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Composition: The Anatomy of Picture Making
Composition: The Anatomy of Picture Making
Composition: The Anatomy of Picture Making
Ebook78 pages16 minutes

Composition: The Anatomy of Picture Making

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Difficult to grasp and harder still to achieve, composition is a chief concern of artists at every level. This clear and focused introduction exposes the compositional devices that underlie successful artworks. Its many examples reduce pictures to their basic formal elements, offering a concise treatment of an oft-neglected topic.
Author Harry Sternberg, whose works appear in major museums throughout the United States, was a student and instructor at New York's prestigious Art Students League. He draws upon his extensive background as a teacher and professional to provide an approachable view of applying composition to graphic works. Novices and experienced artists alike will benefit from his well-illustrated explanations of handling such elements as the picture border, flat space, tensions, positive and negative space, geometric design, and volume, as well as the processes of analyzing pictures and communication through design.
LanguageEnglish
Release dateJul 12, 2012
ISBN9780486146133
Composition: The Anatomy of Picture Making

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Composition - Harry Sternberg

Bibliographical Note

This Dover edition, first published in 2008, is a republication of the work originally published in 1958 by Pitman Publishing Corp., New York.

Library of Congress Cataloging-in-Publication Data

Sternberg, Harry, 1904—2001.

Composition : the anatomy of picture making / Harry Sternberg.

p. cm.

This Dover edition, first published in 2008, is a republication of the work originally published in 1958 by Pitman Publishing Corp., New York.

9780486146133

1. Compostion (Art). 2. Painting—Technique. I. Title.

ND1475.S74 2008

750.1’8—dc22

2007049439

Manufactured in the United States of America

Dover Publications, Inc., 31 East 2nd Street, Mineola, N.Y 11501

Table of Contents

Title Page

Copyright Page

Dedication

INTRODUCTION

COMPOSITION

THE PICTURE BORDER

FLAT OR SHALLOW SPACE

POSITIVE AND NEGATIVE SPACE

THE ACTIVITY OF SHAPES

VALUES

COMMUNICATION THROUGH DESIGN

GEOMETRIC DESIGN: VOLUME

ANALYZING PICTURES

ACKNOWLEDGEMENTS

This book is dedicated to my wife Mary.

INTRODUCTION

THE ARTIST LOOKS AT NATURE

Some artists still go hunting for compositions, armed with a cardboard viewer or composition finder. Such artists peer through the slot in their viewers, seeking an arrangement in nature that fits satisfactorily into the opening. When they find it, they proceed to copy what they see.

The history of art demonstrates that artists, in their never-ending search for new and more personal

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