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Bongo Rhythms: Graffiti Fonts in Verse
Bongo Rhythms: Graffiti Fonts in Verse
Bongo Rhythms: Graffiti Fonts in Verse
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Bongo Rhythms: Graffiti Fonts in Verse

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Poetry stands as one of, if not the oldest, forms of all literary art. In Africa, where oral culture is the water and people are the fish, the fish swim these waters in so many ways and in thousands of styles as attested by the rich diversity of African language and dialectic heritage.

Bongo Rhythms is, especially as it relates to this work, a very multifaceted phrase.

Bongo is a Bantu word used here for its bi-referral meaning:
1. Brain, mind, or intellect
2. A class of drum types evolved from the talking drum

Rhythms refer to the diversity of accentuation, ebb, flow, styles, etc., of thought frequencies in the context of the poems in this anthology.

The Graffiti Fonts are the symbolic plays and displays of plain to sometimes deliberated hyperbole within the poems expected to yield transcended realization and feeling through revisualization, recontextualization, and rereading of the sense in each poem, line, etc.
LanguageEnglish
Release dateMar 3, 2014
ISBN9781481797368
Bongo Rhythms: Graffiti Fonts in Verse

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    Book preview

    Bongo Rhythms - Longwe Simon Mutengu

    AuthorHouse™ UK Ltd.

    1663 Liberty Drive

    Bloomington, IN 47403 USA

    www.authorhouse.co.uk

    Phone: 0800.197.4150

    © 2014 by Longwe Simon Mutengu. All rights reserved.

    No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

    Published by AuthorHouse 02/27/2014

    ISBN: 978-1-4817-9735-1 (sc)

    ISBN: 978-1-4817-9736-8 (e)

    Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    Contents

    Dedication and Preview

    Livication

    Foreword

    Introduction

    1.   BEAT UNLOCKER

    Afro-Genetic Up-Growth

    Wordsmith Rising!

    Bongo Drum Verse

    Timbuktu Times

    Untitled

    UNIQUE N’ ANTIQUE-29th July, 2012

    Tall Terms

    2.   NURTURED WAVE~

    Sweet Symbiosis

    Fruity Loops

    Crystal looking glass

    Mystery Shores

    Black Sister Chill

    3.   LYRICAL RESONANCE

    Gongola chant (In Fact A Song 4 U)

    Heartbeat Drumbeat

    Grace’s golden ode

    EASE UP Mi BIRD

    Strangles

    4.   ACROSTICS

    ODE LUNG SIGN

    Cold Blood Just-Ice

    Black

    The Un-Erring Ne’er Wrote o’

    5.   MODUS COSMOS *(*

    Ode to the Freestyle Rose

    Interspace Aero Ticker

    Inter I Intact

    i wrote u Some Tok

    BLACK DEN, BACK THEN

    6.   ROOTSY… PSALMS

    Ocean Floor Huts

    Different Days

    Sweet Roots

    Say Vain Heavens

    Of Eden and de Big-Bang

    7.   #PUTTY#

    Slingshot Affair

    Anatomical Aesthetics

    canines

    PUSS pal

    Deciduous poetree

    Rhyme Shout Brother Nuff Respect…

    8.   ARTRIBUTES

    To The Queens (IWD 2011)

    Thought Fe She

    Royal Souvenirs

    Ghetto Girl

    Elmina Castle

    9.   SUCK REED SCROLLS

    An Ode 2 di Code

    Parley Rite of Passage

    REBEL most

    GOlD MINE

    COERCED!

    10.   DE VILLAGE GIG!

    Welcome Aboard, the

    (ZED ZION TRAIN July 18, 2012)

    We Did It

    intambi Shesu

    The TreeZ

    Stay Pan Guard, Zion Dawtah!

    11.   DRUM SKIN JEWELS

    Love Angles

    GOLDESS DIGGER

    Book Girl

    Go deep

    Ode to EME

    12.   RUBRIC REPUBLIC

    THE STATE

    DO I O U O U O I

    Barry yo!

    cogitating Ukupishamo Pencil!

    Sine 90© Decree Weeks

    13.   EXTRA EXTRACTS

    hintro

    Let De I

    3railer 3riller!

    Nuh Brag

    Forever/sustain

    Prolusion: The Versified Version

    Select Glossary

    About the Author

    Dedication and Preview

    To the memory of Dr. Selwyn Davis Poet, Architect and Tae Kwon Do 7th dan black belt master,—literature godfather who shared with me time beyond the horizon shadowed yester year threshold—RIP.

    Livication

    This book is livicated to my nine siblings; Malucha, Caurrider, Mbalinga, Winja, Pat, Vitanjiwa, Diana, Jonathan and Jacob, and to my wonderful parents, Mr. John Vincent Kasankha Longwe and Mrs. Meya Rodsey Longwe to whose love and support I affirm my firm blessed existence. Thank you all for the wisdom, love and motivation.

    And my fountains of levitating love and sweet inspiration to Christine and Akhenaten.

    Foreword

    In writing his book of verse, Bongo Rhythms, Graffiti Fonts in Verse, Longwe Simon Mutengu excites interest and arouses curiosity. At first reading, and read without context, the verse does not seem to reveal much in the way of logical meaning. But that is as it should be. That is poetry.

    The opening sequences of Fruity Loops for instance, humorously describe girls as flowers in order to depict their beauty, then pivots to examine the motives of men towards these beautiful creations, the rest of the poem brings together a selection of attractive sounding fruits with references to girls and plays out in the thought process of a male mind faced with selection of these delicious unique products of nature. The whole piece then comes together in a delightful observation at what perhaps men look for in women. This poem sets the style and reference of Simon’s poetry. As you read the verses in the book, Simon tugs at our minds, shouts, whispers and then suddenly calmly reflective, makes his point felt rather than known.

    Longwe’s poetry is intriguing but tantalizingly obscure. His poetry illuminates a searching mind, at once questioning and at once playful. Simon’s verse moves

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