Piranesi:80 Drawings
By Narim Bender
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Monet Drawings and Caricatures Rating: 0 out of 5 stars0 ratingsJames Whistler: 80 Drawings and Prints Rating: 0 out of 5 stars0 ratingsWilliam Hogarth: 171 Paintings and Drawings Rating: 4 out of 5 stars4/5John Singleton Copley: 70 Drawings and Pastels Rating: 0 out of 5 stars0 ratingsJ. M. W. Turner: 215 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsWinslow Homer: 160 Paintings and Drawings Rating: 3 out of 5 stars3/5Guercino: 176 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsJacques Louis David: 172 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsBruegel the Elder: 165 Paintings and Drawings Rating: 5 out of 5 stars5/5Parmigianino: 160 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsCorreggio: 70 Drawings Rating: 0 out of 5 stars0 ratingsMillet: 191 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsCanaletto: 70 Drawings and Prints Rating: 0 out of 5 stars0 ratingsFrancesco Allegrini: 80 Drawings Rating: 0 out of 5 stars0 ratingsThomas Gainsborough: 240 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsFrancesco Guardi: 72 Drawings Rating: 0 out of 5 stars0 ratingsFrancis Barlow: 120 Paintings and Drawings Rating: 0 out of 5 stars0 ratings
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Piranesi:80 Drawings - Narim Bender
Drawings
Foreword
Giovanni Battista Piranesi (1720-1778), Italian engraver and architect, is best known for his etchings of ancient and baroque Rome and grandiose architectural constructions of his own imagination. Throughout most of his adult life Piranesi made etchings of views of the city; not only its antiquities, such as the Pantheon, but also its contemporary masterpieces such as the Capitoline and Piazza Navona. The scenes are animated with tiny, frail, fluttering figures. Long before he died his prints of his adopted city had caught the imagination of much of Europe. In 1771 Horace Walpole urged his fellow Englishmen to study the sublime dreams of Piranesi, who seems to have conceived visions of Rome beyond what it boasted even in the meridian of its splendour. Savage as Salvator Rosa, fierce as Michelangelo, and exuberant as Rubens, he has imagined scenes that would startle geometry, and exhaust the Indies to realize.
Giovanni Battista Piranesi was born on Oct. 4, 1720, at Mojano di Mestre near Venice, the son of a stonemason. His early training in Venice under his uncle, Matteo Lucchesi, an architectural engineer, gave Piranesi a grasp of the means of masonry construction—scaffolding, winches, hawsers, pulleys, and chains—that stayed with him the rest of his life. His understanding of the vocabulary of classicism came largely from Andrea Palladio's book on architecture; his knowledge of