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    The Libation-Bearers
    The Libation-Bearers
    The Libation-Bearers
    Ebook87 pages36 minutes

    The Libation-Bearers

    By Aeschylus

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    Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work.
    LanguageEnglish
    PublisherStart Publishing LLC
    Release dateAug 24, 2015
    ISBN9781681462639
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      Book preview

      The Libation-Bearers - Aeschylus

      The Libation-Bearers

      by Aeschylus

      Start Publishing LLC

      Copyright © 2015 by Start Publishing LLC

      All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever.

      First Start Publishing eBook edition July 2015

      Start Publishing is a registered trademark of Start Publishing LLC

      Manufactured in the United States of America

      10 9 8 7 6 5 4 3 2 1

      ISBN 13: 978-1-68146-263-9

      Dramatis Personae:

      ORESTES

      CHORUS OF CAPTIVE WOMEN

      ELECTRA

      A NURSE

      CLYTEMNESTRA

      AEGISTHUS

      AN ATTENDANT

      PYLADES

      Introduction

      Of the life of Aeschylus, the first of the three great masters of Greek tragedy, only a very meager outline has come down to us. He was born at Eleusis, near Athens, B. C. 525, the son of Euphorion. Before he was twenty-five he began to compete for the tragic prize, but did not win a victory for twelve years. He spent two periods of years in Sicily, where he died in 456, killed, it is said, by a tortoise which an eagle dropped on his head. Though a professional writer, he did his share of fighting for his country, and is reported to have taken part in the battles of Marathon, Salamis, and Plataea.

      Of the seventy or eighty plays which he is said to have written, only seven survive: The Persians, dealing with the defeat of Xerxes at Salamis; The Seven against Thebes, part of a tetralogy on the legend of Thebes; The Suppliants, on the daughters of Danaüs; Prometheus Bound, part of a trilogy, of which the first part was probably Prometheus, the Fire-bringer, and the last, Prometheus Unbound; and the Oresteia, the only example of a complete Greek tragic trilogy which has come down to us, consisting of Agamemnon, Choephorae (The Libation-Bearers), and the Eumenides (Furies).

      The importance of Aeschylus in the development of the drama is immense. Before him tragedy had consisted of the chorus and one actor; and by introducing a second actor, expanding the dramatic dialogue thus made possible, and reducing the lyrical parts, he practically created Greek tragedy as we understand it. Like other writers of his time, he acted in his own plays, and trained the chorus in their dances and songs; and he did much to give impressiveness to the performances by his development of the accessories of scene and costume on the stage. Of the four plays here reproduced, Prometheus Bound holds an exceptional place in the literature of the world. (As conceived by Aeschylus, Prometheus is the champion of man against the oppression of Zeus; and the argument of the drama has a certain correspondence to the problem of the Book of Job.) The Oresteian trilogy on The House of Atreus is one of the supreme productions of all literature. It deals with the two great themes of the retribution of crime and the inheritance of evil; and here again a parallel may be found between the assertions of the justice of God by Aeschylus and

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