Until the Full Moon Has Its Say
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About this ebook
The elegant poems of Until the Full Moon Has Its Say arise from the consideration of ordinary, even humble, subjects—a bowl on a table, a blackout, mosquitoes, garlic mustard, algae on the local pond. Hilberry’s relaxed voice is wise and measured even in the depths of grief, as he muses, “How can I draw dead branches / in a poem?” Part of the answer to that question lies in the use of form, which gives shape to experience. In his formal virtuosity, Hilberry even writes a villanelle—a notoriously difficult poetic form—about writing a villanelle.
Written by the poet in his eighties, Until the Full Moon Has Its Say is a powerful reflection on mortality and on the art that has been his lifelong practice. All readers of poetry will treasure this powerful volume.
Conrad Hilberry
Conrad Hilberry is emeritus professor of English at Kalamazoo College and author of several books of poetry, including The Fingernail of Luck, Player Piano, and Sorting the Smoke, and co-editor of Contemporary Michigan Poetry: Poems from the Third Coast (Wayne State University Press, 1988).
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Until the Full Moon Has Its Say - Conrad Hilberry
Group.
One
April
April takes down my love—
wrong season for dying.
Even the box elder,
hunching into the clouds,
is blooming, branching,
leaving.
She’s leaving,
half-aware in the tilted bed,
breath barely coming,
then not. Jaws
clamped around a scrap
of tongue. Her warm body
gone cooler, cold.
Hospice to wash her.
Two mortuary men.
What had been touch
and talk, ripe fruit,
red wine:
a stalk
in a winter field.
Villanelle for Marion
My glass was empty then.
Barmaid, lift the spigot, let it run.
Still empty. Then a dark-haired one
found me under some banyan
tree, imagining love, alone.
My glass was empty then.
She knew the January sky, and June,
had a touch to nudge the season—
empty, full. I’ll take the dark-haired one.
She knew the streets of Paris, London,
hitchhiked south along the Seine,
finding no glass empty then.
We cooked up lunch in Madison,
two-handled bowl of bluefin,
noodles, peas—a savory one
to feed the co-op. Found a path down
to Lake Mendota, spring rain,
swamp grass, no glass empty then—
dipper full, the spring, a dark-haired one.
Memory
Everything that was—touch
football in the street, Peggy
McKay in the hay