Mondrian
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Mondrian - Jp. A. Calosse
Author: Jp. A. Calosse
Cover: Stéphanie Angoh
ISBN 978-1-78160-601-8
© Confidential Concepts, worldwide, USA
© Parkstone Press International, New York, USA
© ARS, New York/Beeldrecht, Amsterdam
All rights reserved. No part of this may be reproduced or adapted without the permission of the copyright holder, throughout the world.
Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification.
Jp. A. Calosse
Piet
Mondrian
TABLE OF CONTENT
The Beginning: 1872-1925
The Years Between: 1925-1940
The Metropolis: 1940-1944
Mondrian's New York Works: Theory and Practice
The Immediate Followers
Biography
LIST OF ILLUSTRATIONS
1. Victory Boogie-Woogie, 1943-44.
Oil on canvas with colour ribbon paper.
Gemeentemuseum, The Hague
The Beginning: 1872-1925
By the centenary of his birth in Holland on March 7, 1872, Piet Mondrian had become a celebrated international figure. There were major exhibitions of his work in the United States and abroad, beginning with a retrospective at New York's Guggenheim Museum in the fall of 1971.
The artist's life and work were extolled in papers and articles published in more than 30 symposia, books, and periodicals. It is appropriate that most of these tributes originated in America, where Mondrian lived as a war refugee during the last four years of his life.
He had long held a dream of the United States as the land of the future and designed his paintings as harbingers of a new world image.
The image changed in America yet the theory remained basically as formed in Europe. It was rooted in Holland, as were many aspects of the artist's personality and artistic philosophy.
His father attained diplomas in drawing, French, and headmastership in The Hague and taught there for several years before being appointed headmaster of a school in Amersfoort. During the ten years that he and his wife Christina Kok lived there, they had the first four of their five children. They named their second child and eldest son (according to the Dutch spelling) Pieter Cornelis Mondriaan, Jr.
Uncle Frits Mondriaan often visited his brother's family when he worked in the vicinity of Winterswijk. There, and later in Amsterdam, he took his nephew on sketching expeditions into the surrounding countryside. Piet acquired technical skill from his uncle, if not his sense of composition. Any comparison of canvases by the two makes clear that the younger artist's understanding of