After the Memories Came
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About this ebook
The great Italian Romantic poet, Giacomo Leopardi, clarified the function of poetry as not representational but creative. The poet sees the world as it is not; he forges a world, which is not. He is a creator, not an imitator. If the classic axiom of mimesis were to mainstream, poetry would be deemed as a tautologous tact.
Therefore, every poem must sound idiosyncratic. And this truth irreducibly finds foothold in poems composed by Siavash Saadlou who has been capable of taming his feelings into melodious aromatic chunks of words, and who has been really able to gather rosebuds while he may.
He owns a world like no other. He holds in hand a double-barreled gun; one shooting literary ammunitions, the other shooting literal questions. Characteristically he has much to say, and in an attempt to divide labor, he has committed part of his statements to poetry, which is not the only medium of his expression. Meantime, his bilingual mind can equally accommodate and procure phraseologies and figments that are genuine and unequalled.
His motifs are far from simplistic Don Juanism or juvenile calf-love but sophisticated subject matters such as the perennial crusade between fact and fiction. What vexes him colossally are contradictions. Some of the oxymoronic strophes are so virgin brimming with antithetic notions, such as "the thief must have needed the bicycle more than we did"; or the bizarre dialog between two non-conversing entities, or the sense of alienation when love mouths combinations of language and slanguagethe sublime and the subliminal; pieta-like allusive images like "my grandfather died of cancer as I held him in my arms"; ethical references such as "smoking kills"; fresh phrases like "the sound of your breath; the build-up to another kiss"his depiction of the absurdity of life and the way his poetry "encapsulates nothingness" as an in-built refrain. All the above make him sound like a poet for all seasons. (Alireza Ameri, Ph.D.)
Siavash Saadlou
Born in 1988, Siavash Saadlou is a bilingual poet, lyricist, journalist, literary translator, creative consultant, and ESL lecturer. His poems in Persian have appeared in a number of Iranian literary magazines. He has also translated American poets such as Walt Whitman, Ralph Waldo Emerson, Robert Bly, and Robert Hass. Saadlou studied Journalism BA and Creative Writing MA at City University London.
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Book preview
After the Memories Came - Siavash Saadlou
Contents
About the author
About Alireza Ameri
Acknowledgments
Foreword
A Tactile Tune
Autumn Leaves
Wasted Twinges
La-la land
Non-musical Melodies
Carpe diem
Miscarriage of Justice
Hereafter
The Contributions of Existence
The Island and the Wind
Immortal Mother
Rooms in Disunity
Imagining
Solitude
Immaculate Remembrance
Separation
The Quintessential Passage
Colors with No Definition
Stream of a Distraught Consciousness
Reincarnation
HAIKUS
I
II
III
IV
V
VI
VII
To Mr. Rezvani whose teachings are timeless
About the author
Born in 1988, Siavash Saadlou is a bilingual poet, lyricist, journalist, literary translator, creative consultant, and ESL lecturer.
His poems in Persian have appeared in a number of Iranian literary magazines. He has also translated American poets such as Walt Whitman, Ralph Waldo Emerson, Robert Bly, and Robert Hass.
Saadlou studied Journalism BA and Creative Writing MA at City University London.
About Alireza Ameri
Born in 1970, Alireza Ameri, Ph.D., is a published bilingual poet, translator, lexicologist, interdisciplinary researcher, and lecturer.
In early 2012, Dr. Ameri’s avant-garde approach to TEFL (Teaching English as a Foreign Language) entitled Impromptutoring© was published as a book by LAMBERT. Impromptutoring is an innovative way of teaching English vocabularies through art-tinted improvisatory tasks.
Acknowledgments
I wish to express my deepest debt of gratitude towards Dr. Abdolmahmoud Rezvani for the priceless gift of hope he bestowed upon me when the doom of despair loomed large.
My heartfelt thanks go to Morteza Tehrani for his help on the finalization of this book. I also extend my appreciation towards Louis and Maria Loizou, and Edmund Morris.
Last but not least, I am beholden to my mother whose love