Cosmic Flood: The Original Myth, the Final Frontier, #2

¨Before the flood, the stones were light, soft and easily transportable. Only after the disaster, and the ascent of the Sun Christ, the stones became heavy, and the giant ancestors were transformed into rocks, into cliffs. From their sacrifice, human beings were born, the world of the Otomi was born, which is the world of tradition and sunlight. Such is the destructive and creative scope of the Cosmic Flood.¨ Badi from Texcatepek

Astronomical Legends

Who knows nothing, loves nothing. Who can do nothing understands nothing. The one who understands nothing is worthless. But whoever understands also loves, observes, sees ... The greater the knowledge inherent in a thing, the greater the love ... Whoever believes that all fruits ripen at the same time as strawberries knows nothing about grapes. Paracelsus

Speed ​​of light

Nowadays, the only luxury that human beings can afford is to perceive reality. In order to express our experience in words, we must share the same grammar, that is, the same model of reality.

The two types of measurements that we use to measure great cosmic distances are mathematical tools that allow us to study the calendar shared by all ancestral civilizations. What allows us to capture the message of ancient stories, which without this data are incomprehensible.

The first mathematical method corresponds to unity. That is, we measure in units without fractions. The remainder, the excess or missing portion, produces a calendrical mechanism. The adjustment between two cycles is the drift time, it is the storm that hits Noah's Ark. This dynamic inherited us human intelligence.

The parsec and the speed of light are two units that we use to measure the distance between the Earth and other galaxies. Usually the academy uses parsecs and science fiction light years. The relationship between these two astronomical measurements is the same that we use to name the years in the ancestral calendar. 1 parsec equals 3,262 light years, so 4 parsecs is 13,048 light years. We use this ratio, 4 to 13, to name the years of the solar count. Four symbols multiplied by thirteen numbers, produces 52 combinations, with which we name the year.

The 4, associated with the parsecs, arises from a wheel of 20 symbols, that is, it is a circle divided into 4 parts, which refers us to a surface, to 2D. The parsec, we define it using trigonometry, that is, a surface.

The 13 is the ladder that connects Heaven, Earth and the Underworld. Just as the 20 symbols are the circular movement, the feminine; the linear movement, the masculine, are the 13 masters of the day. The speed of light is also a linear measure.

This relationship between ancestral and current knowledge suggests that the origin of the mechanism is a geometric representation of the cycles of Heaven.

––––––––

Dodecahedron

The regular dodecahedron is one of the five Platonic solids, one of the geometric expressions we use to build geodesic domes. This solid expresses the ancestral solar calendar of humanity. According to Kepler the dodecahedron represents the universe, the fifth element.

The ancestral solar calendar divides the year into 12 months of 30 days, and 18 months of 20; the dodecahedron contains both. Since there are 12 faces in the shape of a pentagon with 30 corners. 12 faces by 30 corners produces 360 days, while the pentagon indicates the five extra days, which complete the 365 days of the year. In the case of the second version, 30 corners minus 12 faces, it produces the 18 months, which we multiply by the 20 vertices that the dodecahedron contains, to obtain 360 days, which again added to the five corners of the pentagon, produces the year of 365 days.

This is an exercise in mnemonics that allows us to grasp that myths and legends are exactly that, tools to remember for centuries and millennia, the calendrical mechanism that indicates the periods in which the Earth's climate is transformed, putting the production of energy at risk. food and the development of society. The proposal that our ancestors present us is a model of reality, a description where your physical and subtle body are holograms of the Cosmos.

––––––––

Wheel of Twenty Symbols

Three aspects create our reality at every moment. Its vibration was encoded in the sidereal, solar and sacred calendar. Each allows us to verify that the other is consistent with the system, that is, we have counted every day of the period. This certainty allows us to verify that our reading corresponds to the model recognized by Shiva, our realization.

The Ancestral Calendar is made up of three mechanisms, associated with the Father, the Mother and the binomial Daughter and Son. The mayan long account follows the subtle movement of the celestial dome, the first mother. It consists of defining a starting day and adding days until completing a defined period. The register uses a system where 5 levels refer to: daily cycles of 20 days, an annual measure of 360 days, another generational of 19.71 years, a fourth that describes the process of a civilization, every little less than 400 years; while the cycle of 5,125 years, refers us to a stage of humanity.

The second structure is the solar calendar, today called Aztec. Is the understanding of the King Star movement. It represents the Father, as well as the divine mediator, the link of the eternal and the human, the subtle energy. It consists of a system associated with 4 chargers, the 4 elements, with a fifth element that we use to adjust the account and keep the solar movement synchronized with the annual terrestrial cycle.

The third account is the sacred one, the Tonalpowalli or Chuenilkin, is responsible for naming the days, both of the solar calendar, as of the sidereal or long account.

The Sacred Account is responsible for naming the days. Mechanism formed by the interaction of two wheels, one of 13 numbers and another of 20 symbols, which produce 260 combinations. Nahuas called this mechanism Tonalpowalli and Chuenilkin the Mayans.

The combination of a number from 1 to 13 and one of the 20 symbols, we call Tonalli, Luminous in Nahuatl. This system runs out after 260 days, producing a mismatch of 105 days with the year of 365, which is completed, reset every 52 years.

The wheel of 20 Symbols in Nahuatl is called Senpoalkalli unit of the account of houses, and is the wheel of Life-Death-Renaissance. The sequence of 20 symbols is as follows:

Number, English, Nawatl, Maya

1 Dragon, Sipaktli, Imish

2 Wind, E’ekatl, Ik

3 House, Kalli, Akbal- Night

4 Lizard, Kuetspallin, Kan

5 Snake, Koatl, Chikchan

6 Death, Mikistli, Kimi

7 Deer, Masatl, Manik

8 Rabbit, Tochtli, Lamat

9 Water, Atl, Muluk

10 Dog, Itskuintli, Ok

11 Monkey, Osomatl, Chuen

12 Grass, Malinalli, Eb

13 Reed, Akatl, Ben

14 Jaguar, Oselotl, Ish

15 Eagle, Kuau´tli, Men-Moon

16 Vulture, Kokakuau´tli

17 Movement, Ollin, Kaban

18 Flint, Tekpatl, Edsnab

19 Rain, Kiawitl, Kawak - Storm

20 Flower, Shochitl, Ajau - Lord

General History of Sahagun presents the complete sequence of 260 combinations, starting with One Dragon and ending at Thirteen Flower.

––––––––

The Tonalpowalli, the Sacred Year, is related to the gestation period, which has an average of 260 days from the interruption of menstruation. We associate it with a sidereal account, which we call ¨Long Account¨, as well as with a solar account. So every day will have two names, one for the Night and one for the Day.

––––––––

Fishing Net an Atronomical Tool

The base of this model is symbolized by the net, used for fishing and the division of the night sky. Tool that characterizes the apprentices of Teskatlipoka, the smoking of the mirror. As well as Loki, the equivalent of him in Norse mythology.

One of the most valuable primary sources in northern Europe is Gyfaginning, Gylfi's Vision. This document represents Loki, associated with two basic elements of Teskatlipoka. The Net, symbol of the steps of heaven, supported by a flower. Feature that decorates the Jaguar's ear. Next we observe the devotee Anawaka (American), who wears the net as a tilmatl, a blanket. The knot takes the shape of a flower.

The wheel of Heaven is an imaginary 360 degree belt. Divided between 20 parts we obtain 18 degrees, where the 12 celestial palaces are located, the 12 constellations of the Zodiac. 18 degrees measures the path of the Sun along the ecliptic. That is, the Astro Rey rises 9 degrees and descends 9 degrees from the celestial equator, on its annual journey. 360 out of 18 produces 20 houses, which make up the wheel of 20 symbols that give names to the days of the sacred calendar. That is, the model produces 20 squares of 18 degrees x 18 degrees, which allow us to track the solar cycle using 20 constellations as a background.

Mother and father of the gods, you who blow your sparks (stars) towards the four courses along the Great Black River of the Four Hundred Steps (Hueitlilapan Centzonmamatlatl). (Alarcón, Treatise on Superstitions II.VIII)

The division of the night sky is a mathematical act, so we can use several strategies for it, without forgetting that it is not a dogma, it is a model. The four hundred steps of heaven, indicated in the Alarcón treatise, is the division into 400 parts, where each segment of 20 is divided into 20. The creators of the calendar used both the division into 360 parts and the division into 400, to produce an advanced mechanism. One associated with the civil, the human and its complement to the spiritual, the divine.

Once we define a grid with which we divide the celestial dome, we study the movement of the planets on this reference to create the calendrical model.

––––––––

The Legend of Forseti, the President

Just over 2,000 years ago, when the Romans invaded Europe, in what is now the north of the Netherlands, they encountered the Friesian people. From them we receive the story of King Carlo and King Red Bad, which describes the birth of the Law, the model of reality that today we identify as the ancestral calendar that he presented in this text.

In some versions of the legend, Rey Carlo, is identified with Emperor Carlo Magno, however, like many legends that adapt to the arrival of Christianity in Europe, the message is older. Carlo represents intelligence, observation of the natural phenomenon and adjustment in the mechanism, so that both are kept in sync. Bad Red King is the solar movement, the year of 365 days 5 hours and 49 minutes. The confrontation between them is the adjustment between both systems, the natural and the human.

Both kings came with their army to Friesland from Denmark. That is, from the East, as does the Sun and the constellations. Carlo means free man, alluding to the being who perceives reality and can make adjustments, that is, he adapts the model to the solar cycle. The Bad Red King is the Sun at sunset that has forgotten the law, that is, the calendrical mechanism that keeps it in sync with the Sun at sunrise.

Upon reaching the meeting point, a mountain near Leeuwarden, the Phrygian capital; King Carlo and the Bad Red King gave each other the right to rule that land. Both kings sought peace, that is, the unity between the natural cycle of the year and the one adjusted to full days, the solar mechanism. While the soldiers of both armies, the days of the two accounts, desired war; however, they settled for a duel between the kings. The challenge was ordeal by standing still to stay still holding a handkerchief in his hand, and with his arms extended to each side. The first to drop the handkerchief loses the duel.

The two armies gathered around the kings, who held the posture for 12 to 24 hours. Which refers us to an archaic time, when the kings were advanced yogis, since otherwise it is impossible to perform this posture.

King Carlo drops the handkerchief, and the Bad Red King bends down for it. At that moment Carlo exclaims: Ah ha! Ah ha! The Earth is mine. And he began to laugh. For this reason the mountain is called Hachense" which means Laughter.

Surprised Bad Red asks: Why? Carlo responds: You have become my vassal. To which Bad Red responds: Oh, woe! So the mountain was called Wachense, the one who looks.

Carlo is the natural movement, which lags one day every four years from the count of full days, associated with the Red King. What produces the extra day, the leap day.

Bad Red King leaves the place. Rey Carlo decides to form a court, however the entire area was populated. A messenger visits the Seven Lands of the Sea, the Seven Sealands, to identify the site of the new court. Where Carlo summons the Friesians and orders them to define the new law.

The Seven Lands of the Sea, describe the model, your body, alluding to the seven chakras. Which extends to the Earth and the universe. The Frisian entourage request a day to choose 12 wise men as spokesmen. On the second day the council of twelve meets and Carlo orders the law that will govern the Frisian Land. The twelve ask for a day to formulate the new regulation.

On the third day, they resort to a legal impediment to delay the response for another day. This is repeated on the fourth and fifth day. Indicating two delays and three impediments, scheme that describes the operation of the laws in the time of Carlo Magno.

On the sixth day, King Heat repeats the order, asking the council of 12 Frisian sages to promulgate the new law. They reply that they cannot. The King's reply was: Now I lay three choices before you: that you all be beheaded, that you all be serfs, or that you be given a ship so firm and strong that it can withstand the ebbs and flows, without any kind of rudder, oar, or tackle.

Bad Red represents the 360-day year, the basis of the system, so the passage of 6 days is a mismatch between the calendrical mechanism and the natural cycle of the Sun. The options given by King Carlo to the council of 12 are: cut off the head of the cycle, the extra six days; to equal the year of 360 days and that of 366, referring to the leap that accumulates every 4 years.

The second option is to