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The Cellar: A Novel
The Cellar: A Novel
The Cellar: A Novel
Ebook205 pages

The Cellar: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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Chilling psychological suspense with “exceptional punch” from the Edgar Award–winning author of The Dark Room (Kirkus Reviews, starred review).
 
It seems like a respectable British home, occupied by the Songolis, an upstanding family of African immigrants. But hidden within the cellar is Muna—a teenage girl who cooks for them, cleans for them, endures brutal abuse from them . . . and is powerless to escape.
 
Then one day, the Songolis’ ten-year-old son fails to come home from school, and Scotland Yard arrives at the house to investigate. While they look into the boy’s disappearance, Muna must play the role of beloved daughter. She suddenly has a real bedroom, with sunlight, and real clothing to wear. But she must continue to keep quiet—and hide the fact that she has learned how to speak English. Even as the police are watching, her secret life of enslavement goes on.
 
But Muna is hatching a plan—and her acts of rebellion and revenge will be more terrifying than this family could have imagined—in this dark, twisting tale that represents “contemporary crime writing at its absolute peak” (Val McDermid).
LanguageEnglish
Release dateFeb 2, 2016
ISBN9780802190253
The Cellar: A Novel
Author

Minette Walters

Minette Walters is England’s bestselling female crime writer. She has written many novels, including The Ice House and The Scold's Bridle, and has won the CWA John Creasey Award, the Edgar Allan Poe Award and two CWA Gold Daggers for Fiction. Minette Walters lives in Dorset with her husband and two children.

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Rating: 3.557471377011494 out of 5 stars
3.5/5

87 ratings18 reviews

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  • Rating: 3 out of 5 stars
    3/5
    Minette Walters is one author I always read so I put this on hold. It was as eerie and disturbing as her other books and took me by surprise as I progressed through it. A modern-day slave, Muna, was adopted from Africa by the Songoli family and moved with them to the UK. She was hidden away, abused and mistreated, until one of the family's natural sons disappeared. As disappearances continued, her position in the family improved and it became obvious that she was much more clever than her parents had given her credit for.
  • Rating: 4 out of 5 stars
    4/5
    This is a riveting but disturbing story of an African girl kept as a slave by a family who moves to England. She has never learned to read, write or do math - but she is clever which the Songoli family do not realise. When she finally gets the opportunity to turn the tables on her captors, she does so. When one of the the sons disappears, Scotland Yard begins to investigate along with a social worker who questions Muna's position as a supposed daughter.
  • Rating: 4 out of 5 stars
    4/5
    A dark little tale of psychological suspense from a master of the genre, Minette Walters. A young girl is kept as a slave by the Songoli family. Muna is kept indoors at all times, not allowed to learn English, and is locked in the basement at night. But when one of their sons disappears and the police are called, the Songolis must treat the girl as a member of the family. As the family's troubles multiply, Muna's situation improves and soon the Songolis learn that the girl is far more clever than they imagined. This audiobook is narrated in a very matter-of-fact way that quietly but effectively conveys the horror of events as they unfold.I received a copy of this audiobook through the LibraryThing Early Reviewers program in exchange for an honest review.
  • Rating: 5 out of 5 stars
    5/5
    Yikes this was scary!
  • Rating: 4 out of 5 stars
    4/5
    A strange but believable story. Young girl selected from an orphanage in London becomes member of family when youngest son disappears. Thought to be dumb, she shows superior thinking skills as she moves through the events of the disappearance .A Grimm Fairy tale quality is in the reading. Outstanding writing moves the reader through the daily life of Muna before and after the disappearance of the the youngest son. Walters is one of my favorite writers.
  • Rating: 4 out of 5 stars
    4/5
    For six years, 14-year-old Muna has been a slave of Ebuka and Yetunde Songoli. Having two sons of their own, they claimed Muna from a West African orphanage, then emigrated to England. During her years with the Songolis, Muna suffered much abuse, physical and sexual, but when one of the Songolis' sons, Abiola, disappears, Muna's fortunes change for the better. To keep the police investigators from discovering their shameful secret, Yetunde claims Muna is their daughter and moves her from the cellar where she's been confined to live when she isn't cooking and cleaning for the family, into a spare bedroom upstairs. Yetunde claims the girl is brain damaged and doesn't speak English, but Muna is far more clever than the Songolis know. Muna has a full grasp of English and slowly realizes how much power she now has, power she uses to manipulate the Songolis in order to better her own position. As the family's fortunes continue to take a downward turn following Abiola's disappearance, Muna's improves. This novella is a bit of a change of pace for Walters, one of my favorite writers. Told in third person from Muna's pov, this isn't so much of a mystery as it is a psychological suspense story. It is also a disturbing one, and one I found compelling.
  • Rating: 4 out of 5 stars
    4/5
    Thank you to the LibraryThing Early Reviewers program for the audiobook version of The Cellar. Minette Walters is a new-to-me author, but it this story is any indication of her talent as a writer, I will definitely seek her out again. This short book (only four discs long!) packs a repeated punch and most of those blows are unexpected. The book is sheer psychological horror and the narration is absolute genius. Justine Eyre brings every character to life with a mastery of voices and accents. Well written and well narrated. Recommended for the mystery buff who likes a psychological razor sharp edge to the story.
  • Rating: 4 out of 5 stars
    4/5
    This was a very interesting character study of a young girl who was kept as a slave in a basement in Britain. Her transition from an abused girl to one whose actions result in her being the aggressor and one whois in control produced some interesting feelings in this listener. Lines between the victim and the abusers became fluid and presented conflicting emotions.The reader did well on the dialogs in the book but had some distracting emphases on narrative cadences.
  • Rating: 4 out of 5 stars
    4/5
    I found the Cellar to be a strange mix of impressions. At first there is outrage at the treatment of Muna, a girl turned into a slave for the family. You want some revenge, comeuppance. But, by the end I was wondering if they got more than they deserved. Even if one agrees that Muna got her revenge, I still felt she had gone far enough that she needed to be restrained too. She was just as much of a monster as the family her turned her into it.Good writing and a decent mystery. It took me a bit to figure out what actually happened. Which is the sign of a good mystery. It's pretty dark, so be warned.
  • Rating: 5 out of 5 stars
    5/5
    Walters consistently creeps me out. In a good way. Like DeNiro in a 70s Scorsese film. Months, years after finishing one of her stories, the title alone will make you feel that you must go and wash your hands right now.

    This book deals with modern international slavery. That's all you need to know. Psychological horror at its finest.



    Library copy
  • Rating: 4 out of 5 stars
    4/5
    This book is creepy . But has a good storyline and the charactors are perty cool. I highly reccomend this book . You will love it
  • Rating: 5 out of 5 stars
    5/5
    wow great book. Read it in 4 hours
  • Rating: 5 out of 5 stars
    5/5
    It's true that this was compulsively readable. Once I started I barely took a break till it was finished.

    But did I enjoy it? Not really. It's not a happy story and contained some uncomfortable material.

    But Ms Walters' talent continues and I await her next book with anticipation.
  • Rating: 4 out of 5 stars
    4/5
    As a fan of Walters’s work I had this on my list at the library without reading the description. When I got home and read it I had my doubts about whether I’d get through it. The set up calls for extreme cruelty and revenge and if given without much detail I’m ok, but lengthy descriptions of torture and degradation and the pleasure the perpetrator got from it is something I can’t endure. Luckily I didn’t have to. Yes, Muna’s experiences are specific and terrible in the extreme, but that’s not the focus of the book. The idea is that monsters beget monsters. It’s kind of a riff on Cinderella, but without the prince or the fairy godmother. Muna is young and so completely uneducated that she is passed off as brain damaged by her abductors. When the youngest member of the family goes missing and the police are called, Muna is passed off as a daughter, not the slave she is. Still, the people who meet her have their doubts. Nothing comes of them, but Muna sets things in motion to get free of the cruel Master and Princess who abuse her and control her every minute and movement. Or so they think. As a revenge tale it works, but Muna isn’t entirely sympathetic. She’s manipulative, subversive, pitiless and violent. All things, as she keeps explaining, that her Master and Princess have created in her. She is a product of isolation, cruelty and fairly savage physical and mental abuse; what can they expect of her except the same? There is no noble aspiration here; she doesn’t want to punish, she wants to get rid of her “family” and live off the system as best as she can. It’s easy to understand, but hard to condone.The book reads quickly and is sufficiently alien to keep you off balance. The final ending though, the letter that comes last, I found awkward since it has no resolution and no upshot. I think things could have finished well enough without it.
  • Rating: 3 out of 5 stars
    3/5
    Wer bei „Der Keller“ einen fulminanten Thriller erwartet, erwartet etwas falsches. Der Roman ist eher als Drama im Thrillermantel zu sehen, bei dem man lange nach Spannung suchen und sie doch nicht finden wird. Allzu schlecht ist das Buch trotzdem nicht, denn es ist interessant zu lesen, wie sich die vom Leben gebeutelte Muna, die einst von ihrer jetzigen „Prinzessin“ heimtückisch aus einem afrikanischen Waisenhaus entführt wurde, langsam emanzipiert und endlich leben darf. Und bei diesem Weg in die Freiheit begleitet man Muna, die so behandelt wird wie eine Natascha Kampusch dazumal, in einem dunklen Keller hausen muss und regelmäßig vom „Master“, wie der Hausherr Ebuka genannt wird, vergewaltigt wird. Nur dass die Geschichte von Muna mit der Zeit immer drastischer wird und in der nach und nach alle Familienmitglieder verschwinden.Die Dialoge in der hauseigenen Sprache Haussa, die darauf zurückschließen lassen, dass die Songolis vermutlich aus Nigeria kommen, werden nicht als solche gekennzeichnet, was auch bedeuten könnte, dass die Gespräche entweder gar nicht stattfinden oder nur in Munas Gedanken. Ganz nachvollziehbar ist diese nicht-Kennzeichnung jedenfalls nicht. Auch ist nicht nachvollziehbar, wieso Muna offensichtlich perfekt englisch spricht, obwohl im Buch mehrmals die Rede davon ist, dass sie lediglich wichtige Phrasen, die ihr bei einer Befreiung helfen sollen, mühsam in ihrem Verlies geübt hat. Das hätte die Autorin glaubwürdiger vermitteln können.Aber bei diesen Ungereimtheiten bleibt es ja leider nicht. Muna ist anscheinend ein sehr kluges Mädchen, okay, geschenkt, aber ein Smartphone perfekt bedienen zu können, nachdem man es nur einmal gesehen hat, sich eine 16-stellige Nummer zu merken, ohne Zahlen lesen zu können, sondern nur anhand der Bewegungen – das ist unmöglich und einfach nicht glaubwürdig. Dazu kommt, dass Muna mehrmals die Chance hat, ihre so lange im Keller geübten Hilferufe in die Tat umzusetzen, aber sie einfach nicht nutzt. Wieso nicht? Nur weil die Menschen nicht schwarz sind? Schwarze Menschen traktieren und vergewaltigen mich jahrelang und dann traue ich den Weißen nicht? Mir ist in der Situation doch scheißegal, ob die Leute Schwarz, Weiß, Violett der einarmig sind, ich will einfach nur weg von da! Dazu kommt, dass es quasi kein Ende gibt. Zwar liest man einen Brief der Nachbarin, die ab der Hälfte in die Geschichte einsteigt, aber was die Konsequenz daraus ist oder ob sie ihn überhaupt abschickt, bleibt offen.Dennoch: Auch wenn es ziemlich viele Ungereimtheiten gibt, ist „Der Keller“, wenn nicht gerade ein Thriller, dann doch eine interessante Sozialstudie mit interessanten, aber nicht unvorhersehbaren Ereignissen. Kann man lesen, muss man aber nicht gelesen haben. Warum dann trotzdem drei Sterne? Weil es nichtsdestotrotz gut zu lesen ist und der Charakter Muna ein sehr interessanter ist.
  • Rating: 5 out of 5 stars
    5/5
    The Cellar by Minette Walters is one of the best books I’ve read/listened to in the last year. Powerful, intense and devastating. Muna is stolen from an orphanage by an immigrant family and kept imprisoned in a home in the heart of London with a dark basement as a bedroom. Muna is a slave to the family who visits horrible abuse on her, physical, mental and sexual. Until the day the Songoli’s youngest son goes missing and the family is forced to treat Muna as a daughter, at least in front of the police. Every misfortune that befalls the Songoli family makes Muna’s life better.Muna’s “family” tells her that she is brain-damaged so often that they come to believe it themselves. But Muna is clever and observant and most of all patient. The story is narrated in a matter of fact tone that makes the evil that is perpetrated all the more devastating. Every time you are tempted to feel sorry for the Songoli family, you are reminded that they are despicable and beyond redemption. Investigation by Scotland Yard as well as the presence of a nosy neighbor prevent any return to the way things were for the Songoli family. Muna’s cautious, observant, patient and terrifying. The fact that she is no more or less than the family has made her is tragic and thrilling. This story will have you riveted from the opening line to the last and will linger with you for a long time. One of the best and most powerful books I’ve read in a long time. The narration of the audiobook by Justine Eyre is phenomenal. She perfectly captures the tone of the book and drives home every thrilling and horrifying moment. An award-worthy performance. Highly recommend.I was fortunate to receive an advance copy of this book.
  • Rating: 4 out of 5 stars
    4/5
    The Songoli’s youngest son Abiola has failed to come home from school and Scotland Yard is investigating. That means that 14 year old Muna is treated like one of the family for the time being, instead of the slave she has been all these years. She now has her own bed room (instead of a mattress in the cellar), her own clothes (instead of a cast off tunic), and ribbons in her hair. The Songolis still treat her atrociously in private, but Muna is more clever than they know, and bright enough to be careful about revealing her smarts.This novella is pretty dark, containing a few twists, and definitely has a gripping tenseness to it. All the characters are flawed individuals and there are a few moments when some positive attributes of one or another character show through. Muna’s mother died when she was toddler and she spent some time at an orphanage before Yetunde Songoli, posing as her aunt, adopted her. Once Muna was brought home, she was made a servant for the family, doing the bulk of the cleaning and perhaps some of the cooking.Minette Walters paints a bleak life for Muna. She’s beaten regularly by Yetunde and her two sons and Abuka (Yetunde’s husband) regularly rapes her. Life sucks for her. Muna is told daily that she’s stupid and once the police get involved in Abiola’s disappearance, they are told that Muna has brain damage. While the Songolis use their native language (Hausa) at home, Muna has been quietly learning English by listening to the TV programs the Songolis watch at night. She quickly grasps that the Songolis are in a precarious position.While I really enjoyed the tension of the story, there were several small questions that went unanswered. For instance, Muna doesn’t know her numbers and yet it’s unclear how much of the cooking she does. If you do cooking with modern ovens and microwaves, then understanding numbers (to some extent) is part of that. Also, it’s never really clear why Yetunde decided the Songolis needed a slave to serve the household.This is definitely Muna’s tale. I felt a mix of strong feelings towards her and that added to my enjoyment of the story. However, I do have to say that she did have incredible luck in that everything really goes her way once she starts to realize that she has some power over her life. Still, I couldn’t help but be on her side for most of the book.Over all, it’s a chilling tale along the lines of ‘you get what you give’ for most of the characters. Muna is well written and fascinating because she didn’t always react the way I expected her to. While I had a few little outstanding questions by the end of the tale, it did hold my attention the entire way through.I received a copy at no cost from the publisher (via LibraryThing) in exchange for an honest review.The Narration: I know Justine Eyre’s narrating work from Gena Showalter’s books (the Alien Huntress series which is a mix of scifi and erotica) so I wasn’t sure if she would be a good fit for this book. I worried for nothing. Eyre was very good, giving a serious (and sometimes creepy) performance of the tale. I’m not very familiar with the Hausa accent, but I can say that Eyre kept it consistent throughout the book.
  • Rating: 4 out of 5 stars
    4/5
    Muna is small for her age. At fourteen, she is tiny, malnourished, but surprisingly strong. That is because Muna is a slave in 21st century England. Taken from an African orphanage by Yetunde Songoli and brought to England to serve the Songoli family, Muno has led a life that consisted of severe beatings, starvation, and repeated rapes. She can barely talk because she is expected to remain silent and when she has to communicate it is in the language of her native country. She is forced to sleep on a pallet in the cellar, never ever go outdoors, and call Yetunde “princess” and her husband Ebuka “master.” Even the two boys ten-year-old Abiola and thirteen-year-old Olubayo can beat her without any reprimand from their parents. Ebuka violently rapes her and his older son is ready to follow his father’s example.Then Muna’s life changes. When Abiola disappears on his way to school, the police become interested in the family. Yetunde moves the girl into a spare bedroom and has to pretend that Muna is a cherished daughter. The police seem to accept the story that Muna is brain-damaged as the reason she is not in school and is afraid of strangers. With the police around, there are no more beatings because bruises are dangerous. Muna, however, is not at all the dim wit the Songoli’s think she is. She has an almost photographic memory, has learned English from listening to the boys’ tutors, and begins to see a way to a better life. As the family has more and more tragedy heaped upon them, Muno manipulates the situation to her advantage.This is a taunt psychological novel which addresses the monstrous acts one person can inflict on another and the results when the victim of abuse retaliates in kind. Have the monsters turned Muna into one of their own? The reader must decide. I listened to the audiobook in two sessions and was totally involved in Muna’s story. This is another Walters novel where the rabbit strikes back to great effect.

Book preview

The Cellar - Minette Walters

SUMMER

One

Muna’s fortunes changed for the better on the day that Mr and Mrs Songoli’s younger son failed to come home from school. Not immediately. Immediately, she felt great fear as Yetunde Songoli wailed and screamed and beat her with a rod because the ten-year-old wasn’t in his room. It was Mr Songoli who put a stop to the punishment. Be sensible, he ordered his wife. The police will ask questions if they see bruises on her arms.

Shortly afterwards, Yetunde moved Muna to a room with a bed and a window. She pulled a brightly coloured dress over the girl’s head and bound matching ribbons into her hair, hissing at her all the while for being a witch and a demon. Muna must have brought a curse on them. Why else had Abiola not come home?

Left alone, Muna stared at her reflection in the mirror on the wall. Was this what Mr Songoli had meant by being ‘sensible’? To make Muna look pretty? It was very confusing. After a long time, she heard the sound of cars drawing up outside, the doorbell ringing and unknown voices speaking in the hall. She would have retreated to a darkened corner to squat on her haunches if Yetunde hadn’t ordered her to sit on the bed. It was uncomfortable – her back began to hurt with the strain of staying upright – but she didn’t move. Immobility had become a friend over the years. It allowed her to go unnoticed.

She was beginning to hope she’d been forgotten until she heard footsteps on the stairs. She recognised Yetunde Songoli’s heavy tread but not the lighter one that followed behind. She stared impassively at the door, watching it open to reveal Yetunde’s great, bloated body and a slim white woman, dressed in a shirt and trousers. Muna would have taken her for a man if her voice, when she spoke, hadn’t been soft.

Yetunde lowered herself to the bed and put an affectionate arm around Muna’s waist. She was so heavy that the mattress dipped beneath her weight and Muna could do nothing but lean against her. She was too small and thin to resist the woman’s pull. Don’t show fear, Yetunde warned in Hausa. Smile when this policewoman smiles at you, and speak in answer to the questions I ask you. It won’t matter what you say. She’s white English and doesn’t understand Hausa.

Smile. Muna did her best to ape the soft curve of the white’s lips but it was a long time since she’d done anything so unnatural. Speak. She opened her mouth and moved her tongue but nothing came out. She was too afraid to voice aloud what she practised in whispers to herself each night. Yetunde would know for certain she had demons if she said something in English.

‘How old is she?’ the white asked.

Yetunde stroked Muna’s hand. ‘Fourteen. She’s my first-born but her brain was damaged at birth and she finds it hard to learn.’ Tears dripped down the bloated cheeks. ‘Was this not tragedy enough? Must my precious Abiola be another?’

‘There’s no reason to think the worst yet, Mrs Songoli. It’s not unusual for ten-year-old boys to truant from time to time. I expect he’s at a friend’s house.’

‘He’s never truanted before. The school should have called my husband at work when they didn’t get me. We pay them enough. It’s irresponsible to leave a message on an answerphone.’

The white crouched down to put herself on the same level as Muna. ‘You say you’ve been out all day, but what about your daughter? Where was she?’

‘Here. We have permission to teach her at home. A Hausa speaker comes to tutor her each morning.’ Yetunde’s bejewelled fingers moved from caressing Muna’s hand to stroking her cheek. ‘Children can be so cruel. My husband wouldn’t want her teased for her disability.’

‘Does she have any English?’

‘None. She struggles even to speak Hausa.’

‘Why didn’t her tutor answer the phone when the school rang?’

‘It’s not her job. She wouldn’t take a call intended for someone else.’ Yetunde pressed a tissue to her eyes. ‘It’s so rare for me to go out. Any other day I would have been here.’

‘You said the first you knew that something was wrong was when you returned at six o’clock and listened to your messages.’ The crouching white examined Muna’s face. ‘Yet it must have worried your daughter that Abiola didn’t come home at his usual time. Will you ask her why she didn’t tell you as soon as you opened the door?’

Yetunde pinched Muna’s waist. She’s talking about Abiola. Look at me and pretend concern. Say something.

Muna turned her head and whispered the only words she was permitted to use. Yes, Princess. No, Princess. Is there something I can do for you, Princess?

Yetunde dabbed at her eyes again. ‘She says she thought he was with our older son, Olubayo. He takes his little brother to the park sometimes.’ A great sigh issued from her chest. ‘I should have been here. So much time has been wasted.’

Muna wondered if the white would believe such a lie, and kept her gaze lowered for fear the blue eyes would read in hers that Yetunde was being deceitful. Muna’s life was less painful for being thought too simple to learn any language but Hausa.

‘You realise we need to search the house and garden, Mrs Songoli?’ said the white, rising to her feet. ‘It’s standard procedure when a child goes missing. Abiola may have hidden himself away rather than go to school. We’ll make it as easy on you as we can but I suggest you take your daughter downstairs so that your family can sit together in one room.’

If Muna had known how to see humour in a situation, she might have laughed to hear Yetunde order Olubayo to treat her as his sister. But humour and laughter were as alien to her as smiling and speaking. Instead she thought of the kicks and slaps Olubayo would give her once the whites had left. He was big for a thirteen-year-old, and Muna feared for herself when he changed from boy to man. So many times recently she’d looked up from her work to find him staring at her and rubbing his groin against the door frame.

From beneath lowered lids, she watched the expressions on Mr and Mrs Songoli’s faces. How anxious they were, she thought, but was it Abiola’s disappearance that was worrying them or having police in their house? As Yetunde had brought her downstairs, Muna had seen that the door to the cellar was open. A bulb now glowed in the overhead light at the top of the steps, banishing the darkness she’d lived in and showing her that her mattress and small bag of possessions had been removed from the stone floor at the bottom.

She thought how harmless her prison looked, brightly lit and with nothing to show that anyone had slept there, and it gave her a small hope that whites were kinder than blacks. Why would the Songolis hide the truth about her otherwise? Just once, Muna shifted her glance fractionally to look at the woman in trousers. She was asking Olubayo about Abiola’s friends, and Muna felt a shock of fear to find the blue eyes staring at her and not at the boy. They seemed clever and wise and Muna trembled to think this person knew she understood what was being said.

Would she guess that Muna had listened to the message being left on the answerphone and had known all day that Abiola had not arrived at his school?

The searchers returned, shaking their heads and saying there was no sign of the child although they’d found a mobile telephone on charge in his room. Yetunde identified it as Abiola’s and began to wail again because her son hadn’t had it with him. She rocked to and fro issuing high ululations from her mouth, while her husband strode angrily about the carpet, cursing the day he’d brought his family to this godforsaken country. He bunched his fists and thrust his blood-infused face into the white woman’s, demanding to know what the police were doing.

Muna would have cowered before such ferocity, but not the white. She took Ebuka calmly by the arm and returned him to his chair to weep for his beloved son. She seemed to have great power over men. Where Yetunde stamped and raged to get what she wanted, the white gave quiet orders that were obeyed. She used the telephone to request a child-protection officer to examine Abiola’s computer and smartphone. She asked Yetunde and Ebuka for photographs and videos of the boy. Bags containing his clothes, toothbrush and comb were taken away. Sandwiches and pizzas were brought in.

All the while she asked questions of the family. Had Abiola been unhappy recently? Was he bullied? Did he shut himself in his room, spending long hours on the internet? Was he a boy of secrets? How much did his parents know about his friends? Did he run with a gang? Was he taken to school each morning or did he make his own way? Who had seen him off that morning?

The picture Yetunde and Ebuka painted in their answers was not one that Muna recognised. They described Abiola as a popular boy who walked to class with his brother each morning, keen to begin his lessons. They made no mention that he wet his bed most nights and slapped and kicked his mother if she asked him to do something he didn’t like. He had to be bribed with sugary foods to go to school, fed to him in titbits from Yetunde’s fingers. It was why mother and son were as fat and bloated as each other. For every sticky sweet Yetunde gave Abiola, she took one herself.

This trouble had come upon them, Muna thought, because Mr Songoli had cancelled the car that had driven the boys to class each morning and brought them back each afternoon. He was angered at how spoilt they’d become and told them they must learn to want their education as strongly as the bush children in Africa. Now Olubayo told terrible lies about the happenings that morning, swearing hand on heart that he had walked Abiola to the school gates. Yet Muna knew this couldn’t be true. Olubayo had so much hatred for Abiola, and Abiola so much hatred for him, that they never did anything together.

Perhaps the white didn’t believe the story either for she asked Yetunde if she’d seen the boys leave. And of course Yetunde said she had. She would never admit to her husband that she’d been sitting before her mirror, massaging expensive bleaching cream into her skin. Such wasteful extravagance annoyed Ebuka.

‘I’d like to ask your daughter the same question, Mrs Songoli. Will you put it to her?’

Yetunde raised her voice. Look up, Muna. This woman is asking if you saw Olubayo and Abiola leave this morning. Nod your head and say something. She expects you to speak.

Muna did as she was asked. Yes, Princess. No, Princess. Is there something I can do for you, Princess? But even as she whispered in Hausa she longed for the courage to say the words she practised to herself each night.

‘Please help me. My name is Muna. Mr and Mrs Songoli stole me when I was eight years old. I would like to go home but I don’t know who my parents are or where I come from.’

Two

The only adults Muna could recall from her childhood were nuns and priests with shiny white skin. The years had blurred their features and muddled their names but she thought she’d been happy during the time she spent with them. She found it easier to remember the beaming black faces of the children. There was more to recognise in people she resembled. She dreamed sometimes of playing games in the dust of a sun-drenched schoolyard, full of colour and brightness, but where that was and why she had been there, she didn’t know.

The life she lived now had begun the day Yetunde came to claim her. The woman, tall and magnificently dressed in a bright blue kaba with a matching gele on her head and gold necklaces around her neck, had documents to prove her entitlement to the child. With a happy laugh, she had claimed Muna as her niece, hugging and kissing her and telling her how pretty she was, and Muna had smiled into the woman’s eyes as if she knew her. No priest would question the love he saw between them, particularly when Yetunde Songoli produced a legal writ giving her guardianship of her dead sister’s eight-year-old daughter.

Had Muna been suspicious? No. Her only feeling had been awe to discover she belonged to someone as rich and beautiful as Aunt Yetunde. If an explanation had been offered for why she had ever been placed in the care of nuns or why Yetunde Songoli had thought to look for her there, she didn’t remember. Her strongest recollection of the day was skipping through the schoolyard gates at her aunt’s side without a backward glance at the place she’d called home.

Now, all these years later – five, six, seven? – Muna wished her memories of it were stronger. Reason told her it must have been an orphanage and that her surname, if she’d ever had one, wasn’t known to the priest. Or perhaps he was as wicked as Yetunde Songoli? Perhaps he posed as a priest to make money from selling

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