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    An Ideal Husband
    An Ideal Husband
    An Ideal Husband
    Ebook123 pages1 hour

    An Ideal Husband

    By Oscar Wilde and Mint Editions

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    About this ebook

    Sir Robert Chiltern is a rising political star who’s confronted by the unsavory Mrs. Cheveley with news that could destroy his personal and professional life. In An Ideal Husband Sir Robert is forced to face the truth about his deceptive origins.

    Sir Robert Chiltern and his wife Lady Chiltern are surrounded by wealth and luxury. The former amassed a fortune as a young man, which helped catapult his social status. While attending a high-class event, Sir Robert is corned by Mrs. Cheveley—a former foe of Lady Chiltern. She demands he take part in an unethical business proposal or she’ll expose his corrupt past. The ultimatum has unforeseen consequences that effect his marriage and professional relationships.

    An Ideal Husband delivers a bold commentary on London’s elite. Wilde highlights the hypocrisy of pious figures, who are driven by ego and greed. Along with The Importance of Being Earnest, An Ideal Husband is one of his most produced plays.

    With an eye-catching new cover, and professionally typeset manuscript, this edition of An Ideal Husband is both modern and readable.

    Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

    With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

    LanguageEnglish
    PublisherMint Editions
    Release dateFeb 9, 2021
    ISBN9781513276229
    Author

    Oscar Wilde

    Born in Ireland in 1856, Oscar Wilde was a noted essayist, playwright, fairy tale writer and poet, as well as an early leader of the Aesthetic Movement. His plays include: An Ideal Husband, Salome, A Woman of No Importance, and Lady Windermere's Fan. Among his best known stories are The Picture of Dorian Gray and The Canterville Ghost.

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    Reviews for An Ideal Husband

    4/5

    422 ratings14 reviews

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    • 4/5
      Morality is simply the attitude we adopt towards people we personally dislike.

      Nietzsche with a buttonhole. This is a mercenary world of ennui and style. There must be a phenomenological link? Wilde notes Wealth is the new object of worship.

      The interior logic of the play is a bit neat for my taste as is the means by which the husband is reprieved. Clasps on bracelets can be annoying, yet they aren't Gordian knots.
    • 3/5
      A witty commentary on the double standards which politicians, and people in general, are often expected to live up to. A timeless theme, apparently!
    • 5/5
      Prior to this, I’d read Wilde’s only published novel, The Picture of Dorian Gray and his play A Woman of No Importance - both of which were excellent, and this play lives up to the standard of those. Wilde is simply excellent at social satire, and whilst the subject of the ‘scandal’ in this play seems tame by today’s standards, this does not detract from the enjoyment of it at all. The three works of his that I’ve read so far have all had a pretty amazing twist at the end, showing up the absurdity of some of the upper classes of the time period. Thoroughly recommended and I really want to see this on the stage now!
    • 5/5
      Funny, quaint, and surprisingly readable in spite of its advanced age. While I'm sure the play can be performed well, Wilde's specific language and non-dialogue descriptions might not be as beautiful on the stage as it on the page.
    • 3/5
      I didn't care for this one all that much. I understand the point he was making, but the holier-than-thou wife was totally undeserving of the husband's affections, even if his past was shady.
    • 4/5
      Less absurd than for instance The Importance of Being Earnest, this play nevertheless manages to accumulate an impressive number of Wildean bon mots, whilst at the same time providing food for thought on human imperfection, power and hubris, and the necessary illusions that sustain romantic relationships. "Some Like It Hot" ended with the phrase "Nobody's perfect", whereas An Ideal Husband" starts from that very observation, and then asks how we deal with it.Amidst all the banter, the anguish of a man with an unspeakable secret stands out, a youthful indiscretion that polite society would find an abomination. It is not hard to surmise that Wilde's own fears resonate here. As readers, we know that eventually his (not so secret) secret is dragged before the courts, leading to Wilde being ostracised from the society that he so lovingly mocks in these plays and to his early death. And we smile with the witticisms, but the smiles are bittersweet.
    • 4/5
      Oscar Wilde is a fantastic author. His wit and humor, and how he uses it to make social commentary is superb. I would recommend this play as a fun, light read!
    • 5/5
      I think this play is a fantastic example of Oscar Wilde's writing. Even though it deals with the idea of marriage, I think it would be good for a literature class read, to talk about corruption, ideals, expectations, etc. This play is funny, and really well done.
    • 4/5
      Lord Robert Chiltern is a good and honest man,he is Literal An Ideal Husband.But he conflicts between the love to his wife and the mistake he made when he was young.This book is famous for its play.I chose this book because I like Oscar Wilde's works.The difference of the idea of love of a woman and a man is interesting for me.The feelings of the charactors are clear and I can read more happily.
    • 5/5
      An Ideal Husband is a play of moral values of Victorian England. Lord Robert Chiltern is a honorable, good natured man who is torn between a mistake of his youth and his devotion and love for his wife. Lord Richard gives an interesting view on Oscar Wilde's opinion on the inequalities between the way men and women love. The plot is typical of Oscar Wilde's stye of mixing seriousness with light hearted whit. Fabulous play.
    • 4/5
      Despite my deep and resounding love for Oscar Wilde's The Picture of Dorian Grey (for which I have given my sons the middle names Dorian and Henry), I have come to realize I have read shamefully little of his other work. Today I resolved to sit down with one of his well-known plays, and chose An Ideal Husband. The play is everything I've come to expect from Wilde; while the dialog doesn't sound particularly natural, it is infused with the wit and charm of Wilde's satirical authorial presence, which carries the work well. I appreciated the parallel established between politics and marriage, and enjoyed the ever-present commentary on gender, fashion, society, and art (especially the aesthetic correlation established between Wilde's characters and known artists/styles). I look forward to reading more of Wilde's work - both drama and short stories - in the near future.
    • 4/5
      Another great use of the English language of the times and a great portrayal of the humor and lifestyle of the times, although I suspect the lifestyle has received some literary licence in it's presentation. I don't feel that the story is as well crafted as "The Importance of Being Earnest" but it is entertaining. Here's a piece that I particularly liked that was written for delivery by a spinster in her twenties: "Oh, I love London Society! I think it has immensely improved. It is entirely composed now of beautiful idiots and brilliant lunatics. Just what Society should be."
    • 4/5
      It's the story about the man who is a successful.but, he has a secret .I like this book 's way of write. like a play...maybe it is much more fan for play. anyway i enjyoed reading !
    • 4/5
      This is a very enjoyable, typically Wildean play. There is lots of verbal repartee and some very funny send-ups of convention and manners. It would be an interesting play to see staged now, particularly with some strong actresses to play the lead women parts. I think good acting and interesting direction could make the tension between male and female roles in society quite entertaining. This was the first drama I read through dailylit.com. Since the breaks don't always align with scene/act endings, it takes a bit of getting used to. Once I got accustomed to it, though, it was a pretty (albeit slow) way to read a play.

    Book preview

    An Ideal Husband - Oscar Wilde

    FIRST ACT

    SCENE

    The octagon room at Sir Robert Chiltern’s house in Grosvenor Square.

    (The room is brilliantly lighted and full of guests. At the top of the staircase stands LADY CHILTERN, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenth-century French tapestry—representing the Triumph of Love, from a design by Boucher—that is stretched on the staircase wall. On the right is the entrance to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. MRS. MARCHMONT and LADY BASILDON, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner has a delicate charm. Watteau would have loved to paint them)

    MRS. MARCHMONT: Going on to the Hartlocks’ to-night, Margaret?

    LADY BASILDON: I suppose so. Are you?

    MRS. MARCHMONT: Yes. Horribly tedious parties they give, don’t they?

    LADY BASILDON: Horribly tedious! Never know why I go. Never know why I go anywhere.

    MRS. MARCHMONT: I come here to be educated.

    LADY BASILDON: Ah! I hate being educated!

    MRS. MARCHMONT: So do I. It puts one almost on a level with the commercial classes, doesn’t it? But dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one.

    LADY BASILDON: (Looking round through her lorgnette) I don’t see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time.

    MRS. MARCHMONT: How very trivial of him!

    LADY BASILDON: Terribly trivial! What did your man talk about?

    MRS. MARCHMONT: About myself.

    LADY BASILDON: (Languidly) And were you interested?

    MRS. MARCHMONT: (Shaking her head) Not in the smallest degree.

    LADY BASILDON: What martyrs we are, dear Margaret!

    MRS. MARCHMONT: (Rising) And how well it becomes us, Olivia!

    (They rise and go towards the music-room. The VICOMTE DE NANJAC, a young attaché known for his neckties and his Anglomania, approaches with a low bow, and enters into conversation)

    MASON: (Announcing guests from the top of the staircase) Mr. and Lady Jane Barford. Lord Caversham.

    (Enter LORD CAVERSHAM, an old gentleman of seventy, wearing the riband and star of the Garter. A fine Whig type. Rather like a portrait by Lawrence)

    LORD CAVERSHAM: Good evening, Lady Chiltern! Has my good-for-nothing young son been here?

    LADY CHILTERN: (Smiling) I don’t think Lord Goring has arrived yet.

    MABEL CHILTERN: (Coming up to LORD CAVERSHAM) Why do you call Lord Goring good-for-nothing?

    (MABEL CHILTERN is a perfect example of the English type of prettiness, the apple-blossom type. She has all the fragrance and freedom of a flower. There is ripple after ripple of sunlight in her hair, and the little mouth, with its parted lips, is expectant, like the mouth of a child. She has the fascinating tyranny of youth, and the astonishing courage of innocence. To sane people she is not reminiscent of any work of art. But she is really like a Tanagra statuette, and would be rather annoyed if she were told so)

    LORD CAVERSHAM: Because he leads such an idle life.

    MABEL CHILTERN: How can you say such a thing? Why, he rides in the Row at ten o’clock in the morning, goes to the Opera three times a week, changes his clothes at least five times a day, and dines out every night of the season. You don’t call that leading an idle life, do you?

    LORD CAVERSHAM: (Looking at her with a kindly twinkle in his eyes) You are a very charming young lady!

    MABEL CHILTERN: How sweet of you to say that, Lord Caversham! Do come to us more often. You know we are always at home on Wednesdays, and you look so well with your star!

    LORD CAVERSHAM: Never go anywhere now. Sick of London Society. Shouldn’t mind being introduced to my own tailor; he always votes on the right side. But object strongly to being sent down to dinner with my wife’s milliner. Never could stand Lady Caversham’s bonnets.

    MABEL CHILTERN: Oh, I love London Society! I think it has immensely improved. It is entirely composed now of beautiful idiots and brilliant lunatics. Just what Society should be.

    LORD CAVERSHAM: Hum! Which is Goring? Beautiful idiot, or the other thing?

    MABEL CHILTERN: (Gravely) I have been obliged for the present to put Lord Goring into a class quite by himself. But he is developing charmingly!

    LORD CAVERSHAM: Into what?

    MABEL CHILTERN: (With a little curtsey) I hope to let you know very soon, Lord Caversham!

    MASON: (Announcing guests) Lady Markby. Mrs. Cheveley.

    (Enter LADY MARKBY and MRS. CHEVELEY. LADY MARKBY is a pleasant, kindly, popular woman, with gray hair à la marquise and good lace. MRS. CHEVELEY, who accompanies her, is tall and rather slight. Lips very thin and highly-coloured, a line of scarlet on a pallid face. Venetian red hair, aquiline nose, and long throat. Rouge accentuates the natural paleness of her complexion. Gray-green eyes that move restlessly. She is in heliotrope, with diamonds. She looks rather like an orchid, and makes great demands on one’s curiosity. In all her movements she is extremely graceful. A work of art, on the whole, but showing the influence of too many schools)

    LADY MARKBY: Good evening, dear Gertrude! So kind of you to let me bring my friend, Mrs. Cheveley. Two such charming women should know each other!

    LADY CHILTERN: (Advances towards MRS. CHEVELEY with a sweet smile. Then suddenly stops, and bows rather distantly) I think Mrs. Cheveley and I have met before. I did not know she had married a second time.

    LADY MARKBY: (Genially) Ah, nowadays people marry as often as they can, don’t they? It is most fashionable. (To DUCHESS OF MARYBOROUGH) Dear Duchess, and how is the Duke? Brain still weak, I suppose? Well, that is only to be expected, is it not? His good father was just the same. There is nothing like race, is there?

    MRS. CHEVELEY: (Playing with her fan) But have we really met before, Lady Chiltern? I can’t remember where. I have been out of England for so long.

    LADY CHILTERN: We were at school together, Mrs. Cheveley.

    MRS. CHEVELEY: (Superciliously) Indeed? I have forgotten all about my schooldays. I have a vague impression that they were detestable.

    LADY CHILTERN: (Coldly) I am not surprised!

    MRS. CHEVELEY: (In her sweetest manner) Do you know, I am quite looking forward to meeting your clever husband, Lady Chiltern. Since he has been at the Foreign Office, he has been so much talked of in Vienna. They actually succeed in spelling his name right in the newspapers. That in itself is fame, on the continent.

    LADY CHILTERN: I hardly think there will be much in common between you and my husband, Mrs. Cheveley! (Moves away)

    VICOMTE DE NANJAC: Ah! chère Madame, queue surprise! I have not seen you since Berlin!

    MRS. CHEVELEY: Not since Berlin, Vicomte. Five years ago!

    VICOMTE DE NANJAC: And you are younger and more beautiful than ever. How do you manage it?

    MRS. CHEVELEY: By making it a rule only to talk to perfectly charming people like yourself.

    VICOMTE DE NANJAC: Ah! you flatter me. You butter me, as they say here.

    MRS. CHEVELEY: Do they say that here? How dreadful of them!

    VICOMTE DE NANJAC: Yes, they have a wonderful language. It should be more widely known.

    (SIR ROBERT CHILTERN enters. A man of forty, but looking somewhat younger. Clean-shaven, with finely-cut features, dark-haired and dark-eyed. A personality of mark. Not popular—few personalities are. But intensely admired by the few, and deeply respected by the many. The note of his manner is that of perfect distinction, with a slight touch of pride. One feels that he is conscious of the success he has made in life. A nervous temperament, with a tired look. The firmly-chiselled mouth and chin contrast strikingly with the romantic expression in the deep-set eyes. The variance is suggestive of an almost complete separation of passion and intellect, as though thought and emotion were each isolated in its own sphere through some violence of will-power. There is nervousness in the nostrils, and in the pale, thin, pointed hands. It would be inaccurate to call him picturesque. Picturesqueness cannot survive the House of Commons. But Vandyck would have liked to have painted his head)

    SIR ROBERT CHILTERN: Good evening, Lady Markby! I hope you have brought Sir John with you?

    LADY MARKBY: Oh! I have brought a much more charming person than Sir John. Sir John’s temper since he has taken seriously to politics has become quite unbearable. Really, now that the House of Commons is trying to become useful, it does a great deal of harm.

    SIR ROBERT CHILTERN: I hope not, Lady Markby. At any rate we do our best to waste the public time, don’t we? But who is this charming person you have been kind enough to bring to us?

    LADY MARKBY: Her name is Mrs. Cheveley! One of the Dorsetshire Cheveleys, I suppose. But I really don’t

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