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    Underground Man
    Underground Man
    Underground Man
    Ebook100 pages1 hour

    Underground Man

    By Gabriel Tarde and H. G. Wells

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    "The Underground Man" is a science fiction novel introduced by H. G. Wells. After mankind has undergone a radical social evolution in regards to group cooperation and herd behaviour, the sun unexpectedly dies, forcing the survivors underground. They take with them the greatest works of art and literature, only to one day emerge and create a Utopia on earth's surface. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre, thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
    LanguageEnglish
    PublisherRead Books Ltd.
    Release dateSep 14, 2016
    ISBN9781473345706

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      Book preview

      Underground Man - Gabriel Tarde

      UNDERGROUND MAN

      By

      GABRIEL TARDE

      MEMBER OF THE INSTITUTE

      PROFESSOR AT THE COLLEGE OF FRANCE

      TRANSLATED BY

      CLOUDESLEY BRERETON

      M.A., L. ÉS L.

      With a Preface By

      H. G. WELLS

      Copyright © 2016 Read Books Ltd.

      This book is copyright and may not be

      reproduced or copied in any way without

      the express permission of the publisher in writing

      British Library Cataloguing-in-Publication Data

      A catalogue record for this book is available from

      the British Library

      Contents

      H. G. Wells

      INTRODUCTORY

      I. PROSPERITY

      II. THE CATASTROPHE

      III. THE STRUGGLE

      IV. SAVED!

      V. REGENERATION

      VI. LOVE

      VII. THE ÆSTHETIC LIFE

      NOTE ON TARDE

      H. G. Wells

      Herbert George Wells was born in Bromley, England in 1866. He apprenticed as a draper before becoming a pupil-teacher at Midhurst Grammar School in West Sussex. Some years later, Wells won a scholarship to the School of Science in London, where he developed a strong interest in biology and evolution, founding and editing the Science Schools Journal. However, he left before graduating to return to teaching, and began to focus increasingly on writing. His first major essay on science, ‘The Rediscovery of the Unique’, appeared in 1891. However, it was in 1895 that Wells seriously established himself as a writer, with the publication of the now iconic novel, The Time Machine.

      Wells followed The Time Machine with the equally well-received War of the Worlds (1898), which proved highly popular in the USA, and was serialized in the magazine Cosmopolitan. Around the turn of the century, he also began to write extensively on politics, technology and the future, producing works The Discovery of the Future (1902) and Mankind in the Making (1903). An active socialist, in 1904 Wells joined the Fabian Society, and his 1905 book A Modern Utopia presented a vision of a socialist society founded on reason and compassion. Wells also penned a range of successful comic novels, such as Kipps (1905) and The History of Mr Polly (1910).

      Wells’ 1920 work, The Outline of History, was penned in response to the Russian Revolution, and declared that world would be improved by education, rather than revolution. It made Wells one of the most important political thinkers of the twenties and thirties, and he began to write for a number of journals and newspapers, even travelling to Russia to lecture Lenin and Trotsky on social reform. Appalled by the carnage of World War II, Wells began to work on a project dealing with the perils of nuclear war, but died before completing it. He is now regarded as one of the greatest science-fiction writers of all time, and an important political thinker.

      The whole of Tarde is in this little book.

      He has put into it along with a charming fancy his genialness and depth of spirit, his ideas on the influence of art and the importance of love, in an exceptional social milieu.

      This agreeable day-dream is vigorously thought out. On reading it we fancy we are again seeing and hearing Tarde. In order to indulge in a repetition of the illusion, a pious friendship has desired to clothe this fascinating work in an appropriate dress.

      A.L.

      PREFACE

      It reflects not at all on Mr Cloudesley Brereton's admirable work of translation to remark how subtly the spirit of such work as this of M. Tarde's changes in such a process. There are certain things peculiar, I suppose, to every language in the world, certain distinctive possibilities in each. To French far more than to English, belong the intellectual liveliness, the cheerful, ironical note, the professorial playfulness of this present work. English is a less nimble, more various and moodier tongue, not only in the sound and form of its sentences but in its forms of thought. It clots and coagulates, it proliferates and darkens, one jests in it with difficulty and great danger to a sober reputation, and one attempts in vain to figure Professor Giddings and Mr Benjamin Kidd, Doctor Beattie Crozier and Mr Wordsworth Donisthorpe glittering out into any so cheerful an exploit as this before us. Like Mr Gilbert's elderly naval man, they never larks nor plays, and if indeed they did so far triumph over the turgid intricacies of our speech and the conscientious gravity of our style of thought, there would still be the English public to consider, a public easily offended by any lack of straightforwardness in its humorists, preferring to be amused by known and recognised specialists in that line, in relation to themes of recognised humorous tendency, and requiring in its professors as the concomitant of a certain dignified inaccessibility of thought and language, an honourable abstinence from the treacheries, as it would consider them, of irony and satire. Imagine a Story of the Future from Mr Herbert Spencer! America and the north of England would have swept him out of all respect.... But M. Tarde being not only a Member of the Institute and Professor at the College of France, but a Frenchman, was free to give these fancies that entertained him, public, literary, and witty expression, without self-destruction, and produce what has, in its English dress, a curiously unfamiliar effect. Yet the English reader who can overcome his natural disinclination to this union of intelligence and jesting will find a vast amount of suggestion in M. Tarde's fantastic abundance, and bringing his habitual gravity to bear may even succeed in digesting off the humour altogether, and emerging with edification of—it must be admitted—a rather miscellaneous sort.

      It is perhaps remarkable that for so many people, so tremendous a theme as the material future of mankind should only be approachable either through a method of conscientiously technical, pseudo-scientific discussion that is in effect scarcely an approach at all or else in this mood of levity. I know of no book in this direction that can claim to be a permanent success which combines a tolerable intelligibility with a simple good faith in the reader. One may speculate how this comes about? The subject it would seem is so grave and great as to be incompatibly out of proportion to the affairs and conditions of the individual life about which our workaday thinking goes on. We are interested indeed, but at the same time we feel it is outside us and beyond us. To turn one's attention to it is at once to get an effect of presumption, strain, and extravagant absurdity. It is like picking up a spade to attack a mountain, and one's instinct is to put oneself right in the eyes of one's fellow-men at once, by a few unmistakably facetious flourishes. It is the same instinct really as that protective foolery in which schoolboys indulge when they embark upon some hopeless undertaking, or find themselves entirely outclassed at a game.

      The same instinct one finds in the facetious parley vous Francey of a low class Englishman who would in secret like very much to speak French, but in practice only admits such an idea as a laughable absurdity. To give a concrete form to your sociological speculations is to strip them of all their poor pretensions, and leave them shivering in palpable inadequacy. It is not because the question is unimportant, but because it is so overwhelmingly important that this jesting about the Future, this fantastic and ironical fiction goes on. It is the only medium to express the vague, ill-formed, new ideas with which we are all labouring. It does not give any measure of our real sense of the proportion of things that the Future should appear in our literature as a sort of comic rally and harlequinade after the serious drama of the Present—in which the heroes and heroines of the latter turn up again in novel and undignified positions; but it seems to be the only method at present available by which we may talk about

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