Father's Day
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About this ebook
""In characteristically short lines and pithy, slippery language like predictive text from a lucid dream, Zapruder’s fifth collection grapples with fatherhood as well as larger questions of influence and inheritance and obligation."" —The New York Times
“[Zapruder] presents powerfully nuanced and vivid verse about the limitations of poetry to enact meaningful change in a world spiraling into callousness; yet despite poetry’s supposed constraints, Zapruder’s verse offers solace and an invaluable blueprint for empathy.” ―Publishers Weekly, starred review
“Zapruder’s new book, Father’s Day, is firmly situated in its (and our) political moment, and is anchored by a compelling gravity and urgency.” ―The Washington Post
The poems in Matthew Zapruder’s fifth collection ask, how can one be a good father, partner, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent, uncertain times. Whether interrogating the personalities of the Supreme Court, watching a child grow off into a distance, or tweaking poetry critics and hipsters alike, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father’s Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward.
"Matthew Zapruder
Matthew Zapruder is the author of six collections of poetry, including Come on All You Ghosts, a New York Times Notable Book of the Year; Father’s Day; Why Poetry; and Story of a Poem, a National Book Critics Circle Award finalist. He has received a Guggenheim Fellowship, the William Carlos Williams Award, a May Sarton Award from the Academy of American Arts and Sciences, and a Lannan Foundation Residency Fellowship. His poetry has been adapted and performed by Gabriel Kahane and Brooklyn Rider and Attacca Quartet at Carnegie Hall and San Francisco Performances and was the libretto for Vespers for a New Dark Age, a piece by Missy Mazzoli commissioned for the Ecstatic Music Festival at Carnegie Hall. He was Guest Editor of Best American Poetry 2022, and from 2016 to 2017, he held the annually rotating position of Editor of the weekly Poetry Column for The New York Times Magazine. He lives with his wife and son in the San Francisco Bay Area, where he is editor at large at Wave Books, and teaches in the MFA in creative writing program at Saint Mary’s College of California.
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Book preview
Father's Day - Matthew Zapruder
POEM FOR DOOM
Birds don’t lie
they are never lost
above the earth
they never think
I stole this form
or blue is the best
I listen to it
singing my old man
is far away
singing American
songs stolen
from those who lived
in what now is
but was not
the park which makes
me love him
I am eating an orange
someone grabbed
from nature
over me I hear
controlled mechanical
obsidian dragonflies
search for anarchists
for a long time
I went to school
in the palm of my life
carrying a stone
obeying the law
of semblance
now each night
I bring it back
down to the land
asphodels cover
then I wake
and take my son
out on the porch
to say hello
everything hello
green hills that slept
hello tree
drawn on the side
of a white truck
exorably rumbling
toward some hole
hello magnolia
whose pink
and white blossoms
have left it
for where
oh sweet doom
we are all going
then behind us
we close
the black door
with the golden knob
and sit
in the great
chair morning light
through the shades
always makes
look like a dream
forest throne
all around
our subjects
the shadow trees
rise up
their private thoughts
filling the room
I take them
like an animal
with gentle
ungrateful ceremony
from a leaf
takes dew
I WAKE UP BEFORE THE MACHINE
I wake up before the machine
made of all the choices
we are together not making
lights up this part of Oakland
it’s dark so I can imagine
another grid humming in the east
already people are deciding
it’s election day
and I lie in the western
pre-decision darkness and almost
hear that silent voice
saying go down there
the coffee needs you
to place it in the device
its next form will help you remember
daylight is coming
but dreams do not go away
they just move off and change
your mind is a tree
on a little hill
surrounded by grasses
that look up and say
father wind
loves moving through you
DECEMBER
At first we all
went down to the lake
to hold hands,
all the multicolored
signs said
with love
we will resist,
over my head
I lifted my son
so he could see
what people
look like
when they hear
the song Imagine,
a few weeks later
again people stood
at the water,
this time at night
holding flashlights
to say to fire
you came
without permission
and took our young
gentle soldiers
for art
so we will show
even with our old
technology
we can see
each other
without you,
others booed
the mayor which was
my friend said
understandable,
I don’t know
what is anymore,
everyone understands
in a different
contradictory way
the so far purely
abstract
catastrophe
so many millions
of choices
brought us,
not too far
from the water
I sat on the couch
below the sound
of blades
drinking amber
numbing fluid
my thoughts
chopping the air
feeling not
what is the word
to be a father
equipped,
mine never told me
where to hide
a brick of gold,
for a long time
I have known
no voices
will come at last
to tell us how
to stop pretending
we don’t know
if it is not
safe for some
it is not
for anyone.
MY LIFE
four years ago
on Martin Luther King Day
in the afternoon
the little strip
said it was time,
so we did it twice
laughing through
that grim comical
despair familiar
to all modern
conceivers,
it was magical
only that it worked
but now I know
it was then
my life began,
we made so
many plans
circumstances
already waited
to obviate,
suddenly he was born,
a room full of blood
and shouting,
he stayed calm
sleeping on my chest
a long time while
they sewed you up,
he and I
in a room alone
under a soft white light,
one nurse came
to say it was all right,
you were not
but you were there,
I talked to him,
whatever I said
I don’t remember,
then came the proud
sleepless happy
sorrow months
then slow realizing
playground dread,
the year
of diagnosis when
our life kept
being a place
for worsening fears
in enviable comfort
to occur as we
graciously received
the humiliation
of being the ones
gratefully not to be,
those many hours
in the