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The Wartime Sisters: A Novel
The Wartime Sisters: A Novel
The Wartime Sisters: A Novel
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The Wartime Sisters: A Novel

Rating: 4 out of 5 stars

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For fans of Lilac Girls, the next powerful novel from the author of Goodreads Choice Awards semifinalist The Two-Family House about two sisters working in a WWII armory, each with a deep secret.

"Loigman’s strong voice and artful prose earn her a place in the company of Alice Hoffman and Anita Diamant, whose readers should flock to this wondrous new book." —Pam Jenoff, New York Times bestselling author of The Orphan’s Tale

"The Wartime Sisters
shows the strength of women on the home front: to endure, to fight, and to help each other survive.” —Jenna Blum, New York Times and international bestselling author of The Lost Family and Those Who Save Us

Two estranged sisters, raised in Brooklyn and each burdened with her own shocking secret, are reunited at the Springfield Armory in the early days of WWII. While one sister lives in relative ease on the bucolic Armory campus as an officer’s wife, the other arrives as a war widow and takes a position in the Armory factories as a “soldier of production.” Resentment festers between the two, and secrets are shattered when a mysterious figure from the past reemerges in their lives.

"One of my favorite books of the year." —Fiona Davis, national bestselling author of The Dollhouse and The Masterpiece

"A stirring tale of loyalty, betrayal, and the consequences of long-buried secrets.” —Kristina McMorris, New York Times bestselling author of The Edge of Lost and Sold on a Monday

LanguageEnglish
Release dateJan 22, 2019
ISBN9781250140722
Author

Lynda Cohen Loigman

Lynda Cohen Loigman is the author of The Matchmaker’s Gift, The Wartime Sisters, and The Two-Family House. She received a B.A. in English and American Literature from Harvard College and a J.D. from Columbia Law School. She grew up in Longmeadow, MA, and now lives in New York.

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Rating: 4.005813912790697 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    Two sisters, one is beautiful, one is not. One sister is very intelligent, one is not. The mother dotes on one, the father dotes on the other. You can just imagine where this leads….or maybe not.Millie and Ruth have always had problems. Ruth is the oldest and the smartest. Millie is flighty and gorgeous. This combination does not meld well together. These two are like oil and water and jealousy abounds. Then there are some bad decisions and some terrible secrets. Add all this to the mix and you have some very hard feelings to overcome.Ruth is my favorite of the two. However, she is the manipulator and instigator. She is also the smartest. She does her best to protect her assets even if this leaves Millie in bad situations. You have to read this book to understand. The author really pulled at your heartstrings with each sister. As the reader, one minute you want to slap both and the next you are rooting for their success.I do think the title could be better. It is really not about the war. Yes these girls work in an Armory during wartime, but that is about it. This is a story about family, jealousy, secrets, choices and where all of this can lead.Well! I have started 2019 off with a bang! This is a poignant read not soon to be forgotten!I received this novel from St. Martin’s press via Netgalley for a honest review.
  • Rating: 5 out of 5 stars
    5/5
    This was a wonderful story of the tension that can occur between two sisters. These sisters believe they are very different and grow apart as they get older. They are reunited during WWll in Springfield, Massachusetts and need to learn each other’s secrets. There are secrets and intrigue. I enjoyed both sisters. I received a copy of this book through Netgalley for a fair and honest opinion that I gave of my own free will.
  • Rating: 5 out of 5 stars
    5/5
    This was a beautiful heart-warming story of the relationship between sisters. But it also about the relationship between a mother and her daughters and relationships among women. Each character was very well-developed and relatable. I felt these could be women I know.Ruth has always resented the attention beautiful Millie received. So when Ruth marries she is happy to move from Brooklyn to the Springfield Armory in Massachusetts, seeing it as an opportunity to finally step out of her sister’s shadow. But a few years later circumstances result in Millie and her little boy moving in with Ruth and her husband. This time Ruth has the upper hand. She is married to an Army officer, has two children, and lives comfortably while Millie has lost her husband and struggles financially to support little Michael.Two other ladies, Lillian and Arietta, enter the lives of the sisters and provoke moments of tenderness, compassion, and strength. Lillian is the wife of the commanding officer at the Armory. Arietta, the cook at the Armory cafeteria also has an amazing voice and often provides entertainment during the workers’ lunches. But these women bear their own secrets - secrets that could destroy lives – secrets they wish could stay hidden but, in any good story, must be revealed. A mysterious man from the past appears and jeopardizes the lives these women have. I thought the pacing for the revealing of the secrets was handled masterfully. No sudden reveal at the end (that frequently does not work well). I loved the entire story, as it evoked emotions within me. I could easily relate to Ruth’s resentment even though it often was underserved. I admired Millie’s ability handle the resentment directed at her throughout her life. The writing was beautiful and had me totally immersed in the story. Thank you to St. Martin’s Press and NetGalley for the advance copy. All opinions are my own.
  • Rating: 4 out of 5 stars
    4/5
    Two sisters, discrimination that begins in the home, and how this affects their relationship in the future. Ruth, the elder, responsible, smart but convinced the was dull looking, and the younger Millie, the beauty of the family, expected to make a brilliant marriage.The Armory in Springfield, the 1940s, where the sisters will once again find themselves in the same place . WWIi, and almost half of those working in the armory on the manufacturing assembly lines. Many for the first time find themselves head of their households, jobs, children, now their sole responsibility. The atmosphere and tone of this novel does an excellent job drawing the reader into this time period. The story follows the two sisters, but also two other interesting women also at the armory, though their positions are very different. We see as the women, the two sisters grow and change. Grow stronger within themselves, and come together in a very different way from the past.The authors note shows how true to live she portrayed life at the armory during this time, though changing a few dates to benefit her story. I enjoyed reading about this time, the changes that occurred, the differences this made in the women's lives. A strong story, with a strong historical background. ARC from St. Martin's Press.
  • Rating: 5 out of 5 stars
    5/5
    This is my first introduction to author, Lynda Cohen Loigman. I am happy to report that it was an excellent introduction. Instantly, I fell in love with Ruth and Millie. Although, at first I did have my reservations about Millie. No, it was not her fault that she was the prettier sister but I did think she was going to be stuck up. However, she was the one that I really felt for the most. Ruth was the best big sister. She stepped up and showed just what it meant to share "sisterly love". Author, Lynda Cohen Loigman swept me up in this beautiful story filled with endearing characters that will stick with you long after the last page has been finished. Every thing from the storyline to the time period was great. There was not a misstep to be found from the first page to the last page. A must read.
  • Rating: 4 out of 5 stars
    4/5
    Loved the book!! I loved the story, characters and writing style. I enjoyed how the story alternated between the characters. I felt like I got to know Millie, Ruth, Lillian and Arietta. The book centered around the woman in Massachusetts at the Springfield Armory during WWII and also Millie and Ruth growing up in Brooklyn. Ruth was a hard person to like. I definitely felt sorry for her, especially when her mom showed favoritism to Millie. Ruth resented Millie for all the attention she received from their mother and for being beautiful, both of which Millie couldn't help. Both of the sisters were keeping secrets from each other, which strained their relationship even more. By the end I warmed up to Ruth. I loved how she finally stood up to Grace. Millie also realized she had to help out and not always leave Ruth to handle everything. Lillian and Arietta ended up being my favorite characters. I definitely recommend the book. The book took place during WWII, but it didn't center around the battles or what was going on over seas. It centered around family relationships, the good and the bad. The book definitely held my attention, I felt like I was right there with Millie and Ruth. I look forward to reading more books by the author. Thanks to NetGalley, St. Martin's Press and the author, Lynda Cohen Loigman, for a free electronic ARC of this novel.
  • Rating: 5 out of 5 stars
    5/5
    Lynda Cohen Loigman, Author of “THE WARTIME SISTERS” has written an enthralling, captivating, emotional, intense, intriguing and riveting novel. The Genres for this story are Historical Fiction, and Fiction. The time-line for this story starts in Brooklyn in the 1930’s and goes through World War Two, in the Springfield Armory, Massachusetts. The author describes her colorful characters as complex and complicated possibly due to the circumstances.This is a story of sisterhood, both familial and during wartime, and survival. Sisters Ruth and Millie have never been close, even when they were toddlers. There was always a sibling rivalry between them. Ruth was the studious and serious type always responsible, and seeking approval. Millie was the blue-eyed, “gorgeous” sister, who seemed to get away with many things. As they grew up in Brooklyn, it seemed that Ruth’s dates preferred the lovely Millie. In their dysfunctional household, their mother would stress that Millie would marry a prince. It just seemed to Ruth, that her mother favored Millie.Ruth finds the opportunity for a fresh start, when her husband is offered a job at the Springfield Armory in Massachusetts. Unfortunately tragedy has occurred, and Millie is left in Brooklyn all alone. Ruth finds a group of friends, and has an important job. It becomes necessary for Millie to reach out to Ruth, when her husband is gone. Millie and her young son move to Massachusetts to be with Ruth’s family. Millie gets a job, and starts to find herself again at odds with Ruth.Millie works in the factory, making parts for guns and rifles. She meets some a few good friends. During the war, it is the sisterhood of others that is so helpful and gives each other emotional support. I appreciate that the author discusses the importance of family, friends, emotional support, loyalty, love, and hope.When someone from the past appears who is dangerous, the sisters must face the reality of the situation. Can they learn to forgive and move forward during such turbulent times? Can there be peace between the sisters as war looms on.I highly recommend this novel to readers who appreciate Historical Fiction.
  • Rating: 4 out of 5 stars
    4/5
    I wasn't sure when I first got this book how much I would enjoy it. I thought it might be another depressing, intense story of WWII. However, it was such a surprise to start reading and discover that it was a story that held my attention from the very beginning. It is about two Jewish sisters. The older sister, Ruth is not as pretty and the serious one. Her younger sister Millie, is beautiful and gets away with all sorts of trouble. Over the years this causes resentment and jealousy between them and they are eventually estranged from each other.When Millie suddenly finds herself back in Ruth's life, they do not know how to fix their fractured relationship. This is a book of betrayal, secrets, rivalries and acceptance. I loved reading about life at an armory in Springfield, MA during WWII. Very well written! I received a complimentary copy from the Goodreads giveaway program.
  • Rating: 4 out of 5 stars
    4/5
    The Wartime Sisters, the second novel by Lynda Cohen Loigman, is a Jewish themed historical novel set before and during World War II. In alternating time frames, characters, and places (Brooklyn New York and Springfield Massachusetts), the novel is foremost about sisters.Sisters, each with secrets. Sisters with distinct and opposite temperaments, they had little in common; Ruth was neat, Millie was messy, Ruth was plain, Millie was beautiful, Ruth was steady, Millie was emotional, Ruth was a good student, Millie was not, and maybe most importantly, their mom favored Millie. And although Ruth believes that everyone flocks to her sister, Millie feels miserable that Ruth does not like her.After a childhood of bickering and a hostile adolescence, they had entered adulthood almost estranged. Was it possible, with so many losses behind them, they could enter a new stage of acceptance?Years go by and circumstances brings Millie and her young son to live with Ruth and her husband and twin girls. They tolerated each other but their connection remained tenuous, an adult bond barely formed. Millie spent her first few months trying to fit into her sister's life. She had folded herself up like "a torn scrap of paper, end over end, making herself small. She had tiptoed and whispered and confined herself to corners, all the while taking up as little space as possible."And as Millie's friend realizes one day, the burden the sisters shared: each had a secret she was keeping from the other.As Millie loses her husband by abandonment, and Ruth's husband leaves for war service, Millie shares the following: "Surviving isn't the same as as being brave. Sometimes a person doesn't have any other choice." Ruth's husband, Arthur provides important advice: " You can't change the past Ruth. You can only move forward."Loigman deals realistically with domestic violence and marital infidelity and captures the times and spirit of the life of armory workers. She has clearly done detailed research about the time and place.The novel is filled with Jewish expressions, my favorite is "Small children don't let you sleep, big children don't let you rest." Jewish traditions are described, and holidays, such as Hanukkah and Passover are lovingly depicted. I loved both of Loigman's novels. I will look forward to more of them to come.
  • Rating: 5 out of 5 stars
    5/5
    If you are a fan of WWII fiction or books about sisters or just love a well written well researched historical fiction novel, this is the book for you. Not only was this novel well written but it was real re-searched and based on work that was going on in the US during WWII. I knew that a lot of women went to work during the war but had never heard of the Springfield Armory or been aware of the number of workers that were employed there.Ruth is three years older than Millie. When they are growing up in Brooklyn in the 1930s, Ruth is seen as dependable and trustworthy and boring. Millie is seen as cute and needy for attention so everyone pays attention to her - she even gets preferential treatment from their mother. The different way that the girls are treated causes a big rift between them on Ruth's part. In later years, when Ruth is married to an Army scientist and has twin daughters and Ruth's husband has disappeared and left her with a small son, they end up living in the same house and working at the Armory in Springfield. As the sisters struggle to maintain a relationship, secrets are revealed that may drive them even further apart. Will the rift between them cause them to remain estranged or will they find the way to truly become sisters??I loved both of the sisters - they were so well written that it was impossible to take sides and assign blame for their estrangement because both of them had valid reasons for the way they acted toward each other. I loved the location of the Armory and learning more about the women that worked in American to support the men away at war. i highly recommend this book.Thanks to NetGalley for a copy of this book to read and review. All opinions are my own.
  • Rating: 5 out of 5 stars
    5/5
    I'm so glad that I got the opportunity to read an advance copy of The Wartime Sisters. I had been meaning to read the author's first book, but hadn't gotten to it yet. After reading The Wartime Sisters, I will be sure to read The Two-Family House ASAP. I enjoyed the book on many levels; I thought the author did a great job bringing the characters alive, and I learned a lot about the history of Springfield during the war. Being from Massachusetts, I was surprised that I was unaware of this history, and I hope to visit the area and learn more. The family relationships seemed very authentic, and I appreciated being able to see both sisters' points of view. I've observed similar family dynamics in people I know, and the book made me sympathetic to both parties. It's interesting to recognize that what happens in one's childhood home carries over into adult relationships.I highly recommend the book and think it would be a great choice for book discussion groups.
  • Rating: 4 out of 5 stars
    4/5
    I read a couple of reviews where the readers were disappointed because the storyline was more about the 2 sisters than the war itself. If they read the authors note , I think it would have done them some good...… The intent was to describe life at the Springfield,Mass. armory during WW2, including the importance of the women working there. ( a historical place that exists today! ) In order to set the scene she used two sisters at odds with one another, who held different positions there. I thought it was well-written and most importantly, it held my interest!
  • Rating: 3 out of 5 stars
    3/5
    Sisters Ruth and Millie Kaplan have been at odds almost since the day of Millie's birth: Ruth, the sensible and bookish one, Millie the pretty and sensitive one. Now they're both married. Ruth and her husband have moved from Brooklyn to Springfield, where her husband works at the Armory; when Millie's husband, serving in the war, disappears, she moves in as well. Will they be able to reconcile?Though I enjoyed the local setting of the homefront during World War 2, I found the story itself underwhelming. The characters are painted in broad strokes, and I had a hard time believing in their dialogue and actions. There's a lot of telling rather than showing, and I figured out some plot elements early on. Part of it was the way she chose to shift the narrative of close third person, mostly between Ruth and Millie, but also with some secondary characters; major reveals for one character didn't have the same emotional impact for the reader, who already knew something that character didn't. It wasn't bad, I just wish it could've been more.
  • Rating: 4 out of 5 stars
    4/5
    This is the story of two sisters (Millie and Ruth) growing up during the period before WW2 and as adults during the war itself. There are also a couple other close friends that become integral to the story. The sisters don't get along because they are totally different (Millie very good looking and their parents favorite) (Ruth studious and responsible). The crux of the novel is that Millie marries a jerk and is trying to get away from him. The book moved along at a nice pace and the characters were well developed.. Well worth reading.
  • Rating: 3 out of 5 stars
    3/5
    The Wartime Sisters is a traditional story about two sisters who fail to get along (sounds like me and my sister). It is more a women’s fiction novel than a historical book. The focus of the book is the two sisters and their rivalry. The author accurately captured the dynamics between the sisters along with the feelings (resentment, bitterness, jealousy, the feeling of inadequacy). Ruth was jealous of Millie from the moment she was born. The more people admired Millie, the more Ruth’s resentment grew. Matters are not helped by the mother doting on Millie and her insistence that Millie will marry well one day. When Ruth starts dating and the men are more captivated by Millie, it causes the rift between the sisters to grow to the size of the grand canyon. Each sister has a secret and you know they will eventually find a way to come out. I liked the setting of the Springfield Armory in Massachusetts, but we are not told enough about it. I wanted more about the facility, the war, and the less about the animosity between the sisters. Rivalry also exists between women in such a close atmosphere as the armory. The ending felt rushed. I thought it lacked emotion and realism. It seemed that this story could have been set in any place or any time period and it would still play out the same way. I found The Wartime Sisters to be lacking (at least for me). I thought it was a predictable story. My rating for The Wartime Sisters is 3 out of 5 stars. While The Wartime Sisters was not my cup of tea, those who enjoy feel-good stories (like those on Lifetime or Hallmark Channel) will enjoy the happy ending.
  • Rating: 4 out of 5 stars
    4/5
    This tale of two sisters during World War II reminded me of the large role women played in manufacturing during the war and that the lives lived on the home front could be filled with drama and happenings. Ruth and Millie, along with their friends in Brooklyn and Springfield, are striking characters. Overall, I enjoyed this book and I'd definitely recommend it to someone interested in World War II.
  • Rating: 5 out of 5 stars
    5/5
    Ruth and Millie have been at odds with one another nearly from the moment Millie was born. Big sister Ruth tried to play with Millie, tried to read her stories, tried to interest her in games, but Millie just wasn't engaged in any of those activities. As they grew older they also grew further apart. Ruth began to resent Millie's good looks, while Millie began to feel Ruth looked down on her for her less than perfect school report cards. It didn't help that the boys Ruth wanted to date took more of an interest in Millie, or that their own parents seemed to favor Millie over Ruth as well. As the sisters move into adulthood and follow very different paths, petty resentments and their own insecurities keep them apart, even though deep down they still love each other as only sisters can. The sisters have gone their separate ways until unfortunate circumstances force them back together at the Springfield Armory.
    I thoroughly enjoyed this poignant family drama and loved these sisters as if they were my own.
    I received an advance copy for review.
  • Rating: 5 out of 5 stars
    5/5
    Ruth and Millie’s tumultuous sister bond had me hooked from the beginning! I loved reading how their lives played out, as well as the women around them, whose stories intertwined to give a full picture of how women interacted at the Springfield Armory during World War 2. The war is mentioned, but this book focuses mostly on women’s relationships. An easy read that I finished quickly!*I received a free copy of this book in exchange for an honest review.*
  • Rating: 3 out of 5 stars
    3/5
    The war only provides a peripheral backdrop to this novel of sibling rivalry that takes place in Depression era Brooklyn and then the Armory in Springfield, Massachusetts during the war.Elder sister, Ruth, has been in the shadow of her beautiful sister, Millie her whole life. While Ruth is the dutiful daughter, making excellent grades at school and following all the rules, Millie is petted and feted , and her every fault is excused. Ruth marries a serious scientist, the first man who seems resistant to her sister's charms, while Millie appears to be on the brink of throwing herself away on a charming bad boy Lenny. When Ruth's husband Arthur takes a job at the armory in Springfield, Massachusetts, Ruth looks at this as her opportunity to begin a new life without the constant comparisons to Millie. However, when their parents die in a tragic car accident, Ruth sees herself being burdened with carrying for her sister instead of beginning her life anew. She maneuvers Lenny into proposing to Millie, arranges the marriage and leaves.Several years later, Ruth hears from Millie that Lenny has been killed in the war, and offers her a place in her spacious home in the officers' quarters at the Armory. Ruth is shocked at how little Millie has when she arrives, but soon their old rivalry kicks in. Millie gets a job working in the armory's factory, be friends an Italian worker who is a great singer, and manages to stir up jealousy with the wife of another officer. Then Lenny appears "from the grave" and the sisters must pull together to defend each other from false accusations.Much of this story was predictable, but the author has a writing style that kept me turning the pages.
  • Rating: 4 out of 5 stars
    4/5
    The Wartime Sisters is a fabulous historical fiction book that is different from other WWII books. I love how the story takes place in the US, it alternates timelines and it also changes narrators. The stories that intertwined not only between the sisters but also with the women at the Armory is well done and makes the story work so well. Millie and Ruth are so different and I found myself frustrated with each and loving each at different points throughout the book. I highly recommend this book!Thanks St. Martin's Press for the ARC of this great book!
  • Rating: 5 out of 5 stars
    5/5
    The Wartime Sisters by Lynda Cohen Loigman is a wonderful story that demonstrates how our parents treat us – especially a mother who perhaps hasn’t seen her own dreams fully realized – can affect our lives, as children and forever. How our parents treat us shapes our world view, it’s how we assume others see us, and it then becomes a self-fulfilling prophecy – that’s what we’ve been told we are so that’s what we become. In the time period of the book maybe there wasn’t much emphasis on being careful about what was said to a child, it wasn’t thought to have a lasting effect. But it does. Things said, looks made, conversations overheard, never leave us. Ruth is smart and sensitive and inquisitive. But she is not pretty. We initially see things through Ruth’s eyes and we firmly put ourselves in her camp: she thinks Millie is silly and thoughtless and selfish. And Millie is all those things. But even when she tries to be otherwise, her mother runs roughshod over her in the wait for Prince Charming. And all of this because Millie is pretty and Ruth is not. How sad.In order to cope Ruth becomes hard and cold and selfish herself. So we move out of her camp into Millie’s. Millie seems to have had the harder life. All those compliments about her beauty and all her mother’s dreams haven’t amounted to much. And Ruth is still distant and judgmental.The Wartime Sisters is full of well-researched, fascinating history, and a believable look at a relationship between two sisters. The story moves back and forth in time and place – Brooklyn, New York in the 1930’s and Springfield, Massachusetts in the WWII 1940’s. Both are full of details that help us to understand why the sisters are who they are and why their relationship may never change. The Armory in Springfield is especially interesting, with a view into an environment, a town centered around the war effort with all its drama and hierarchy, that I never realized existed. The supporting characters are well-developed and there is just enough danger and intrigue to keep things moving at a good pace.The Wartime Sisters was a very enjoyable read, tugging at my heart at times and at others making me angry at both Ruth and Millie, and especially their mother. It brought back memories of my mother always referring to her sister as that baby who always got her way and made me wonder how that sister relationship came about.I received an advance copy of The Wartime Sisters from the publisher St. Martin’s Press via NetGalley in exchange for an honest review. I heartily recommend it.

Book preview

The Wartime Sisters - Lynda Cohen Loigman

PART ONE

Ruth

Brooklyn, New York (1919–1932)

Ruth was three years old when her sister was born. Like most firstborn children, Ruth assumed her younger sibling would be a miniature version of herself. She would have straight hair, brown eyes, and a soft, gentle voice. She would love books and numbers, and the two of them would be inseparable.

It didn’t take long for Ruth to realize her mistake.

When Ruth’s mother felt up to it, she invited a small group of friends and relatives to the apartment. Packed into the small front room, nibbling on kichel and sipping glasses of tea, the visitors stared at the baby like tourists in a museum. "What do you call the color of those curls? Reddish like that—isn’t there a name for it? And my God, those eyes! Who knew eyes could be so blue. Keinehora, Florence! one of the cousins shouted. You’ve finally got yourself a beauty!"

Ruth’s mother was too distracted to notice the pitying looks her older daughter received from the downstairs neighbors. But Ruth had a glimmer of what the finally meant.

That evening, Ruth complained to her father about the fuss everyone made. He patted her head and told her not to worry. "This is life, mameleh. People like babies. When babies grow up, people lose interest."

When I was born, did they all say I was beautiful too?

Abso-lutely, he answered. "Such a kvestion!" Her father’s accent was more noticeable when he was nervous or excited. It was especially conspicuous, Ruth knew, when he lied.


To six-year-old Ruth’s great disappointment, there was nothing that Millie hated more than being read to. She covered her ears with her short, chubby fingers and held her breath dramatically until Ruth was silent. When Ruth expressed her dismay at her sister’s tantrums, her mother brushed it off. Not everyone is a bookworm like you are, she said.

When they were older, Millie would wait by the windows of their apartment, watching for activity on the sidewalk below. As soon as the neighborhood girls started their games of hopscotch or jump rope, Millie bolted out the door and ran down the steps to join them. It didn’t matter that Ruth had just picked a puzzle for them to put together or that Millie had promised to play house with her after that. While Ruth sulked in her bedroom, her mother gave her some advice. If you can’t learn to let your sister be, the two of you will never get along.

The fact was, the two girls had little in common. Ruth liked to be early for school each day, but Millie dawdled in the mornings and made them both late. Ruth kept her half of their bedroom neat, while Millie’s side was littered with paper dolls and crayons. With a different girl, such flaws might have drawn greater attention, but with Millie, no one seemed to notice or care. Their mother tidied the bedroom without a word of complaint, and no matter how late Millie was when she walked into her classroom, the elementary school teacher always marked her on time.

The sisters had opposite temperaments too—something it took Ruth longer to comprehend. Ruth was the steady one, disciplined and composed. She had always been proud of the way she could control her emotions, but eventually, she was made to understand that this wasn’t a quality everyone admired. She learned this lesson at her great-aunt Edna’s funeral, on a cloudy April morning just after she’d turned ten. Aunt Edna was their father’s aunt—a woman they saw just a few times a year. She appeared mostly at holidays and the occasional Sabbath dinner. Ruth was sorry that she had died, but she didn’t know the woman well enough to truly mourn her passing. Ruth sat quietly in the synagogue, half listening to the rabbi’s words and wishing she’d been allowed to bring one of her books from home to pass the time.

Millie, on the other hand, was utterly bereft. Sandwiched between their mother and Ruth, the seven-year-old listened to the eulogy with the kind of concentration Ruth didn’t know Millie could muster. When the rabbi spoke about Edna’s childhood in Poland, Millie’s sniffles turned to sobs and her whole body shook. Their mother tried to soothe her, but there was no calming the girl. Soon, her cries were so loud that they drowned out the rabbi’s voice.

It was Ruth who took Millie by the hand and led her out of the chapel. It was Ruth who wiped Millie’s eyes with the handkerchief from her skirt pocket and Ruth who made her blow her nose to stop the snot from running down her face. As they waited together in the synagogue’s drafty vestibule, Ruth asked her sister why she was so upset.

Why do you keep crying? You barely knew her.

Because she’s dead, Millie bawled. "She was a little girl like me, and then she got old and died."

But she lived a long life. That’s what the rabbi said.

I don’t care how long it was. I’m never getting old.

You have to grow up sometime. Ruth hadn’t meant for the words to come out sounding the way they did—more like a threat than a friendly observation.

Millie slid to the opposite end of the hard, wooden bench and stuck out her tongue. "Maybe you do, she said, but I don’t."

When the service was over and all the relatives gathered together at Edna’s apartment, Ruth thought someone might thank her for calming the disruption her sister created at the synagogue. But instead, it was Millie who garnered all the praise. Mourners brought her plates of cookies and thick slices of challah, clucking to their mother about what a sensitive and sympathetic child she was. No one looked at Ruth or offered her a plate; no one complimented her quick thinking. On her way to the bathroom, she overheard a trio of women talking about her. The older sister is a real cold fish, one of them said. Only later did Ruth understand what the term really meant. At the time, she’d only shivered and buttoned her cardigan over her dress.


The more responsible Ruth proved to be, the more it was held against her. Her exceptional report cards created such elevated expectations that when she received an A minus, her parents seemed disappointed. If she ever lost a hair ribbon or a button on her dress, her mother threw up her hands and complained about the waste. Meanwhile, Millie’s poor grades were never discussed. And when Millie lost two library books—books she hadn’t even read—her mother paid to replace them without a word of reproach. The fee was not inconsequential, and there was little to spare in the Kaplan household. But when Ruth grumbled about the cost, her mother defended her younger sister. No one is perfect, Ruth. People make mistakes.

The discrepancy in treatment shaped Ruth’s childhood. Years later, when she tried to explain it to her husband, she struggled for a long time to find the right words. Though Ruth’s tiny transgressions were few and far between, they never seemed to escape her mother’s notice. Any misstep Ruth made was a short, shallow wrinkle on an otherwise smooth and pristine tablecloth. Millie’s slipups, by contrast, were like a full glass of burgundy tipped over onto clean white damask. To their mother’s discerning eye, Ruth’s wrinkles were conspicuous. But her sister’s stains were overlooked and hastily covered—anything so that the meal could continue being served.


The girls’ teenage years brought more hurtful comparisons. Even before she entered high school, Millie’s curves and auburn curls turned men’s heads on their block in Brooklyn. But with her pin-straight hair and even straighter figure, the only heads Ruth turned belonged to the balding, middle-aged men from her father’s pinochle game. Tell Morris we’ll see him on Tuesday, they said.

By the time Millie turned thirteen, more than a few older boys had asked her for dates. To keep them at bay, their father enacted an ironclad rule: neither of his daughters was allowed to date before turning sixteen. While the rule was supposedly meant for both girls, Ruth’s social life never required its enforcement.

One Friday afternoon, a few months after Ruth’s sixteenth birthday, her mother was busier than usual in the kitchen. A pot of mushroom barley soup simmered on the stove, filling the room with a rich, earthy scent. Two fresh loaves of challah had been set out to cool. As Ruth did her homework at the small kitchen table, she watched her mother pull an apple cake from the oven.

You’re making an awful lot of food for just us, Ruth observed.

We’re having company tonight—Mrs. Rabinowitz and her grandson are coming. Ruth’s mother looked away when she made the announcement, busying herself with the chicken she had left on the counter. She seasoned the skin with salt and pepper, all the while taking pains to ignore Ruth’s fretful gaze. Though she had tried her best to make the news sound unremarkable, there was no way to disguise its significance.

Her grandson? Ruth questioned, chewing nervously on the back of her pencil.

Mrs. Rabinowitz says he’s a very bright boy.

"Well, if his grandmother said so, he must be a genius."

Don’t be such a comedian, her mother snapped, slamming the oven door shut. Now, put away your books and help me set the table. They’ll be here in an hour, and I want everything ready. You’ll have time to change your dress after.

Why do I have to change?

A weary sigh escaped her mother’s lips. You’ll put on the blue dress and a little bit of lipstick. It’s not going to kill you to dress up for company.

Ruth was so out of sorts that she hadn’t even noticed her sister entering the kitchen. We’re having company? Millie asked. Do I have to change too?

Their mother shook her head. Not you. Just your sister.


Ruth hated to admit it, but the grandson was handsome. His lightly tousled hair was just a fraction too long, in a way that appealed to mothers and daughters alike. His build was athletic, but not overly slim. Ruth learned that he would be graduating from high school in a few months and starting at City College in the fall.

Walter is one of the top students in his class, Mrs. Rabinowitz crowed.

Very impressive, Ruth’s father replied. What will you study?

Mathematics, sir.

Ruth is terrific at math, Millie chimed in. They let her skip ahead so she could take the hardest class.

Calculus? Walter asked.

Ruth felt the heat of the soup rise upward toward her cheeks. Yes, she answered.

She might have to take a college math course next year, Millie continued. The principal even wrote a letter to our parents about it.

That’s great, Walter said, smiling at Ruth. You know, you’re the first girl I ever met whose eyes didn’t glaze over when I mentioned my major. Most girls think math is boring.

Not Ruth, Millie said. She’s a whiz.

When their mother got up to clear the soup bowls from the table, Walter stood too and offered to help. Sit, sit, she insisted, shooing him back into his chair. Ruth will help me.

As soon as they were safely on the other side of the swinging door, Ruth’s mother almost threw the bowls into the sink. I told you, she whispered. See how polite? And the two of you have so much in common.

He does seem nice, Ruth admitted, smoothing her hair. Despite her initial misgivings, she felt herself being drawn into her mother’s hopeful mood. Should I go back and talk to him?

Yes. Send Millie in here to help me serve the chicken.

Later, it was decided that Walter and Ruth should walk to the drugstore to buy ice cream for the apple cake. The cake isn’t nearly as good without the ice cream, Millie said. And the drugstore isn’t far—it’s just down the block.

Of course, Walter agreed, making sure to hold the door for Ruth as they left the apartment.

She was delighted when they first set out. The evening air was warm, and the light from the streetlamps flickered softly on the sidewalk. But once they were away from her parents and Walter’s grandmother, Ruth felt a not-so-subtle shift in the young man’s mood. He became increasingly agitated, and his smile disappeared.

She tried to make conversation. Are you excited to graduate?

I guess so. I don’t know. Look, can I be honest? Walter tugged at his shirt collar as if he were choking. I don’t want you to get the wrong idea.

Ruth’s head began to spin with unfamiliar confusion. What was he talking about? Had she done something to offend him? She didn’t answer right away, but Walter kept talking.

I don’t usually let my grandmother drag me with her to these dinners, but she can be awfully pushy sometimes, you know? And your mom’s a good cook, so it wasn’t half bad. But I don’t want you to think that I’m asking you for a date.

Ruth bit her lower lip to keep it from trembling. She forced herself to answer so Walter wouldn’t sense her disappointment. Don’t be silly, she lied. I wasn’t expecting anything like that.

Phew. Walter exhaled. I’m glad we understand each other. No offense or anything—you’re just not my type. Of course, I figure I’m not your type either. From the way your sister was talking, you probably want to marry one of those Ivy League guys.

Probably, Ruth agreed, suddenly exhausted.

On the way back from the drugstore, she stopped worrying what he thought of her. There was no way to change the outcome of the evening, so she decided to learn what she could from the humiliation. Just out of curiosity, she decided to ask, "what kind of girl would you say is your type?"

Walter wrinkled his forehead and clasped his hands in front of his face. He leaned forward slightly, lost in his own thoughts. Good question, he said as if she’d just won a prize. My type is a girl who appreciates me, someone who likes to have fun and isn’t too serious. I don’t want her to be stupid, but I don’t want to be with someone too intellectual.

You mean, you don’t want a girl you think is smarter than you?

Exactly! Walter said, oblivious to her sarcasm. Ruth felt her hope melt away, like the ice cream in the paper bag she carried. Of course, there is one more thing… His voice trailed off.

What’s that? Ruth asked, too far gone to care.

It sure wouldn’t hurt if she looked like your sister.

Millie

Millie knew something was wrong as soon as they returned. There had been a quiet confidence in Ruth’s bearing when she had set out for the drugstore, but when she got back to the apartment, the glimmer was gone. Millie watched, unsmiling, as Walter inhaled his dessert. When his plate was clean, he wiped his lips with his napkin, put his hand on his grandmother’s arm, and told her it was time for them to head home. I have a paper due on Monday that I have to get started. Thank you so much for the meal, Mr. and Mrs. Kaplan, he said. Good luck with calculus next year, Ruth.

Puzzled, her mother turned to Mrs. Rabinowitz, but the old woman seemed equally taken aback. She lifted her shoulders upward into a shrug and raised her eyebrows as if to say, I have no idea. Ruth was the only one at the table who didn’t seem surprised. After Walter left, she went into the bedroom and shut the door behind her.

Grandmother and grandson exited so quickly that Millie’s father didn’t even have time to get up from his seat. Vat happened? he asked, slapping his open palm on the table. "The little pisher bolted like a spooked horse!"

Shush, Morris, please. Ruth can hear you. Millie’s mother cleared the plates with anxious efficiency. Maybe my cooking didn’t agree with him.

Bah! her father said. Did you see how much he ate? It’s a miracle he didn’t choke!

Too bad he didn’t, Millie muttered under her breath.

Her mother gasped and teetered on her feet, sending one of the plates she had been holding to the floor with a crash.

"Do you want to tempt the Evil Eye? God forbid anyone should choke in this house!"

There’s no such thing as the Evil Eye!

Don’t raise your voice to your mother like that!

They were all yelling now, bickering like children, despite the fact that Ruth was the one who should have been the most upset. The noise drew Ruth out from behind her closed door. When she saw the commotion, she skirted past the broken plate, retrieved the broom and dustpan from the back of the hall closet, and began to sweep up the shards. Her diligence shamed the rest of them into silence. Ruth had always been the best of them at cleaning up messes.

I’m sorry, Ruth. Their mother was the first to speak. I thought for sure … this time, after what Mrs. Rabinowitz told me…

Her father shook his head. He was a putz, he lamented.

Millie chimed in with her own observations, hoping to show her sister some support. I didn’t like him one bit, Ruthie. He wasn’t nice, and he wasn’t good-looking either.

That’s too bad, Ruth said coolly. Her words came out jagged, like the fragments she swept so neatly off the floor. He certainly liked you. Apparently, you’re just his type of girl.

Millie’s stomach lurched. Ruth might as well have struck her with the handle of the broom.

What are you talking about?

Did you have to keep talking about my math classes?

I wanted him to know that you have the same interests. I was trying to help!

"Well, it didn’t help at all. You made me sound like the dullest girl in the world! ‘Ruth loves calculus, she studies all day.’ What kind of boy wants to ask a girl like that for a date? Meanwhile, you sat there and batted your eyes at him. No wonder he liked you better than me!"

Batted my eyes? I barely even looked at him!

Well, he was looking at you!

That isn’t my fault!

"Enough!" Their mother’s voice rang out over their shrieking, stunning the girls into temporary silence. After their father made them sit, the sisters glared at each other from across the dining room table. The evening had started with such high hopes, Millie thought—with silverware that gleamed and freshly pressed napkins, with a promising young man and a hint of romance for her older sister. But now it was over; all of that was gone. The silverware was sticky and the napkins full of wrinkles. The young man was indifferent—Ruth would not see him again.

Of all the boys to fight over, their mother began, that one isn’t worth the aggravation. Believe me.

I’m not fighting over him, Millie insisted. I never wanted anything to do with him!

Ruth crossed her arms over her chest and glared. Her rage was so fierce that it made Millie’s eyes fill with tears. "I didn’t! Millie whined. Stop saying I did! Mama, make her stop looking at me like that!" She lowered her head onto the table and sobbed. Why did Ruth always blame her when something went wrong? She had spent the entire evening complimenting her sister. She had thought Walter would be impressed, not put off or intimidated.

"Shush now, mameleh, their mother said, patting Millie’s back. Then she turned to Ruth. I was sitting here the whole night, just the same as you. Your sister didn’t do anything to get that boy’s attention. Whenever she spoke, it was to say something nice about you. He must have said something on your walk to make you so upset."

He said I wasn’t his type. That I should marry an Ivy League boy.

Their father grunted. He’s not so wrong about that.

Then he said he wanted a girl who wasn’t so serious. And that he preferred a girl who looked like Millie.

Millie’s head began to ache, her temples to throb. There was a long stretch of silence before her father spoke up. Millie can’t help the things the boy said. It isn’t her fault his parents raised a schmuck.

Ruth uncrossed her arms and unclenched her jaw. I know, she admitted, her voice softer than before. I have to get used to it. It’s just the way it is. She got up from the table and went back to sweeping. Her dustpan was almost full by the time Millie raised her head.

What does that mean? she wanted to know. The skin around Millie’s eyes was swollen and raw.

Ruth didn’t look up. She searched the floor for stray shards, for any broken bits she might have missed. It means people notice you, but they never notice me. They like you better, they treat you differently, and there’s nothing I can do about it. Everyone thinks you’re special. Everyone goes out of their way to be nice to you.

Not everyone, Millie said, her voice low and miserable. Not my own sister.

Millie

Springfield, Massachusetts (June 1942)

If it weren’t for the fence, she would have thought she was in the wrong place—the view from Byers Street made the armory look more like a park than anything else. But the wrought iron fence had an unmistakably military air. It was at least ten feet high, pointed at the top, ominous and impenetrable. The fence ran the full length of the block, and as Millie turned the corner onto State Street, it seemed to go on forever.

Millie walked slowly so that Michael could keep up on his tiny, two-year-old legs. Although the walk was just a little over a mile, Millie wished she had splurged on a taxi at the train station. She felt conspicuous dragging her shabby suitcase up this half-empty sidewalk. There were no fruit sellers, no pickle men; there was no shouting of any kind. The silence made her uneasy. Back home in Brooklyn, the sidewalks were always crowded—no one ever noticed if an unfamiliar woman walked by. But here, the people she passed gave her strange looks and stared. By the time she turned onto Federal Street, she could feel a line of sweat running down her back. She smoothed her curls, trying to neaten the ones that spilled out from underneath her hat. She needed a visit to the beauty parlor, but there had been so little time before leaving, and she hadn’t wanted to spend the money. She knew Ruth would notice.

Ruth had always taken note of Millie’s shortcomings—every misspelled word in her school essays, every pimple on her chin. Surely she would see that Millie’s hair needed trimming, surely her eyes would linger on the tear in Millie’s stocking, and without question, she would notice the faded hat on Millie’s head. It was the same hat Millie had worn when the sisters last saw each other five years ago—the hat Millie had purchased for their parents’ unexpected funeral, and the same one she’d worn again a few weeks later at her wedding. It was, then and now, the only hat that Millie owned, and the fact that she hadn’t been able to afford a replacement would be one more reminder of how much more successful Ruth’s life had been than her own. Millie imagined the face Ruth might make when she recognized the hat: the tiny lift of her eyebrows and the pucker of her lips. Millie sighed and kept walking.

When they saw the guards at the main entrance, Michael cried for Millie to pick him up. Behind the pillared entry, a stately brick building ran the length of the entire block. At its center was a tiered double balcony with wide white columns and a painted railing. The building’s effect was more collegiate than military. If not for the guards and the armory seals, Millie might have thought it was a university. She balanced Michael on her hip and greeted the guard.

Only after he found her name on the list was she able to breathe. She had left her home on the strength of the letter in her pocket, signed in her sister’s dutiful hand. But when the man with the clipboard checked off her name with his pen, her lungs flooded with a relief she had not known she had been seeking. There would be no returning to Brooklyn—no more nights of uncertainty. She had left behind the noise, the crowds, and the piteous glances from the morning milkman. The guard made it

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