Flowers for the Judge, Death of a Ghost, and The Case of the Late Pig
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Flowers for the Judge
Scandal hits the prestigious publishing house of Barnabas when one of the directors is found dead in a locked cellar. All eyes are on the other partners at the firm—cousins of the dead man with much to gain from his demise—and rumors hint at a connection to the long-ago disappearance of another director. Desperate to salvage their reputation, the cousins turn to Albert Campion—but will his investigations clear the Barnabas family name, or besmirch it forever?
“One of her best . . . vivid and witty.” —The New York Times
Death of a Ghost
John Sebastian Lafcadio’s ambition to be known as the greatest painter since Rembrandt was not to be thwarted by a matter as trifling as his own death. A set of twelve sealed paintings is left in the hands of his widow, together with the instruction that she unveil one canvas each year before a carefully selected audience. Albert Campion is invited to join a cast of gadabouts, muses, and socialites to witness the eighth unveiling—but instead the lights go down and a young man is stabbed to death. Campion must get to work on the baffling case, with its long—suspiciously long—line-up of possible killers, and soon finds himself having to face his dearest enemy.
“Wonderfully plotted . . . Allingham was a rare and precious talent.” —The Washington Post
The Case of the Late Pig
Private detective Albert Campion is summoned to the village of Kepesake to investigate a particularly distasteful death. The body turns out to be that of Pig Peters—freshly killed five months after his own funeral. Soon other corpses start to turn up, just as Peters’s body goes missing. It takes all of Campion’s coolly incisive powers of detection to unravel the crime. Mixing high drama and pitch-perfect black comedy, The Case of the Late Pig is, uniquely, narrated by Campion himself.
“Allingham captures her quintessential quiet detective Albert Campion to perfection.”—Daily Express
Margery Allingham
Margery Louise Allingham is ranked among the most distinguished and beloved detective fiction writers of the Golden Age alongside Agatha Christie, Dorothy L. Sayers, and Ngaio Marsh. Allingham is J.K. Rowling's favourite Golden Age author and Agatha Christie said of Allingham that out of all the detective stories she remembers, Margery Allingham 'stands out like a shining light'. She was born in Ealing, London in 1904 to a very literary family; her parents were both writers, and her aunt ran a magazine, so it was natural that Margery too would begin writing at an early age. She wrote steadily through her school days, first in Colchester and later as a boarder at the Perse School for Girls in Cambridge, where she wrote, produced, and performed in a costume play. After her return to London in 1920 she enrolled at the Regent Street Polytechnic, where she studied drama and speech training in a successful attempt to overcome a childhood stammer. There she met Phillip Youngman Carter, who would become her husband and collaborator, designing the jackets for many of her future books. The Allingham family retained a house on Mersea Island, a few miles from Layer Breton, and it was here that Margery found the material for her first novel, the adventure story Blackkerchief Dick (1923), which was published when she was just nineteen. She went on to pen multiple novels, some of which dealt with occult themes and some with mystery, as well as writing plays and stories – her first detective story, The White Cottage Mystery, was serialized in the Daily Express in 1927. Allingham died at the age of 62, and her final novel, A Cargo of Eagles, was finished by her husband at her request and published posthumously in 1968.
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