• book

From the Publisher

When journalist Iris Ellis visits a sleepy seaside town to interview recluse screenwriter Paul Archer, he offers her insights into never acted upon fantasies of dominance and submission. Too curious to deny herself a taste of them, Iris gives herself up to Paul’s gentle guidance, but when she realizes that a taste can never be enough, she must find the courage to ask for what she needs or risk losing it all.

Driftwood Deeds is a 29.000 words erotic novella, covering adult themes and bdsm. It is the first installment in the Breaking in Waves trilogy.

Published: Laila Blake on
ISBN: 9781502226891
Read on Scribd mobile: iPhone, iPad and Android.
Availability for Driftwood Deeds (Breaking in Waves, #1)
Available for free
  1. This book can be read on up to 6 mobile devices.

Related Articles

Ad Age
3 min read

U.S. Hispanic Agencies: Final Deadline to Enter Wave Festival Is March 24

The deadline for entries has been extended for the Wave Festival, a leading ad festival for Latin America that includes the U.S. Hispanic market and Puerto Rico. The final deadline to enter the Wave is Friday, March 24, 2017. See the Wave's 15 categories and enter here. Advertising Age is partnering with the Wave, to be held April 5 and 6 in Rio de Janeiro. The regional Wave Festival is organized by Meio & Mensagem, Brazil's top advertising and marketing publication and events organizer, and Ad Age's longtime partner in Brazil. Last year was the best-ever performance by U.S. Hispanic agencies
New York Magazine
1 min read

Our Art Critic’s 5 Most Anticipated

RASHID JOHNSON SEPT. 8, HAUSER & WIRTH Johnson brings a beautiful brutality to materials; a hatchet man’s sense of cutting to the core of what he’s after. Paintings, performance, drawing, and sculpture will be featured in this gigantic show. If Johnson really brings it performance-wise, great things could happen. AGNES MARTIN OCT. 7, GUGGENHEIM Born in desolate rural Saskatchewan and a longtime denizen of desolate rural New Mexico, Martin (1912-2004) was the amazing maker of mysterious, minimal, meditative pale paintings. Coma-inducing, hallucinatory turns of subtle touch in sweet geometr
New York Magazine
5 min read

253 Minutes With … David Salle

THESE ARE UNREHEARSED comments,” David Salle warns me, or maybe himself, as we pause in front of one of his paintings, Fooling With Your Hair, from 31 years ago. We’re walking through a show of his early work, along with that of two contemporaries and fellow Hamptonians, Ross Bleckner and Eric Fischl, called “Unfinished Business,” at the Parrish Art Museum in Southampton. Salle is attempting, for my benefit, to push himself into a kind of reverie about his old work, but his cautiousness over the performance keeps getting in the way. (He’s better at ginning up appreciation for Bleckner and Fisc