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Old World Hero Stories - Volume I - Ancient Hero Stories
Old World Hero Stories - Volume I - Ancient Hero Stories
Old World Hero Stories - Volume I - Ancient Hero Stories
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Old World Hero Stories - Volume I - Ancient Hero Stories

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This early work by Eva March Tappan was originally published in 1909 and we are now republishing it with a brand new introductory biography. 'Old World Hero Stories - Volume I.' is a collection of historical stories of influential characters such as Alexander the Great and Attila the Hun. Eva March Tappan was born on 26th December 1854, in Blackstone, Massachusetts, United States. Tappan began her literary career writing about famous characters from history in works such as 'In the Days of William the Conqueror' (1901), and 'In the Days of Queen Elizabeth' (1902). She then developed an interest in children's books, writing her own and publishing collections of classic tales.
LanguageEnglish
PublisherWhite Press
Release dateApr 24, 2015
ISBN9781473373020
Old World Hero Stories - Volume I - Ancient Hero Stories

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    Old World Hero Stories - Volume I - Ancient Hero Stories - Eva March Tappan

    Old World Hero Stories

    - Volume I -

    Ancient Hero Stories

    by

    Eva March Tappan

    Copyright © 2013 Read Books Ltd.

    This book is copyright and may not be

    reproduced or copied in any way without

    the express permission of the publisher in writing

    British Library Cataloguing-in-Publication Data

    A catalogue record for this book is available from the British Library

    Contents

    Eva March Tappan

    PREFACE

    HOMER, THE GREAT STORY TELLER

    LYCURGUS, WHO MADE HIS COUNTRYMEN INTO SOLDIERS

    SOLON, WHO MADE LAWS FOR THE ATHENIANS

    DARIUS OF PERSIA IS REPULSED AT MARATHON

    XERXES OF PERSIA TRIES TO CONQUER GREECE

    PERICLES AND HIS AGE

    TWO PHILOSOPHERS, SOCRATES AND PLATO

    DEMOSTHENES, THE FAMOUS GREEK ORATOR

    ALEXANDER THE GREAT

    HOW ROME WAS FOUNDED

    CINCINNATUS, THE MAN FROM THE PLOUGH

    HANNIBAL, WHO FOUGHT AGAINST ROME

    JULIUS CAESAR, THE FIRST EMPEROR OF ROME

    CICERO, THE GREAT ROMAN ORATOR

    AUGUSTUS AND THE AUGUSTAN AGE

    MARCUS AURELIUS, THE PHILOSOPHER EMPEROR

    CONSTANTINE THE GREAT

    Eva March Tappan

    Eva March Tappan was born on 26th December 1854 in Blackstone, Massachusetts, America. She is well known as a factual as well as fictional writer, but spent her early career as a teacher. Tappan was the only child of Reverend Edmund March Tappan and Lucretia Logée, and received her education at the esteemed Vassar College. This was a private coeducational liberal arts college, in the town of Poughkeepsie, New York, from which she graduated in 1875. Here, Tappan was a member of Phi Beta Kappa, the oldest honour society for the liberal arts and sciences, widely considered as the nations most prestigious society. She also edited the Vassar Miscellany, a college publication.

    After leaving her early education, Tappan began teaching at Wheaton College, one of the oldest institutions of higher education for women in the United States, founded in 1834 and based in Norton, Massachusetts. She taught Latin and German here, from 1875 until 1880, before moving on to the Raymond Academy in Camden, New Jersey where she was associate Principal until 1894. Tappan also received a graduate degree in English Literature from the University of Pennsylvania. This allowed her to pursue her first love, that of reading and writing, and she taught as head of the English department at the English High School at Worcester, Massachusetts.

    It was only after this date that Tappan began her literary career, writing about famous characters in history, often aimed at educating children in important historical themes and epochs. Some of her better known works include, In the Days of William the Conqueror (1901) and In the Days of Queen Elizabeth (1902), The Out-of-Door Book (1907), When Knights Were Bold (1911) and The Little Book of the Flag (1917). Tappan never married, being a happy singleton, and died on 29th January 1930, aged seventy-five.

    PREFACE

    IT is not so many years since the school history was practically a dry chronicle of discoveries, settlements, and wars. A narrative that was in any degree personal and anecdotal was gazed upon askance as being necessarily unscholarly and undignified. Discoveries and settlements and wars there must be, and accounts of them must be written and made familiar; but the one and only way to bring past issues into the life of a child with any vividness is first to interest him in the actors themselves. Carlyle says that history is at bottom the history of the great men who have worked here. There is no better introduction to the study of the Augustan Age than the story of the life of Augustus; not better way to arouse interest in the philosophy of Plato and Socrates than the tales of their lives.

    This book is a collection of biographical stories of a number of the prominent men of the last three thousand years. Each one of these men was looked upon by hosts of his contemporaries as a hero. He was the ideal man of his time, and in the following stories one may trace that changing of ideals which has been the true history of the world. Holmes writes of having the same easy feeling among books that a stable boy has among horses. If a child can only gain that easy feeling among the men who have brought momentous events to pass, he has received the best possible preparation for the study of history.

    EVA MARCH TAPPAN

    HOMER, THE GREAT STORY TELLER

    A LONG, long time ago—perhaps three thousand years or more—there was a man named Ho’mer. No one knows much about him; but there are legends that he was born on the island of Chi’os and that he was blind. He wandered about the land, homeless, but welcome wherever he chose to go, because he was a poet. He once described how a blind poet was treated at a great banquet, and probably that is the way in which people treated him. He said that when the feast was ready, a page was sent to lead in the honored guest. A silver-studded chair was brought forward for him and set against a pillar. On the pillar the page hung his harp, so near him that he could touch it if he wished. A little table was placed before him, and on it was put a tray spread with food and wine. When the feasting was at an end, he sang a glorious song of the mighty deeds of men. The Greeks liked to hear stories just as well as the people of to-day, and they shouted with delight. Then they all went out to the race-course, the page leading the blind singer carefully along the way. There were races and wrestling matches and boxing and throwing of the discus. After this, the poet took his harp and stepped to the centre of the circle. The young men gathered around him eagerly, and he chanted a story of A’res, the war god, and Aph-ro-di’te, goddess of beauty and love.

    A GREEK BARD.

    Homer composed two great poems. One is the Il’i-ad, which takes its name from Il’i-um, or Troy, a town in Asia Minor. For ten long years the Greeks tried to capture Ilium. They had good reason for waging war against the Tro’jans, for Par’is, son of the king of Troy, had stolen away the Grecian Helen, the most beautiful woman in the world. She was the wife of a Greek prince named Men-e-la’us; and the other princes of Greece joined him in attacking Troy. They took some smaller places round about and divided the booty, as the custom was. In the tenth year of the war, A-chil’les and Ag-a-mem’non, two of the greatest of the princes, quarreled about one of these divisions, and here the Iliad begins. Achilles was so angry that he took his followers, the Myr’mi-dons, left the camp, and declared that he would have nothing more to do with the war, he would return to Greece.

    Now the Greeks were in trouble, indeed, for Achilles was their most valiant leader, and his men were exceedingly brave soldiers. They sent his friend Pa-tro’clus to beg him to come back. Achilles would not yield, even to him; but he finally agreed to allow his followers to return and also to lend his armor and equipments to Patroclus.

    When the Trojans saw the chariot and armor of Achilles, they ran for their lives, as Patroclus had expected; but at length Hec’tor, son of King Pri’am, ventured to face his enemy; and Patroclus fell. Achilles was heartbroken. It was all his own fault, he declared, and he groaned so heavily that his wailing was heard in the depths of the ocean. He vowed that, come what might, he would be revenged. He went back to the camp and made up the quarrel with Agamemnon; and then he rushed forth into battle. The Trojans were so terrified that they all ran back into the city save one, Hector. But when Achilles dashed forward upon him, his heart failed, and he, too, ran for his life. Three times Achilles chased him around the walls of Troy, then thrust him through with his spear. He tied cords to the feet of his fallen enemy and dragged his body back and forth before the eyes of the Trojans; and when the following morning had come, he dragged it twice around the tomb of Patroclus.

    THE DISCUS-THROWER

    (FROM THE STATUE BY MYRON.)

    The Greeks believed that if a person’s body had not received funeral rites, he would be condemned to wander for one hundred years on the banks of the Styx, the gloomy river of the dead; but Achilles declared in his wrath that the body of Hector should be thrown to the dogs. Then King Priam loaded into his litter rolls of handsome cloth, rich garments, and golden dishes, and made his way to the tent of the fierce warrior. Your father is an old man like me, he pleaded. Think of him and show pity. I have brought a wealth of ransom. Take it and give me the body of my son. The fiery Achilles yielded and even agreed to a twelve-days’ truce so that the funeral might be celebrated with all due honor. The tale ends with the building of an immense pyre and the burning of the body of Hector.

    Homer’s second poem is the Od’ys-sey. Troy finally fell into the hands of the Greeks, but U-lys’ses, or O-dys’seus, one of the leaders, was unfortunate enough to

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