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A Day with Felix Mendelssohn Bartholdy
A Day with Felix Mendelssohn Bartholdy
A Day with Felix Mendelssohn Bartholdy
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A Day with Felix Mendelssohn Bartholdy

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"A Day with Felix Mendelssohn Bartholdy" by George Sampson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
LanguageEnglish
PublisherGood Press
Release dateDec 12, 2019
ISBN4064066209568
A Day with Felix Mendelssohn Bartholdy

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    Book preview

    A Day with Felix Mendelssohn Bartholdy - George Sampson

    George Sampson

    A Day with Felix Mendelssohn Bartholdy

    Published by Good Press, 2019

    goodpress@okpublishing.info

    EAN 4064066209568

    Table of Contents

    Cover

    Titlepage

    Text




    A DAY WITH MENDELSSOHN.

    Table of Contents

    D

    uring the year 1840 I visited Leipzig with letters of introduction from Herr Klingemann of the Hanoverian Legation in London. I was a singer, young, enthusiastic, and eager—as some singers unfortunately are not—to be a musician as well. Klingemann had many friends among the famous German composers, because of his personal charm, and because his simple verses had provided them with excellent material for the sweet little songs the Germans love so well. I need scarcely say that the man I most desired to meet in Leipzig was Mendelssohn; and so, armed with Klingemann's letter, I eagerly went to his residence—a quiet, well-appointed house near the Promenade. I was admitted without delay, and shown into the composer's room. It was plainly a musician's work-room, yet it had a note of elegance that surprised me. Musicians are not a tidy race; but here there was none of the admired disorder that one instinctively associates with an artist's sanctum. There was no litter. The well-used pianoforte could be

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