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    A Shropshire Lad
    A Shropshire Lad
    A Shropshire Lad
    Ebook64 pages32 minutes

    A Shropshire Lad

    By A. E. Housman

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    'A Shropshire Lad' is a collection of sixty-three poems by the English poet Alfred Edward Housman. The book contains several repeated themes. It is not a connected narrative; though the "I" of the poems is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title, he is not to be identified with Housman himself. Not all the poems are in the same voice and there are various kinds of dialogue between the speaker and others, including conversations beyond the grave.
    LanguageEnglish
    PublisherGood Press
    Release dateNov 20, 2019
    ISBN4057664171207
    Author

    A. E. Housman

    Alfred Edward Housman (1859-1936) was born and brought up in the Bromsgrove region of Worcestershire, adjacent to Shropshire, and was educated locally and at St John's College, Oxford. Though he was a fine scholar, he failed to gin an Honours degree, and spent some years in the Patent Office in London. A series of brilliant academic articles secured him the Professorship of Latin at London University and he went on the become Kennedy Professor of Latin at Cambridge and a Fellow of Trinity College. Most famous for A Shropshire Lad (1896), Last Poems was published in 1922, More Poems appeared posthumously and Collected Poems in 1939.

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      Book preview

      A Shropshire Lad - A. E. Housman

      A. E. Housman

      A Shropshire Lad

      Published by Good Press, 2022

      goodpress@okpublishing.info

      EAN 4057664171207

      Table of Contents

      Cover

      Titlepage

      INTRODUCTION

      A SHROPSHIRE LAD

      1919

      INTRODUCTION

      Table of Contents

      The method of the poems in A Shropshire Lad illustrates better than any theory how poetry may assume the attire of reality, and yet in speech of the simplest, become in spirit the sheer quality of loveliness. For, in these unobtrusive pages, there is nothing shunned which makes the spectacle of life parade its dark and painful, its ironic and cynical burdens, as well as those images with happy and exquisite aspects. With a broader and deeper background of experience and environment, which by some divine special privilege belongs to the poetic imagination, it is easier to set apart and contrast these opposing words and sympathies in a poet; but here we find them evoked in a restricted locale- an English county-where the rich, cool tranquil landscape gives a solid texture to the human show. What, I think, impresses one, thrills, like ecstatic, half-smothered strains of music, floating from unperceived instruments, in Mr. Housman's poems, is the encounter his spirit constantly endures with life. It is, this encounter, what you feel in the Greeks, and as in the Greeks, it is a spiritual waging of miraculous forces. There is, too, in Mr. Housman's poems, the singularly Grecian Quality of a clean and fragrant mental and emotional temper, vibrating equally whether the theme dealt with is ruin or defeat, or some great tragic crisis of spirit, or with moods and ardours of pure enjoyment and simplicities of feeling. Scarcely has any modern book of poems shown so sure a touch of genius in this respect: the magic, in a continuous glow saturating the substance of every picture and motive with its own peculiar essence.

      What has been called the cynical bitterness of Mr. Housman's poems, is really nothing more than his ability to etch in sharp tones the actualities of experience. The poet himself is never cynical; his joyousness is all too apparent in the very manner and intensity of expression. The lads of Ludlow are so human to him, the hawthorn and broom on the Severn shores are so fragrant with associations, he cannot help but compose under a kind of imaginative wizardry of exultation, even when the immediate subject is grim or grotesque. In many of these brief, tense poems the reader confronts a mask, as it were, with appalling and distorted lineaments; but behind it the poet smiles, perhaps sardonically, but

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