The Paris Review

Le Guin’s Subversive Imagination

On the day of my induction by, and first visit to, the august institution of the American Academy of Arts and Letters, I was shown to the literature section of the portrait gallery and left there alone among the giants. This may have been a kind of hazing ritual, like abandoning someone at the entrance to a corn maze. Cheever. Baldwin. Roth. Faulkner. James. Welty. Morrison. It was overwhelming. I felt like I needed a ball of string to keep from getting lost amid the glory. So I started searching the grid of framed photographs, from the pince-nez era to the present day, for writers of science fiction and fantasy. I’m not sure why my thoughts went in that direction, exactly. Maybe I felt a little guilty about belonging to a club to which many of my personal literary heroes and influences–John Collier, Jack Vance, H.P. Lovecraft, Cordwainer Smith–had not been admitted. Above all I was looking for Ursula K. Le Guin.

I found James Branch Cabell: yes, arguably a fantasist. Stephen

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review1 min read
Trollope
What a sad day,full of black, blue,red, and yellow umbrellas.Everyone in the world,whatever their disposition,seemed to be crying at once,while I hit upon readingTrollope, and so remained a weekamong the grouse. That was mydisposition. Sometimes Iwou
The Paris Review1 min read
Haptographic Interface
I’m a Keats botso are youour living handsheld toward each otheron the internetsolution sweetI stood on a peakin Darien, googledmy errorI am so colonialI am tubercularmy alveoli a-swellmy actual bloodyour actual bloodwe made loveI planted basilI plant
The Paris Review1 min read
Life Poem 1
A leaf falls here/there, now/thenbehind the rain, a curtain of rain,the trees in their own time.I see now that time falls in layers. There were deer there once, in the clearing,three deer, large as memory objects.They stood in a circleas if they knew

Related Books & Audiobooks