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    Todas las cosmicómicas
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    Todas las cosmicómicas
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    Todas las cosmicómicas
    Ebook424 pages10 hours

    Todas las cosmicómicas

    By Italo Calvino

    4/5

    ()

    Currently unavailable

    Currently unavailable

    About this ebook

    «Muchos críticos han definido estos cuentos míos como un nuevo tipo de ficción científica. Ahora bien, yo no tengo nada en contra de la science-fiction, de la que soy –como todos– un apasionado y divertido lector, pero me parece que los cuentos de ficción científica están construidos con un método completamente diferente del de los míos. La primera diferencia, observada por varios críticos, es que la science-fiction trata del futuro, mientras que cada uno de mis cuentos se remonta a un pasado remoto, como si remedara un "mito de los orígenes". Pero no sólo eso […] Yo quisiera servirme del dato científico como de una carga propulsora para salir de los hábitos de la imaginación y vivir incluso lo cotidiano en los confines más extremos de nuestra experiencia; en cambio me parece que la ficción científica tiende a acercar lo que está lejos, lo que es difícil de imaginar, y que tiende a darle una dimensión realista.»Italo Calvino
    En este libro se reúnen, por primera vez, en un solo volumen, todas las cosmicómicas, relatos en los que Calvino, a partir de 1964, asumió el divertido deber de aligerar y hacer visibles los arduos conceptos de la ciencia contemporánea, llegando a crear un género más próximo a los mitos cosmogónicos que a la ciencia-ficción.
    LanguageEspañol
    PublisherSiruela
    Release dateNov 22, 2012
    ISBN9788415723608
    Unavailable
    Todas las cosmicómicas
    Author

    Italo Calvino

    Italo Calvino nació en 1923 en Santiago de las Vegas (Cuba). A los dos años la familia regresó a Italia para instalarse en San Remo (Liguria). Publicó su primera novela animado por Cesare Pavese, quien le introdujo en la prestigiosa editorial Einaudi. Allí desempeñaría una importante labor como editor. De 1967 a 1980 vivió en París. Murió en 1985 en Siena, cerca de su casa de vacaciones, mientras escribía Seis propuestas para el próximo milenio. Con la lúcida mirada que le convirtió en uno de los escritores más destacados del siglo XX, Calvino indaga en el presente a través de sus propias experiencias en la Resistencia, en la posguerra o desde una observación incisiva del mundo contemporáneo; trata el pasado como una genealogía fabulada del hombre actual y convierte en espacios narrativos la literatura, la ciencia y la utopía.

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    Reviews for Todas las cosmicómicas

    4/5

    117 ratings4 reviews

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    • 4/5
      By turns fascinating, beautiful and tedious. Highly original.
    • 5/5
      I have read two other books by Italo Calvino ([Invisible Cities] and [If on a Winter’s Night a Traveller]), but that hardly seems to matter when trying to coral one’s thoughts into a review of one of his books, each book being such an idiosyncratic achievement. The same may be even more true of The Complete Cosmicomics. Written over twenty years, and scattered across several collections, these stories defy categorisation other than Calvino’s own: they are “cosmic” stories that contain an element of the “comic”. But Calvino could as easily have called them cosmitragics, or romanticomics. The stories contain their fair share of tragedy, and almost each one contains a yearning for an other, usually female, counterpart who almost always remains beyond the reach of the protagonist.Most of the stories are related by Qfwfq (yes, that is spelled correctly) who appears in various guises. He is a bit of a cosmic trickster figure, sometimes human, sometimes animal, always absurd and beyond understanding. Not that Calvino’s stories are unintelligible; they are highly lucid ruminations on cosmic subjects. Calvino uses science to ground his stories, but he goes far beyond the bounds of proven facts to hypothesise about the universe, time, death, and everything in-between. Usually, saying “everything in-between” would be a bit of cop-out in a review, but in this case, I am being completely honest: Calvino writes about things that seem inconceivable, such as the origin of the universe, in a format that is immediately recognisable, that is, the short story. And all of his musings are stories, no matter how esoteric and unbelievable they become.I must admit, the more cosmic the stories, the less interesting they seemed to me. Not uninteresting, note. They just seemed a bit hard to connect with, these stories about the inexpressible vastness of space and time. That said, in hands other than Calvino’s, they would have been a shambles. Calvino manages to avoid science-fiction while still engaging with science-fact. He is simply brilliant at exploiting the possibilities of theoretical knowledge for his own ends. If this paragraph seems a bit, well, nebulous, that is because it is hard to describe Calvino’s method without spoiling a story. I deal in commonplaces and inexactness to give the flavour of Calvino’s achievement, while probably missing the heart of his accomplishment. And there is certainly heart to Calvino’s writing. Lesser writers would have turned these stories into stylistic exercises, conceits meant to show off their versatility. Calvino, although experimental, keeps his stories grounded in narrative plausibility and character. Some of the stories are not as successful as others, but the best ones are incomparable.My favourite story is a bit of an idiosyncratic choice in itself, but I guess that goes with the territory. In his re-working of [The Count of Monte Cristo] called, audaciously enough, The Count of Monte Cristo, Calvino depicts a prisoner (Edmond Dantès) trying to escape the Château d’If. But, in fact, he does not attempt to escape. Instead, he listens as another prisoner, Abbé Faria, digs through the prison walls. These walls, however, are not merely stone and mortar. Rather, the Château d’If resembles an M.C. Escher drawing, with the dimension of time added to increase the confusion. Faria continually digs through the walls, only to emerge back where he has come from, sometimes years later (or earlier), sometimes upside down, and sometimes from the same hole that he exits. Edmond, meanwhile, attempts to think through the problem of the prison. As an added twist, he is also aware of a writer, one Alexandre Dumas, trying to write a book called, of all things, The Count of Monte Cristo. Not only does Faria dig through the prison; sometimes he arrives in Dumas’s writing room… I will not reveal the conclusion to this story, but the whole construction is so brilliant and mind-wrenching, that I just had to outline it here.I have yet to read anything by Calvino that could be described as “conventional” or “boring”. I loved this collection of all the Cosmicomic tales. There is much more that I could relate (the stories’ recurring motif of the moon, a pre-occupation of Italian writers since Dante, for example), but there is an excellent Introduction by Martin McLaughlin included in the volume that deals with most of these considerations. Besides, the hour grows late, and I can hear the scrape-scrape of a shovel echoing through my room…
    • 3/5
      The Complete Cosmicomics is a mixed bag of pleasures. Its initial idea is a simple, but ingenious one. The author takes one scientific "fact", and his main character, Qfwfq spins a yarn about his adventures regarding the mentioned fact. The tales of Qfwfq are very much akin to those of Baron von Münchhausen, they are very narcissistic and absurd. Some of the best describe, for example, how our hero experienced the moon detaching from the earth, being one of the last dinosaurs, and drawing the first markers into space to measure how large it is.The tales are of varying lengths, from couple-page reads to almost novella-lengths. The longer ones seem to be better thought-out and usually more interesting than the smaller, which are in many cases very forgettable. The first half of the book is previously compiled in Cosmicomics, and the latter half is previously unpublished material. Both halves seem to get their share of good and mediocre stories.If the number of stories was cut in half, this would be a remarkable milestone in absurd literature. With all of them in it, it is still a very pleasurable passtime and makes you chuckle numerous times. The Finnish translation was very good, and used the language inventively and colourfully.
    • 4/5
      Calvino is a favorite author, but these stories are too much for me. They are at the same time simplistic and demanding, asking me to pay attention to vast details while I'm trying to find some grounding for each different tale. I'm alternately feeling interested in some detail and then bored at the continuing slow development of - something. They exhaust me, so I read a few to ponder on, considering whether I'm done with them or maybe will return for another try, but not until some later time.