Old Herbaceous: A Story
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About this ebook
This is the story of a gardener, from the day when he won a prize for wild flowers at the village show, to the day when he himself was judging flower shows all over the county; from the day when he refused to follow his schoolmates to a job as a farmhand and won the post of garden boy at the Big House, to the day when he could sit back among his cushions in his little cottage and criticize the younger generation’s attitude towards tulips.
Old Herbaceous is more than a story of gardeners and gardening. Times changed in England, and even a village institution like Old Herbaceous found himself—the symbol of a more gracious era—with no place to go; for even gardens can change hands.
Anyone who loved the England of Goodbye Mr. Chips and Mrs. Miniver will love Mr. Arkell’s England, too. But the central character is not peculiar to the English countryside; wherever there is a garden, there you will find Old Herbaceous.
“Old Herbaceous is delightful. A book to warm the heart of anyone who loves earth or gardens!"—Loui Bromfield
“Old Herbaceous is enchanting—fresh as an English spring, fragrant as sweet lavender!”—A. J. Cronin
“What a great pair of cronies Old Herbaceous and Mr. Chips would make! There are chuckles and heart-tugs in these pages. The perfect book to give your friends!”—John Kieran
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Reviews for Old Herbaceous
32 ratings4 reviews
- Rating: 4 out of 5 stars4/5This is a perfectly charming little book that was originally published in 1950 and now has been re-issued as part of the Modern Library Gardening Series. It follows the career of Bert Pinnegar beginning with his early life as an orphan in Victorian England where, with the help of a kindly school teacher,m he develops a love for wild flowers. This leads him to be encouraged to enter the children's competition in the local flower show where he catches the eye of the Lady of the Manor and is brought on to work in her garden. Gradually through the years he becomes famous for providing early strawberries from his greenhouse, and finally becoming notable flower show judge throughout the north of England. The book describes the England of Masterpiece Theater; one that no longer actually exists, but still lives in the imagination of millions of people. This is a book to savor with a pot of tea on a rainy day. I guarantee you'll feel better once you turn the last page.
- Rating: 5 out of 5 stars5/5Well this one is just a cozy read that hit me in just the right way. Spanning from the late 1800's through the end of WWII, this is the story of a manor house's head gardener, from his inauspicious beginnings as a foundling through to his last days. I'm left confused about the narrator: for much of the story it feels like you're listening to Old Herbaceous himself telling his story as he looks back; in fact I'm sure it is him. But there are moments of omniscient third person: the narrator lets the reader in on conversations and the internal dialogues of secondary characters that Old Herbaceous couldn't know about. It flows well if you don't focus too hard on it; it didn't throw me out of the story so much as just slow me down a little bit. This was the perfect book for a cold, rainy do-nothing kind of day, and I closed the book smiling.
- Rating: 5 out of 5 stars5/5I could read this once a year - and happily - touches my heart in all the best waysnot sure where I bought this - Borders bookmark inside - perhaps while I worked there?
- Rating: 5 out of 5 stars5/5A gentle and appreciative novel about the life of a gardener and the lady who loved the garden and the man who made it. I loved it.
Book preview
Old Herbaceous - Reginald Arkell
This edition is published by PICKLE PARTNERS PUBLISHING—www.pp-publishing.com
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Text originally published in 1951 under the same title.
© Pickle Partners Publishing 2016, all rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any means, electrical, mechanical or otherwise without the written permission of the copyright holder.
Publisher’s Note
Although in most cases we have retained the Author’s original spelling and grammar to authentically reproduce the work of the Author and the original intent of such material, some additional notes and clarifications have been added for the modern reader’s benefit.
We have also made every effort to include all maps and illustrations of the original edition the limitations of formatting do not allow of including larger maps, we will upload as many of these maps as possible.
OLD HERBACEOUS: A NOVEL
by
REGINALD ARKELL
TABLE OF CONTENTS
Contents
TABLE OF CONTENTS 4
ABOUT THE AUTHOR 5
CHAPTER ONE 8
CHAPTER TWO 11
CHAPTER THREE 15
CHAPTER FOUR 19
CHAPTER FIVE 23
CHAPTER SIX 28
CHAPTER SEVEN 32
CHAPTER EIGHT 36
CHAPTER NINE 40
CHAPTER TEN 44
CHAPTER ELEVEN 50
CHAPTER TWELVE 56
CHAPTER THIRTEEN 61
CHAPTER FOURTEEN 67
CHAPTER FIFTEEN 72
CHAPTER SIXTEEN 77
CHAPTER SEVENTEEN 82
CHAPTER EIGHTEEN 87
CHAPTER NINETEEN 93
CHAPTER TWENTY 96
REQUEST FROM THE PUBLISHER 100
ABOUT THE AUTHOR
REGINALD ARKELL, the son of a farmer, was born in Lechdale, Gloucestershire, England. He has written many musical plays for the London theatre, the most popular of which was the stage version of 1066 and All That, and has collaborated with such well-known figures as A. P. Herbert and others. He has founded half-a-dozen magazines and edited many books of light verse. He was a pioneer of television in its early days in England, and has written and produced his own programs since 1938. He has always been a countryman, first and last; and in Great Britain he is best known for his delight in country matters, as expressed in his biography of Richard Jefferies, his four books of garden verse—the Green Fingers series—and in A Cottage in the Country.
The mists be on the river bed,
The roses all be gone;
And here be I, about to die,
With Harvest coming on.
Dear Lord, I’ve traipsed some weary miles,
I’ll be main glad to rest awhiles.
The folk’ll soon be in the fields
A-getting in the grain;
For most of those, the time You’ve chose
Be awkerd in the main.
Though not so bad, ‘tis sure, for they
As be a-workin’ by the day.
September be a better month
For all the carter men;
And when I die don’t signify,
So let I bide till then:
The wagons’ll be standing by,
And there’ll be time to bury I.
(from Green Fingers Again)
CHAPTER ONE
It was one of those mild autumn mornings when early mist had turned to soft rain and water dripped from everything. No real touch of winter yet; just a soft pause between the seasons, giving you the best of both. Not too warm, as it had been; not too cold, as it would be....
This was the time of year and the time of day that the old man loved best. He couldn’t get around so much now, but they had made up his bed by the cottage window, and there he would sit, half waking and half sleeping, dreaming of this and that.
From where he sat, propped up among his cushions, he could see into the Manor gardens. Not what they were—not by a long chalk....Mind you, it was only fair to admit they were still a bit short-handed, and you had to take the dry summer into account, but these young fellows ought to have made a better job of it than that....When he was a young chap, he had to move at double their pace. No slipping off when the clock struck for him. Hours he’d spent watering when the sun was off the borders....But not today. That meant overtime, and where was the money to pay for that? So the old garden wasn’t what it had been when he was in charge.
Everything was different to what it was in his day. They earned more money, and that was only right. But the more they got, the less they seemed to care. You had to be proud of a garden to do any good with it. Gardening was a whole-time job, like the cows or the sheep. Cows had to be milked, whatever happened; and who thought of stopping in bed when the sheep were lambing? In a garden, you had to work with the seasons. There were slack times, when you could take an easy with a pipe behind the tool shed, but when the grass started growing and the weeds were getting on top of you, there was an end to all that nonsense....Hours he’d spent watering....But these young fellows....
That was the trouble nowadays. Nobody seemed to care anymore. When he was a boy, you’d see the farm chaps and their families walking round in their Sunday clothes as though the place belonged to them. Showing off, they were. Proud of the work they’d done during the week. Laughing at young Harry’s crooked furrows. Scuffling up a bit of spring wheat to see how it was doing. Cowman bragging to his missus about his herd. Shepherd making sure there wasn’t a sheep on its back....Then, if the farmer came along, they’d all have a friendly chat and everyone would learn something....Good days, those were....Good days.
Same with the garden. When he was in charge across the way, he never felt that he was just a paid man working for a wage. He felt that the place was his—and so it was, in a manner of speaking. He learned that from old John Addis, his first head gardener. Very quiet, old John was—very quiet and respectful, up to a point; but when it came to an argy-bargy with the young missus, there was no doubt who was boss. Very well, Addis,
she would say, if you think that’s how it should be done, I’ve no objection.
And when it came to picking flowers for the house, they always had to ask old John about it....But not today....Anyone could pick anything, because nobody cared any more....
Looking out of his little window, the old man saw that the early morning mist had cleared, as though a gauze curtain had been raised to reveal the bright detail of a theatrical scene. The dahlias, not yet blackened by the first frost; Michaelmas daisies and petunias, still making splashes of color against a gray wall; the berries of a cotoneaster looking like a regiment of toy soldiers in ceremonial uniform....
In the shrubberies, the yellowing nut bushes gave the first hint of autumn’s final golden cavalcade. Very soon, the flowering shrubs would add their reds and oranges to the picture; coral berries would glisten behind the gothic foliage of the spindle trees and the great leaves of the catalpa would trace their crazy pattern on the wet grass. There would be the final flurry of butterflies round the last bit of buddleia....
Truly a gracious and very English scene, as he had known it for more than three-quarters of a century. People said that big gardens were finished; that everything belonged to everybody and nothing to anybody. He didn’t believe that. The world started with a garden and a thing that had been going all that time wouldn’t end so easily. Anyway, they would last out his time and what happened after he’d gone wasn’t his business.
Gardens! The old man closed his eyes and let his thoughts wander through the scented past. A long journey, up-hill most of the way, but it had led somewhere, and no mistake....Started as a nobody and ended as a somebody....That day when he was asked to judge at the County Show....Lunch in the big marquee, and him sitting up at the top table....Those were the days....A young fellow could push his way through and rise to anything....If he wasn’t afraid of work and took an interest in his job.
Well, he’d stuck to it, and he’d come out at the top. Respected, he was. They might laugh at him behind his back, some of the young ones. Called him Old Herbaceous
when they thought he wasn’t listening. But they never took liberties. After all, he was a bit of a perennial....Eighty years he’d been going....So let them have their little joke....
That was the best of growing old. You didn’t get hot under the collar about little things and you didn’t have to worry about the future....Time was too short for that....Here he was, living in his own cottage and enough in the Post Office to see him through....Anything he had he could pay for....He wasn’t dependent on one of them....What they did for him they got paid for, and very glad they were to find the money on the corner of the mantelpiece every Saturday morning....
That was the right way for a man to finish, and that was how it was going to be....
CHAPTER TWO
On a certain Thursday in November 1789 was effected what the Morning Post described as the greatest object of internal Navigation in this Kingdom.
The Severn was united to the Thames by an intermediate canal, ascending to the height of 343 feet, by 40 locks; there entering a tunnel through the hill of Saperton, for the length of two miles and three furlongs, and descending by 27 locks to join the Thames near Lechlade.
When the first boat completed this tremendous journey, she was welcomed by vast crowds who answered a salute of twelve pieces of cannon by loud huzzas. A dinner was given at five of the principal Inns, and the day ended with ringing of bells, a bonfire and a ball.
With respect to the internal commerce of the Kingdom and the security of communication in time of war,
concluded the Morning Post, this junction of the Thames and Severn must, for all time, be attended with the most beneficial consequences.
So much for the vanity of human prognostications. Within fifty years the railways had sealed the fate of inland water transport, and, in another fifty, the Thames and Severn canal was as near derelict as made no difference....
But no depressing reflections on mutability and decay troubled the minds of the small country boys who, in the ‘seventies, perched on the hump-backed bridge and exchanged dubious courtesies with the ageing lock-keeper who lived in the curious little Roundhouse. His job was almost a sinecure, for though the canal was still officially navigable, a week might pass before the next barge came through. And then it would only bring a load of coal for the villages or pick up sacks of barley sold by some local farmer to the brewers at Bristol.
So the lock-keeper, a contraptious old buffer, if ever there was one, had time enough to battle with his young tormentors and the canal settled down to the nostalgic task of forgetting its former glories.
Among the urchins who picked stones from the bridge and threw them into the stagnant water was one who did not enter largely into the spirit of the thing. Like his companions, he wore the discarded corduroys and hobnailed boots of his seniors, but his features had a finer line, and one of his scraggy little legs was a shade shorter than the other; the result of rough horse-play in which he had had the worst of the bargain. His back answers
to the contraptious old buffer