John Ford's "The Broken Heart": A Retelling
By David Bruce
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About this ebook
This is an easy-to-read retelling of John Ford's THE BROKEN HEART. According to Charles Lamb, "Ford was of the first order of poets. He sought for sublimity, not by parcels in metaphors or visible images, but directly where she has her full residence in the heart of man; in the actions and sufferings of the greatest minds."
David Bruce
I would like to see my retellings of classic literature used in schools, so I give permission to the country of Finland (and all other countries) to give copies of my eBooks to all students and citizens forever. I also give permission to the state of Texas (and all other states) to give copies of my eBooks to all students forever. I also give permission to all teachers to give copies of my eBooks to all students forever.Teachers need not actually teach my retellings. Teachers are welcome to give students copies of my eBooks as background material. For example, if they are teaching Homer’s “Iliad” and “Odyssey,” teachers are welcome to give students copies of my “Virgil’s ‘Aeneid’: A Retelling in Prose” and tell students, “Here’s another ancient epic you may want to read in your spare time.”Do you know a language other than English? 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He has also retired from teaching English and philosophy at Ohio University in Athens, Ohio.SOME BOOKS BY DAVID BRUCERetellings of a Classic Work of Literature:Arden of Favorsham: A RetellingBen Jonson’s The Alchemist: A RetellingBen Jonson’s The Arraignment, or Poetaster: A RetellingBen Jonson’s Bartholomew Fair: A RetellingBen Jonson’s The Case is Altered: A RetellingBen Jonson’s Catiline’s Conspiracy: A RetellingBen Jonson’s The Devil is an Ass: A RetellingBen Jonson’s Epicene: A RetellingBen Jonson’s Every Man in His Humor: A RetellingBen Jonson’s Every Man Out of His Humor: A RetellingBen Jonson’s The Fountain of Self-Love, or Cynthia’s Revels: A RetellingBen Jonson’s The Magnetic Lady: A RetellingBen Jonson’s The New Inn: A RetellingBen Jonson’s Sejanus' Fall: A RetellingBen Jonson’s The Staple of News: A RetellingBen Jonson’s A Tale of a Tub: A RetellingBen Jonson’s Volpone, or the Fox: A RetellingChristopher Marlowe’s Complete Plays: RetellingsChristopher Marlowe’s Dido, Queen of Carthage: A RetellingChristopher Marlowe’s Doctor Faustus: Retellings of the 1604 A-Text and of the 1616 B-TextChristopher Marlowe’s Edward II: A RetellingChristopher Marlowe’s The Massacre at Paris: A RetellingChristopher Marlowe’s The Rich Jew of Malta: A RetellingChristopher Marlowe’s Tamburlaine, Parts 1 and 2: RetellingsDante’s Divine Comedy: A Retelling in ProseDante’s Inferno: A Retelling in ProseDante’s Purgatory: A Retelling in ProseDante’s Paradise: A Retelling in ProseThe Famous Victories of Henry V: A RetellingFrom the Iliad to the Odyssey: A Retelling in Prose of Quintus of Smyrna’s PosthomericaGeorge Chapman, Ben Jonson, and John Marston’s Eastward Ho! A RetellingGeorge Peele: Five Plays Retold in Modern EnglishGeorge Peele’s The Arraignment of Paris: A RetellingGeorge Peele’s The Battle of Alcazar: A RetellingGeorge Peele’s David and Bathsheba, and the Tragedy of Absalom: A RetellingGeorge Peele’s Edward I: A RetellingGeorge Peele’s The Old Wives’ Tale: A RetellingGeorge-A-Greene, The Pinner of Wakefield: A RetellingThe History of King Leir: A RetellingHomer’s Iliad: A Retelling in ProseHomer’s Odyssey: A Retelling in ProseJason and the Argonauts: A Retelling in Prose of Apollonius of Rhodes’ ArgonauticaThe Jests of George Peele: A RetellingJohn Ford: Eight Plays Translated into Modern EnglishJohn Ford’s The Broken Heart: A RetellingJohn Ford’s The Fancies, Chaste and Noble: A RetellingJohn Ford’s The Lady’s Trial: A RetellingJohn Ford’s The Lover’s Melancholy: A RetellingJohn Ford’s Love’s Sacrifice: A RetellingJohn Ford’s Perkin Warbeck: A RetellingJohn Ford’s The Queen: A RetellingJohn Ford’s ‘Tis Pity She’s a Whore: A RetellingJohn Lyly's Campaspe: A RetellingJohn Lyly's Endymion, the Man in the Moon: A RetellingJohn Lyly's Gallathea, aka Galathea, aka Galatea: A RetellingJohn Lyly's Love's Metamorphosis: A RetellingJohn Lyly's Midas: A RetellingJohn Lyly's Mother Bombie: A RetellingJohn Lyly's Sappho and Phao: A RetellingJohn Lyly's The Woman in the Moon: A RetellingJohn Webster’s The White Devil: A RetellingJ.W. Gent.'s The Valiant Scot: A RetellingKing Edward III: A RetellingMankind: A Medieval Morality Play (A Retelling)Margaret Cavendish's The Unnatural Tragedy: A RetellingThe Merry Devil of Edmonton: A RetellingRobert Greene’s Friar Bacon and Friar Bungay: A RetellingThe Taming of a Shrew: A RetellingTarlton’s Jests: A RetellingThomas Middleton and Thomas Dekker’s The Roaring Girl: A RetellingThomas Middleton and William Rowley’s The Changeling: A RetellingThomas Middleton's A Chaste Maid in Cheapside: A RetellingThomas Middleton's Women Beware Women: A RetellingThe Trojan War and Its Aftermath: Four Ancient Epic PoemsVirgil’s Aeneid: A Retelling in ProseWilliam Shakespeare’s 5 Late Romances: Retellings in ProseWilliam Shakespeare’s 10 Histories: Retellings in ProseWilliam Shakespeare’s 11 Tragedies: Retellings in ProseWilliam Shakespeare’s 12 Comedies: Retellings in ProseWilliam Shakespeare’s 38 Plays: Retellings in ProseWilliam Shakespeare’s 1 Henry IV, aka Henry IV, Part 1: A Retelling in ProseWilliam Shakespeare’s 2 Henry IV, aka Henry IV, Part 2: A Retelling in ProseWilliam Shakespeare’s 1 Henry VI, aka Henry VI, Part 1: A Retelling in ProseWilliam Shakespeare’s 2 Henry VI, aka Henry VI, Part 2: A Retelling in ProseWilliam Shakespeare’s 3 Henry VI, aka Henry VI, Part 3: A Retelling in ProseWilliam Shakespeare’s All’s Well that Ends Well: A Retelling in ProseWilliam Shakespeare’s Antony and Cleopatra: A Retelling in ProseWilliam Shakespeare’s As You Like It: A Retelling in ProseWilliam Shakespeare’s The Comedy of Errors: A Retelling in ProseWilliam Shakespeare’s Coriolanus: A Retelling in ProseWilliam Shakespeare’s Cymbeline: A Retelling in ProseWilliam Shakespeare’s Hamlet: A Retelling in ProseWilliam Shakespeare’s Henry V: A Retelling in ProseWilliam Shakespeare’s Henry VIII: A Retelling in ProseWilliam Shakespeare’s Julius Caesar: A Retelling in ProseWilliam Shakespeare’s King John: A Retelling in ProseWilliam Shakespeare’s King Lear: A Retelling in ProseWilliam Shakespeare’s Love’s Labor’s Lost: A Retelling in ProseWilliam Shakespeare’s Macbeth: A Retelling in ProseWilliam Shakespeare’s Measure for Measure: A Retelling in ProseWilliam Shakespeare’s The Merchant of Venice: A Retelling in ProseWilliam Shakespeare’s The Merry Wives of Windsor: A Retelling in ProseWilliam Shakespeare’s A Midsummer Night’s Dream: A Retelling in ProseWilliam Shakespeare’s Much Ado About Nothing: A Retelling in ProseWilliam Shakespeare’s Othello: A Retelling in ProseWilliam Shakespeare’s Pericles, Prince of Tyre: A Retelling in ProseWilliam Shakespeare’s Richard II: A Retelling in ProseWilliam Shakespeare’s Richard III: A Retelling in ProseWilliam Shakespeare’s Romeo and Juliet: A Retelling in ProseWilliam Shakespeare’s The Taming of the Shrew: A Retelling in ProseWilliam Shakespeare’s The Tempest: A Retelling in ProseWilliam Shakespeare’s Timon of Athens: A Retelling in ProseWilliam Shakespeare’s Titus Andronicus: A Retelling in ProseWilliam Shakespeare’s Troilus and Cressida: A Retelling in ProseWilliam Shakespeare’s Twelfth Night: A Retelling in ProseWilliam Shakespeare’s The Two Gentlemen of Verona: A Retelling in ProseWilliam Shakespeare’s The Two Noble Kinsmen: A Retelling in ProseWilliam Shakespeare’s The Winter’s Tale: A Retelling in ProseChildren’s Biography:Nadia Comaneci: Perfect TenAnecdote Collections:250 Anecdotes About Music250 Anecdotes About Opera250 Anecdotes About Religion250 Anecdotes About Religion: Volume 2Be a Work of Art: 250 Anecdotes and StoriesThe Coolest People in Art: 250 AnecdotesThe Coolest People in the Arts: 250 AnecdotesThe Coolest People in Books: 250 AnecdotesThe Coolest People in Comedy: 250 AnecdotesCreate, Then Take a Break: 250 AnecdotesDon’t Fear the Reaper: 250 AnecdotesThe Funniest People in Art: 250 AnecdotesThe Funniest People in Books: 250 AnecdotesThe Funniest People in Books, Volume 2: 250 AnecdotesThe Funniest People in Books, Volume 3: 250 AnecdotesThe Funniest People in Comedy: 250 AnecdotesThe 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Most Interesting People in Movies: 250 AnecdotesThe Most Interesting People in Politics and History: 250 AnecdotesThe Most Interesting People in Politics and History, Volume 2: 250 AnecdotesThe Most Interesting People in Politics and History, Volume 3: 250 AnecdotesThe Most Interesting People in Religion: 250 AnecdotesThe Most Interesting People in Sports: 250 AnecdotesThe Most Interesting People Who Live Life: 250 AnecdotesThe Most Interesting People Who Live Life, Volume 2: 250 AnecdotesReality is Fabulous: 250 Anecdotes and StoriesResist Psychic Death: 250 AnecdotesSeize the Day: 250 Anecdotes and StoriesKindest People Series:The Kindest People Who Do Good Deeds: Volume 1The Kindest People Who Do Good Deeds: Volume 2The Kindest People Who Do Good Deeds: Volume 3Discussion Guide Series:Dante’s Inferno: A Discussion GuideDante’s Paradise: A Discussion GuideDante’s Purgatory: A Discussion GuideForrest Carter’s The Education of Little Tree: A Discussion GuideHomer’s Iliad: A Discussion GuideHomer’s Odyssey: A Discussion GuideJane Austen’s Pride and Prejudice: A Discussion GuideJerry Spinelli’s Maniac Magee: A Discussion GuideJerry Spinelli’s Stargirl: A Discussion GuideJonathan Swift’s “A Modest Proposal”: A Discussion GuideLloyd Alexander’s The Black Cauldron: A Discussion GuideLloyd Alexander’s The Book of Three: A Discussion GuideMark Twain’s Adventures of Huckleberry Finn: A Discussion GuideMark Twain’s The Adventures of Tom Sawyer: A Discussion GuideMark Twain’s A Connecticut Yankee in King Arthur’s Court: A Discussion GuideMark Twain’s The Prince and the Pauper: A Discussion GuideNancy Garden’s Annie on My Mind: A Discussion GuideNicholas Sparks’ A Walk to Remember: A Discussion GuideVirgil’s Aeneid: A Discussion GuideVirgil’s “The Fall of Troy”: A Discussion GuideVoltaire’s Candide: A Discussion GuideWilliam Shakespeare’s 1 Henry IV: A Discussion GuideWilliam Shakespeare’s Macbeth: A Discussion GuideWilliam Shakespeare’s A Midsummer Night’s Dream: A Discussion GuideWilliam Shakespeare’s Romeo and Juliet: A Discussion GuideWilliam Sleator’s Oddballs: A Discussion GuideComposition Projects:Composition Project: Writing an Autobiographical EssayComposition Project: Writing a Hero-of-Human-Rights EssayComposition Project: Writing a Problem-Solving LetterTeaching:How to Teach the Autobiographical Essay Composition Project in 9 ClassesAutobiography (of sorts):My Life and Hard Times, or Down and Out in Athens, OhioMiscellaneous:Mark Twain Anecdotes and QuotesProblem-Solving 101: Can You Solve the Problem?Why I Support Same-Sex Civil MarriageBlogs:https://davidbruceblog429065578.wordpress.comhttps://davidbrucebooks.blogspot.comhttps://davidbruceblog4.wordpress.comhttps://bruceb22.wixsite.com/website
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John Ford's "The Broken Heart" - David Bruce
John Ford’s
The Broken Heart:
A Retelling
By David Bruce
COPYRIGHT 2018 BY BRUCE D. BRUCE
SMASHWORDS EDITION
Cover Photo:
https://pixabay.com/en/girl-hands-portrait-woman-beauty-3033718/
According to Charles Lamb, Ford was of the first order of poets. He sought for sublimity, not by parcels in metaphors or visible images, but directly where she has her full residence in the heart of man; in the actions and sufferings of the greatest minds.
SMASHWORDS BOOKSTORE
https://www.smashwords.com/profile/view/bruceb
CAST OF CHARACTERS
The Speakers’ Names Fitted to their Qualities
Amelus: Trusty, young Friend to Nearchus, Prince of Argos.
Amyclas: Historical name common to the Kings of Laconia. King of Sparta.
Armostes: an Appeaser, a Counselor of State. Uncle to Ithocles and Penthea.
Bassanes: Vexation, a jealous Nobleman. Husband to Penthea. He is a wealthy older man.
Calantha: Flower of beauty, King Amyclas’ Daughter. Later engaged to Ithocles. Heiress to the throne of Sparta.
Chrystalla: Crystal, Female attendant to Calantha.
Crotolon: Noise, another Counselor of State. Father of Orgilus.
Euphrania: Joy, Female attendant to Calantha, and Daughter to Crotolon. Sister of Orgilus. Later wife to Bassanes.
Grausis: Old Beldam, Overseer/attendant of Penthea. She is an old lady. A beldam is an evil old woman.
Groneas: Tavern-haunter, a Courtier.
Hemophil: Glutton, a Courtier.
Ithocles: Honor of loveliness, a Favorite. Twin brother of Penthea. General of King Amyclas’ army. He is a young man.
Nearchus: Young Prince, Prince of Argos. Cousin and suitor to Calantha.
Orgilus: Angry, son to Crotolon. Formerly engaged to Penthea. Disguised for a while as a scholar named Aplotes (quality: simplicity).
Penthea: Complaint, Sister to Ithocles. Wife to Bassanes. Formerly engaged to Orgilus. She is a young woman.
Philema: A Kiss, Female attendant to Calantha.
Phulas: Watchful, Servant to Bassanes.
Prophilus: Dear, Friend to Ithocles. Later husband to Euphrania.
Tecnicus: Artist, a Philosopher. Advisor to Orgilus. He can interpret the Delphic Oracle.
Lords, Courtiers, Officers, Attendants, etc.
Other Persons
Thrasus: Fierceness, Father of Ithocles. (Already dead.)
Aplotes: Simplicity, Orgilus so disguised.
***
SCENE— Sparta.
Sparta is located in Laconia, aka Lacedaemon, in Greece.
CHAPTER 1
— 1.1 —
Crotolon and Orgilus talked together in a room in Crotolon’s house. Crotolon was a counselor of state, and Orgilus was his son. The two men were arguing.
Trifle with me no longer,
Crotolon said. I will know the reason that makes you hasten to take this journey.
My reason!
Orgilus said. Good sir, I can give you many reasons.
Give me one reason, a good one,
Crotolon said. "Such a reason I expect, and before we part I must have one.
Athens! Please, why do you want to go to Athens? You do not intend to kick against the world and become a Cynic or Stoic philosopher.
Cynic philosophers contemptuously rejected wealth and pleasure. Stoic philosophers accepted and endured suffering, and they had strict ethical standards.
Crotolon continued, Nor do you intend to study logic, or become an Areopagite — a member of the Areopagus, the highest judicial court in Athens — and be a judge in cases concerning the commonwealth, for, as I take it, the budding of your chin cannot prognosticate so grave an honor. To be a member of the Areopagus, you should have a long beard.
All this I acknowledge,
Orgilus said.
You do!
Crotolon said. Then, son, if books and love of knowledge inflame you to undertake this travel, here in Sparta you may as freely study.
That is not what I meant, sir,
Orgilus said. I meant that all this that you have said is true. I do not want what you mentioned, sir. Not that, sir.
Not that, sir!
Crotolon said. As your father, I command you to acquaint me with the truth.
Thus I obey you,
Orgilus replied. "After so many quarrels as dissension, fury, and rage had pierced in blood, and sometimes with death to such confederates as sided with now-dead Thrasus — the father of Ithocles — and to those who sided with yourself, my lord, our present Spartan king, Amyclas, reconciled your eager, bitter swords and sealed a gentle peace.
You and Thrasus professed yourselves to be friends, and to confirm this friendship, a resolution for a lasting league between your families was entertained by joining in a Hymeneal — marriage — bond me and the fair Penthea, the only daughter of Thrasus.
What about this?
Crotolon asked.
It is important by much, much, dear sir,
Orgilus said. A freedom of converse, an interchange of holy and chaste love, so fixed our souls in a firm growth of union, that no time can eat into the pledge. We would have enjoyed the sweet things our vows expected, had not cruelty — the result of Thrasus’ untimely death — prevented all those celebrations we prepared for.
That is definitely true,
Crotolon said.
From this time sprouted up that poisonous stalk of poisonous aconite, whose ripened fruit has ravished and taken away all health, all comfort of a happy life,
Orgilus said, because Ithocles, Penthea’s brother, proud of youth, and prouder in his power, nourished secretly the memory of former unhappiness, and desired to glory in revenge. Partly by cunning, and partly by threats, he suddenly persuaded and forced his virtuous sister to agree to a marriage with Bassanes, a nobleman, who is in honor and riches, I confess, beyond my fortunes. He ranks higher and is much richer than I.
None of this is a sound reason to importune my leave for your departure to Athens,
Crotolon said.
Now the sound reason follows,
Orgilus replied. Beauteous Penthea, wedded to this torture by an insulting, arrogant brother, being secretly compelled to yield her virgin freedom up to a man who never can usurp her heart, a heart that was previously contracted to be mine, is now so yoked to a man of the most barbarous thralldom, misery, affliction, that he does not enjoy humanity whose sorrow melts into pity in hearing just her name. He feels sorrow for himself, but he does not like anyone who feels pity for her.
Explain, please,
Crotolon requested.
Orgilus replied, "Bassanes, the man who calls Penthea his wife, considers truly what a heaven of perfections he is lord and husband of when he is thinking that beautiful Penthea is his.
"This thought begets a kind of monster-love that is the nurse to a fear so strong and servile that his jealousy brands all admirers of his wife. All eyes that gaze upon that shrine of beauty — Penthea — he has decided are doing homage to the miracle that is she.
Someone, he is positive, may now or later, if opportunity only presents itself, prevail over her. Out of a self-unworthiness of her, his fears carry him away entirely. It is not that he finds a reason for his jealousy in her behavior, for she is obedient to him, but he finds the reason for his jealousy in his own distrust.
You spin out your discourse,
Crotolon said. You are taking a long time to say what you have to say. You have not yet given a sound reason for your wanting to go to Athens.
My griefs are violent,
Orgilus said, "for knowing how the maiden Penthea was previously courted by me, Bassanes’ jealousies grow wild with fear that I should steal again into her favors, and undermine her virtues — which the gods know that I neither dare nor dream of.
"Hence, from hence I want to undertake a voluntary exile.
"My first reason is that by my absence I will take away the worries of jealous Bassanes.
"Second, and chiefly, sir, I want to free Penthea from a hell on earth. If I am gone, Bassanes will be less jealous and will treat her better.
Lastly, I want to lose the memory of something her presence makes live in me afresh. When I see her, I think of what might have been but will never be.
Enough, my Orgilus, enough,
Crotolon said. "Go to Athens. I give you my full consent.
"It’s a pity about that good lady — Penthea!
Shall we hear from you often?
Yes,
Orgilus said. Often.
Look,
Crotolon said. Your sister is coming to give you a farewell.
Euphrania walked over to Orgilus and said, Brother!
Euphrania,
Orgilus said, thus upon your cheeks I print a brother’s kiss; I am more concerned about your honor, your health, and your well-doing, than my life. Before we part, in the presence of our father, I must make a request to you.
My brother, you may call it a command instead of a request,
Euphrania replied.
Orgilus said, What I want is that you will promise to never give to any man, however worthy, your faith and loyalty, until, with our father’s permission, I give you my free consent.
That’s an easy request to grant!
Crotolon said. I’ll promise for her, Orgilus.
I beg your pardon,
Orgilus said, but it is Euphrania’s oath that will give me satisfaction.
By Vesta’s sacred fires I swear,
Euphrania swore.
Vesta was the goddess of the hearth; virgins — the Vestal virgins — served her.
And I,
Crotolon swore, by the sunbeams of the great sun-god Apollo, join in the vow. Orgilus, I swear not to bestow her on any living man without your permission.
Dear Euphrania,
Orgilus said, "don’t mistake what I am asking. It is far, far from my thoughts, far from any wish of mine, to hinder the promotion of you to an honorable bed or a fitting fortune. You are young and beautiful, and it would be an injustice — more, it would be a tyranny — not to promote your merit.
"Trust me, sister, it shall be my first care to see you matched and married as may become your choice and our happiness.
Do I have your oath?
You have,
Euphrania said. But do you mean, brother, to leave us, as you have said?
Yes, yes, Euphrania,
Crotolon said. He has just grounds for his decision to go to Athens. I will prove to be a father and a brother to you.
Heaven looks into the secrets of all hearts,
Euphrania said. "Gods,