguard Station, or whether, in view of the fineness of the morning, he should walk into Westover for the morning paper, and so hear about the latest murder two hours earlier than he would otherwise. Of course, what with wireless, the edge was off the morning paper, as you might say. But it was an objective. War or peace, a man had to have an objective. You couldn’t go into Westover just to look at the front. And going back to breakfast with the paper under your arm made you feel fine, somehow. Yes, perhaps he would walk into the town.

The pace of his black, square-toed boots quickened slightly, their shining surface winking in the sunlight. Proper service, these boots were. One might have thought that Potticary, having spent his best years in brushing his boots to order, would have asserted his individuality, or expressed his personality, or otherwise shaken the dust of a meaningless discipline off his feet by leaving the dust on his boots. But no, Potticary, poor fool, brushed his boots for love of it. He probably had a slave mentality, but had never read enough for it to worry him. As for expressing one’s personality, if you described the symptoms to him he would, of course, recognize them. But not by name. In the Service they call that contrariness.

A seagull flashed suddenly above the cliff-top, and dropped screaming from sight to join its wheeling comrades below. A dreadful row these gulls were making. Potticary moved over to the cliff edge to see what jetsam the tide, now beginning to ebb, had left for them to quarrel over.

The white line of the gently creaming surf was broken by a patch of verdigris green. A bit of cloth. Baize, or something. Funny it should stay so bright a color after being in the water so—

Potticary’s blue eyes widened suddenly, his body becoming strangely still. Then the square black boots began to run. Thud, thud, thud, on the thick turf, like a heart beating. The Gap was two hundred yards away, but Potticary’s time would not have disgraced a track performer. He clattered down the rough steps hewn in the chalk of the Gap, gasping; indignation welling through his excitement. That was what came of going into cold water before breakfast! Lunacy, so help him. Spoiling other people’s breakfasts, too. Schaefer’s best, except where ribs broken. Not likely to be ribs broken. Perhaps only a faint after all. Assure the patient in a loud voice that he is safe. Her arms and legs were as brown as the sand. That was why he had thought the green thing a piece of cloth. Lunacy, so help him. Who wanted cold water in the dawn unless they had to swim for it? He’d had to swim for it in his time. In that Red Sea port. Taking in a landing party to help the Arabs. Though why anyone wanted to help the lousy bastards—that was the time to swim. When you had to. Orange juice and thin toast, too. No stamina. Lunacy, so help him.

It was difficult going on the beach. The large white pebbles slid maliciously under his feet, and the rare patches of sand, being about tide level, were soft and yielding. But presently he was within the cloud of gulls, enveloped by their beating wings and their wild crying.

There was no need for Schaefer’s, nor for any other method. He saw that at a glance. The girl was past all help. And Potticary, who had picked bodies unemotionally from the Red Sea surf, was strangely moved. It was all wrong that someone so young should be lying there when all the world was waking up to a brilliant day; when so much of life lay in front of her. A pretty girl, too, she must have been. Her hair had a dyed look, but the rest of her was all right.

A wave washed over her feet and sucked itself away, derisively, through the scarlet-tipped toes. Potticary, although the tide in another minute would be yards away, pulled the inanimate heap a little higher up the beach, beyond reach of the sea’s impudence.

Then his mind turned to telephones. He looked around for some garment which the girl might have left behind when she went in to swim. But there seemed to be nothing. Perhaps she had left whatever she was wearing below high-water level and the tide had taken it. Or perhaps it wasn’t here that she had gone into the water. Anyhow, there was nothing now with which to cover her body, and Potticary turned away and began his hurried plodding along the beach again, and so back to the Coastguard Station and the nearest telephone.

Body on the beach, he said to Bill Gunter as he took the receiver from the hook and called the police.

Bill clicked his tongue against his front teeth, and jerked his head back. A gesture which expressed with eloquence and economy the tiresomeness of circumstances, the unreasonableness of human beings who get themselves drowned, and his own satisfaction in expecting the worst of life and being right. If they want to commit suicide, he said in his subterranean voice, why do they have to pick on us? Isn’t there the whole of the south coast?

Not a suicide, Potticary gasped in the intervals of hulloing.

Bill took no notice of him. Just because the fare to the south coast is more than to here! You’d think when a fellow was tired of life he’d stop being mean about the fare and bump himself off in style. But no! They take the cheapest ticket they can get and strew themselves over our doorstep!

Beachy Head get a lot, gasped the fair-minded Potticary. Not a suicide, anyhow.

Course it’s a suicide. What do we have cliffs for? Bulwark of England? No. Just as a convenience to suicides. That makes four this year. And there’ll be more when they get their income tax demands.

He paused, his ear caught by what Potticary was saying.

—a girl. Well, a woman. In a bright green bathing dress. (Potticary belonged to a generation which did not know swimsuits.) Just south of the Gap. ’Bout a hundred yards. No, no one there. I had to come away to telephone. But I’m going back right away. Yes, I’ll meet you there. Oh, hullo, Sergeant, is that you? Yes, not the best beginning of a day, but we’re getting used to it. Oh, no, just a bathing fatality. Ambulance? Oh, yes, you can bring it practically to the Gap. The track goes off the main Westover road just past the third milestone, and finishes in those trees just inland from the Gap. All right, I’ll be seeing you.

How can you tell it’s just a bathing fatality, Bill said.

She had a bathing dress on, didn’t you hear?

Nothing to hinder her putting on a bathing dress to throw herself into the water. Make it look like accident.

You can’t throw yourself into the water this time of year. You land on the beach. And there isn’t any doubt what you’ve done.

Might have walked into the water till she drowned, said Bill, who was a last-ditcher by nature.

Ye’? Might have died of an overdose of bull’s-eyes, said Potticary, who approved of last-ditchery in Arabia but found it boring to live with.

Chapter 2

They stood around the body in a solemn little group: Potticary, Bill, the sergeant, a constable, and the two ambulance men. The younger ambulance man was worried about his stomach, and the possibility of its disgracing him, but the others had nothing but business in their minds.

Know her? the sergeant asked.

No, said Potticary. Never seen her before.

None of them had seen her before.

Can’t be from Westover. No one would come out from town with a perfectly good beach at their doors. Must have come from inland somewhere.

Maybe she went into the water at Westover and was washed up here, the constable suggested.

Not time for that, Potticary objected. She hadn’t been that long in the water. Must have been drowned hereabouts.

Then how did she get here? the sergeant asked.

By car, of course, Bill said.

And where is the car now?

Where everyone leaves their car: where the track ends at the trees.

Yes? said the sergeant. Well, there’s no car there.

The ambulance men agreed with him. They had come up that way with the police—the ambulance was waiting there now—but there was no sign of any other car.

That’s funny, Potticary said. There’s nowhere near enough to be inside walking distance. Not at this time in the morning.

Shouldn’t think she’d walk anyhow, the older ambulance man observed. Expensive, he added, as they seemed to question him.

They considered the body for a moment in silence. Yes, the ambulance man was right; it was a body expensively cared for.

And where are her clothes, anyhow? The sergeant was worried.

Potticary explained his theory about the clothes; that she had left them below high-water mark and that they were now somewhere at sea.

Yes, that’s possible, said the sergeant. But how did she get here?

Funny she should be bathing alone, isn’t it? ventured the young ambulance man, trying out his stomach.

Nothing’s funny, nowadays, Bill rumbled. It’s a wonder she wasn’t playing jumping off the cliff with a glider. Swimming on an empty stomach, all alone, is just too ordinary. The young fools make me tired.

Is that a bracelet around her ankle, or what? the constable asked.

Yes, it was a bracelet. A chain of platinum links. Curious links, they were. Each one shaped like a C.

Well, the sergeant straightened himself, I suppose there’s nothing to be done but to remove the body to the mortuary, and then find out who she is. Judging by appearances that shouldn’t be difficult. Nothing ‘lost, stolen or strayed’ about that one.

No, agreed the ambulance man. The butler is probably telephoning the station now in great agitation.

Yes. The sergeant was thoughtful. I still wonder how she came here, and what—

His eyes had lifted to the cliff face, and he paused.

So! We have company! he said.

They turned to see a man’s figure on the cliff-top at the Gap. He was standing in an attitude of intense eagerness, watching them. As they turned towards him he did a swift right-about and disappeared.

A bit early for strollers, the sergeant said. And what’s he running away for? We’d better have a talk with him.

But before he and the constable had moved more than a pace or two it became evident that the man, far from running away, had been merely making for the entrance to the Gap. His thin dark figure shot now from the mouth of the Gap and came towards them at a shambling run, slipping and stumbling, and giving the little group watching his advent an impression of craziness. They could hear the breath panting through his open mouth as he drew near, although the distance from the Gap was not long and he was young.

He stumbled into their compact circle without looking at them, pushing aside the two policemen who had unconsciously interposed their bulk between him and the body.

Oh, yes, it is! Oh, it is, it is! he cried, and without warning sat down and burst into loud tears.

Six flabbergasted men watched him in silence for a moment. Then the sergeant patted him kindly on the back and said, idiotically, It’s all right, son!

But the young man only rocked himself to and fro and wept the more.

Come on, come on, rallied the constable, coaxing. (Really, a dreadful exhibition on a nice bright morning.) That won’t do anyone any good, you know. Best pull yourself together—sir, he added, noting the quality of the handkerchief which the young man had produced.

A relation of yours? the sergeant inquired, his voice suitably modulated from its former businesslike pitch.

The young man shook his head.

Oh, just a friend?

She was so good to me, so good!

Well, at least you’ll be able to help us. We were beginning to wonder about her. You can tell us who she is.

She’s my—hostess.

Yes, but I meant, what is her name?

I don’t know.

You—don’t—know! Look here, sir, pull yourself together. You’re the only one that can help us. You must know the name of the lady you were staying with.

No, no; I don’t.

What did you call her, then?

Chris.

Chris, what?

Just Chris.

And what did she call you?

Robin.

Is that your name?

Yes, my name’s Robert Stannaway. No, Tisdall. It used to be Stannaway, he added, catching the sergeant’s eye and feeling apparently that explanation was needed.

What the sergeant’s eye said was God give me patience! What his tongue said was It all sounds a bit strange to me, Mr.—er—

Tisdall.

Tisdall. Can you tell me how the lady got here this morning?

Oh, yes. By car.

By car, eh? Know what became of the car?

Yes. I stole it.

You what?

I stole it. I’ve just brought it back. It was a swinish thing to do. I felt a cad so I came back. When I found she wasn’t anywhere on the road, I thought I’d find her stamping about here. Then I saw you all standing around something—oh dear, oh dear! He began to rock himself again.

Where were you staying with this lady? asked the sergeant, in exceedingly businesslike tones. In Westover?

Oh, no. She has—had, I mean—oh dear!—a cottage. Briars, it’s called. Just outside Medley.

’Bout a mile and a half inland, supplemented Potticary, as the sergeant, who was not a native, looked a question.

Were you alone, or is there a staff there?

There’s just a woman from the village—Mrs. Pitts—who comes in and cooks.

I see.

There was a slight pause.

All right, boys. The sergeant nodded to the ambulance men, and they bent to their work with the stretcher. The young man drew in his breath sharply and once more covered his face with his hands.

To the mortuary, Sergeant?

Yes.

The man’s hands came away from his face abruptly.

Oh, no! Surely not! She had a home. Don’t they take people home?

We can’t take the body of an unknown woman to an uninhabited bungalow.

It isn’t a bungalow, the man automatically corrected. No. No, I suppose not. But it seems dreadful—the mortuary. Oh, God in heaven above! he burst out, why did this have to happen!

Davis, the sergeant said to the constable, you go back with the others and report. I’m going over to—what is it?—Briars? with Mr. Tisdall.

The two ambulance men crunched their heavy way over the pebbles, followed by Potticary and Bill. The noise of their progress had become distant before the sergeant spoke again.

I suppose it didn’t occur to you to go swimming with your hostess?

A spasm of something like embarrassment ran across Tisdall’s face. He hesitated.

No. I—not much in my line, I’m afraid: swimming before breakfast. I—I’ve always been a rabbit at games and things like that.

The sergeant nodded, noncommittal. When did she leave for a swim?

I don’t know. She told me last night that she was going to the Gap for a swim if she woke early. I woke early myself, but she was gone.

I see. Well, Mr. Tisdall, if you’ve recovered I think we’ll be getting along.

Yes. Yes, certainly. I’m all right. He got to his feet and together and in silence they traversed the beach, climbed the steps at the Gap, and came on the car where Tisdall said he had left it: in the shade of the trees where the track ended. It was a beautiful car, if a little too opulent. A cream-colored two-seater with a space between the seats and the hood for parcels, or, at a pinch, for an extra passenger. From this space, the sergeant, exploring, produced a woman’s coat and a pair of the sheepskin boots popular with women at winter race-meetings.

That’s what she wore to go down to the beach. Just the coat and boots over her bathing things. There’s a towel, too.

There was. The sergeant produced it: a brilliant object in green and orange.

Funny she didn’t take it to the beach with her, he said.

She liked to dry herself in the sun usually.

You seem to know a lot about the habits of a lady whose name you didn’t know. The sergeant inserted himself into the second seat. How long have you been living with her?

Staying with her, amended Tisdall, his voice for the first time showing an edge. Get this straight, Sergeant, and it may save you a lot of bother: Chris was my hostess. Not anything else. We stayed in her cottage unchaperoned, but a regiment of servants couldn’t have made our relations more correct. Does that strike you as so very peculiar?

Very, said the sergeant frankly. What are these doing here?

He was peering into a paper bag which held two rather jaded buns.

Oh, I took these along for her to eat. They were all I could find. We always had a bun when we came out of the water when we were kids. I thought maybe she’d be glad of something.

The car was slipping down the steep track to the main Westover-Stonegate road. They crossed the high road and entered a deep lane on the other side. A signpost said Medley 1, Liddlestone 3.

So you had no intention of stealing the car when you set off to follow her to the beach?

Certainly not! Tisdall said, as indignantly as if it made a difference. It didn’t even cross my mind till I came up the hill and saw the car waiting there. Even now I can’t believe I really did it. I’ve been a fool, but I’ve never done anything like that before.

Was she in the sea then?

I don’t know. I didn’t go to look. If I had seen her even in the distance I couldn’t have done it. I just slung the buns in and beat it. When I came to I was halfway to Canterbury. I just turned her around without stopping, and came straight back.

The sergeant made no comment.

You still haven’t told me how long you’ve been staying at the cottage?

Since Saturday midnight.

It was now Thursday.

And you still ask me to believe that you don’t know your hostess’s last name?

No. It’s a bit queer, I know. I thought so, myself, at first. I had a conventional upbringing. But she made it seem natural. After the first day we simply accepted each other. It was as if I had known her for years. As the sergeant said nothing, but sat radiating doubt as a stove radiates heat, he added with a hint of temper, Why shouldn’t I tell you her name if I knew it!

How should I know? said the sergeant, unhelpfully. He considered out of the corner of his eye the young man’s pale, if composed, face. He seemed to have recovered remarkably quickly from his exhibition of nerves and grief. Lightweights, these moderns. No real emotion about anything. Just hysteria. What they called love was just a barnyard exercise; they thought anything else sentimental. No discipline. No putting up with things. Every time something got difficult, they ran away. Not slapped enough in their youth. All this modern idea

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