In Country
By Hugh Martin
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About this ebook
Hugh Martin
Hugh Martin grew up in northeast Ohio and served six years in the Army National Guard as an M1A1 Tanker. A veteran of the Iraq War, Hugh is the author of In Country (BOA Editions, 2018), The Stick Soldiers (BOA Editions, 2013, winner of the A. Poulin, Jr. Poetry Prize) and So, How Was the War (Kent State University Press, 2010). He carries degrees from Muskingum University and Arizona State University. A recipient of a Wallace Stegner Fellowship from Stanford University, a Sewanee Writers’ Conference Fellowship, and a Yaddo Residency, he was the inaugural winner of the Iowa Review Jeff Sharlet Award for Veterans. His essays and poetry have appeared in PBS NewsHour, The New Yorker, The New York Times, Grantland, American Poetry Review, and The Kenyon Review. He was the 2014-15 Emerging Writer Lecturer at Gettysburg College and is currently teaching at Ohio University where he’s completing a Ph.D in creative writing.
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In Country - Hugh Martin
Copyright © 2018 by Hugh Martin
All rights reserved
Manufactured in the United States of America
First Edition
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Publications by BOA Editions, Ltd.—a not-for-profit corporation under section 501 (c) (3) of the United States Internal Revenue Code—are made possible with funds from a variety of sources, including public funds from the Literature Program of the National Endowment for the Arts; the New York State Council on the Arts, a state agency; and the County of Monroe, NY. Private funding sources include the Lannan Foundation; the Max and Marian Farash Charitable Foundation; the Mary S. Mulligan Charitable Trust; the Rochester Area Community Foundation; the Ames-Amzalak Memorial Trust in memory of Henry Ames, Semon Amzalak, and Dan Amzalak; and contributions from many individuals nationwide. See Colophon on page 104 for special individual acknowledgments.
Cover Design: Sandy Knight
Cover Art: US Modern Flag
by Hanaa Malallah
Interior Design and Composition: Richard Foerster
Manufacturing: McNaughton & Gunn
BOA Logo: Mirko
Library of Congress Cataloging-in-Publication Data
Names: Martin, Hugh, 1984- author.
Title: In country : poems / by Hugh Martin.
Description: First edition. | Rochester, NY : BOA Editions, Ltd., 2018. | Series: American poets continuum series ; no. 169
Identifiers: LCCN 2018015162 (print) | LCCN 2018018261 (ebook) | ISBN 9781942683711 (ebook) | ISBN 9781942683704 (pbk. : alk. paper)
Subjects: LCSH: Iraq War, 2003-2011—Poetry.
Classification: LCC PS3613.A7788 (ebook) | LCC PS3613.A7788 A6 2018 (print) | DDC 811/.6—dc23
LC record available at https://lccn.loc.gov/2018015162
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A. Poulin, Jr., Founder (1938–1996)
For my mother,
Katherine Knurek Martin
(May 21, 1952–December 22, 2014)
Contents
• Title Page
• Copyright
• Dedication
• In Country
I
1. Burn Detail
2. Frisking Two Men in Sadiyah
3. Indirect Fire
4. Fort Knox
5. Operation New Dawn
6. Wave of Bombings
7. Iraq Good
8. All of This Ammo
9. Sunday in the City of Oranges
10. Suspicious Duffel Bag, LSA Anaconda
11. Sorrow Awareness Training
12. Man on a Cart
13. Lana
II
14. .50-Cal. Gunner: A Sequence
15. I. Anthem
16. II. 0000–0400 Hours: Guard Duty with Elbow
17. III. Sandbag Detail
18. IV. Iraqi Civil Defense Corps
19. V. Route Willow, Jalawla Bridge
20. VI. ICDC HQ Building
21. VII. Tigris Crossing
III
22. Mini-Mohammad
23. Test Fire
24. Civilian Notes
25. The Leg
26. Service
27. On a Jalawla Street
28. Intravenous
29. Letter to Lieutenant Owen from the Twenty-First Century
• Notes
• Acknowledgments
• About the Author
• Colophon
In Country
Sad mothers gaze at the flagpole which is wetted
by the sun. Stars forever. Stars at night.
—Fadhil al-Azzawi
we called it. Called it
like my uncle called his months
in Saigon. Slow addition
of nights & days away
from the States. Three-sixty-five
and a wakeup, we’d say. The sand-
box. The desert. Over
there. Or just
there. Where, missing my own mother,
I pushed an Iraqi boy from a courtyard
while his mother watched.
Where I wore, sewn to the right
shoulder-sleeve, the flag—real
red, white, & blue, star field
facing forward—
like guidon bearers
hoisting the colors
in my country’s
Revolution. When worn
in this manner, Army Regs say, it gives the effect
of the flag flying in the breeze
as the wearer moves forward.
In country,
Mongols turned the Tigris red,
then black with ink.