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The Little Mermaid
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Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. This title is part of “Andersen's Fairy Tales, Volume 2, published by Dreamscape Media. LLC.
Buchaktionen
Mit Lesen beginnenInformationen über das Buch
The Little Mermaid
Beschreibung
Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. This title is part of “Andersen's Fairy Tales, Volume 2, published by Dreamscape Media. LLC.
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The Little Mermaid - Hans Christian Andersen
THE LITTLE MERMAID
By
HANS CHRISTIAN ANDERSEN
This edition published by Dreamscape Media LLC, 2017
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About Hans Christian Andersen:
Hans Christian Andersen (2 April 1805 – 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children; his stories, called eventyr in Danish, express themes that transcend age and nationality.
Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. Some of his most famous fairy tales include The Emperor's New Clothes
, The Little Mermaid
, The Nightingale
, The Snow Queen
, The Ugly Duckling
, Thumbelina
and many more.
His stories have inspired ballets, animated and live-action films and plays.
Source: Wikipedia
The Little Mermaid
AR out in the ocean, where the water is as blue as the prettiest cornflower and as clear as crystal, it is very, very deep; so deep, indeed, that no cable could sound it, and many church steeples, piled one upon another, would not reach from the ground beneath to the surface of the water above. There dwell the Sea King and his subjects.
We must not imagine that there is nothing at the bottom of the sea but bare yellow sand. No, indeed, for on this sand grow the strangest flowers and plants, the leaves and stems of which are so pliant that the slightest agitation of the water causes them to stir as if they had life. Fishes, both large and small, glide between the branches as birds fly among the trees here upon land.
In the deepest spot of all stands the castle of the Sea King. Its walls are built of coral, and the long Gothic windows are of the clearest amber. The roof is formed of shells that open and close as the water flows over them. Their appearance is very beautiful, for in each lies a glittering pearl which would be fit for the diadem of a queen.
The Sea King had been a widower for many years, and his aged mother kept house for him. She was a very sensible woman, but exceedingly proud of her high birth, and on that account wore twelve oysters on her tail, while others of high rank were only allowed to wear six.
She was, however, deserving of very great praise, especially for her care
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This is the original Anderson story, much sadder than the Disney version, in an edition produced in Denmark for English-language tourists. There is a very nice introduction by Erik Dal which describes Anderson's life which sympathy and honesty (some of his poetry is "astonishingly bad," though some poems are in the hearts of all Danes as much as the fairytales) and converys well the Danish feeling for the impact of his use of simple, natural language (rather like the theory, if not the practice, of Wordsworth.) The illustrations are selections from famous versions by a number of different illustrators, the Danes Pederson and Frolich and Bang, the French Dargent, the Russian Bunin, Arthur Rackham and Richard Bennet, even Japanese and Chinese versions, among others.
The Little Mermaid, illustrated by Katie Thamer Treherne.Originally published in Danish as Den lille havfrue, Andersen's tale of a mermaid who longs to be human, in order to win romantic love and eternal salvation, has been retold countless times, and interpreted by many different authors and artists. I suspect that it is the most well-known of the author's many beloved tales. Certainly, it is one of the most adapted.As mentioned in my review of the Charles Santore version, this story has always held a certain fascination for me, despite the fact that it does not rank among my favorite fairy-tales. This edition, illustrated by Katie Thamer Treherne, is a solid, engaging - though by no means brilliant - version, with appealing watercolor illustrations and a (mostly) faithful narrative. A little more abbreviated than the Santore edition (itself based on the nineteenth-century Mary Howitt translation), it nevertheless hits all the key points, and is sure to please all but the most die-hard of fans. I wouldn't put in on the same footing as Santore's retelling, but it is still a very charming addition to any fairy-tale library.
Hans, Hans, Hans, you sick fuck.I haven't read the Disney version but I bet it ain't nothing like this.The original (translated) version includes:The cutting out of a tongueThreats of murderBlack milk coming out of a witches breastHierarchy of sisterly beautyMarital possessivenessAnd perhaps most disturbingly of all, the overall message as explained in the final paragraph:"Unseen, we glide into human homes where there are children, and whenever we find a good child, one who makes its parents happy and deserves their love [because obviously some children don't deserve love], God shortens our time of trial. The child never knows when we fly through the room; if its goodness makes us smile with pleasure, a year is taken from the three hundred. But if we see a naughty, evil child, then we must weep tears of sorrow, and each tear adds one day more to our time of waiting."Now kiddies, your bedtime story is over. SLEEP TIGHT.None of this is a sleight on the translator and artist of this particular version, who both did an excellent job. The pastel drawings by Christian Birmingham are evocative and beautiful, and the large format of this volume invites lengthy gazing. My question is rather, how has this story survived? Of all the stories that might be readapted, time and time again, why this one?
This was OK, but I didn't like the ending. It felt like the author couldn't figure out how to end it, so he just pulled something out of the "air." (That's a pun that goes along with the story ;))
This is a traditional fairy tale about a mermaid, who meets a prince, and must give up her most beautiful talent to become human. The setting in this story is well established quickly at the beginning. The plot is simple, and direct. The illustrations in this book are very basic, yet colorful, and creative.I remember watching The Little Mermaid on television, and I remember from a long time ago, I think the movie was called Mermaid, with Tom Hanks in it. I loved that movie!A great extension idea would be to have students draw their vision of what the Mermaid would look like. Another would be to have students come up with costume ideas, and have them dress like Mermaids.
This story is a classic. I enjoyed reading this picture book since the illustrations were colorful and detailed to match the writing. The language was descriptive and powerful. This classic story is about a unknown kingdom under the depths of the ocean and one girls dream to change the separation of the two worlds. This stories language makes the story come to life with descriptive words, given the fact that it is of the traditional fantasy genre. “The sea looked quite green, and large icebergs were floating about, each like a pearl, she said, but larger and loftier than the churches built by men,” helps create a picture in the readers mind and keep them engaged in the story. Given the descriptive language seeing colorful detailed illustrations help to aid readers create pictures to match the oral stories. The main idea of this story is to be careful what you wish for.
4.The “Little Mermaid” is a book about a fairytale of a mermaid who longs to be human and win the love of a prince. The big idea of the story is about making great sacrifices and taking huge risks. I have mixed feelings for this book, in that I did and did not like it for a few reasons. I liked this book for the overall fantasy genre focus. It brings imagination to readers interests. It focuses on princesses, princes, and a mermaid which sparks the interests of creativity to a readers mind. For instance, the book transports readers on an unforgettable voyage from the fanciful underwater realm of the little mermaid to her dazzling new home on the surface. That is a fun theme and plot for readers who like to take a step into imagination. But, the overall layout, illustrations, and writing did not spark my interest. The layout of the writing was placed into large paragraphs. The paragraphs appeared never ending, and it doesn’t captures the readers’ attention. Also, the pictures are revealing, so the audience could not be younger than 7th grade. The mermaid appears to be slightly nude in a few pictures. I understand that it is a traditional tale, but the book should not be considered a children’s read. Lastly, the writing was not paced well. There weren’t many breaks or exaggerations in between words. The main idea is appropriate for all ages, but the book’s appearance is not.