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Rationally Speaking #10 - Nonsense on Stilts

Rationally Speaking #10 - Nonsense on Stilts

FromRationally Speaking Podcast


Rationally Speaking #10 - Nonsense on Stilts

FromRationally Speaking Podcast

ratings:
Length:
31 minutes
Released:
Jun 6, 2010
Format:
Podcast episode

Description

The focus of this episode is Massimo's new book, Nonsense on Stilts: How to Tell Science from Bunk. The book, broadly speaking, is about what philosopher Karl Popper famously called the demarcation problem: how do we tell the difference among science, non-science and pseudoscience? We explore the complex relationship among these, ranging from solid science like fundamental physics and evolutionary biology to definite pseudosciences like astrology and creationism. In the middle are the more interesting borderline areas that include the search for extraterrestrial intelligence, evolutionary psychology, and even superstring theory, to name but a few.

We also discuss other topics covered in the book, including the whole issue of expertise and Think Tanks, which plays such an important role especially in media presentations of issues such as evolution, climate change, HIV-AIDS, or the alleged connection between vaccines and autism. Julia and Massimo also address the ultimate question about pseudoscience: why do we care?
Released:
Jun 6, 2010
Format:
Podcast episode

Titles in the series (100)

Rationally Speaking is the bi-weekly podcast of New York City Skeptics. Join host Julia Galef and guests as they explore the borderlands between reason and nonsense, likely from unlikely, and science from pseudoscience. Any topic is fair game as long as we can bring reason to bear upon it, with both a skeptical eye and a good dose of humor! We agree with the Marquis de Condorcet, who said that in an open society we ought to devote ourselves to "the tracking down of prejudices in the hiding places where priests, the schools, the government, and all long-established institutions had gathered and protected them."Rationally Speaking was co-created with Massimo Pigliucci, is produced by Benny Pollak, and is recorded in the heart of New York City's Greenwich Village.