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My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer
My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer
My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer
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My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer

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Winner of the Northern California Independent Booksellers Award for Poetry (2009)
Winner of the American Book Award (2009)

In 1965, when the poet Jack Spicer died at the age of forty, he left behind a trunkful of papers and manuscripts and a few copies of the seven small books he had seen to press. A West Coast poet, his influence spanned the national literary scene of the 1950s and '60s, though in many ways Spicer's innovative writing ran counter to that of his contemporaries in the New York School and the West Coast Beat movement. Now, more than forty years later, Spicer's voice is more compelling, insistent, and timely than ever. During his short but prolific life, Spicer troubled the concepts of translation, voice, and the act of poetic composition itself. My Vocabulary Did This to Me is a landmark publication of this essential poet's life work, and includes poems that have become increasingly hard to find and many published here for the first time.

LanguageEnglish
Release dateFeb 8, 2012
ISBN9780819571090
My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer
Author

Jack Spicer

Jack Spicer (1925—1965) was an American poet often identified with the San Francisco Renaissance. In 2009, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer won the American Book Award for poetry.

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    My Vocabulary Did This to Me - Jack Spicer

    I (1945–1956)

    BERKELEY RENAISSANCE (1945–1950)

    BERKELEY IN TIME OF PLAGUE

    Plague took us and the land from under us,

    Rose like a boil, enclosing us within.

    We waited and the blue skies writhed awhile

    Becoming black with death.

    Plague took us and the chairs from under us,

    Stepped cautiously while entering the room

    (We were discussing Yeats); it paused awhile

    Then smiled and made us die.

    Plague took us, laughed and reproportioned us,

    Swelled us to dizzy, unaccustomed size.

    We died prodigiously; it hurt awhile

    But left a certain quiet in our eyes.

    A GIRL’S SONG

    Song changes and his unburnt hair

    Upon my altar changes;

    We have, good strangers, many vaults

    To keep the time in, but the songs are mine,

    The seals are wax, and both will leak

    From heat.

    A bird in time is worth of two in any bush.

    You can melt brush like wax; and birds in time

    Can sing.

    They call me bird-girl, parrot girl and worth

    The time of any bird; my vault a cage,

    My cage a song, my song a seal,

    And I can steal an unburnt lock of hair

    To weave a window there.

    HOMOSEXUALITY

    Roses that wear roses

    Enjoy mirrors.

    Roses that wear roses must enjoy

    The flowers they are worn by.

    Roses that wear roses are dying

    With a mirror behind them.

    None of us are younger but the roses

    Are dying.

    Men and women have weddings and funerals

    Are conceived and destroyed in a formal

    Procession.

    Roses die upon a bed of roses

    With mirrors weeping at them.

    A PORTRAIT OF THE ARTIST AS A YOUNG LANDSCAPE

    Watch sunset fall upon that beach like others did. The waves

    Curved and unspent like cautious scythes, like evening harvesters.

    Feel sorrow for the land like others did. Each eating tide,

    Each sigh of surf, each sunset-dinner, pulls the earth-crop, falls

    A little fuller; makes the sand grain fall

    A little shorter, leaner. Leaves the earth

    A breathless future harvest.

    I watch, as others watched, but cannot stand

    Where others stood; for only water now

    Stands once where Arnold stood, or Lear or Sappho stood.

    Retreating shore (each day has new withdrawals)

    Breaks in feeble song—it sings and all abandoned history is spread,

    A tidal panic for that conqueror.

    I. The Indian Ocean: Rimbaud

    I watched and saw a sailor floating in that sea

    And melt before he drowned.

    Asleep and fragrant as that sleep, he seemed

    To draw the sun within his flesh and melt. He seemed

    To draw the fire from that angel and to melt. Now he is dead.

    To melt is not to drown but is enough

    To shear the body of its flesh; the sea

    Is meant for drowning, but when God is short

    Of waters for his purpose then the sea

    Becomes a pool of fire; angels ride

    Astride their flamy waves

    Pale as desire

    Terrible angel, out of that fire

    Out of the beach-bones, melted like butter

    Out of the blazing waves, the hot tide

    Terrible angel, sea-monster

    Terrible fish-like angel, fire breather

    Source of the burning ocean.

    II. The Atlantic Ocean: Hart Crane

    But I watch slowly, see the sand-grains fall

    A little riper, fuller; watch the ocean fall

    From sunset dinner. Watch the angel leave

    His fire-pleasure.

    Deep in the mind there is an ocean

    I would fall within it, find my sources in it. Yield to tide

    And find my sources in it. Aching fathoms fall

    And rest within it.

    Deep in the mind there is an ocean and below,

    The ocean-ripened sand-grains and the lands it took,

    The statues, and the boundaries and the

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