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Alice's Adventures in Wonderland & Through the Looking-Glass: An Illustrated Classic

Alice's Adventures in Wonderland & Through the Looking-Glass: An Illustrated Classic

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Alice's Adventures in Wonderland & Through the Looking-Glass: An Illustrated Classic

3.5/5 (30 Bewertungen)
322 Seiten
7 Stunden
May 1, 2018


They're all mad for this book in Wonderland!

Follow the White Rabbit through this classic tale in the magical world of Wonderland. Take tea with the Mad Hatter and March Hare, follow a game of croquet between Alice and the Queen of Hearts, and enjoy an adventure of logic that will entertain mature minds as much as the color illustrations will entertain young ones. 
May 1, 2018

Über den Autor

Charles Lutwidge Dodgson (1832-1898), better known by his pen name Lewis Carroll, published Alice's Adventures in Wonderland in 1865 and its sequel, Through the Looking-Glass, and What Alice Found There, in 1871. Considered a master of the genre of literary nonsense, he is renowned for his ingenious wordplay and sense of logic, and his highly original vision.


Alice's Adventures in Wonderland & Through the Looking-Glass - Lewis Carroll

Alice’s Adventures

in Wonderland


Through the Looking-Glass

and What Alice Found There

Copyright © 2017 North Parade Publishing Ltd

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

Printers Row Publishing Group is a division of Readerlink Distribution Services, LLC.

Canterbury Classics is a registered trademark of Readerlink Distribution Services, LLC.

All notations of errors or omissions should be addressed to Canterbury Classics, Editorial

Department, at the above address. All other correspondence (author inquiries, permissions) concerning the content of this book should be addressed to

North Parade Publishing Ltd

4 North Parade, Bath, BA1 1LF, UK

Canterbury Classics

Publisher: Peter Norton

Publishing Team: Ana Parker, Kathryn Chipinka, Aaron Guzman

Editorial Team: JoAnn Padgett, Melinda Allman, Traci Douglas

eBook ISBN: 978-1-68412-402-2

eBook edition: December 2017

Alice’s Adventures

in Wonderland


Through the Looking-Glass

and What Alice Found There

An Illustrated Classic


Lewis Carroll

with original illustrations by John Tenniel

specially colored by Peter Frith


Alice’s Adventures in Wonderland

Through the Looking-Glass and What Alice Found There





Alice’s Adventures

in Wonderland

Author’s Note

All in the Golden Afternoon

Chapter One – Down the Rabbit-Hole

Chapter Two – The Pool of Tears

Chapter Three – A Caucus-Race and a Long Tale

Chapter Four – The Rabbit Sends in a Little Bill

Chapter Five – Advice from a Caterpillar

Chapter Six – Pig and Pepper

Chapter Seven – A Mad Tea-Party

Chapter Eight – The Queen’s Croquet Ground

Chapter Nine – The Mock Turtle’s Story

Chapter Ten – The Lobster Quadrille

Chapter Eleven – Who Stole the Tarts?

Chapter Twelve – Alice’s Evidence

Author’s Note

Enquiries have been so often addressed to me, as to whether any answer to the Hatter’s Riddle can be imagined, that I may as well put on record here what seems to me to be a fairly appropriate answer, viz: Because it can produce a few notes, though they are very flat; and it is nevar put with the wrong end in front! This, however, is merely an afterthought: the riddle, as originally invented, had no answer at all.

Christmas 1896

All in the golden afternoon

Full leisurely we glide;

For both our oars, with little skill,

By little arms are plied,

While little hands make vain pretence

Our wanderings to guide.

Ah, cruel Three! In such an hour

Beneath such dreamy weather,

To beg a tale of breath too weak

To stir the tiniest feather!

Yet what can one poor voice avail

Against three tongues together?

Imperious Prima flashes forth

Her edict to begin it

In gentler tone Secunda hopes

There will be nonsense in it!

While Tertia interrupts the tale

Not more than once a minute.

Anon, to sudden silence won,

In fancy they pursue

The dream-child moving through a land

Of wonders wild and new,

In friendly chat with bird or beast –

And half believe it true.

And ever, as the story drained

The wells of fancy dry,

And faintly strove that weary one

To put the subject by,

The rest next time – "It is next time!"

The happy voices cry.

Thus grew the tale of Wonderland:

Thus slowly, one by one,

Its quaint events were hammered out –

And now the tale is done,

And home we steer, a merry crew,

Beneath the setting sun.

Alice! a childish story take,

And with a gentle hand

Lay it where Childhood’s dreams are twined

In Memory’s mystic band,

Like pilgrim’s wither’d wreath of flowers

Pluck’d in a far-off land.



Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, and what is the use of a book, thought Alice, without pictures or conversation?

So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid) whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her.

There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, Oh dear! Oh dear! I shall be too late! (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge.

In another moment down went Alice after it, never once considering how in the world she was to get out again.

The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.

Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her, and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and bookshelves: here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed: it was labelled ORANGE MARMALADE, but to her great disappointment it was empty; she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.

Well! thought Alice to herself. After such a fall as this, I shall think nothing of tumbling downstairs! How brave they’ll all think me at home! Why, I wouldn’t say anything about it, even if I fell off the top of the house! (Which was very likely true.)

Down, down, down. Would the fall never come to an end? I wonder how many miles I’ve fallen by this time? she said aloud. I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think— (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) —yes, that’s about the right distance – but then I wonder what Latitude or Longitude I’ve got to? (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)

Presently she began again. I wonder if I shall fall right through the earth! How funny it’ll seem to come out among the people that walk with their heads downwards! The Antipathies, I think— (she was rather glad there was no one listening, this time, as it didn’t sound at all the right word) —but I shall have to ask them what the name of the country is, you know. Please, Ma’am, is this New Zealand? Or Australia? (and she tried to curtsey as she spoke – fancy curtseying as you’re falling through the air! Do you think you could manage it?) And what an ignorant little girl she’ll think me! No, it’ll never do to ask: perhaps I shall see it written up somewhere.

Down, down, down. There was nothing else to do, so Alice soon began talking again. Dinah’ll miss me very much tonight, I should think! (Dinah was the cat.) I hope they’ll remember her saucer of milk at teatime. Dinah, my dear, I wish you were down here with me! There are no mice in the air, I’m afraid, but you might catch a bat, and that’s very like a mouse, you know. But do cats eat bats, I wonder? And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, Do cats eat bats? Do cats eat bats? and sometimes, Do bats eat cats? for, you see, as she couldn’t answer either question, it didn’t much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, Now, Dinah, tell me the truth: did you ever eat a bat? when suddenly, thump! thump! down she came upon a heap of dry leaves, and the fall was over.

Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, Oh my ears and whiskers, how late it’s getting! She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof.

There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice’s first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. However, the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted!

Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway; and even if my head would go through, thought poor Alice, it would be of very little use without my shoulders. Oh, how I wish I could shut up like a telescope! I think I could, if I only knew how to begin. For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible.

There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it (which certainly was not here before, said Alice) and round its neck a paper label, with the words DRINK ME beautifully printed on it in large letters.

It was all very well to say DRINK ME, but the wise little Alice was not going to do that in a hurry. No, I’ll look first, she said, "and see whether it’s marked ‘poison’ or not"; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts, and many other unpleasant things, all because they would not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger very deeply with a knife, it usually bleeds; and she had never forgotten that if you drink much from a bottle marked poison, it is almost certain to disagree with you, sooner or later.

However, this bottle was not marked poison, so Alice ventured to taste it, and finding it very nice (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pineapple, roast turkey, toffee, and hot buttered toast), she very soon finished it off.

What a curious feeling! said Alice. I must be shutting up like a telescope.

And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; for it might end, you know, said Alice, in my going out altogether, like a candle. I wonder what I should be like then? And she tried to fancy what the flame of a candle is like after it is blown out, for she could not remember ever having seen such a thing.

After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the table-legs, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried.

Come, there’s no use in crying like that! said Alice to herself, rather sharply. I advise you to leave off this minute! She generally gave herself very good advice (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. But it’s no use now, thought poor Alice, "to pretend to be two people! Why, there’s hardly enough of me left to make one respectable person!"

Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words EAT ME were beautifully marked in currants. Well, I’ll eat it, said Alice, and if it makes me larger, I can reach the key; and if it makes me smaller, I can creep under the door; so either way I’ll get into the garden, and I don’t care which happens!

She ate a little bit, and said anxiously to herself, Which way? Which way? holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way.

So she set to work, and very soon finished off the cake.



Curiouser and curiouser!" cried Alice (she

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  • (4/5)
    so, he liked little girls. a bit quirky but if he didn't, he wouldn't have had no motivation to write this ultimate classic that activates any odd-thinkers thinking capacities and should be made into a musical not another movie for the songs in it are brilliant.
  • (5/5)
    This is my favorite book EVER! Love the stories, love the nonsense, the Cheshire Cat and the Mad Hatter..the tea party scene...the rhymes and the little children songs turned to Lewis Carroll's thinking way. AWE-SOME!! It's my fave ever!

    Really! Own them all!!!
  • (4/5)
    Who doesn't love Alice in Wonderland?
  • (5/5)
    Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There are two well-loved, oft-adapted, and extremely influential novels written by Lewis Carroll, the pseudonym of English author Charles Lutwidge, in 1865 and 1871 respectively. I was initially a little surprised when Seven Seas announced that it would be publishing a newly illustrated omnibus edition of the novels in 2014, especially as the company had moved away from publishing prose works in recent years in order to focus on manga and other comics. However, the novels do nicely complement Seven Seas' releases of the various Alice in the Country of manga. What makes Seven Seas' edition of Alice's Adventures in Wonderland and Through the Looking-Glass stand out from others are the incredibly cute and charming manga-influenced illustrations by Kriss Sison, an International Manga Award-winning artist from the Philippines. In addition to a gallery of color artwork, hundreds of black-and-white illustrations can be found throughout the volume.Alice was enjoying a leisurely afternoon on a riverbank with her older sister when a very curious thing happened—a rabbit with a pocket watch hurries by talking to itself. When Alice follows after it she tumbles down a rabbit hole to find herself in a very strange place indeed. What else is there to do for an inquisitive and adventurous young girl but to go exploring? And so she does. As Alice wanders about she discovers food and drink that cause her to grow and shrink, animals of all sizes and shapes that can talk, and people who have very peculiar ways of thinking about and approaching life. Eventually she returns home to her sister, but several months later she finds herself once again slipping into a fantastical world when she crawls through the mirror above a fireplace mantel. Of course, Alice immediately sets off exploring, encountering even more strange and wondrous things and meeting all sorts of new and perplexing people.Despite already being familiar with the story of Alice's Adventures in Wonderland and Through the Looking-Glass (mostly through the seemingly infinite number of adaptations and otherwise Alice-inspired works) and despite having been encouraged for years by devotees of Carroll's writings, I had never actually read the original novels for myself until I picked up Seven Seas' edition. I'm really somewhat astonished that it took me so long to do so and it truly is a shame that I didn't get around to it sooner. Alice's Adventures in Wonderland and Through the Looking-Glass is absolutely marvelous and an utter joy to read. It's easy to see why the novels have been treasured and continue to be treasured by so many people for well over a century. The books are incredibly imaginative and delightfully clever. Carroll liberally employs puns and other wordplay, turning nonsense into logic and vice versa. Alice's Adventures in Wonderland and Through the Looking-Glass has been translated into something like seventy different languages; though certainly worthwhile, I can't imagine these interpretations were easy to accomplish due to the novels' linguistic complexities.What particularly impresses me about Alice's Adventures in Wonderland and Through the Looking-Glass are the novels' broad appeal. Both children and adults can easily enjoy the works. Younger readers will likely be amused and drawn to their silliness while more mature readers will be able to more fully appreciate the cleverness of Carroll's prose, poetry, and song. I would wholeheartedly encourage just about anyone to read Alice's Adventures in Wonderland and Through the Looking-Glass. Even without counting the multitude of adapted works, there are a huge number of editions of the original two novels available. There is bound to be a version that will appeal, whether it be Martin Gardner's extensively annotated editions, which reveal references that modern readers are apt to miss, or one of the many illustrated releases. While I may one day move on to The Annotated Alice, I was very pleased with Seven Seas' Alice's Adventures in Wonderland and Through the Looking-Glass. Carroll's novels and Sison's illustrations are a delightful combination. I am very glad to have finally read the novels and anticipate reading them again with much enjoyment.Experiments in Manga
  • (4/5)
    Fantastically surreal and enjoyable.
  • (4/5)
    So brilliantly whimsical - or whimsically brilliant!
  • (4/5)
    Alice's Adventures in Wonderland is one of the most well-known books ever written. Even people who have never read the novel have heard of characters such as Humpty Dumpty and Tweedledum and Tweedledee. When Alice falls into a rabbit hole her adventures begin and one is stranger than the other. In Through The Looking-Glass Alice walks through a mirror and finds herself in a live-action chess game. These fantasy stories are not just popular with children, they are also quite well-liked by adults. And there is a reason. The novel and its sequel Through The Looking-Glass play with language in a very intelligent way.'When I use a word,' Humpty Dumpty said in rather a scornful tone, 'it means just what I choose it to mean - neither more nor less.' 'The question is', said Alice, 'whether you can make words mean different things.' (p. 223)This quotation describes quite nicely what I enjoyed most about the novel. Sometimes, words have to be taken quite literally, and then there is always a second layer added to them. This interplay of literal and figurative meaning makes Alice's story work on more than just one level. However, I did not care for the fantasy part as much. While Alice's adventures are sure strange and sometimes funny I rather enjoyed the book for the how than for the what. The way the story is told was much more important for me than the story that is actually told. In the end of the second story, Alice asks herself whether it had all just been her dream or the dream of the Red King, one of the other characters in the novels. In the last line then, the reader seems to be included in the discussion: 'Which do you think it was?' (p. 278). I guess you have to see for yourself. I can recommend this book especially to adult readers interested in linguistics and logic as well as to kids, of course. is very enjoyable, rather short and easily read. On the whole, 3.5 stars.
  • (4/5)
    Having first read Alice as a child - whilst sick with tonsilitis - I never really fully appreciated it.
    There is perhaps some irony in the fact that I enjoyed Alice more as an adult than a child.
    Carroll's use of language puns and nonsense is extremely clever and entertaining and definitely my favourite aspect of the book. Exposing the inadequacies and ambiguities of the English language as a means of highlighting the illogical and confusing nature of Wonderland and the land Through the Looking Glass works perfectly. I loves these stories!
  • (4/5)
    Avoiding the humdrum happenstance of her quotidian existence, Alice wanders off and finds herself in new worlds of remarkable impossibilities. She goes on many disjointed adventures and meets the most unlikely of creatures and characters. A cheap summation, to be sure, but it's Alice's freaking Adventures in Wonderland. How are you supposed to accurately summarize that chaos? Sheesh. I have honestly never known what to do with these books. Aside from read them, of course. But even in reading them, one not only is transported away from one's base reality [as should occur while reading in the first place], but also from almost all things sensical. Even our protagonist is completely off the beaten path. Alice is seven years old, but she is an overly bright child with a peculiar penchant for daydreams and etiquette. But perhaps both of those relate to the period-based upbringing [which I know little about]. Moving on. While wandering the plotless paths of these texts, I was struck by Caroll's power as an author. Plotless is regularly regarded as a pejorative term; here he has not only managed to carry it off with some style but also to entrance generations with his madness. We practically relish the fairytale chaos. How is it that something so odd and so frequently against our understanding and order be beloved? The easiest answer, I imagine, is escape. Alice's story is to us what Wonderland is to her. Escape. Freedom. She and I are, perchance, not so different then. Tired of being bound within the constrictions of a purportedly ordered life, we take leave of our senses. Now, I am ill-equipped for any quality kind of examination or technical analysis of the text, and have no real interest in picking Alice's story apart for signs of Caroll's depravity. Alice is to me a rest from order, and will forever be so.
  • (5/5)
    I taught this book in college Freshman Composition 2 off and on over a decade, as the last in a five-book course--sometimes replaced with local memoir, Slocum's Sailing Alone Around the World, or with Saul Bellow's Seize the Day, or occasionally Mark Twain's Tom Sawyer with its myriad insights into education and language. None gave any better insight into language than the brilliant mathematician's Alice. I love the account of Queen Victoria's appreciation, her order to "order whatever this author produces." His next book was a mathematical treatise that befuddled the Queen, where did we get this?
  • (4/5)
    It's not that I'm not willing to take children's literature seriously-- although it is true that I do not consider "Grimm's Fairy Tales" to be children's literature, but merely the finest book ever written (since Angela's Ashes is actually written *too* well)-- but I'm not sure that this meandering little adventure deserves to be compared to 'Stuart Little'-- or 'Charlotte's Web', if you like-- although I suppose that, in the field of children's literature, age must be equivalent to innocence. Tolstoy, for example, would have made a fine author of children's literature.... or Charlotte Lucas! (Actually Charlotte Lucas might have done a fine job.) But I suppose that I ought to be fair and admit that this 'Alice' of Lewis here is somewhat of an improvement over *that other Lewis*....Although, fine, full disclosure-- it's a little bit difficult for me to take Mr Lewis seriously after knowing that he wanted to use Euclid's original Greek manuscript as a learner's textbook-- and not just that, but as *the only one*!-- which is a stupid idea, and *not just* a stupid idea. It's as pedantic as possible, and it's the sort of thing that makes me wonder how open he really was to 'persuasion'~~ which in turn makes belief in his 'friendly uncle with small girl-child friend' story seem like a rather credulous sort of thing.... He starts to sound more like "Uncle Jack" from "Meet the Fockers" to me. Those little kids, like frightened little hens, can be so.... credulous. Although I know that all that might come off as being unduly in favor of the little goat-children, hahaha, but....Well, I will say that it is mildly less mildly disturbing than your average Tim Burton movie-- ha! ....But. But even though I thought that it was surely better than Tim Burton or C.S. Lewis, but, then, I saw that it was so boring, that it was.... pretty much the same. I mean, Latin grammar and French history? Really? I mean, is this a book for girls, or bearded old men gone cracked and gone off to climbing trees like boys? I mean, I was waiting for him to start going, 'Fifteen birds in five fir trees....'.... but at least *that* was not put out as being for *girls*! Oh! And chess! Yes, sir!Chess and Mr Collins for Alice! .... God, it almost makes me wish that Dvorak-- I mean, if Euclid's buddy can, then why not.... oh no, wait. 'Stabat Mater'. Never mind. Anyway, it's certainly not happy like Mozart or the Hugh Grant film about the pirates. (7/10)
  • (4/5)
    Everyone knows the story of Alice in Wonderland. If they don't remember the duchess with the baby piglet or the gryphon they surely remember the queen who was constantly crying, "off with his head" or the white rabbit with the pocket watch and white gloves who was always late. And who can forget the caterpillar smoking the hookah on the giant mushroom or the episodes of Drink Me, Eat Me? There is no doubt that Lewis Carroll had a strange imagination. In rereading Alice's Adventures in Wonderland I was taken back to a fantastical world where flamingos and hedgehogs were used as croquet pieces, Alice's tears could create a flood, fish wore wigs and Alice grew and shrank so many times I lost count. My favorite scene was the trial and the king who wanted a sentence before the verdict. It's satirical and funny. Perfect for kids and adults.
  • (5/5)
    A favorite book of mine. I love the silly and the surreal, and this satisfies. It will be a permanent fixture on my shelf for life, and read to my own children someday.
  • (5/5)
    Alice in Wonderland and Through the Looking-Glass are filled with unusual and unforgettable characters. I have to admit I was hesitant about reading this because as a child I despised the Disney Film, but I decided to give it a go anyways. I'm certainly glad I did. The books is filled with all sorts of weird situations and it's amusing to watch Alice try to figure how the entire world looks. Also I love that the author often clues you in on Alice's thoughts which are cute and provide a lot of comedy. While I loved this book, I know not everyone will and I suggest when reading it just to have fun and not try to think to hard about what's actually going on. I would recommend this book to both children and adults. Also I loved this edition. It was filled with awesome illustrations and I love all the phrases and character's names written on the front of the book.
  • (2/5)
    Maybe two stars is harsh given that this book must have been ground breaking in its day and for the fact that there is a lot of clever wordplay within it. However, the longer the book went on the more I began to really dislike it. It was one set piece with different characters after another and it got pretty tedious. Ok, it's a children's book but even as a child I was never drawn to this book or the Disney film. This version also contained Through the Looking Glass but although I generally strive to complete books I just couldn't face it when I saw Tweedledee and Tweedledum were to feature in it. Even John Tenniel's illustrations appeared slightly sinister. I was also disappointed to discover that the Dormouse never actually said 'feed your head'.
  • (4/5)
    Delicious nonsense. I liked the second part more than the first, with such characters as Tweedledum and Tweedledee and Humpty Dumpty.
  • (4/5)
    I've read this at least twice, once as a child and once in a children's literature class. I think as a child I found it a bit too scary and maybe that's why I don't recall reading it aloud to my own children. But, it's certainly an important part of our culture.
  • (4/5)
    Along with Alice's Adventures in Wonderland, I reread this one nearly ever year. I enjoy it a lot, but it will never be quite as beloved as Alice.
  • (4/5)
    Alice in Wonderland is a story that I knew but never read. I finally picked up the illustrated version (via Kindle), and it surpassed my expectations -- it's refreshingly absurd and a great escape from the working life.

    I wasn't as hooked on Through the Looking-Glass, perhaps due to the abundance of nonsensical poetry. But it's well worth reading too if you can get the two books in a set.
  • (5/5)
    This is easily one of my favorite books of all time. Alice is so adorable, because she's so little and clueless and imaginative and curious. All the characters are amazing, and I feel like each time I read it, I get a new pun or joke.I know I will read this book over and over again for the rest of my life, and it's definitely one everyone should read at least once.
  • (3/5)
    Our dear friend Alice sets out once again on an adventure through Wonderland. However, rather than following a rabbit down a hole this time she travels through a mirror (looking glass) to a chess-like version of this magical realm. We follow Alice across the "squares" as she advances from the land of pawns to that of the queens. I prefer the story of Alice's Adventures in Wonderland slightly to this, but still a very enjoyable and fun read.
  • (5/5)
    Alice in Wonderland by Lewis Carroll is a my absolute favourite book ever. It delights me and reminds me of all the fun I had when I was young. It’s innocent and dark all at the same time. It makes me laugh and think and begin to speak in a very formal way after yet another re-read of this classic. Alice is a typical girl, she can be stubborn and isn’t afraid to pout or throw a tantrum, but she also seems genuinely concerned about these new friends she meets and also the absurdity of this alternate universe she’s plummeted into. I adore the mad hatter and the white rabbit, in fact I love all the characters in this book, even the tyrannical Queen of Hearts. I love that they are all insane. I find that after reading Alice in Wonderland I take more notice of my surroundings, finding things that I would usually dismiss or barely notice to be completely riveting or entertaining. Perhaps every time I read this book, I lose another piece of my sanity. If that’s the case, I’m thinking that crazy people might just be the happiest people alive.
  • (5/5)
    I absolutely love Lewis Carroll and I would gladly read anything with his pseudonym on it, regardless of length. Alice's Adventures In Wonderland and Through The Looking Glass are both full of creativity and imagination. Even though you can find them in the children's section, I wouldn't recommend it for younger readers because it's not an easy read. It's more suitable, perhaps, for middle-school aged children. At the end of the book, we find out that Alice had been dreaming throughout the entire story. I find it curious that, at times, Alice can not understand the characters that her very own sub-conscience mind has made up. The characters that she meets in Wonderland often speak in riddles that have no answers, as Alice once pointed out. Certainly if Alice made up these characters, she of all people should be able to understand them. Just an interesting thought.
  • (5/5)
    Possibly my favorite book of all time. Before I understood the mind-altering influences that led him to write this, I was captivated by the world of wonder and fantasy he created. It was everything I wished my own adventures could be.
  • (5/5)
    Charles Dodgson taught maths at Christchurch college, Oxford.

    Beside knowing well the matter he was teaching, he was aware it's a teacher's duty to present his lessons in an exciting way to keep his pupils interested. Dodgson was eternally on the lookout for wits, mots and wordplay that dealt with maths, logic and the games which have to do with numbers—as cards and chess. The study of general and symbolic logic (syllogism,) united with a love for pure storytelling, are at the basis of many of his works.

    Alice in Wonderland and Through The Looking Glass deal with a game of cards and a game of chess, respectively. Especially in the first book, Dodgson uses traditional figures of storytelling, as the shape shifter (who better than the Caterpillar embodies the skills of the shape shifter—he turns from an egg, to a cocoon, to a caterpillar, to a butterfly;) and the trickster (as the Cheshire Cat is, with his puzzling grin and his maddening skill of disappearing, deceiving the eye.)

    Nonetheless, both books deal with logic and the elements which are the building blocks of mathematics. Alice confronts perspective; she's either too tall, or too small—establishing perspective when studying a system is often critical in maths. The Hatter is stuck in a time paradox, because his watch stopped at six o'clock—tea time. There are also many hilarious jokes, as in the Mock Turtle chapter, where they have shorter lessons because they less-on. The White Queen in the second book runs so fast because she actually darts from one corner to the other of the chessboard in one move, and promoting a pawn (Alice) to a Queen is a chess move.

    Dodgson weaves in his telling the fondness for his little, beloved friends whom he told these tales first; it's no wonder the strong human dimension they contain has survived mere time.
  • (4/5)
    Although I enjoyed this book, I didn't find it as captivating as the first. The plot was a little more well-rounded but at points, some of the conversations and poems went on a bit too much.
    I found reading Through the Looking Glass was more enjoyable visually than my experience of the first, but this was due to the wonderful illustrations that really help you to visualise the obsurd scenes.
  • (4/5)
    Crazy read. You'll feel all out of sorts, but want to keep reading.
  • (2/5)
    It was an okay book for me. It was really written for children and I'm think I'm thinking way too much adult things when I was reading it. I'm a disillusioned adult that's why I didn't enjoy it! It has a dream-like quality especially when the characters are conversing (I'm confused and feel left-out at times). I like "Through the Looking Glass" better.
  • (5/5)
    SLOW DOWN. This book is full of stories you think you know from the cobbling together of many movie versions and society's collective memories, and it jumps from one bit of nonsense to another, so it's easy, particularly as an adult, to dash through it like a white rabbit. But, though these works were ostensibly written to a young girl and are often treated as children's books (even by Carroll himself in the preface to a second edition of "Through the Looking-Glass," which is included in this volume), they are chock-full of ingenious language that you really need to stop and think about to truly appreciate. Lovely thing that, how the English don't write down to children. I've heard that "Alice" is some sort of allegory for the new mathematical ideas of the time. I don't know whether that's true. But from a linguistic standpoint alone, this book is a treasure trove. The poetry and punnery are second to none, and constructed not just with an eye on artistry, but with a real intent to comment on how language (and by extension society) works.The Barnes and Noble edition of this book is a great buy, featuring the original Tenniel illustrations and a very informative introduction. Unlike other volumes in the series, this one is not overly annotated, nor do the footnotes and endnotes presuppose that the reader must be seven years old. As always with these editions, the end of the book offers up works inspired by what you have just read, along with a variety of critical comments. As a 2004 edition, the former of these things is not up-to-date enough to acknowledge the recent Tim Burton adaptation, and is certainly not an exhaustive list anyway (after all, how could they forget the Star Trek episode "Shore Leave?"), but, as W. H. Auden suggests in the critical comments, Carroll is probably near the top of the list of the culture's "most frequently cited without attribution" authors, so where would one begin?
  • (2/5)
    While the book is vastly better than any of the movie versions I've seen, it still fell short of the mark. Perhaps I would have enjoyed it more as a juvenile reader.