x

THE VIOLA DA GAMBA SOCIETY

OF GREAT BRITAIN
THEMATIC INDEX
OF
MUSIC FOR VIOLS
On-Line Edition 2008
Update: July 2011
COMPILED BY
GORDON DODD
WITH REVISIONS AND ADDITIONS BY
ANDREW ASHBE
I NTRODUCTORY NOTES
In order to read the Index (on-line or on CD-ROM) you need Adobe Acrobat
TM
Reader.
This software is present on most personal computers and is a de f act o industry
standard. Acrobat Reader can also be downloaded at no charge from
http://adobe.com/products/acrobat/readstep2.html or via the Adobe website at
www.adobe.com .
The Index appears in .pdf format and consists of images of the pages. At present,
therefore, it is not electronically searchable. Perhaps at some time in the future we will
be able to create a searchable index using a combination of computerized codes of
musical incipits and even sound files, but this would be an enormous task.
CD-ROM: Handle the disc with care as it is less resistant to damage than large-scale
commercial productions.
See the next page below for the overall arrangement. The main index is arranged
alphabetically by composer. Click on the bookmark on the left to reveal individual
names and click on a particular name to go direct to the first page of that composer. For
composers whose lists span many pages, further sub-divisions are provided for different
categories of compositions. Original page-numbers from the printed Index have been
retained, but a few have been moved out-of-sequence to improve grouping. It was
decided to leave the orientation of pages unchanged, but they can be rotated for easier
viewing on the screen by clicking on the document menu and then rotate pages.
Note that it may be necessary to scroll down to see some small images which have been
centred on the page.
For the anonymous tablature lists the D, E or F at the beginning of each tuning
provides a three-fold division of the basic index, which is further subdivided by the
ensuing letters/tuning. Again tunings spanning more than ten pages are given more than
one bookmark.
To save space (and money) in the printed version of the Index some pages incorporated
two or more composers, causing some names to appear out of their alphabetical
sequence. On the CD-ROM these multi-composer pages have been divided and each
composer now appears separately in correct alphabetical order.
Also the anonymous tablature pages were numbered according to the sequence in which
they were catalogued in the VdGS card index. Following consultation, the sequence has
been re-arranged alphabetically according to tuning to make each tuning easier to find.
Although this upsets the original numerical sequence a list has been provided to show
both.
Libraries are identified using the appropriate RISM sigla, a list of which is given. Full
references to books, articles and editions mentioned on the Index pages are to be found
in the Bibliography. It is difficult to keep up with the flow of new editions and we
would be glad to hear of any (including appropriate VdGS numbers).
For those wishing to print pages, it is suggested that where it is intended to put them in
a file with punched holes, a margin of 1.5 to 2 cm. is created: on the left for recto pages
and on the right for verso ones. For full pages a top margin of 0.5 cm will match
Gordons original tables.
ARRANGEMENT
Introduction
Acknowledgements
Explanatory Key
List of Libraries
Bibliography: (a) book and articles
(b) Early and facsimile prints
(c) Publishers and modern prints
(d) Index of authors for (a)
Annual lists of revised and new pages since 2004
Modern publications (mostly transferred from Index pages)
file 02 Anon: staff notation
A-2: two-part works
A-2BC: works for 1 or 2 trebles/violins, bass viol and organ/continuo
A-3: three-part works
A-4: four-part works
A-5: five-part works
A-6: six-part works
A-B2: works for two or more bass viols
A-BA: works for bastarda
A-B1: works for solo bass viol
A-CS: consort songs
A-DI: Divisions on a ground
A-Kbd-B-1: Keyboard and bass viol
file 03: Anon (with introduction); tablature tunings beginning with d
file 04: Anon; tablature tunings beginning with e
file 05: Anon; tablature tunings beginning with f
file 06: Select tables: Hengrave Hall MSS; Le Strange MSS; Playford A (= airs, staff
notation); Playford T (= tablature pieces)
Alphabetical Index by Composer files A-Z
THE VIOLA DA GAMBA SOCIETY
OF GREAT BRITAIN
THEMATIC INDEX
OF
MUSIC FOR VIOLS
On-Line Edition 2008
Update: July 2011
COMPILED BY
GORDON DODD
WITH REVISIONS AND ADDITIONS BY
ANDREW ASHBEE
1

CONTENTS
Introduction 3
Acknowledgements 5
Key 7
List of Libraries 9
Bibliography 13
Author Index for Bibliography 55
Revised and New Pages added since 2004 60
file 02 Anon (a) (staff notation)
2:two-part works
A-2BC: works for treble/violin, bass viol and organ/continuo
3:three-part works
four-part works
five-part works
six-part works
A-B2: works for two or more bass viols
A-BA: works for bastarda
A-B1: works for solo bass viol
A-CS: consort songs
A-DI: Divisions on a ground
file 03: Anon (with introduction); tablature tunings beginning with d
file 04: Anon; tablature tunings beginning with e
file 05: Anon; tablature tunings beginning with f
file 06: Select tables: Hengrave Hall MSS; Le Strange MSS; Playford A (= airs, staff notation);
Playford T (= tablature pieces)
files A-Z: Alphabetical Index by Composer
2
2
INTRODUCTION
(by Gordon Dodd)
Indexing within the Viola da Gamba Society began with the gift by Robert
Donington of the card index which he had assembled while writing his thesis on
English instrumental music,1 and which was maintained by Nathalie Dolmetsch until,
in 1965, the material was entrusted to Gordon Dodd.
Much welcome influence and impetus came from Ernst H. Meyers catalogue of
19342 and his book of 19463. From 1965 onwards, thematic index sheets in tabular
form were issued in the Societys Bulletin and, from 1969, in its journal, Chelys.
These were known collectively as the Provisional Index.
Subsequent development of the Provisional Index owed much to the Societys
deliberate policy of maintaining contact within its field, and to the welcome flow of
information, gratefully acknowledged on another page, which ensued. The happy
position was ultimately reached, of being able to give information as well as to
receive it.
The aim was to amend and amplify the Provision Index sheets and to republish
them, together with much new data, in collected form, known as the Thematic Index
or Index. As complete and simultaneous publication always appeared impracticable,
issue by cumulative loose-leaf instalments was put in hand; six instalments were
produced by Gordon Dodd between 1980 and 1992.
Effort has been concentrated mainly on English music, but the proportion of
Continental music has risen, markedly so since the recent revelation of the vast
quantity, reported by Franois-Pierre Goy, of concordances between the English lyra-
viol and French lute repertoires. Most of the English music in tablature for viol has
been included.
A reasonably comprehensive account of consort songs and verse anthems for voice
and viols is given.
The policy, based on our experience of indexing the music of Jenkins and Lawes, of
opening our doors to the generality of airs and dances for bowed strings, is confirmed
and continued.
(Addition by Andrew Ashbee)
Following publication of the Sixth Instalment in 1992, Gordon resigned from the
1 CONSORTS D (See Bibliography for codes)
2 MEYER S
3 MEYER ECM, revised as MEYER EECM
project, although he continued to note further amendments in a master copy until
prevented by increasing illness. The master copy, together with other papers on the
Index, was transferred to the care of Andrew Ashbee by Gordon, in the knowledge
that work was about to commence on the Societys parallel Index of Manuscripts
Containing Consort Music. A seventh instalment of the Thematic Index was produced
in 2002 as a CD-ROM. This included many of Gordons last amendments as well as
some new pages, but excluded any new work on the Anonymous pages. The CD-
ROM format allows the flexibility which Gordon was careful to initiate in his loose-
leaf printed series. Work will continue and I will be pleased to receive further
information at aa0060962@blueyonder.co.uk, or 214, Malling Road, Snodland, Kent,
England ME6 5EQ.
In 2004 a complete re-issue of the Thematic Index was made on a CD-ROM with
all amendments then known, together with some further new pages. In 2008 the
Committee gave permission for the whole Index to be placed on-line with free access
to all and this is planned to appear first in the winter of 2008-9. The CD-ROM can
still be made available for those preferring that format. It is intended to up-date the
Index annually.
Some changes will occur. Space limitations mean that it is becoming increasingly
difficult to record modern publications on the Index pages and instead these will now
be listed separately within the prefatory material. (However, the old material will not
be deleted unless the space is required for new work.) It has been the custom to
provide new and revised pages annually on the Societys web-site so that users can
up-date their copies. With the on-line Index this practice becomes redundant, so
annual lists within the introduction will show which are the new and revised pages for
each year. An author index for books/articles cited has been added after the
Bibliography and it is hoped later to provide a subject index too. In order to give as
complete coverage of contents as possible, it has been decided to include more non-
viol (or mixed viol and violin) music found in string manuscripts prior to 1700.
ANDREW ASHBEE
2008
ACKNOWLEDGEMENTS
The information in these index sheets has been assembled after countless library
visits on the part of Gordon Dodd and many other members of the Society, by
comparison with theses and dissertations, and by direct exchange of information with
researchers in our field.
The Society is grateful for the kind assistance given to its members by the staffs of
libraries which are listed on another page, and for the many useful and welcome
contributions made by the following individuals:
Richard Andrewes
Andrew Ashbee
Clifford Bartlett
Bruce Bellingham
John Bennett
Virginia Brookes
Howard Meyer
Brown
Joan Cameron
Richard Carter
Richard Charteris
Stuart Cheney
Carolyn Coxon
Tim Crawford
Anne Cross
Margaret Crum
Charles Cudworth
Mark Davenport
Derek Davidson
W. H. Davies
Nathalie Dolmetsch
Robert Donnington
Warwick Edwards
Christopher Field
Carol Gartrell
Pierre Gazres
Margaret Gilmore
Franois-Pierre Goy
John Harper
Ian Harwood
Michael Heseltine
Naomi Hirschfield
Michael Hobbs
Peter Holman
George Hunter
Lynn Hulse
John Jennings
Norman Josephs
Ruth Kelly
Jineen Krogstad-
Heiman
Rhona Lever
Arthur Marshall
Hazelle
Miloradovitch
Craig Monson
John Morehen
Stephen Morris
Graham Nelson
Richard Nicholson
Marco Pallis
Ian Payne
Elizabeth Phillips
David Pinto
Diana Poulton
Ulrich Rappen
Janet Richards
Layton Ring
Andrew Robinson
Lucy Robinson
Adrian Rose
John Sawyer
Bernard Schmidt
Dierk Schulz
David Scott
Lawrence Selman
Helen Simpson
Robin de Smet
Douglas Alton Smith
Robert Spencer
Matthew Spring
Evelyn Stevens
Michael Stevens
Christopher Stewart
Ila Stoltzfus
Frank Traficante
Margaret Urquhart
Kees Vellekoop
Jonathan Wainwright
Alan Ward
Robert Warner
Peter Walls
Peter Watts
Joan Wess
Pamela Willetts
John Wing
Brian Woods


6
KEY
References in the Index are given thus:
To the Select Bibliography: e.g. JENKINS Al (no hyphen).
To a page in the Index: JENKINS-1 (with hyphen).
Incipits are given in modern form. Note values are original, but original clefs and
time-signatures have been freely followed or ignored, to facilitate presentation on a
single staff. Time signatures, normally, are unless otherwise shown. Titles of works
such as Fantasy, Pavan, etc. are in most cases conventionally spelt or abbreviated.
Tables of sources. Libraries are identified by RISM sigla which are listed on
another page.
Position-in-source is indicated by a number in the table which is defined at the
head of its column by f (folio), p (page), no (number in source), seq (serial
order in an unnumbered source) or fr (microfilm frame). If no number of any sort
can be quoted, a tick, indicating mere presence, is given.
Folios. For example, 36 or 36r denotes the recto of f.36, and f.36' or 36v the verso.
inv (inverted) and rev (reversed) are self-evident. f.36:1, 36:2, etc. denote the first,
second, etc., pieces that start on the recto of f.36 (similarly with pages).
Numbers in sources. An un-bracketed number, under a heading no, is a number
found in the source. In sources with more than one sequence of numbers, I/2, II/7
denote no 2 in the first series, no 7 in the second series, etc.. As already noted,
numbers in curved brackets, headed by seq indicate serial order in an unnumbered
source. Curved brackets are used elsewhere to signify positive identifications. Square
brackets denote the extension of a source-numbering or an interpolation within it, or
an editorial insertion.
Incompleteness. An entry unqualified in any way normally denotes a complete
version. If B only, Tr lacking etc is entered, the piece is complete up to that
standard in that source. F is reserved for truly fragmentary cases where one or more
parts are defective. The underlining of the VdGS number of a piece, or occasionally
its title, denotes, following Edwards, that the piece has survived incomplete, but this
procedure was introduced only in the Third Instalment.
Attribution. A = Anonymous; Ap = Anonymous, but attributed to this
composer by virtue of position in the source.
Abbreviations: Consort parts, normally self-evident. Songs, following Monson: cs
(consort song), cd (Consort duet), ct (consort trio). i, ii etc: 1st, 2nd etc sections of a
verse anthem.
Society numbering of pieces. Existing series of numbers have been adopted, e.g.
VdGS (Meyer) No. 6, and, in particular:
A (= Ashbee), Jenkins airs, see page JENKINS-1.
C (= Charteris), Coprarios works, see page COPRARIO-
1. CLF (= Corpus des Luthistes Francais), see CLF.

7
E (= Edwards), Elizabethan consort music, see CONSORTS El. R (= Ruden), music
in Swedish sources: see SWEDEN R.
RC (= Richards) English bass viol music, numbered by composer. RT (ditto),
numbered by theme.
w (= Weidner), Tyes works: see TYE W.
LIST OF LIBRARIES
(Compiled by Gordon Dodd)
This is a list of libraries containing all printed and manuscript sources known to the
Society which include music written or transcribed for viols, including consort songs.
Not all yet appear in the Index.
A-AUSTRIA
ETGess Ebenthal, Privatsmmlung Gess
G Gottweig, Benediktinerstifts Bibliotek, Musikarchiv.
KN Klosterneuberg, Augustiner-Chorherrenstift
SPL St Paul, Stift
Wgm Wien, Gesellschaft der Musikfreunde.
Wn Wien, sterreichische National Bibliothek.
B-BELGIUM
Bc Brussels, Conservatoire.
Br Brussels, Bibliothque Royale Albert 1er
CH-SWITZERLAND
BEsa Bern, Staatsarchiv des Kantons.
CS-CZECHOSLOVAKIA
KRa Kromi: Liechenstein-Kastelkorn collection
Pnm Praha: Narodni Muzeum.
D-GERMANY
B Berlin, Staatsbibliothek Preussicher Kulturbesitz.
Bds Berlin, Deutche Staatsbibliothek
Dl Dresden, Bibliothek und Museum Lbau
DS Darmstadt, Hessische Landes- und Hochschulbibliothek
Hs Hamburg, Staats-un Universitatsbibliothek.
F Frankfurt-am-Main, Universittsbibliothek Johann Christian
Senckenberg
Kl Kassel, Landesbibliothek.
LEm Leipzig, Musikbibliothek der Stadt.
Mbs Munich, Bayerische Staatsbibliothek
Ms Mnster, Santini-Bibliothek.
OB Otterbeuren, Benediktinerabtei, Musik archiv.
RH Rheda, Frst zu Bentheim-Tecklenburgische Bibliothek
ROu Rostock, Universittsbibliothek
Swl Landesbibliothek Mecklenburg-Vorpommern, Schwerin
Tu Tubingen, Universittsbibliothek.
Usch Ulm, van Schermar'sche Familienstiftung.
9
W Wolfenbuttel, Herzog-August Bibliothek.
WRtl Weimar, Thuringische Landes bibliothek, Musiksammlung
DK-DENMARK
Kk Kobenhavn, Det Kongelige bibliothek.
E-SPAIN
SE Segovia, Catedral
IRL-EIRE
Dm Dublin, Archbishop Marsh's Library.
Dtc Dublin, Trinity College Library.
F-FRANCE
B Besancon, Bibliothque Municipale.
Nm Nantes, Bibliothque Municipale.
Pc Paris, Conservatoire (MSS at Pn)
Pcnrs Paris, Centre National de la Recherche Scientifique.
Pn Paris, Bibliothque Nationale.
Psg Paris, Bibliothque Sainte-Genevive.
GB-GREAT BRITAIN
AB Aberystwyth, National Library of Wales.
BEV Beverley, East Riding of Yorkshire CRO.
CAR Carlisle Cathedral Chapter Library.
Cfm Cambridge, Fitzwilliam Museum.
Cjc Cambridge, St. John's College Library.
Ckc Cambridge, King's College, Rowe Music Library.
Cp Cambridge, Peterhouse College Library.
Cpc Cambridge, Pembroke College Library.
Cpl Cambridge, Pendlebury Music Library.
Ctc Cambridge, Trinity College Library.
Cu Cambridge, University College Library.
CF Chelmsford, Essex CRO.
CHEr Chester, Cheshire CRO, Leycester of Tabley Archives.
DRc Durham Cathedral Library.
DU Dundee, Public Library.
EL Ely Cathedral Library (MSS deposited at Cu).
En Edinburgh, National Library of Scotland.
Eu Edinburgh, University Library.
Ge Glasgow, University Library, Euing Collection.
GUm Guildford, Museum & Muniments.
HAdolmetsch Haslemere, Dolmetsch Library.
Lam London, Royal Academy of Music
Lbl London, British Library.
Lcm London, Royal College of Music Library.
Lgc London, Guildhall, Gresham Library.
Lkc London, King's College [in the Strand].
Llp London, Lambeth Palace Library
Lms London, Madrigal Society (deposited at Lbl)
Lpro London, Public Record Office.
Lva London, Victoria and Albert Museum
LI Lincoln, Cathedral Library.
LVp Liverpool, Public Libraries, Central Library.
MA Maidstone, Centre for Kentish Studies (formerly Kent Archives Office)
Mch Manchester, Chetham's Library.
Mp Manchester, Central Public Library, Henry Watson Collection
NO Nottingham, University Library.
NTu Newcastle-upon-Tyne, University Library.
Ob Oxford, Bodleian Library.
Och Oxford, Christ Church Library.
Rr Reading, Berkshire CRO.
SA St Andrews University Library
T Tenbury, St. Michael's College (MSS at Ob)
W Wells, Cathedral Library.
Y York Minster Library
J-JAPAN
Tm Tokyo, Tokyo Musashino Ongaku Daigaku
N-NORWAY
Ou Oslo, Universitetsbiblioteket
NL-NETHERLANDS
DHgm The Hague, Gemeente Museum
Lt Leiden, Bibliotheca Thysiana
PL-POLAND
GD Gdansk, Biblioteka Polskiej, Akademii Nauk.
Kj Krakow, Biblioteka Warszaw skiego Towarzystwa Muzycznego.
LZu Lodz, Biblioteka Uniwersyteka.
S-SWEDEN
K Kalmar, Stifts -och Gymnasiebiblioteket.
(Kl) Kalmarlans Museum.
L Lund, Universtitetsbiblioteket.
N Norrkpings State Library
Skma Kungliga Musikaliska akademiens biblioteket, Stockholm.
Uu Uppsala, Universitetsbiblioteket.
11
US-USA
AAu Ann Arbor, University of Michigan
Bp Boston, Mass., Public Library, Music Dept.
Bh Boston, Harvard Music Association.
CA Cambridge, Mass., Harvard University Library.
CLwr Cleveland, Ohio, Western Reserve University Library.
Cn Chicago, Newberry Library
LAuc Los Angeles, University of California, William Andrewes Clark
Memorial Library.
NH New Haven, Conn., Yale University, Library of the School of Music.
NYp New York, Public Library (in the Lincoln Arts Center).
OAm Oakland, Calif., Mills College.
R Rochester, New York State, Eastman School of Music, Sibley Music
Library.
SM San Marino, Huntington Library.
U Urbana, University of Illinois, Music Library.
Wc Washington, Library of Congress.
Ws Washington, Folger Shakespeare Library.
USSR
Lan Leningrad, Biblioteka Akademii Nauk SSSR
SELECT BIBLIOGRAPHY
The Bibliography is in process of being re-ordered into three categories: I: Books
and Articles; II: Early Prints and Facsimiles; III: Publishers and Modern Editions.
Section III is more selective than is eventually intended. In spite of this deficiency it is
felt that to include some information at this stage is better than none.
I: BOOKS AND ARTICLES
ABEL H . Peter Holman: Charles Frederick Abels Viola da Gamba Music: A New Catalogue,
VdGS Journal, IV (2010), 36-73.
ABEL K .... Walter Knape: Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl
Friedrich Abel (1723-87), (Cuxhaven, 1971).
BACH CPE H . Ernest Eugene Helm, Thematic Catalogue of the Works of Carl Philipp Emanuel
Bach (New Haven and London: Yale U.P., 1989)
BALDWIN B .... Roger Bray: British Museum MS Royal 24 d 2 (John Baldwins Commonplace
Book), an index and commentary, RMARC 12, 137-151.
BALDWIN B2 .... Roger Bray: The part-books, Oxford, Christ Church MSS 979-83: an index and
commentary, MD xxv (1971), 179-197.
BALTZAR H .... Peter Holman: Thomas Baltzar (?1631-1663), the incomperable Luciber on the
violin, Chelys 13 (1984), 3-38.
BALTZAR W .... Thomas G. Wood: The consort music of Thomas Baltzar, (unpublished Masters
diss., University of Cincinnati, 1985).
BARNARD W .... Pamela J. Willetts: John Barnards collection of viol and vocal music, Chelys
20 (1991), 28-42.
BARYTON G .... Carol Gartrell: The baryton, its history and music), (unpublished Ph D thesis,
Surrey, 1983).
BARYTON G2 .... Carol Gartrell: The origins and development of the baryton, Chelys 11 (1982),
4-7.
BARYTON H .... Peter Holman: An Addicion of Wyer Stringes beside the Ordenary Stringes:
The Origin of the Baryton, Companion to Contemporary Musical Thought, ed. J. Paynter and others
(London, 1992), ii, 1098-1115.
BASS B .... H. Bol: La basse de viole du temps de Marin Marais et dAntoine Forqueray,
(Bilthoven, A.B. Creyghton, 1973).
BASS H .... Peter Holman: Preliminary checklist of music for one or more bass viols with or
without continuo printed before 1800, Chelys 5 (1973-4), 62-65.
BASS H2 . Peter Holman: Continuity and Change in English Bass Viol Music, VdGSJ, 2
(2008), 20-50.
BASS J .... Edward Huwys Jones: To sing and play to the base violl alone - the bass viol in English
17th-century song, LSJ 17 (1975), 17-23.
BASS R .... Janet M. Richards: A study of music for bass viol written in England in the 17th
century (unpublished B Litt thesis, Oxford (Somerville), 1960-1).
BASS S .... Julie-Ann Sadie: The bass viol in French baroque chamber music, (UMI Research
Press: Studies in Musicology, No. 26, Ann Arbor, 1980).
BASS SI .... M. Sicard: cole Francaise de viole de gambe de Maugars Marin Marais,
(unpublished Doctorat, Paris, 1979).
BASS WH .... Wendy E. Hancock: The origins of the basso continuo in England, 1585-1625,
13
(unpublished M Phil thesis, Nottingham, 1982).
BDECM .... Andrew Ashbee and David Lasocki with Peter Holman and Fiona Kisby: A
Biographical Dictionary of English Court Musicians 1485-1714, (Aldershot, 1998).
BIBL K .... A. Hyatt King, Some British Collectors of Music, (Cambridge, 1963).
BIBL R .... J. Rutledge: A viol bibliography, VdGSAJ XVI (1979), 47-71.
BING F .... Christopher D. S. Field: Stephen Bings copies of Coprario fantasia-suites, Early
Music, 27 (May 1999), 311-17.
BING S .... Harold Watkins Shaw: The Bing-Gostling Part-Books at York Minster: A Catalogue
with Introduction, Church Music Society, The Royal School of Church Music, London, 1986.
BING W .... Pamela J. Willetts: Stephen Bing, a forgotten violist, Chelys 18 (1989), 3-17.
BODLEIAN G .... Cathie Miserandino-Gaherty: The codicology and rastrology of GB-Ob Mus.
Sch. MSS c.64-9: Manuscripts in support of transmission theory, Chelys 25 (1996/1997), 78-87.
BOLLES U .... Margaret Urquhart: Sir Robert Bolles Bt. of Scampton, Chelys 16 (1987), 16-29.
BOWS R .... Hans Reiners: Baroque Bows, Chelys 28 (2000), 59-76.
BRADE H .... Calvin Raymond Huber: Life and Music of William Brade, (unpublished Ph D
diss., University of North Carolina at Chapel Hill, 1965).
BRITISH LIBRARY .... see under Lbl.
BROWNE A .... Andrew Ashbee: Instrumental music from the library of John Browne (1608-91),
Clerk of the Parliaments, ML 58/i (1977), 43-59.
BROWNE FF .... Nigel Fortune and Iain Fenlon: Music manuscripts of John Browne (1608-91)
and from Stanford hall, Leicestershire, in Source materials and the interpretation of music: a
memorial volume to Thurston Dart, ed. Ian Bent (London, 1981), 155-168.
BROWNING B1 .... David and Jennifer Baker: The Browning (I), Chelys 10 (1981), 4-10.
BUILDING T .... Frank Traficante: Procrustean pairing of sentiment and tune: a seventeenth
century English strophic song, in Essays in Musicology: a tribute to Alvin Johnson, ed.
LewisLockwood and Edward Roesner, (American Musicological Society, 1990), 177-191.
BULL D .... Gordon Dodd: Coperario or Bull? Chelys 1 (1969), 41.
BUTLER P1 .... Elizabeth Phillips: The divisions and sonatas of Henry Butler, (unpublished Ph D
diss., Washington University in St. Louis, 1982).
BUTLER P2 .... Elizabeth Phillips: Henry Butler and the early viol sonata, VdGSAJ XXI (1984),
45-52.
BUXTEHUDE L .... Eva Linfield: Dietrich Buxtehudes sonatas: a historical and analytical study,
(unpublished Ph.D. diss., Brandeis University, 1984).
BYRD F .... Edmund H. Fellowes: William Byrd, (London, 1936, 1948).
BYRD H .... John Harley: William Byrd: Gentleman of the Chapel Royal (Aldershot, 1997).
BYRD N .... Oliver Neighbour: The consort and keyboard music of William Byrd, (London, 1979).
BYRD N2 .... Oliver Neighbour: New consort music by Byrd, MT (June 1967), 506-508.
BYRD P .... Ian Payne: The first that ever he made: Byrds first pavan and galliard, and
techniques of transcription and reconstruction in the lost consort dances, Chelys 28 (2000), 28-58.
BYRD T1 .... Richard Turbet: Writings about Byrds consort music, a bibliographic note, Consort
41 (1985), 74-75.
BYRD T2 .... Richard Turbet: William Byrd, a guide to research, (New York and London, 1987).
BYRD T3 .... Richard Turbet: A hundred years of Byrd criticism 1883-1983, an annotated
bibliography, (M Litt thesis, Aberdeen, 1983).
BYRD ST .... Alan Brown and Richard Turbet (eds.): Byrd studies, (Cambridge, 1992). [NB
contributions by John Bennett and John Irving noted separately].
BYRD V . [various articles in The Viol, 1 (Winter 2005-6)]
BYRD V2 . [various articles in The Viol, 5 (Winter 2006-7)]
CAMBRIDGE C .... Matthew Holmes (compiler): Cambridge Consort Books (GB-Cu MSS
Dd.3.18 (lute),Dd.5.20 (bass viol), Dd.5.21 (recorder), Dd.14.24 (cittern).
CAMBRIDGE H .... Ian Harwood: The Origin of the Cambridge Lute MSS, LSJ 5 (1962), 32-48.
CAMBRIDGE H1 . Ian Harwood: A Lecture in Musick, with the Practice thereof by
Instruments in the Common Schooles, Mathew Holmes and Music at Oxford University c.1588-1627,
LSJ XLV, (2005), 1-70.
CAMBRIDGE P .... Ian Payne (ed.), Cambridge Consorts, Corda Music, CMP 418 (1991), being an
edition and reconstruction of music in British Library Add. MSS 30826-8.
CAVENDISH H .... Lynn Hulse: Apollos Whirligig: William Cavendish, Duke of Newcastle and
his Music Collection, The Seventeenth Century, ix (1994), 213-46.
CAVENDISH H2 .... Lynn Hulse: The Duke of Newcastle and the English viol, Chelys 29 (2001),
28-43.
CELLO S .... Mark Smith: The cello bow held the viol-way; once common, but now almost
forgotten, Chelys 24 (1995), 47-61.
CHARPENTIER T . Shirley Thompson: Marc-Antoine Charpentier and the viol, Early Music
(2004), 497-510.
CHELYS .... CHELYS, the Journal of the Viola da Gamba Society of Great Britain (London,
annual).
CLARK C .... Richard Charteris: A rediscovered source of English consort music, Chelys 5 (1973-
4), 3-6.
CLARK C2 .... Richard Charteris: Four Caroline Part-Books, ML 59 (1978), 49-51.
COLISTA WK .... Helene Wessely-Kropik: Lelio Colista: ein Rmischer meister vor Corelli: leben
und umwelt, (Vienna, 1961).
CONSORT .... The Consort, Journal of the Dolmetsch Foundation (Godalming, annual).
CONSORTS A . Andrew Ashbee: Manuscripts of consort music in London, c.1600-1625: some
observations, VdGSJ, 1 (2007), 1-19.
CONSORTS C .... Tim Crawford: An unusual consort revealed in an Oxford manuscript, Chelys 6
(1975-6), 61-8.
CONSORTS D .... Robert Donington: English instrumental music from the Reformation to the
Restoration, with particular reference to the 17th century, (unpublished B Litt thesis, Oxford (Queens),
1945-6).
CONSORTS DA .... R. Thurston Dart: Jacobean consort music, PRMA 81 (1954-5), 63-76.
CONSORTS E1 .... Warwick Edwards: The sources of Elizabethan consort music, (unpublished Ph
D thesis, Cambridge, 1974).
CONSORTS E2 .... Warwick Edwards: The performance of ensemble music in Elizabethan
England, PRMA 97 (1970-1), 113-123.
15
CONSORTS F .... Christopher D. S. Field: The English consort suite of the 17th century,
(unpublished Ph D thesis, Oxford (New College), 1971).
CONSORTS M .... Ernst H. Meyer: Form in the instrumental music of the seventeenth century,
PRMA 65 (1939-40), 45-61.
CONSORTS P .... Marco Pallis: The instrumentation of English viol consort music, Chelys 1
(1969), 27-35.
COPRARIO C1 .... Richard Charteris: John Coprario (unpublished Ph D thesis, Canterbury, New
Zealand, 1976).
COPRARIO C2 .... Richard Charteris: John Coprario - a thematic catalogue of his music with a
biographical introduction, (New York, 1977).
COPRARIO C3 .... Richard Charteris: Autographs of John Coprario, ML 56 (1975), 41-46.
COPRARIO C4 .... Richard Charteris: John Coprarios five- and six-part pieces: instrumental or
vocal?, ML 57 (1976), 370-378.
COPRARIO C5 .... Richard Charteris: A postscript to John Coprario - a thematic index, Chelys
11 (1982), 13-19.
COPRARIO C6 .... Caroline Cunningham: John Coprarios Rules how to compose and his Four-
Part Fantasias: Theory & Practice Confronted, Chelys 23 (1994), 37-46.
COPRARIO C7 .... Caroline Cunningham: Variety and unity in the fantasias of John Coprario,
Chelys 26 (1998), 69-77.
COPRARIO S ... Gordon Sanford: Coprarios cadence: some thoughts on Coprarios four-part
fantasia C21, Chelys 23, 44-48.
CORELLI M .... Hazelle Miloradovitch: Eighteeenth-century manuscript transcriptions for viols of
music by Corelli and Marais in the Bibliothque Nationale, Paris: sonatas and pices de viole, Chelys
12 (1983), 47-73.
CORKINE N .... Graham Nelson: An introduction to and study of the lyra-viol music of William
Corkine (unpublished partial MA diss., Queens University, Belfast, 1982) [Copy at Central Library,
Royal Avenue, Belfast.]
CORKINE N2 .... Graham Nelson: The lyra-viol variation sets of William Corkine, Chelys 17
(1988), 16-23.
COSYN W .... Pamela Willetts: Benjamin Cosyn: Sources and circumstance, Sundry sorts of
music books (Essays on the British Library Collections presented to O.W.Neighbour), (The British
Library, London, 1993), 129-145.
COURT A .... Andrew Ashbee: Lists of payments to the Kings Musick in the reign of Charles II
(1660-1685), (Snodland, 1981). [Replaced by RECM V].
CRANFORD W .... P. Watts: A critical edition of the works of William Cranford..., (M.Mus. thesis,
Auckland, New Zealand, 1979).
CUTTING H .... Lynn Hulse: Francis and Thomas Cutting: father and son?, LSJ XXVI, Part 2
(1986), 73-74.
DEERING P1 .... Peter Platt: Richard Deering: an account of his life and work, (B Litt thesis,
Oxford (Magdalen), 1951-2).
DENMARK B .... John Bergsagel: Danish musicians in England 1611-14: some recent
discoveries, Dansk Aerbog for Musikforsking vii (1973-6), 9ff.
DIEUPART H . Matthew Hall, Charles Dieuparts Six Suites (1701-1702) and the en concert
Performance Tradition, VdGS Journal, IV (2010), 6-35
DOLL G .... Robert Green: Charles Dolls first work for pardessus de viole, VdGSAJ 18 (1981),
67-75.
DOLL R .... Adrian P. Rose: Another collection of pieces by Charles Doll, Chelys 11 (1982),
32-35.
DOLL R2 .... Adrian P. Rose: Music for the dessus and pardessus de violes, published in France
ca. 1650-1770, VdGSAJ 16 (1979), 40-41.
DOW .... David Mateer: Oxford, Christ Church Music MSS 984-8, an index and commentary,
RMARC 20 (1986-7), 1-18.
DOWLAND C .... Richard Charteris: Manuscript additions of music by John Dowland and his
contemporaries in two 16th-century prints, Consort 37 (1981), 399-401.
DOWLAND H .... Peter Holman, Dowland: Lachrimae (1604), (Cambridge University Press,
1999).
DOWLAND P .... Diana Poulton: John Dowland (London, 1972; 2nd. ed. 1982).
DOWLAND W .... John Ward: A Dowland miscellany, Journal of the Lute Society of America 10
(1977) ?
DREXEL F .... David Fallows: The Drexel Fragments of Early Tudor Song, RMARC 26 (1993), 5-
18.
DREXEL G .... Hilda F. Gervers: A Seventeenth-Century Manuscript of English Keyboard Music:
The New York Public Library Drexel Manuscript, Drexel 5612, (unpublished Ph. D. diss., University
of New York, 1974).
DUBLIN C1 .... Richard Charteris: Consort manuscripts in the Marsh Library, Dublin...,
(unpublished M.A. thesis, Canterbury, New Zealand, 1972).
DUBLIN C2 .... Richard Charteris: Consort music manuscripts in Archbishop Marshs Library,
Dublin, RMARC 13, 27-63.
DUBLIN C3 .... Richard Charteris: Music manuscripts and books missing from Archbishop
Marshs Library, Dublin, ML 61 (1980), 310-317.
DUBLIN C4 .... Richard Charteris: A catalogue of the printed books on music, printed music and
music manuscripts in Archbishop Marshs Library, Dublin, (Clarabricken, 1982).
DUBLIN C5 .... Richard Charteris: New information about some of the consort music MSS in
Archbishop Marshs Library, Dublin, Consort 43 (1987), 38-39.
DUBLIN P .... David Pinto, Marsh, Mico and attributions, Chelys 27 (1999), 40-58.
DUBLIN T .... Robert Thompson: A further look at the consort music manuscripts in Archbishop
Marshs Library, Dublin, Chelys 24 (1995), 3-18.
DUBLIN W .... John Ward: The lute-books of Trinity College, Dublin: II: MS D.1.21: the so called
Ballet lute book, LSJ 10 (1968), 15-32. [Contains index information on lyra-viol music].
DUBUISSON C1 .... Stuart Glenn Cheney: Dubuisson: a study of his music for solo bass viol,
(unpublished Masters diss., University of North Texas, 1988).
DUBUISSON C2 .... Stuart Glenn Cheney: A summary of Dubuissons life and sources, VdGSAJ
27 (Dec 1990), 7-21.
DUBUISSON K .... Gordon Kinney: Writings on the viol by Dubuisson, de Machy, Roland Marais
and Etienne Louiez, VdGSAJ 13 (1976), 17-55.
DURHAM C .... Brian Crosby: A catalogue of Durham Cathedral music manuscripts, (Oxford,
1986).
DURHAM E .... Peter Evans: The 17th-century chamber music manuscripts in Durham Cathedral
Library, (unpublished M.A. thesis, Durham, 1953).
17
DURHAM H .... R. Alec Harman: A catalogue of printed music...in Durham Cathedral Library,
(Oxford, 1968).
DUTCH R1 .... Rudi Rasch: Seventeenth-century Dutch editions of English instrumental music,
ML 53 (1972), 270-273.
EAST E .... Joan A. Evans: The life and work of Michael East (c.1580-1648), (unpublished Ph D
diss., Boston, 1984).
EBENTHAL S .... Douglas Alton Smith: The Ebenthal lute and viol tablatures, EM 4 (1982), 462-
468.
EGERTON C .... Mary Cyr: A 17th-century source of ornamentation for voice and viol: British
Museum MS Egerton 2971, RMARC 9, 53-72.
ELIZ B .... Morrison Comegys Boyd: Elizabethan music and musical criticism, (Philadelphia, 1940;
2nd rev. ed. 1962).
ELIZABETHAN .... for other Elizabethan entries see CONSORTS
ENG MUS .... P. E. Mueller: The influence and activities of English musicians on the Continent
during the late 16th and early 17th centuries (unpublished Ph.D. diss., Indiana University, 1954).
FALLE U .... Margaret Urquhart: Prebendary Philip Falle (1656-1742) and the Durham bass viol
manuscript A.27, Chelys 5 (1973-4), 7-20.
FANSHAWE A .... John Aplin: Sir Henry Fanshawe and the two sets of early 17th-century part
books at Christ Church, Oxford, ML 57/i (1975), 11-24.
FANTASIA N .... E. Nelson: An introductory study of the English 3-part string fancy (unpublished
Ph D diss., Cornell, 1960).
FANTASIA W .... Joan Wess: Musica Transalpina, parody and the emerging Jacobean viol
fantasia, Chelys 15 (1986), 3-25.
FANTASY P .... David Pinto: The fantasy manner: the seventeenth century context, Chelys 10
(1981), 17-28.
FANTASY S1 .... Graham Strahle: Fantasy and music in 16th and 17th century England,
(unpublished Ph D thesis, Adelaide, 1987).
FANTASY S2 .... Graham Strahle: Fantasy and music in 16th and 17th century England [a
summary of FANTASY S1], Chelys 17 (1988), 28-32.
FANT-SUITE J .... Jane Troy Johnson: The English fantasia-suite c.1620-60 (unpublished Ph D
diss., California at Berkeley, 1971). [see also CONSORTS F]
FERRABOSCO C .... Richard Charteris: Autographs of Alfonso Ferrabosco I-III, EM 10 (Apr
1982), 208-211.
FERRABOSCO I C .... Richard Charteris: New information about the life of Alfonso Ferrabosco
the elder (1543-88), RMARC 17 (1981), 97-114.
FERRABOSCO I C2 .... Richard Charteris: Alfonso Ferrabosco (1543-88): a thematic catalogue of
his music with a biographical calendar (New York, 1984).
FERRABOSCO II B .... Bruce Bellingham: Alfonso Ferrabosco II: the art of the fantasia, Chelys
26 (1998), 1-25.
FERRABOSCO II D .... Gordon Dodd: Alfonso Ferrabosco II - the art of the fantasy, Chelys 7
(1977), 47-53.
FERRABOSCO II F .... Christopher Field: The Composers Workshop: Revisions in the Consort
Music of Alfonso Ferrabosco the Younger, Chelys 27 (1999), 1-39.
FERRABOSCO II L .... Edward Lowinsky: Echoes of Adrian Willaerts chromatic duo in 16th
and 17th-century compositions, in Studies in Music History: Essays for Oliver Strunk (Princeton,
1968), 183-238.
FERRABOSCO II V .... Raymond Vaught: The fancies of Alfonso Ferrabosco II, (unpublished Ph
D diss., Stanford, 1959).
FINGER M .... Arthur Marshall: The viola da gamba music of Godfrey Finger, Chelys 1 (1969),
16-26.
FINGER M2 .... Arthur Marshall: The chamber music of Godfrey Finger, Consort 20 (1970), 423-
32.
FINGER R . Robert Rawson, From Olomouc to London: the early music of Gottfried Finger
(c.1655 1730), (unpublished PhD thesis, Royal Holloway, U. of London, 2001).
FORQUERAY R .... S. Lucy Robinson: The Forquerays and the French viol tradition, (unpublished
Ph D thesis, Cambridge (New Hall), 1981).
FORQUERAY R1 . Lucy Robinson: Forqueray Pices de Viole (Paris, 1747): an enigma of
authorship between father and son, Early Music (2006), 259-276.
FRANCE MS .... Mark Summers: La morte de la viole en France pendant le dix-huitime sicle:
an enquiry into the viols fall from grace, Chelys 29 (2001), 44-61.
FRANCE S1 .... M. Sicard: The French viol school before 1650, VdGSAJ 18 (1981), 76-83.
FRANCE S2 .... M. Sicard: The French viol school: the repertory from 1650 to Ste-Colombe
(c.1680), VdGSAJ 22 (1985), 42-55.
GERMANY OL . Michael OLoghlin: Frederick the Great and his Musicians: The Viola da
Gamba Music of the Berlin School, (Aldershot, Ashgate, 2008).
GERMANY E .... R. Bodig (tr.): A Einstein: German literature for the viola da gamba in the 16th
and 17th centuries, VdGSAJ 23-26 (1986-1989).
GERMANY F .... Fred Flassig: Die solistische Gambenmusik in Deutschland im 18. Jahrhundert,
(Gttingen, Cuvillier Verlag, 1998).
GERMANY MF . Michael Fuerst: The Partitur Ludwig: An Introduction and Thematic
Catalogue, VdGS Journal, IV (2010), 74-102.
GERMANY O .... Samantha Owens: The Viol at the Wrttemberg Court c.1717: Identification of
the Hand Gamba, Chelys 30 (2002), 47-59.
GERMANY R . Michael Robertson: The Consort Suite in the German-Speaking Lands 1660-
1705, (unpublished Ph. D. thesis, University of Leeds, 2004
GERMANY S .... B. Schwendowius: Die solistiche gambenmusik in Frankreich von 1610 bis 1740,
(Regensburg, 1970).
GIBBONS C R .... Clare Rayner: A little-known 17th-century composer, Christopher Gibbons
(1615-1676), (unpublished Ph. D. diss., Indiana, 1963).
GIBBONS B1 .... Francis Baines: Fantasias for the Great Dooble Base, Chelys 2 (1970), 37-38.
GIBBONS B2 .... Francis Baines: The consort music of Orlando Gibbons, EM 6 (Oct 1978), 540-
543.
GIBBONS D .... R. Thurston Dart: The printed fantasies of Orlando Gibbons, ML 37 (1956), 342-
349.
GIBBONS F .... Edmund H. Fellowes: Orlando Gibbons, (London, 2nd. ed., 1951; reprinted USA
1970).
GIBBONS H2 .... John Harper: The distribution of the consort music of Orlando Gibbons in 17th
19
century sources, Chelys 12 (1983), 3-18.
GIBBONS H3 .... John Harper: Orlando Gibbons: the domestic content of his music and Christ
Church MS 21, MT 124 (1983), 767-770.
GIBBONS HY .... John Harley: Orlando Gibbons and the Gibbons Family of Musicians (Aldershot,
1999).
GIBBONS N .... Oliver Neighbour: Orlando Gibbons (1582-1625): the Consort Music, EM 11
(July 1983), 351-7.
GIBBONS McG .... David McGuinness: Gibbonss solo songs reconsidered, Chelys 24 (1995),
19-33.
GIBBONS N .... Richard Nicholson: A note on Gibbons and the anonymous 6-part fantasies in
Christ Church Library, VdGS Bulletin (London, July 1967).
GIBBONS T .... W. M. Triplett: Orlando Gibbons: his life and music, (unpublished Ph D diss., S.
California, 1959-60).
GOLDING H . Alan Howard: Manuscript Publishing in the Commonwealth Period: A
Neglected Source of Consort Music by Golding and Locke, ML 90/i (2009), 35-67.
GREGORY R1 .... James W. Riley: The identity of William Gregory, ML 48/iii (1967), 342-346.
GREGORY R2 .... James W. Riley: William Gregory the younger..., (unpublished Ph D diss.,
Rochester, N.Y., 1959).
GROVE .... Stanley Sadie (ed.): The New Grove Dictionary of Music and Musicians, 20 vols.
(1980; 2nd edn. 2001).
HACQUART C A .... P. Andriessen: Carel Hacquart (1640-1701?), een biographische bijdrage:
het werk, (Brussels 1974). [Reviewed by J. R. Parker, EM 5/iv (1977), 565 and 567].
HAMBURG C ... Richard Charteris: A rediscovered manuscript source with some previously
unknown works by John Jenkins, William Lawes and Benjamin Rogers, Chelys 22 (1993), 3-29.
HARP C1 . John P. Cunningham: A Tale of Two Harps: Issues arising from recordings of
William Lawess Harp Consorts, Early Music Performer, 21 (2007), 13-24
HARP C2 . John P. Cunningham: Irish harpers are excellent, and their solemn music is much
liked of strangers: The Irish Harp in Non-Irish Contexts in the Seventeenth Century, in Music,
Ireland and the Seventeenth Century, ed. B. Boydell and K. Houseton, IMS 10 (Dublin, 2009), 62-80.
HARP H .... Peter Holman: The harp in Stuart England: new light on William Lawess harp
consorts, EM 15/ii (1987), 188-203.
HATFIELD C .... Richard Charteris: Jacobean musicians at Hatfield House, RMARC 12, 116-136.
HATTON P .... David Pinto: The music of the Hattons, RMARC 23 (1990), 79-108.
HATTON W .... Jonathan Wainwright: The Musical Patronage of Christopher, First Baron Hatton
(1605-1670), (unpublished Ph.D. thesis, Cambridge, 1992).
HATTON W2 .... Jonathan P. Wainwright: Musical Patronage in Seventeenth-Century England:
Christopher, First Baron Hatton (1605-1670), (Aldershot, 1997).
HAYES V .... Gerald R. Hayes: The Viols and other bowed instruments, (London, 1930).
HINGESTON B .... Emil W. Bock: The string fantasies of John Hingeston (c.1610-1683),
(unpublished Ph D diss., State University of Iowa, 1956).
HINGESTON H .... Lynn Hulse: John Hingeston, Chelys 12 (1983), 23-42.
HUME H1 .... Colette Harris: The First Part of Ayres by Tobias Hume..., (unpublished M.Mus
thesis, London (Kings), 1970).
HUME H2 .... Colette Harris: Tobias Hume - a short biography, Chelys 3 (1971), 16-18.
HUME J .... Sterling Scott Jones: The use of motivic and thematic material in the music of Tobias
Hume, VdGSAJ 33 (1996), 15-29.
HUME S .... W. Sullivan: Tobias Humes First Part of Ayres (1605), VdGSAJ 5, (1968), 5-15 and
subsequent issues to vol. 9.
HUNTINGDON C .... Richard Charteris: The Huntingdon Library part books, Ellesmere MSS EL
25A 46-51, The Huntingdon Library Quarterly 50/1 (Winter 1987), 59-84.
HUTTON C .... Richard Charteris: Matthew Hutton (1638-1711) and his MSS in York Minster
Library, GSJ XXVIII (1975), 2-6.
HUTTON I .... John Irving: Matthew Hutton and York Minster MSS M.3/1-4(S), MR 44 (1983),
163-177.
HUYGENS, C .... Tim Crawford: Constantin Huygens and the Englische Viool, Chelys 18
(1989), 41-60.
ICONOGRAPHY F .... Michael Fleming: Paintings of Viols in England c.1580-1660, Chelys 25
(1996/1997), 3-21.
IN NOM B .... Virginia Brookes: The In Nomine from Taverner to Purcell: its sources and
development, (unpublished M Phil thesis, Southampton, 1984).
IN NOM B1 ... Virginia Brookes: In Nomine: an obscure designation, Chelys 30 (2002), 4-10.
IN NOM W .... Robert W. Weidner: The early In Nomine, (unpublished Ph D diss., Rochester,
N.Y., 1960).
ITAL-ENG B .... Derry Bertenshaw: The influence of the late 16th century Italian polyphonic
madrigal on the English viol consort, c.1600-45: a background study, (unpublished Ph D thesis,
Leicester, 1992).
ITAL-ENG B2 .... Derry Bertenshaw: Madrigals and madrigalian fantasies: the five-part consort
music of John Coprario and Thomas Lupo, Chelys 26 (1998), 26-51.
ITAL-ENG H1 .... Lydia Hamessley: The reception of the Italian madrigal in England: a repertorial
study of manuscript anthologies, ca.1580-1620 (Ph.D. diss., University of Minnesota, 1989).
ITAL-ENG H2 .... Lydia Hamessley: The Tenbury and Ellesmere part-books: new findings on
manuscript compilation and exchange, and the reception of the Italian madrigal in Elizabethan
England, ML 73/ii (Apr 1992), 177-221.
ITALY H . Bettina Hoffmann: The Nomenclature of the Viol in Italy, Viola da Gamba Society
Journal, 2 (2008), 1-16.
IVES K .... Ruth Kelly: The lyra viol music of Simon Ives (1600-62), (M.Mus thesis, Adelaide, in
progress).?
JAGIELLONSKA C .... Richard Charteris: New connections between Eastern Europe and works
by Philips, Dowland, Marais and others, Chelys 29 (2001), 3-27.
JEFFREYS A1 .... Peter Aston: George Jeffreys, MT 110 (July 1969), 772-6.
JEFFREYS A2 .... Peter Aston: George Jeffreys and the English baroque, (unpublished Ph D thesis,
York, 1970).
JEFFREYS H .... Peter Holman: George Jeffries and the great dooble base, Chelys 5 (1973-4),
79-80.
JEFFREYS W .... Jonathan Wainwright: George Jeffreys copies of Italian music, RMARC 23
(1990), 109-124.
JENKINS A1 .... Andrew Ashbee: The four-part instrumental compositions of John Jenkins,
21
(unpublished Ph D thesis, London, 1966).
JENKINS A2 .... Andrew Ashbee: John Jenkinss fantasia-suites for treble, two basses and organ,
Chelys 1 (1969), 3-15, and 2 (1970), 6-17.
JENKINS A3 .... Andrew Ashbee: Towards the chronology and grouping of some airs by John
Jenkins, ML 55/i (1974), 30-44.
JENKINS A4 .... Andrew Ashbee: Music for treble, bass and organ by John Jenkins, Chelys 6
(1975-6), 25-42.
JENKINS A5 .... Andrew Ashbee: The six-part consort music of John Jenkins - an editors view,
Chelys 7 (1977), 54-68.
JENKINS A6 .... Andrew Ashbee: John Jenkins (1592-1678) and the lyra viol, MT 119 (Oct
1978), 840-843.
JENKINS A7 .... Andrew Ashbee: John Jenkins (1592-1678): the viol consort music in 4, 5 and 6
parts, EM 6 (Oct 1978), 492-500.
JENKINS A8 .... Andrew Ashbee: The Harmonious Musick of John Jenkins: the fantasias for viols,
(Surbiton, 1992).
JENKINS A9 .... Andrew Ashbee: John Jenkins: 1592-1678, Consort 34 (1978), 265-273.
JENKINS A10 .... Andrew Ashbee: Genealogy and John Jenkins, ML 46 (1965), 225-230.
JENKINS A11 .... Andrew Ashbee: John Jenkins (1592-1678); tradition and innovation, Consort
48 (1992), 1-5.
JENKINS A12 .... Andrew Ashbee: The late fantasias of John Jenkins, Chelys 25 (1996/1997),
53-64.
JENKINS AH .... Andrew Ashbee and Peter Holman: John Jenkins and His Time: Studies in
English Consort Music, Oxford, 1996.
JENKINS C1 .... Carolyn Coxon: John Jenkins: a critical study...of his instrumental music,
(unpublished Ph D thesis, Edinburgh, 1969).
JENKINS C2 .... Carolyn Coxon: A handlist of the sources of John Jenkinss vocal and
instrumental music, RMARC 9, 73-89.
JENKINS H .... Peter Holman: Suites by Jenkins rediscovered..., EM 6/i, (Jan 1978), 25-35.
JENKINS J .... Jane Troy Johnson: How to humour John Jenkins three-part dances:
performance directions in a Newberry Library manuscript, JAMS (1967), 197-208.
JENKINS M .... Rev. F. Hugh Mountney: Lady Katherine Audleys Bells, VdGS Bulletin, 19 June
1963, 4-7.
JENKINS PW .... Pamela J. Willetts: Autograph music by John Jenkins, ML 48/ii (Apr 1967),
124-126.
JENKINS S .... Helen J. Sleeper: John Jenkins and the English fantasia-suite, Bulletin of the
American Musicological Society 4 (1940), 34-37.
JENKINS S2 .... Helen J. Sleeper: her collection of MSS notes, thematic lists, transcriptions, etc.
are at the Pendlebury Library, Cambridge.
JENKINS U .... Margaret Urquhart: Musical research in Durham Cathedral Library: Mr John
Jenkins in particular, Durham Cathedral Lecture (Durham Cathedral, 1979).
JENKINS W1 .... Robert A. Warner: The fantasia in the works of John Jenkins, (unpublished Ph D
diss., Michigan, 1951).
JENKINS W3 .... Robert A. Warner: Jenkins, four-part fancy, Meyer 14 - an enharmonic
modulation round the key-circle, MR 28/i (Feb 1967), 1-20.
KASSEL C .... Richard Charteris: English music in the library of Moritz, Landgrave of Hessen-
Kassel, in 1613, Chelys 15 (1986), 33-37.
KASSEL W .... Christopher Wool: A critical edition and historical commentary on Kassel 4o MS
Mus 125, (unpublished M Mus thesis, London, Royal Holloway College, 1983).
KEYBOARD B .... Virginia Brookes: British Keyboard Music to c.1660: Sources and Thematic
Index, (Oxford, 1996).
KEYBOARD-VIOL S . David J. Smith: The English Pavan and Galliard for Viols and the Art of
Keyboard Intabulation, The Viol, No. 12 (Autumn, 2008), 14-19.
LAWES A .... Andrew Ashbee (ed.): William Lawes 1602-1645: Essays on his Life, Times and
Work, (Aldershot, 1998).
LAWES C1 . John P. Cunningham: Music for the Privy Chamber: Studies in the Consort Music
of William Lawes (1602-1645), (unpublished Ph D dissertation, Leeds, 2007).
LAWES C2 . John P. Cunningham: Let Them be Lusty Smart-Speaking Viols: William Lawes
and the Lyra Viol Trio, JVdGSA 43 (2006); published 2008), 32-68.
LAWES C3 . John P. Cunningham: Some Consorts of Instruments are sweeter than others:
Further Light on the Harp of William Lawess Harp Consorts, GSJ 61 (2008), 147-76.
LAWES C4 . John P. Cunningham: The Consort Music of William Lawes 1602-1645
(Woodbridge, 2010).
LAWES D .... Gordon J. Dodd: William Lawes - Royall Consort Suite No. 9 in F, Chelys 6 (1975-
6), 4-9.
LAWES D2 .... Gordon J. Dodd: A study in consort interpretation: William Lawess six-part
consort set in G minor, Chelys 20 (1991), 52-61.
LAWES L1 .... Murray Lefkowitz: William Lawes, (London, 1960).
LAWES L4 .... Murray Lefkowitz: William Lawes, his life and works, (unpublished Ph D diss., S
California, 1963).
LAWES MD .... Mark Davenport: The Dances and Aires of William Lawes (1602-1645): context
and style, (unpublished Ph D diss., University of Colorado at Boulder, 2001)
LAWES P1 .... David Pinto: William Lawess consort suites for the viols and the autograph
sources, Chelys 4 (1972), 11-16.
LAWES P2 .... David Pinto: William Lawess music for viol consort, EM 6/i (Jan 1978), 12-24.
LAWES P3 .... David Pinto: William Lawes at the siege of York, 1644, MT 127 (1986), 579-583.
LAWES P4 .... David Pinto: For ye violls: The consort and dance music of William Lawes,
(London, 1995).
LAWES P5 .... David Pinto: New Lamps for Old: The Versions of the Royall Consort, in Andrew
Ashbee (ed.), William Lawes 1602-1645: Essays on His Life, Times and Work (Aldershot, 1998), 251-
281.
LBL B .... L. Baillie (ed.): The catalogue of printed music in the British Library to 1980, 62 vols.
(London, etc., 1981).
LBL HH .... Augustus Hughes-Hughes: Catalogue of manuscript music in the British Museum: III:
Instrumental music, (London 1909; repr. 1965).
LBL I .... John Irving: A note on British Library Add MSS 30826-8, Consort 43 (1987), 17-23.
LBL P .... Ian Payne: British Library Add MSS 30826-8, a set of part books from Trinity College,
23
Cambridge?, Chelys 17 (1988), 3-15.
LBL W .... Pamela J. Willetts: The British Museum handlist of music manuscripts acquired 1908-
67, (London, 1970).
LE BLANC 1740 .... Hubert Le Blanc: Dfense de la Basse de Viole Contre les Entrprises du
Violon et les Prtensions du Violoncel, (Amstredam, 1740).
LE BLANC 1740/1 .... Facsimile reprint of the above (STIMU, The Hague, 1983).
LE BLANC J .... B.G.Jackson: Hubert Le Blancs Dfense de la viole, JVdGSA X (1973), 11,
69; XI (1974), 17; XII (1975), 14 [English translation and commentary].
LE STRANGE A .... Andrew Ashbee: A further look at some of the Le Strange manuscripts,
Chelys 5 (1973-4), 24-41.
LE STRANGE F .... Christopher D. S. Field: Musical observations from Barbados, 1647-50, MT
115 (July 1974), 565-567.
LE STRANGE W1 .... Pamela J. Willetts: Sir Nicholas Le Strange and John Jenkins, ML 42/I
(1961), 30-43.
LE STRANGE W2 .... Pamela J. Willetts: Sir Nicholas Le Stranges collection of masque music,
British Museum Quarterly XXIX (1965), 79-81.
LEYCESTER A .... H. Abbey: Sir Peter Leycesters book on music, VdGSAJ 21 (1984), 28-44.
LEYCESTER C . Richard Carter: Peter Leycester and A Book of Lessons for the Lyro=Viol to
play alone in severall Tunings, The Viol, 2 (Spring 2006), 8-15. [Postscript in The Viol, 3, p.9]
LILLY W .... Pamela J. Willetts: John Lilly, musician and copyist, Bodleian Library Record 7,
No. 6 (Feb 1967), 307-311.
LILLY W2 .... Pamela J. Willetts: John Lilly, a re-dating, Chelys 21 (1992), 27-37.
LOCKE F .... Christopher D. S. Field: Matthew Locke and the consort suite, ML 51/i (Jan 1970),
15-25.
LOCKE H .... Rosamund Harding: A thematic catalogue of the works of Matthew Locke, (Oxford,
1971).
LOCKE L .... Murray Lefkowitz: The life and works of Matthew Locke (Div. of music, Boston
University).
LOCKE L2 .... Murray Lefkowitz: Matthew Locke at Exeter, Consort 22 (1965), 5-16.
LOCKE T2 .... Michael Tilmouth: Matthew Locke (1622-77), MT 118 (Apr 1977), 295-298.
LOCKE T3 .... Michael Tilmouth: Revisions in the chamber music of Matthew Locke, PRMA 98
(1971-2), 89-100.
LOCKE Th .... Robert Thompson: The Sources of Lockes Consort for seaverall friends, Chelys
19 (1990), 16-43.
LULLY S .... H. Schneider: Chronologisch-thematiches smlicher werke von Jean-Baptiste Lully,
(Tutzing, 1981).
LUPO B .... Derry Bertenshaw: Another Five-Part Piece by Thomas Lupo?, Chelys 23 (1994), 17-
36.
LUPO J1 .... John Jennings: The viol music of Thomas Lupo, (M Mus thesis, Sydney, 1967).
LUPO J2 .... John Jennings: The fantasias of Thomas Lupo, Musicology III (1968-9), 34-48;
reprinted in Chelys 3 (1971), 3-15.
LUPO J3 .... John Jennings: Thomas Lupo revisited - is key the key to his later music?, Chelys 12
(1983), 19-22.
LUTE S .... Matthew Spring: The Lute in Britain (Oxford, 2001).
LUTE/VIOL G .... Franois-Pierre Goy: Seventeenth-century viol pieces in settings for plucked
strings (c.1625-c.1700), Chelys 23, 30-43.
LUTE/VIOL S .... Matthew Spring, The English lute fantasia-style and the music of Cuthbert
Hely, Chelys 25 (1996/1997), 65-77.
LYRA Cu . John P. Cunningham: Lyra Viol Ecclesiastica: A Neglected Manuscript Source in
Archbishop Marshs Library, Dublin, VdGS Journal 3 (2009), 1-54.
LYRA CW John Cunningham and Andrew Woolley: A Little-Known Source of Restoration
Lyra-Viol and Keyboard Music, Surrey History Centre, Woking, LM/1083/91/35,RMARC 43 (2010),
1-22.
LYRA Cy .... Mary Cyr: Ornamentation in English lyra viol music, part I: slurs, juts, thumps, and
other graces for the bow, VdGSAJ 34 (1997), 48-66; part II ditto: shakes, relishes, falls, and other
graces for the hand, VdGSAJ 35 (1998), 16-34.
LYRA D .... Gordon Dodd: Matters arising from the examination of some lyra viol manuscripts,
Chelys 9 (1980), 23-27, and 10 (1981), 39-41.
LYRA H .... Colette Harris: The viol lyra-way, Chelys 4 (1972), 17-21.
LYRA J .... J. Lejeune: La lyra-viol en Angleterre (1601-82), (unpublished Mmoire de licence, 3
vols., Lige, 1973).
LYRA MJ .... M. Joiner: GB-Lbl Add MS 15117, a commentary, index and bibliography RMARC
7, [n.d.], 51-109.
LYRA N .... Graham Nelson, A case for the early provenance of the Cartwright lyra-viol
manuscript, Chelys 25 (1996/1997), 107-115.
LYRA O1 .... Annette Otterstedt: Die Englische Lyra-Viol: Instrument und Technik, (Brenreiter,
1989)
LYRA O2 .... Annette Otterstedt: The spoon to the soup: an approach to the lyra viol, Chelys 20
(1991), 43-51.
LYRA R . John Robinson: John Leydens Lyra Viol Manuscript in Newcastle University
Library and George Farquhar Grahams Copy in the National Library of Scotland, Viola da Gamba
Society Journal, 2 (2008), 17-57.
LYRA S .... John Sawyer: An anthology of lyra viol music in Oxford, Bodleian Library MSS Mus
Sch D.245-7, (unpublished Ph D diss., Toronto, 1972).
LYRA ST1 .... Ila H. Stoltzfus: The lyra viol in consort with other instruments, (unpublished Ph.D.
diss., Louisiana State College and Agricultural and Mechanical College, 1982).
LYRA ST2 .... Ila H. Stoltzfus: The lyra viol in consort: an example form Uppsala, Univ. bibl.
IMhs 4:3, VdGSAJ 17 (1980), 47-59.
LYRA T1 .... Frank Traficante: The Mansell lyra viol tablature, (unpublished Ph D diss., Pittsburgh,
1967).
LYRA T2 .... Frank Traficante: Lyra viol tunings: All Ways have been Tryed to do It, AcM
XVII (1970), 183-205.
LYRA T3 .... Frank Traficante: Music for the lyra viols: the printed sources, VdGSAJ 5 (1968);
and LSJ 8 (1966), 7-24.
LYRA T4 .... Frank Traficante: Music for the lyra viols: the manuscript sources, Chelys 8 (1978-
9), 11-22.
25
LYRA W .... Peter Walls: Lyra viol song, Chelys 5 (1973-4), 68-73.
MADRIGAL K ... Joseph Kerman: The Elizabethan Madrigal: a Comparative Study, (New York,
1962).
MAKERS F . Michel J. Fleming: Viol-Making in England c.1580-1660 (Ph D thesis, Open
University, 2002; published as CD-ROM by the author, 2002).
MANCHESTER F .... Paul L. Furnas: The Manchester Gamba Book: a primary source of
ornaments for the lyra viol, (unpublished Ph D diss., Stanford, 1978).
MANCHESTER T .... Frank Traficante: The Manchester lyra viol tablature; further information,
VdGSAJ 3 (1966), 52-55.
MARAIS B .... Garrett H. Bowles: The computer-produced thematic catalog: an index to the
pices de violes of Marin Marais volume 1, (unpublished Ph.D. diss., Stanford University, 1978).
MARAIS L .... Francois Lesure: Marin Marais: sa carrire, sa famille, RBM 7 (1953), 129-136.
MARAIS McD .... B. McDowell: Marais and Forqueray, a historical and analytical study of their
work for solo basse de viole, (unpublished Ph D diss., Columbia University, 1974).
MARAIS N .... R. Newton: Hommage Marin Marais, Consort (1952), 14 ff.
MARAIS S .... Julie-Ann Sadie: Marin Marais and his contemporaries, MT 119 (Aug 1978), 672-
674.
MARAIS T .... Clyde H. Thompson: The music of Marin Marais, (unpublished Ph D diss.,
Michigan, 1958).
MARAIS Te .... A. Tessier: Loeuvre de Marin Marais, Bulletin de la Societ de lHistoire de
lArt Francais, (1924), 76-80.
MARAIS W .... F. Winzap: Marin Marais - violiste a la cour du Roi-Soleil, Revue musical de la
Suisse Romande 26/1 (1973), 10-12.
MASQUE K .... Jean Knowlton: Dating the Masque Dances in British Museum Additional MS
10,444, British Library Quarterly 32 (1967), 99-102.
MASQUE W .... Peter Walls: Music in the English Courtly Masque, 1604-1640 (Oxford, 1996).
MERRO W .... Pamela J. Willetts: Music from the circle of Anthony Wood at Oxford, British
Museum Quarterly XXIV, no. 3-4 (1961), 71-75.
MEYER ECM .... Ernst H. Meyer: English Chamber Music (London, 1946).
MEYER EECM .... Ernst H. Meyer: Early English Chamber Music (London, 1982). [Revision of
MEYER ECM].
MEYER S .... Ernst H. Meyer: Die mehrstimmige spielmusik des 17 jahrhunderts in nord und
mitteleuropa, (Cassel, 1934).
MICO B-W .... John S. Bennett and Pamela J. Willetts: Richard Mico, Chelys 7 (1977), 24-46.
MICO-B .... John Bennett: Byrd and Jacobean consort music: a look at Richard Mico, in
BYRDST, 129-140.
MICROFILM .... David Charlton: A national catalogue of music microfilms RMARC 11, 1-70.
MONTECLAIR S .... Julie-Ann Sadie: Montclair, the viol players composer, VdGSAJ 15
(1978), 41-50.
MORLEY J .... P. Jenkins: The life and works of Thomas Morley, (unpublished M.A. thesis,
Aberystwyth, 1966).
MUNDY B .... G. Blount: The instrumental ensemble music of John and William Mundy, (? Music
Dept., S. California).
MUNDY R .... R. Reeve: The life and works of William Mundy, (unpublished Ph D thesis, London
(Royal Holloway College), 1980).
MYRIELL W1 .... Pamela J. Willetts: Musical connections of Thomas Myriell, ML 49/i (Jan
1968), 36-42.
MYRIELL W2 .... Pamela J. Willetts: The identity of Thomas Myriell, ML 53/iv (Oct 1972), 431-
433.
NAU B . Brian Brooks: tienne Nau, Breslau 114 and the early 17th-century violin fantasia,
Early Music (2004), 49-73.
NORTH W .... John Wilson (ed.): Roger North on Music, (London, 1959).
NORWAY G .... Franois-Pierre Goy: The Norwegian Viol Tablatures, Chelys 23 (1994), 55-72.
NOTATION D L .... E. David and M. Lussy: Histoire de la Notation Musicale, (Paris, 1882), copy
at US-CLwr [See TI: page TYE-4].
ORGAN G .... Dominic Gwynn, The sound of the seventeenth-century chamber organ, Chelys 25
(1996/1997), 22-31.
ORGAN O .... Annette Otterstedt, The compatibility of the viol consort with the organ in the early
seventeenth century, Chelys 25 (1996/1997), 32-52.
ORGANISTS S .... Harold Watkins Shaw: The Succession of Organists of the Chapel Royal and
the Cathedrals of England and Wales from c.1538, Clarendon Press, Oxford, 1991.
OSBORN F . Robert Ford, Osborn MS 515: a Guardbook of Restoration Instrumental Music,
Fontes Artis Musicae 30 (1983), 174-184.
OXFORD A ....G. E. P. Arkwright: Catalogue of Music in the Library of Christ Church Oxford
(Oxford, 1915; reprinted 1971).
OXFORD C1 .... Margaret Crum: The consort music from Kirtling, bought for the Oxford Music
School from Anthony Wood, 1667, Chelys 4 (1972), 3-10.
OXFORD C2 .... Margaret Crum: Early lists of the Oxford Music School collection, ML 48/i (Jan
1967), 23-34.
OXFORD G .... Richard L. Greaves: Music at Puritan Oxford, MT 110 (Jan 1969), 26-
OXFORD M .... Falconer Madan: A Summary Catalogue of Western Manuscripts in the Bodleian
Library at Oxford, 6 vols. (Oxford, 1895-1935).
PANMURE C .... P. Cadell: La musique francais classique dans la collection des Comtes de
Panmure, RMFC XXII (1984), 50-58.
PANMURE McC .... Calum McCart: The Panmure manuscripts, a new look at an old source of
Christopher Simpsons music, Chelys 18 (1989), 18-40.
PAPER T .... Robert Thompson: English music manuscripts and the fine paper trade, 1648-1688,
(unpublished Ph D thesis, London (Kings), 1988).
PAPER T2 .... Robert Thompson: Some late sources of music by John Jenkins in Andrew Ashbee
and Peter Holman (eds.), John Jenkins and His Time: Studies in English Consort Music (Oxford,
1996), 271-308.
PAPER T3 .... Robert Thompson: Paper in English Music Manuscripts: 1620-1645 in Andrew
Ashbee (ed.), William Lawes 1602-1645: Essays on his life, times and work (Aldershot, 1998), 143-
154.
PARDESSUS G .... Robert Green: The pardessus de viole and its literature, EM 10 (July 1982),
300-307.
27
PARDESSUS R1 .... Adrian P. Rose: The solo repertoire for dessus and pardessus de viole
published in France c.1650-C.1770: a list of works, with introduction, Chelys 9 (1980), 14-22. [See
DOLL R2, of which this is a reprint]
PARDESSUS R2 .... Adrian P. Rose: The Pardessus de viole: Notes for a masters thesis, Chelys
24 (1995), 34-46.
PARDESSUS S . Richard Sutcliffe, The Pardessus Book of Mademoiselle Rochette, Viola da
Gamba Society Journal 2, ii (July 2009), 1-14 [with inventory on pp. 15-55, compiled by Andrew
Ashbee]
PARIS E .... J. dcorcheville: Catalogue du Fonds de Musique Ancienne de la Bibliothque
Nationale, (8 vols), (Paris, 1907). [On GB-Ob, open shelves; at Lbl, Hirsch 292.]
PARSLEY M .... John Morehen: The instrumental consort music of Osbert Parsley, Consort 30
(1974), 67-71.
PARSONS B .... David Baker: The instrumental consort music of Robert Parsons, Chelys 7
(1977), 4-23.
PASTON B .... Philip Brett: Edward Paston (1550-1630) a Norfolk gentleman and his musical
collection, Transactions of the Cambridge Bibliographical Society IV, Part I (1964), 51-69.
PASTON M .... S. McCoy: Some aspects of the Paston lute books, (unpublished M Mus. thesis,
Kings College, London, 1985).
PATRONAGE H .... Lynn Hulse: The Musical Patronage of the English Aristocracy, c.1590-1640,
(unpublished Ph.D. thesis, Kings College, London, 1993).
PEERSON C .... Richard Charteris: Another six-part fantasy by Martin Peerson?, Chelys 9 (1980),
4-9.
PEERSON H .... Julia J. Heydon: Martin Peersons Private Musicke, VdGSAJ 29 (1992), 1-26.
PEERSON J .... A. Jones: The life and works of Martin Peerson, (unpublished M Litt thesis,
Cambridge (Girton), 1956-7).
PLAYFORD F .... [Letter]: Michael Fleming: A booksellers catalogue of 1657, Chelys 29 (2001),
61-63.
PLAYFORD M .... Peter A. Munstedt: John Playford, music publisher: a bibliographical catalogue,
(unpublished Ph.D. diss., University of Kentucky, 1983).
PLAYFORD T .... Robert Thompson: Manuscript Music in Purcells London, EM 23 (1995), 605-
618.
POOLE A . Patxi X. del Amo Irribarren, 'Anthony Poole (c.1629-1692), the Viol and exiled
English Catholics' (unpublished Ph D dissertation, University of Leeds, 2011).
PULVER .... Jeffrey Pulver: A biographical dictionary of old English music, (London, 1927).
PURCELL A .... Martin Adams, Henry Purcell: The origins and development of his musical style
(Cambridge, 1995).
PURCELL B .... Ellen TeSelle Boal: Tempo indications in Purcells fantasias and sonatas,
VdGSAJ 31 (1994 ), 9-
PURCELL H1 .... Peter Holman, Henry Purcell (Oxford, 1994).
PURCELL H2 .... Peter Holman, Henry Purcell and Joseph Gibbs: A new source of the three-part
fantasias Z732 and Z734, Chelys 25 (1996/1997), 97-100.
PURCELL Pi .... David Pinto, Purcells In nomines: A tale of two manuscripts (perhaps three),
Chelys 25 (1996/1997), 101-106.
PURCELL Pr .... Curtis Price (ed.), Purcell Studies (Cambridge, 1995).
PURCELL ST . Robert Shay and Robert Thompson, Purcell Manuscripts. The Principal Musical
Sources, (Cambridge, 2000).
PURCELL Th1 .... Robert Thompson, The Glory of the Temple and the Stage: Henry Purcell
(1659-1695), (London, 1995).
PURCELL Th2 .... Robert Thompson, The sources of Purcells fantasias, Chelys 25 (1996/1997),
88-96.
PURCELL T .... Michael Tilmouth; The technique and form of Purcells sonatas, ML 59/ii (Apr
1959), 109-121.
PURCELL W .... Jack A. Westrup: Purcell (London, 1937; rev. 1965).
PURCELL Z .... Franklin B. Zimmerman: Henry Purcell (1659-95), an analytical catalogue of his
music, (London, 1963).
PURCELL Z2 .... Franklin B. Zimmerman: Henry Purcell, 1659-1695, his life and times
(Pennsylvania, 2nd. ed. 1983).
RAVENSCROFT P .... Ian Payne: The sacred music of Thomas Ravenscroft, EM 10/iii (Jul
1982), 309-314.
RECM .... Andrew Ashbee: Records of English Court Music.
Vol. I (1660-1685) (Snodland, 1986)
Vol. II (1685-1714) (Snodland, 1987)
Vol. III (1625-1649) (Snodland, 1988)
Vol. IV (1603-1625) (Snodland, 1991)
Vol. V (1625-1714) (Aldershot, 1991)
Vol. VI (1558-1603) (Aldershot, 1992)
Vol. VII (1485-1558) (Aldershot, 1993)
Vol. VIII (1485-1714) (Aldershot, 1995)
Vol. IX Index (Aldershot, 1996)
RENAISSANCE B .... Howard M. Brown: Instrumental music printed before 1600, (Cambridge,
Mass., 1965).
RENAISSANCE N .... Jeremy Noble: Le repertoire instrumental Anglais: 1550-85, La Musique
Instrumental de la Renaissance (Paris, 1955), 91-114. [Includes list of contents of GB-Lbl Add MS
31390.]
RENAISSANCE R .... Gustav Reese: Music in the Renaissance, (London, 1954).
RESEARCH W .... Ian Woodfield: Recent research on the viol, VdGSAJ 25 (Dec 1988), 53-56,
thenceforward annually.
RISM-TABL .... W. Boetticher (ed.): Handschriften Uberlieferte Lauten und Gitarren tablaturen
des 15 bis 18 Jahrhunderts, (Munich, 1978). [Includes details of some lyra viol tablatures].
ROGERS R .... Richard Rastall: Benjamin Rogers (1614-98): some notes on his instrumental
music, ML 46 (1965), 237-242.
ROSSETER H .... Ian Harwood: Rosseters Lessons for Consort of 1609, LSJ 7 (1965), 15-23.
ROUSSEAU N . Shaun K. F. Ng: Rponce de Monsieur Rousseau, Viola da Gamba Society
Journal 2, ii (July 2009), 56-77.
ST BARBE U .... Margaret Urquhart: Sir John St Barbe, Bt, (Southampton, 1983).
29
SCHENCK L .... S. Luttman: The music of Johann Schenck: some observations, VdGSAJ 18
(1981), 94-120.
SIMPSON C .... Richard Charteris: A Newly-Discovered Manuscript Copy of Christopher
Simpsons The Division-Viol, Chelys 23 (1994), 47-54.
SIMPSON Con .... Ted Conner: The groundbreaking treatise of Christopher Simpson, VdGSAJ 36
(1999), 5-39.
SIMPSON M .... M. Meredith: Christopher Simpson and the consort of viols, (unpublished Ph D
thesis, Cardiff, 1969).
SIMPSON R .... J. Rae: Christopher Simpson - Months and Seasons, (unpublished Masters diss.,
Cincinatti, 1972).
SIMPSON S .... Ilse Stoltzfus: Christopher Simpsons Little Consort, VdGSAJ 21 (1984), 53-63.
SIMPSON U .... Margaret Urquhart: The handwriting of Christopher Simpson, Chelys 15 (1986),
62-63.
SIMPSON U2 .... Margaret Urquhart: Was Christopher Simpson a Jesuit?, Chelys 21 (1992), 3-
26.
SIMPSON U3 .... Margaret Urquhart: A possible trace of Christopher Simpson, Chelys 27 (1999),
59-61).
SOMERSET B .... Michael G. Brennan: Sir Charles Somersets Music Books (1622), ML 74
(1993), 501-518.
STERNE B . Claire Berget: Laurence Sterne, Charles Frederick Abel and the Viol, Viola da
Gamba Society Journal, 2 (2008), 67-75.
STERNE H: Peter Holman: Laurence Sterne the Musician, Viola da Gamba Society Journal, 2
(2008), 58-66.
STIRROP W .... Pamela J. Willetts: Silvanus Stirrops Book, RMARC 10, 101-107.
STUART C .... Edward Corp: The Musical Manuscripts of Copiste Z, Revue de Musicologie
84/i (1998), 37-62.
SUTHERLAND .... GB-En Sutherland Papers, No. 314, deposit 28 (on loan).
SWEDEN-TABL .... J. Ruden: Music in tablature in Sweden, (Stockholm, 1981).
SYMPHONY .... Peter Holman: The Symphony, Chelys 6 (1975-6), 10-24.
TAILOUR G .... David Allen Gerig: An analysis of two English pre-Restoration devotional
collections: Robert Tailours Sacred Hymnes...1615 and John Amners Sacred Hymnes...1615,
(unpublished D.M.A. diss., University of Illinois at Urbana-Champaign, 1987).
TAILOUR T .... C. Thomas: Sacred Hymns by Robert Tailour, a critical study and transcription,
(unpublished M Mus thesis, London (Kings), 1983).
TALLIS M .... John Milsom: A Tallis fantasia, MT 126 (1985), 658-662.
TELEMANN K .... Gordon Kinney: Telemanns use of the viol as a solo or concertante
instrument, VdGSAJ 17 (1980), 5-27. [Includes a list of works.]
THESES ENG .... Ian Bartlett and Benedict Sarnaker (eds.): Register of dissertations and theses on
music in Britain and Ireland: cumulative list of accepted dissertations and theses to 1991 together with
Supplement 1, RMARC 25 (1992).
THESES AMS .... The International Index of dissertations and musicological works in progress,
(American Musicological Society et al, 1977).
TOMKINS B . Anthony Boden: Thomas Tomkins: The Last Elizabethan, Ashgate, Aldershot,
2005.
TOMKINS C .... John Caldwell: British Museum Add MS 29996, (unpublished Ph D thesis, Oxford
(Keble), 1964-5).
TOMKINS I1 .... John Irving: Consort playing in mid-17th century Worcester; Thomas Tomkins
and the Bodleian part-books Mus Sch E.415-8, EM 12/iii (Aug 1984), 337-344.
TOMKINS I2 .... John Irving: Oxford, Christ Church MSS 1018-20, a valuable source of
Tomkinss consort music, Consort 40 (1984), 1-12.
TOMKINS I3 .... John Irving: The instrumental music of Thomas Tomkins (1572-1636), (New
York, 1989).
TOMKINS I4 .... John Irving: Byrd and Tomkins: the instrumental music, in BYRD-ST, 141-158.
TOMKINS I5 .... John Irving: Thomas Tomkinss copy of Morleys A Plaine and Easy
Introduction to Practical Music, ML 71/iv (Oct 1990), 483-493.
TOMKINS P . David Pinto [letter]: Thomas Tomkins and a copyist associated with him, M&L
72 (1991), 517-18.
TOMKINS S .... Denis Stevens: Thomas Tomkins, (New York, 1967).
TREBLE C .... Mary Cyr: Solo music for the treble viol, VdGSAJ 12 (1973), 4-13.
TREGIAN B-L .... P. Boyan and G. Lamb: Francis Tregian, Cornish recusant, (London, 1955).
[Mainly concerns Tregian I, but mentions Tregian II.]
TREGIAN C1 .... Elizabeth Cole: In search of Francis Tregian, ML 33 (1952), 28-32.
TREGIAN C2 .... Elizabeth Cole: Seven problems of the Fitzwilliam Virginal Book, PRMA 79
(1952-3), 51-64.
TREGIAN Cu .... A. Cuneo: Francis Tregian the Younger: Musician, Collector and Humanist?,
ML 76 (1995), 398-404.
TREGIAN D .... Bernard Schofield and R. Thurston Dart: Tregians anthology, ML 32 (1951),
205-216.
TREGIAN S . David J. Smith: Francis Tregian the younger as music copyist, MT 143 (Summer
2002), 7-16.
TREGIAN T .... Ruby Reid Thompson: The Tregian Manuscripts: A Study of their
Compilation, British Library Journal 18 (1992), 202-4.
TREGIAN T2 .... Ruby Reid Thompson: Francis Tregian the Younger as Music Copyist: a Legend
and an Alternative View, ML 82 (2001), 1-31.
TREGIAN W .... Pamela J. Willetts: Tregians part-books, MT 104 (1963), 334-335.
UPPSALA M .... J. Mracek: Seventeenth century instrumental dances in Uppsala Library Imhs
409..., (unpublished Ph D diss., Indiana, 1965).
VdGSJ . Viola da Gamba Society Journal
VIOL F .... Michael Fleming: Unpacking the Chest of Viols, Chelys 28 (2000), 3-19.
VIOL F2 .... Michael Fleming: How long is a piece of string? Understanding seventeenth-century
descriptions of viols, Chelys 31 (2003), 18-35.
VIOL H . Peter Holman: Life after Death: the Viola da Gamba in Britain from Purcell to
Dolmetsch (The Boydell Press, 2010).
VIOL M .... Tilman Muthesius: The English Chest of Viols, Chelys 28 (2000), 20-27.
VIOL O .... Annette Otterstedt: The Viol: History of an Instrument, (Kassel, 2002).
31
VIOL W .... Ian Woodfield: The early history of the viol, (Cambridge, 1984).
VIOLIN C .... Mark Caudle: The English repertory for violin, bass viol and continuo, Chelys 6
(1975-6), 69-75.
VIOLIN H .... Peter Holman: The English Royal Violin Consort in the sixteenth century, PRMA
109 (1982-3), 39-59.
VIOLIN H2 .... Peter Holman: Four and Twenty Fiddlers. The Violin at the English Court 1540-
1690 (Oxford, 1993).
VOICE/VIOL D . Ross W. Duffin, New light on Jacobean taste and practice in music for voices
and viols, in Le Concert des voix et des instruments a la Renaissance: actes du XXXIVe Colloque
Renaissance, 1-11 juillet 1991, 601-618.
VOICE/VIOL M .... Craig Monson: Voices and Viols in England, 1600-50, (Ph D diss., California
at Berkeley, 1974).
VOICE/VIOL M2 .... Craig Monson: Voices and Viols in England, 1600-1650, the sources and the
music, (UMI Research Press, Studies in Musicology No. 55, 1982).
VOICE/VIOL S .... Kathryn E. Smith: Music for voices and viols: a contextual study and critical
performing edition of verse anthems in Christ Church (Oxford) MSS 56-60, (unpublished D.M.A. diss.,
University of Illinois at Urbana-Champaign, 1988).
WALSINGHAM E .... Warwick Edwards: The Walsingham consort books, ML 55/ii (Apr 1974),
209-214.
WARD B .... Virginia Brookes: The four-part fantasias of John Ward: one composer or two?,
Chelys 26 (1998), 52-68.
WARD F .... Robert Ford: John Ward of Canterbury, VdGSAJ 23 (1986), 51-63.
WARD P1 .... Ian Payne: The handwriting of John Ward, ML 65/ii (Apr 1984), 176-199.
WARD P2 .... Ian Payne: John Ward (c. 1589-1638): The Case for One Composer of the
Madrigals, Sacred Music and Five- and Six-Part Consorts, Chelys 23 (1994), 1-16.
WARD S .... Christian Strover: John Wards fantasias and In Nomines, (B Litt thesis, Oxford
(Hertford), 1956-7).
WASHINGTON D .... Gordon J. Dodd: The Coprario-Lupo five-part books at Washington,
Chelys 1 (1969), 36-40.
WEELKES B .... David Brown: Thomas Weelkes, (London, 1969).
WEELKES D .... Gordon J. Dodd: Mr Weelkes His Second Pavin, Chelys 9 (1980), 31-32.
WHITE R S .... Irwin Spector: Robert White, composer; between two eras, (unpublished Ph D diss.,
New York, 1952).
WHITELOCK .... Andrew Ashbee: A not unapt scholar: Bulstrode Whitelock (1605-75), Chelys
11 (1982), 24-31.
WITHIE T .... Robert Thompson: Francis Withie of Oxon and his commonplace book, Chelys
20 (1991), 3-27.
WOOD B .... Bruce Bellingham: The musical circle of Anthony Wood in Oxford during the
Commonwealth and Restoration, VdGSAJ 19 (1982), 7-70.
WOOD S .... John Derek Shute: Anthony a Wood and his manuscript Wood D 19(4) at the Bodleian
Library, Oxford: an annotated transcription, (unpublished Ph D diss., International Institute for
Advanced Studies, Clayton, Missouri, 1979).
WOODFILL .... Walter Woodfill: Musicians in English society from Elizabeth to Charles I,
(Princeton, 1953).
YALE-FILMER .... Robert Ford: The Filmer MSS - a handlist, Notes, 34, No. 4 (June 1978), 814-
825.
YOUNG D .... Gordon J. Dodd: William Young - airs for solo viol, Chelys 9 (1980), 33-35.
YOUNG M .... Stephen Morris: The life and work of William Young (?-1662), Englander,
composer and gambist to the Archduke Ferdinand Karl of Innsbruck, (unpublished Ph D diss.,
University of Washington, 2004).
YOUNG M2 . Stephen Morris: William Young Englishman, VdGS Journal, 1 (2007), 51-65.
YORK G1 .... David Griffiths: A catalogue of the printed music published before 1850 in York
Minster Library, (York, 1977).
YORK G2 .... David Griffiths: A catalogue of the music MSS in York Minster Library, (York,
1981).
ZIEGLER T .... Frank Traficante: An extant copy of J. C. Zieglers Intavolatura zur viola da
gamba, Chelys 8 (1978-9), 64
II: EARLY EDITIONS AND FACSIMILES
ABB 1761 .... lAbb le fils: Principes du violon (Paris, 1761).
ABEL CF 1760 .... Carl Friedrich Abel: [Sonatas for VdG] (1760?).
ABEL CF 1770 .... C. F. Abel: [Pieces for VdG] (1770).
ABEL CF 1771 .... C. F. Abel: [6 easy sonatas] (Amsterdam, 1771).
ABEL CH 1677 .... Clamor Heinrich Abel: 3 Theil Musicalische Blumen... (Frankfurt a/M, 1677).
ADSON 1621 .... John Adson: Courtly Masquing Ayres (London, 1621).
AGOSTINI 1583 .... L. Agostini: Il Nuovo Echo a cinque voic .... Libro Terzo Opera Decima
(Ferrara, 1583).
AHLE JG 1681 .... J. G. Ahle: Anmuthige Zehn vierstimme violdigamspiele ([Muhlhausen?], 1681).
AHLE JR 1650 .... J. R. Ahle: Dreifaches Zehn allerhand neuer Sinfonien ... a3, 4, 5 (Erfurt, 1650).
AHLE JR 1654 .... J. R. Ahle: Neuer Sonaten, Paduanen ... a2, 3, 4, 5 (Erfurt, 1654).
AMBROGIO 1599 .... [included in BELLANDA 1599].
AMNER 1615 .... John Amner: Sacred Hymns of 3, 4, 5, & 6 parts (London, 1615).
ARNOLD 1659 .... G. Arnold: Canzoni, Ariae et Sonaten a 1-4 violis cum B... Op. 3 (Innsbruck,
1659).
ARIVABENE 1540.... A. Arrivabene (publ.): Musica Nova... (Venetia, 1540), (21 pieces by various
composers).
ATTAIGNANT 1530 (1) .... P. Attaignant (publ.): Six Gaillards et Six Pavanes.. a quatre parties..
(Paris [1530]), [25 pieces by various composers].
ATTAIGNANT 1530 (2) .... P. Attaignant (ed.): Neuf basse danses, etc etc ... a quatre parties...
(Paris, 1530), (51 dances).
ATTAIGNANT 1547 .... P. Attaignant (publ.): Second livre contenant trois Gaillardes... etc ... a
quatre parties (Paris, 1547), (50 pieces).
AVENARIUS 1630.... T. Avenarius: Convivium musicale... Paduanas, Galliards.. [a4, a5]
(Hamburg und Hildesheim, 1630).
33
BALLARD 1613, 1626 .... P. Ballard (publ): Airs quatre de differents auteurs (Paris, 1613, 1626).
BALLARD 1659 .... R. Ballard, (publ): II. Livre d'Airs de differents autheurs a deux parties (Paris,
1659) [= RISM B/I 1659.4]
BALLARD R 1662 .... R. Ballard (publ): Livre de chansons pour danser et pour boire (Paris,
1662).
BALLARD P 1675 .... P. Ballard (publ): Receuil des chansonettes... (Paris 1675).
BANCHIERI A 1595 .... A. Banchieri: Concerti Ecclesiastici a otto voci... (Venice, 1595).
BANCHIERI A 1596 .... A. Banchieri: Canzoni alla Francese a quattro voci per sonare... (Venice,
1596) (11 pieces a4).
BANISTER 1678.... J. Banister and T. Low (publ.): New Ayres and Dialogues...by Sundry Authors
(London 1678).
BARLEY 1596 .... W. Barley: A new booke of tabliture (London, 1596).
BARNARD 1641 .... John Barnard: First book of selected church music (London, 1641).
BARRIRE 1739 .... J. Barrire: Sonates pour le Pardessus de viole avec la Basse Continue, Livre
V (Paris, 1739).
BASSANO C 1585 .... Fantasie a tre voci... (Venice, 1585).
BASSANO C 1591 .... Motetti, Madrigali et Canzoni ... Diminuiti per sonar... [a3-6] (Venice,
1591).
BECK 1670 .... J.H. Beck: Continuatio Exerciti musica secunda (1670).
BECK 1671.... J.H. Beck: Allemanden, Giguen, Couranten und Sarabanden auf der Viola da
Gamba zu streichen von etlichen Accorden. (Strasburg, 1677).
BECKER 1668 .... D. Becker: Sonaten fur Violin (VdG, BC), ber Chorallieder. (Hamburg [?],
1668).
BECKER 1674 .... D. Becker: Erster Theil/Zwei-stimmigerlSonaten und Suiten/Nebest emem
gedoppelten Bc (Hamburg, 1674).
BELLANDA 1599 .... L. Bellanda: Canzonette spirituali a due voci con altra a tre & a quattro da
sonare (1599) (incl. 2 a3 by Ambrogio Bresciano).
BENDUSI 1553 .... F. Bendusi: Opera Nova di Balli...a quatro voci... (Venetia, 1553) (24 dances).
BENSBERGH 1676: see page GAULTIER-2.
BERNABEI 1698 .... J. Bernabei: Orpheus Ecclesiasticus (Nremberg, 1698) (12 symph. a
2BV/Bc).
BLAINVILLE 1750 .... C. de Blainville: Premier livre de Sonates pour le dessus de viole avec la
Basse Continue (Paris, 1750).
BLEYER 1628 .... N. Bleyer: Erster Theil newer Pad., Gall etc. mit 5 stimmen (Hamburg 1628).
BLEYER 1642 .... ditto (Leipzig 1642).
BOESSET 1624 .... Boesset: Quatrieme Livre d'Airs de cour a 4-5 parties (Paris?, 1624).
BOISMORTIER 1725 .... J. de Boismortier: Sonates a deux Violes, Op. 10 (Paris, 1725).
BOISMORTIER 1729 .... J. de Boismortier: Vingt-sixime oeuvre ... contenant VI Sonates (Paris,
1729) (cello, viol or bassoon).
BOISMORTIER 1730 (1) .... J. de Boismortier: Trentime oeuvre ... contenant diverses pices de
viole (Paris, 1730).
BOISMORTIER 1130(2) .... J. de Boismortier: Trente et unime oeuvre... contenant diverses pices
de viole avec la basse chiffre (Paris, 1730).
BOISMORTIER 1731 .... J. de Boismortier: Premier livre de Pices pour la Viole (Paris, c.1730).
BOISMORTIER 1732 .... J. de Boismortier: XL Oeuvre contenant six Sonates... (Paris, 1732) (2
bassoons, celli, viols).
BOISMORTIER 1734 .... J. de Boismortier: Oeuvre cinquantime ... contenant VI Sonates (Paris,
1734) (cello, bassoons, viols, a2-3).
BOISMORTIER 1736 .... J. de Boismortier: Six Sonates pour le pardessus de viole avec la basse,
soixante-unime oeuvre (Paris, 1736).
BOISMORTIER 1737 .... J. de Boismortier: Petites Sonates, op. 66 (Paris, 1737) (2 bassoons, celli,
viols).
BRADE 1609, 1614, 1617, 1619, 1621 .... W. Brade: various editions of airs and dances, some in
modern editions.
BUONA 1592 .... V. Buona:Il Secondo Libro delle canzonette a tre voci...(Venice, 1592) (12 a3).
BUUS 1541 .... J. Buus: Superius Recercar...Libro Primo a Quatro Voci ... (Venice, 1547) (10 a4).
BUUS 1549 ... J. Buus: Superius Il Secondo Libro de Recercari... a quatro voci... (Venice, 1649) (8
a4).
BUXTEHUDE 1694.... D. Buxtehude: VII Sonate... (Hamburg & Lubeck, 1694) (7 Sonate a2 vln,
VdG, bc, Op 11).
BUXTEHUDE 1696 .... ditto (Hamburg 1696).
BUXTEHUDEWV . D. Buxtehude: Sonaten fr Violine, Gambe und Cembalo, ed. M. Seiffert,
DDT, xi (1903, rev. 2/1957 by H. J. Moser)
BYRD 1575 .... W. Byrd: Cantiones Sacrae (London, 1575).
BYRD 1588 .... W. Byrd: Psalmes, Sonets and Songs... (London, 1588).
BYRD 1589 .... W. Byrd: Songs of Sundrie Natures (London, 1589).
BYRD 1605 .... W. Byrd: Gradualia (London, 1605).
BYRD 1611 .... W. Byrd: Psalmes, Songs and Sonnets... (London, 1611).
de CAIX 1145 .... B. de Caix: VI Sonates pour deux Pardessus de Viole a Cing Cordes, Violins ou
Basses de Viole... (Paris, Lyon, c.1745)
CAIX d'HERVELOIS 1710 .... L. de Caix d'Hervelois: Premier livre de Pices de Viole (Paris,
1710).
CAIX d'HERVELOIS 1717 .... L. de Caix d'Hervelois: Second...do. (Paris, 1717).
CAIX d'HERVELOIS 1717/1: Second livre de pices de viole (Paris, 1717); facsimile reprint, ed.
James Caldwell
CAIX d'HERVELOIS 1731 .... L. de Caix d'Hervelois: Troisime oeuvre contenant quatre suites de
pices (Paris, 1731).
CAIX d'HERVELOIS 1731/1: Troisime oeuvre contenant quatre suites de pices pour la viole
avec la basse chifr en partition (Paris, 1731); facsimile reprint, ed. J-L Charbonnier (Paris, 1974).
[BV, Bc]. [46 pieces].
CAIX d'HERVELOIS 1740 .... L. de Caix d'Hervelois: Quatrime Livre de Pieces a deux violes
(Paris, 1740).
CAIX d'HERVELOIS 1748/1: Cinquime livre de pices de viole (Paris, 1748); facsimile reprint,
35
ed. J-L Charbonnier (?) [BV, Bc]. [63 pieces].
CAIX d'HERVELOIS 1748 .... L. de Caix d'Hervelois: Cinquime livre de pices de viole (Paris,
1748).
CAIX d'HERVELOIS 1751 .... L. de Caix d'Hervelois: Sixime livre de pices pour Un pardessus
de viole... avec la basse... Neuvime oeuvre (Paris, 1751).
CAIX d'HERVELOIS 1751: VIe Livre. Pices pour un Pardessus de Viole a cinq et six cordes avec
la Basse... (Paris, 1751).
CAIX d'HERVELOIS 1753 ... L. de Caix dHervelois: Cinquime livre de pices pour Un
pardessus de viole...avec la basse ... dixime oeuvre (Lyon, 1753).
CAMPION 1613 .... T. Campion: First and second books of ayres (London, 1613?).
CAPPUS 1730 .... Premier Livre de Pices de Viole (Paris, 1730).
CAROLO 1710 .... See [ROSIER].
dalla CASA 1584 .... G. dalla Casa: Il vero modo di diminuir (Venetia, 1584) (25 bastarda settings
of various composers' madrigals etc.).
du CAURROY .... E. du Caurroy: Fantaisies a III, IV, V et VI parties (Paris, 1610).
CAVACCIO 1597 .... G. Cavaccio: Musica ... A Quattro Voci (Venice, 1597) (25 named pieces,
a4).
de CAUS 1615 .... S. de Caus: Institution Harmonique (Frankfort, 1615).
CHAMBONNIRES 1670 ....J.C.de Chambonnires: Pices de clavessin, Livre II (Paris, 1670); i.e.
RISM A/I C 1786.
CHRISTENIUS 1619(1) .... J. Christenius: Omnigen Mancherley manier newer welti. Lieder,
Paduanen... (Erfurt, 1619) (15 a5).
CHRISTENIUS 1619(2) .... J. Christenius: Pfeil in welchen befinder Newe weltl. Lieder... (Leipzig,
1619) (6 a4).
CIMA 1598.... G. Cima (12 a2 in GASTOLDI 1598).
CLAMER 1682 .... A. Clamer: Mens harmonica ... 42 varioribus sonatinis (Salzburg 1682).
COMPLEAT V .... Anon.: The Compleat Violist... (London, c.1700).
COMPLEAT V/1 .... H. Klemt: Anon.: The Compleat Violist... (London, c.1700), facsimile reprint.
CORKINE 1610 ....W. Corkine: Ayres to sing and play to the lute and basse violl (London, 1610).
CORKINE 1610/1 .... W. Corkine: Ayres to sing and play to the lute and basse violl, facsimile
reprint (Menston, 1970).
CORKINE 1612 .... W. Corkine: The second book of ayres (London, 1612).
CORKINE 1612/1 .... W. Corkine: The second book of ayres, facsimile reprint (Menstone, 1970).
CORRETTE ND(1) .... N. Corrette: Les Dlices de la Solitude... (sonatas for cello, viol or bassoon,
with Bc) (Paris, no date).
CORRETTE ND(2) .... N. Corrette: Le Phnix... concert pour quatre violoncelles, violes ou
bassons (Paris, no date).
COSYN J 1585 .... J. Cosyn: Musicke of six andfive parts... on the common tunes (London, 1585).
COUPERIN F 1724 .... F. Couperin: Les Gouts -Reunis ou nouveaux concerts (Paris, 1724).
COUPERIN F 1724/1 .... F. Couperin: Les Gouts -Reunis ou nouveaux concerts, facsimile reprint
(Geneva, 1979).
COUPERIN F 1728 .... F. Couperin: Pices de Viole... (Paris, 1728).
COUPERIN F 1728/1 .... S.L. Robinson (ed.): F. Couperin: Pices de Viole..., modern edition
(Paris, 1972).)
CRACOW BV/1 .... Gordon Dodd (ed.), facsimile reproduction of a MS, at one time in Cracow
University Library, now at Warsaw (Pt-Wtm).
DAY 1560 .... J. Day: Certaine Notes... (London, 1560).
DEMANTIUS 1601 .... J. C. Demantius: Sieben und Siebenzig newe auss. lieb. ... tanze (a5)
(Nuremberg, 1601).
DEMANTIUS .... J. C. Demantius: Fasciculus Chorodiarum (dances a4-5) (Nuremberg, 1613).
DOLL 1737(1) .... C. Doll: Pices de viole, op. 2 (Paris, 1737).
DOLL 1737(2) .... C. Doll: Sonates ..., op. 4 (duos etc. in F-Pn Vm7 6304) (Paris, 1737).
DOLL 1754 .... C. Doll: Sonates..., op. 6 (2 pardessus de viole, in F-Pn Vm76305) (Paris, 1754).
DOWLAND 1604 .... Dowland: Lachrimae, or Seaven Teares figvred in Seaven Passionate
pauans, with diuers other Pauans, Galiards, and Almands, set forth for the Lute, Viols, or Violins, in
fiue parts (London, 1604).
DOWLAND 1604/1 .... Dowland: Lachrimae..., facsimile reprint, ed. Warwick Edwards, (Boethius
Press, Leeds, 1974; 2nd. rev. ed. Severinus Press, Newbury, 1992).
DOWLAND R 1610(1) .... R. Dowland: A Musicall Banquet (London, 1610).
DOWLAND R 1610(2) .... R. Dowland: Variety of Lute Lessons (London, 1610).
DRETZEL 1620 .... V. Dretzel: Serulum Musicale (a4, a8) (Nuremberg, 1620).
DUMONT 1657 .... H. Dumont: Meslanges a ii, iii et v parties (Paris, 1657).
EAST 1610 .... M. East: The Third Set of Bookes... (London, 1610).
EAST 1618 .... M. East: The Fift Set of Bookes.. (London, 1618).
EAST 1624 .... M. East: The Sixt Set of Bookes... (London, 1624).
EAST 1638 .... M. East: The Seventh Set of Bookes... (London, 1638).
ELIZABETHAN: for other Elizabethan entries see CONSORTS.
ENGEUWIN 1616, 1617, 1622 .... Engelmann: Fasciculus 5 voc... (Leipzig 1616, 1617, 1622).
ERLEBACH 1694.... P.H. Erlebach: VI Sonate a v... (vln, VdG, Bc) (Nurnberg, 1694).
ESTREES 1559(1), (2), (3) .... J. D'Estrees: Premier...Second...Tiers Livre de Danseries ... a quatre
parties (Paris, 1559).
EX MUS 1660 .... Anon: Exercitium Musicum (113 3-part dances) (Frankfurt, 1660).
FALCONIERI 1650 .... A.Falconieri: Il primo libro... (Naples, 1650).
FARINA 1626, 1621, 1628 .... C. Farina: Libro Primo.. Ander Theil...Terzo.. Quarto...Funften
(Dresden 1626, 1627, 1627, 1628, 1628).
FARNABY 1625-39 .... G. Farnaby: The Psalmes ofDavid, to fower parts, for viols and voyce, the
first book Doricke Mottoes, the second, Divine Canzonets (London, between 1625 and 1639).
FERRABOSCO II 1609 .... Alfonso Ferrabosco II: Lessons for 1, 2 and 3 viols (London, 1609).
FERRABOSCO II 1609/1: Lessons for 1, 2 and 3 viols (London, 1609); facsimile reprint (New
37
York, 1973).
LE FVRE [1703] .... Le Fvre: Suittes faciles (Amsterdam, no date [1703]).
FINGER 1688 .... G. Finger: Sonatae XII Pro Diversis Instrumentis... ad Basin Continuum pro
Organo seu Clavicymbalo formantur (Op. 1, 1688).
FIOR 1698 .... A. M. Fior: Trattenimenti da camera a due stromenti (Lucca, 1698).
FONGHETTI 1598 .... P. Fonghetti: Capricii et madrigali... a due voci (Verona, 1598) (16
instrumental pieces, named).
FORD 1607 .... T. Ford: Musicke of Sundrie Kindes (London, 1607).
FORD 1607/1: Musicke of Sundrie Kindes (London, 1607); facsimile reprint, ed. David Greer
(Scolar Press, Menston, 1971).
FORMSCHNEIDER 1538 .... H. Formschneider (publ.): Tenor Trium vocum Carmina...
(Nuremberg 1538), (100 unattributed trios).
FORQUERAY 1741(1) .... A. & J-B Forqueray: Pices de viole avec la Basse Continue composes
par Mr Forqueray le pre (Paris, 1747).
FORQUERAY 1747(1)/1: Antoine and Jean-Baptiste Forqueray: Pices de viole avec la Basse
Continue composes par Mr Forqueray le pre (Paris, 1747); facsimile reprint (Geneva, 1976).
FORQUERAY 1747(2) .... ditto mise en pices de clavecin par Mr Forqueray le fils (Paris, 1747).
FRANCK 1603-23 .... (10 volumes of dances a4-6, publ. 1603-23).
FRESCOBALDI 1608 .... G. Frescobaldi: Il primo libro delle fantasie a quattro (Milan, 1608).
FRESCOBALDI 1615 .... G. Frescobaldi: Recercari, et canzoni franzese...libro primo (Roma,
1615).
FRESCOBALDI 1628 .... G. Frescobaldi: Il primo libro delle canzoni (al-4) (Roma 1628).
FRESCOBALDI 1634 .... G. Frescobaldi: Canzoni da sonare (al-4 plus Bc) (Venezia, 1634).
FRITSCH 1606 .... B. Fritsch: Primitiae musicales... (dances a4) (Frankfort am Main, 1606).
FUHRMANN 1615 .... C.L. Fuhrmann: Testudo gallo-germanica ([Nuremberg?], 1615).
FULLSACK 1607 .... Z. Fullsack & C. Hildebrand: Ausserlesener Paduanen... (Heidelberg, 1607).
FUNCK 1617 .... D. Funck: Stricturae Violdegambicae (Leipzig, 1677).
GABRIELI 1581 .... A. & G. Gabrieli: Concerti.. Libro et secondo... (Venetia, 1587) (incl. 1 ric. per
sonar by A. Gabrieli).
GABRIELI A 1589 .... A. Gabrieli: Madrigali et Ricercari...a Quattro Voci... (Venetia, 1589).
GABRIELI A 1590 .... A. Gabrieli: Madrigali et Ricercari...a Quattro voci (Venetia, 1590).
GABRIELI-PADOVANO .... A. Gabrieli & A. Padovano: Dialoghi Musicali (Venetia, 1590).
GABRIELI G 1591 .... G. Gabrieli: Sacrae Symphoniae (1597).
GABRIELI G 1608 ... G. Gabrieli: (6 canzoni, 1608).
GABRIELI G 1615 ... G. Gabrieli: Canzoni et Sonate (1615).
GALILEI 1584 .... V. Galilei: Contrapunti a due voci... (Fiorenza 1584).
GALLUS 1598 ... J. Gallus: Totius Libri primie.. (Mediolani, 1598).
GANASSI 1542 .... S. Ganassi: Regole Rubertina (Venetia, 1542).
GARDANE 1551 .... A Gardane or Gardano (publ.): Fantasie, Recercari, Contrapunti a Tre voci..
(Venetia, 1551).
GASTOLDI 1598 .... G. Gastoldi and others:. .Il primo Libro della musica a due voci (Milan,
1598).
GAULTIER D LG/1 F. Lesure & F.-P. Goy (eds.), G. Gastoldi and others:... Il primo Libro della
musica a due voci, facsimile ed. from original in D-Bkk MS 78.C.12 Geneve 1991.
GERLE 1532.:.. H. Gene (ed.): Musica Teusch... (Nuremberg, 1532) (including 17 songs a4).
GERLE 1546 .... H. Gene (ed.): Musica und Tablatur... (augmented version of GERLE 1542)
(Nrnberg, 1546).
GERVAISE 1550(1) .... C. Gervaise (ed.): Quart livre de danceries a quatre parties contenant xix
pavanes & xxxi gaillardes... (Paris, 1550).
GERVAISE 1550(2) .... C. Gervaise (ed.): Cinqiesme livre de danceries ... a quatre parties... (53
Bransles a4) (Paris, 1550).
GERVAISE 1555 .... C. Gervaise (ed.): Sixieme Livre de danceries quatre parties ... (50 Bransles
a4) (Paris, 1555).
GERVAISE 1557 .... C. Gervaise (ed.): Troisieme Livre de danceries quatre et cinq parties... (42
dances a4-5) (Paris, 1557).
GETZMANN 1613 .... W. Getzmann: Phantasiae sive cantiones (Frankfurt am Main, 1613).
GIBBONS 1620 .... Orlando Gibbons: Fantazies of Three Parts (London, c.1620)
GORTON 1701 .... W. Gorton: A choice collection of new ayres...for two bass viols (London, l701).
GROH 1603 .... J. Groh: 36 neue ... Intraden a5 (Nuremberg, 1603.
GROH 1604 .... J. Groh: Dreisig neue auss. pav. & gall. (Nuremberg, 1604).
GROH 1612 .... J. Groh: Dreisig...pav. & gall... (Nuremberg, 1612).
GUAMI 1588 .... F. Guami: Ricercari a due voci... (Venetia, 1588) (23 duets).
GUILLET 1610 .... C. Guillet: Vingt quatre fantasies a quatre parties, disposes selon l'ordre des
douze modes (Paris, 1610).
GUMPELZHAIMER 1595 .... A. Gumpelzhaimer: Compendium Musicae Latino Germanicum...
(1595) (6 Ricercari by various composers).
HACQUART C 1686(1) .... C. Hacquart: Chelys, op. 3 (Amsterdam, 1686).
HACQUART C 1686(2) .... C. Hacquart: Harmonia Parnassia sonatarium trium... Op.2 (Utrecht,
1686).
HACQUART C 1700-10 .... C. Hacquart: 12 sonatas for 2 VdG (Amsterdam c.1700-10).
HADRIANIUS 1600 .... E. Hadrianius: Pratum Musicum (Antwerp, 1600).
HAGIUS 1604 .... C. Hagius: Neue deutsche Tricinen (Heidelberg 1604).
HAGIUS 1610 .... C. Hagius: Ander Theil (Frankfurt, 1610).
HAGIUS 1617 .... C. Hagius: Neue kunstliche Musik, Intraden etc.(Nrnberg, 1617).
HAMMERSCHMIDT 1636 .... A. Hammerschmidt: Erster Fleiss ... Paduanen (5 viols & Bc)
(Freiberg, 1636).
HAMMERSCHMIDT 1639 .... A. Hammerschmidt: Ander Theil.. .neuer Paduanen, Canzonen...
(Freiberg, 1639).
39
HAMMERSCHMIDT 1643 .... A. Hammerschmidt: Ander Theil weitliche Oden oder Liebegesange
(incl. VdG obbligato) (Freiberg, 1643).
HAMMERSCHMIDT 1650 .... A. Hammerschmidt: Dritter Theil...neuer Paduanen... (Leipzig,
1650).
HASE 1610 .... G. Hase: Newe froliche...Tanz (Nrnberg, 1610).
HASSLER 1601(1) .... H. Hassler: Lustgarten... (Nrnberg, 1601).
HASSLER 1601(2) .... H. Hassler: Sacri Concentus... (Nrnberg, 1601).
HAUSMANN 1598, 1599 .... V. Hausmann: Neue artige ... Tanze (Nrnberg, 1598 and 1599 (same
contents)).
HAUSMANN 1602 .... V. Hausmann: Venusgarten (Nrnberg, 1602).
HAUSMANN 1603 .... V. Hausmann: Rest. von Poln. etc ... Tanzen (Nrnberg, 1603).
HAUSMANN 1604 .... V. Hausmann: Neue Intrade (Nrnberg, 1604).
HESSEN 1555 .... P. Hessen & Bartholomeus (eds.): Etlicher gutter Teutscher und Polnischen
Tentz... (155 pieces a4-5) (Breslaw, 1555).
HEUDELINNE 1701 .... L. Heudelinne: Trois Suites de Pices a Deux Violles (Paris, 1701;
Amsterdam 1708).
HEUDELINNE 1705 .... L. Heudelinne: Second Livre de Pices (Paris, 1705, 1710).
HEUDELINNE 1705/1: Louis Heudelinne, Second Livre de Pices (Paris, 1705,1710); facsimile
reprint (Geneva, 1989).
HILDEBRAND 1609 .... C. Hildebrand: Ander Theil, ausserlesener lieblicher Paduanen, und ...
Galliarden, mitfnff stimmen... (Hamburg, 1609)
HFFLER 1695 .... C. Hffler: Primae Chelicae... (Nurnberg, 1695).
HOLBORNE 1597 .... A. Holborne: The Cittharne School (London, 1597).
HOLBORNE 1599 .... A. Holborne: Pavans, Galliards, Almains... (London, 1599).
HOLBORNE 1599/1 .... S. Beck (ed.): ditto, modern edition (New York, 1940).
HOLBORNE 1599/2 .... B. Thomas (ed.): ditto, modern edition (London, 1980).
HOVE 1612 .... J. van den Hove: DelitiaeMusicae (Antwerp 1612).
HUGARD 1750 .... Hugard: La Toilette, pieces nouvelles pour le pardessus de viole cinq cordes
(with Bc) (Paris, c.1750).
HUME 1605 .... T. Hume: First Part ofAyres (London, 1605).
HUME 1605/1 .... F. Traficante (ed.): ditto, facsimile reprint (Menston, 1969).
HUME 1607 .... T. Hume: Captain Humes Poeticall Musicke (London, 1607).
HUME 1607/1 .... F. Traficante (ed.): ditto, facsimile reprint (Menston, 1969).
INGEGNIERI 1579 .... MA. Ingegnieri Il secondo Libro de Madrigali... (incl. 2 Canzoni a4)
(Venetia, 1579).
JONES 1601 .... R. Jones: The Second Booke of Songs and Ayres (London, 1601).
JONES 1608 .... R. Jones: Ultimum Vale, or The Third Booke of Ayres (London, 1608).
JULIO 1540 .... Julio da Modena: (13 Ricercari a4) (1540).
KELZ 1669 .... Kelz: Epidigma harmoniae novae variae ... a Violino, e Viola da Gamba... (1669).
A KEMPIS 1644, 1647, 1649 .... N. A Kempis: Symphoniae ... Op. 1, Op. 2 Lib. I, Op 3 (Antwerp
1644, 1647, 1649).
KINDERMANN 1653 .... J.E. Kindermann: Canzoni, Sonatae Una Duabus, Tribus & Quaturo
violis... Pars Prior (Nurnberg, 1653.
KON FANT 1648 .... XXKonincklyken Fantasien om op 3 Fioolen de Gamba... (Amsterdam, 1648).
KON FANT 1648/1 .... E. Schreurs & M. Sanders: ditto, facsimile reprint (Peer, 1987).
KON FANT 1648/2 .... H. Mnkemeyer: ditto, facsimile reprint (Celle, 1985).
KONWALINKA 1673 .... P. Konwalinka: Jenische Abendmusik... (Jena, 1673).
KREMBERG 1686 .... J. Kremberg: Musicalische Gemths Ergotzung (40 accompanied songs; viol
(10 tunings) & lute tablature) (Dresden 1689),
KRIEGER 1688 .... J. Krieger: 12 sonate a2 ... Op. 1 (Nrnberg, 1688).
KRIEGER 1693 .... J. Krieger: 12 sonate a2 (Nrnberg, 1693).
KROMBHORN 1612 .... T. Krombhorn: Neue Paduanen... (Liegnitz, 1612).
KHNEL 1698:.... A. Khnel: Sonate o Partire ad una o due Viole da Gamba, con il Basso
Continuo (Cassel 1698).
KHNEL 1698/1 .... ditto, facsimile reprint (Peer, 1984).
LASSO 1577 .... O. di Lasso: Novae Aliquot... ad duas voces... Cantiones... (24 pieces a2) (1577).
LICINO 1545 .... A. Licino: Primo libro di duo cromatici... (20 canons a2) (Venetia, 1545).
LOCKE 1656 .... Matthew Locke his Little Consort of Three Parts (London, 1656).
LOCKE 1656/1 .... I. Gammie (ed.): ditto, modern edition (Harpenden, no date).
LOCKE 1673 .... M. Locke: The Present Practice ofMusick Vindicated (London, 1673).
LOW 1678 .... Low & Banister (publ.): New Airs & Dialogues (London, 1678).
LOWE 1664 .... J. Lowe: Sonaten, Canzonen & Capriccen (incl. duets for violin and viol) (Jena,
1664).
LUPACHINO 1559 .... B. Lupachino & J. Tasso:Il Primo Libro a Due Voci... (incl. 13 by
Lupachino, 15 by Tasso) (Venetia, 1559).
LUPACHINO 1565 .... B. Lupachino & J. Tasso: Il primo libro a note negre a due voci... (Venetia,
1565.
LUTKEMAN 1597 .... P. Lutkeman: Der Erste Theil...Paduanen und Galliarden ... mit 5, 6 &
mehrstimmen... (Stettin, 1597).
LYTTICH 1610 .... J. Lyttich: Venus Glocklein oder newe welt Gesange... (Jena, 1610).
MACE 1676 .... T. Mace: Musicks Monument (London, 1676).
MACE 1676/1 .... ditto, facsimile reprint (Paris, 1958).
DE MACHY 1685 .... De Machy: Pieces de Violle (Paris, 1685).
DE MACHY 1685/i .... ditto, facsimile reprint (Geneve, 1973).
MAINERO 1578 .... G. Mainero: Ilprimo libro de Balli a quattro voci... (Venetia, 1578).
MALVEZZI 1577 .... G. Malvezzi: Ilprimo libro de Recercari a Quattro Voci... (Perugia, 1577).
MARAIS 1686 .... M. Marais: Pices une et Deux Violes (Paris, 1686; Basse-continues added
in 1689) (also Amsterdam, 1701).
41
MARAIS 1686/i .... ditto, facsimile reprint...
MARAIS 1686/2 .... J. Hsu (ed.): ditto, modern edition (New York, 1980).
MARAIS 1692 .... M. Marais: Pices en trio (Paris, 1692; also Amsterdam, 1697).
MARAIS 1692/i .... ditto, facsimile reprint...
MARAIS 1701 .... M. Marais: Second Livre de Pices de Viole (Paris, 1701; also Amsterdam,
1702).
MARAIS 1701/i .... ditto, facsimile reprint...
MARAIS 1701/2 .... J. Hsu (ed.): ditto, modern edition (New York, 1986).
MARAIS 1711 .... M. Marais: Troisieme Livre de Pices de Viole (Paris, 1711; also Amsterdam,
c.1712).
MARAIS 1711/i .... ditto, facsimile reprint.
MARAIS 1717 .... M. Marais: Quatrieme Livre de Pices a une et a trois violes (Paris, 1717; also
Amsterdam, before 1737).
MARAIS 1717/i .... ditto, facsimile reprint...
MARAIS 1723 .... M. Marais: La gamme et autres morceaux de symphonie (Paris, 1723).
MARAIS 1723/i .... ditto, facsimile reprint...
MARAIS 1725 .... M. Marais: Cinquime Livre de Pices de Viole (Paris, 1725).
MARAIS 1725/i .... ditto, facsimile reprint.
MARAIS R 1735 .... R. Marais: Premier livre de Pices de Viole avec la basse chiffr... (Paris,
1735).
MARAIS R 1735/1 .... ditto, facsimile reprint (Gnve, c.1984).
MARAIS R 1735/2 .... ditto, facsimile reprint (Oberlin, 1985)
MARAIS R 1738 .... R. Marais: Second livre de pices de Viole... (Paris, 1738).
MARAIS R 1738/1 .... J-L. Charbonnier (ed.): ditto, facsimile reprint (Paris, 1981).
MARAIS R 1738/2 .... ditto, facsimile reprint (Gnve c.1984).
MARAIS R 1738/3 .... ditto, facsimile reprint (Oberlin, 1985).
MARC 1724 .... T. Marc: Suitte de pices de dessus et de pardessus de viole et trois Sonates, avec
les
basses continue (Paris, 1724).
MARC 1724/1 .... ditto, facsimile reprint (Gnve, 1988).
MARC 1724/2 .... A.P. Rose (ed.): ditto, modern edition (Ottawa, 1983).
MASCHERA 1584 .... F. Maschera: Libro primo de Canzoni da Sonare a Quattro Voci... (21
canzoni a4) (Brescia 1584).
MATHEW 1652 .... R. Mathew: The Lutes Apology (London, 1652).
MAYNARD 1611 .... J. Maynard: XII Wonders of the World (London, 1611).
MAYNARD 1611/1 .... ditto, facsimile reprint (Menston,...).
MAZZI 1596 .... L. Mazzi: Ricercari a Quattro et Canzoni a quattro, a cinque et a otto voci...
(Venetia, 1596).
MERCKER 1609 .... M. Mercker: 20 Neue ... Paduanen & Galliarden... (Helmstedt, 1609).
MERULO 1574 .... C. Merulo: Il primo libro de Ricercari ... a quattro voci... (Venetia, 1574).
MTRU 1642 .... N. Mtru: Fantasies Deux Parties pour les Violles... (Paris, 1642).
MODERNE 1545 .... J. Moderne (publ.): Musique de Joye... (51 pieces a4 by Willaert, Julius de
Modena etc) (Lyon, c.1545).
MLLER 1610 .... J. Mller: Neue Paduanen... (Frankfurt, 1610).
MONTECLAIR 1697 .... M. Monteclair: Serenade (Paris, 1697).
MOREL 1709 .... Morel: Premier Livre de Pices de Viole (Paris, 1709).
MORLEY 1595 .... T. Morley: The First Booke of Canzonets to two Voyces (London, 1595).
MORLEY 1595(1)/i .... E.H. Fellowes (ed.): ditto, modern edition (London, 1928).
MORLEY 1595(1)/2 .... G. Hunter (ed.): ditto, facsimile reprint (Urbana, 1990).
MORLEY 1595(2) .... T. Morley: Canzonets or little short songs to three voices (London, 1595).
MORLEY INTRO .... T. Morley: A Plaine and Easie Introduction to Practicall Musicke (London,
1597).
MORLEY INTRO/i .... E.H. Fellowes (ed.): ditto, facsimile reprint (London, 1937).
MORLEY INTRO/2 .... A. Harman (ed.): ditto, modern edition (London, 1952).
MOSS 1671 .... J. Moss: Lessons for the Bass Viol (London, 1671).
MOULINI 1629 .... [Lute Airs, Book III, 1629].
MOULINI 1639 .... E. Moulini: Cinquiesme Livre dAirs de Cour a quatre et cinq parties...
(Paris, 1639).
MOULINI 1658 .... E. Moulini: Meslanges... (11 pavans for VdG and lute) ([Paris?], 1658).
MOY 1631 .... L. de Moy: La petit Boucquet... (Emden, 1631).
MYRIELL 1616 .... T. Myriell: Tristitiae Remedium (GB-Lbl Add MSS 29372-77).
NEVELL 1591 .... J. Baldwin (scribe): My Ladye Nevells Book (MS, 1591).
NEVELL 1591/1 .... H. Andrews (ed.): ditto, modern edition (London, 1926).
NICOLAI 1675 .... J. Nicolai: Erster Theil... (Augsburg, 1675).
OROLOGIO 1597 .... A. Orologio II: Intradae ... quinque & sex vocibus, Liber Primus... (8 a5, 20
a6) (Helmstadt, 1597).
ORTIZ 1553 .... D. Ortiz: Trattado de Glosas Clausulas (Rome, 1553).
ORTIZ 1553/1 .... M. Schneider (ad.): ditto, modern edition (Kassel, 1967).
OTTO 1611 .... Otto: Neue Pad., Gall... (Leipzig, 1611).
PEETRINO 1583 .... J. Peetrino: Il primo libro de Madrigali a quatro voci... (Venetia, 1583).
PETERSEN 1683 .... D. Petersen: Speel Stuckan... (Amsterdam, 1683).
PEUERL 1611, 1613, 1620, 1625 .... P. Peuerl: (4 editions of dances).
PHALESE 1571 .... P. Phalse & J. Bellre (publ.): Liber Primus Leviorum Carminum... (103
dances) (Lovani, 1571).
PHALESE 1583 .... P. Phalse & J. Bellre (publ.): Chorearum Molliorum Collectanaa... (Antwerp,
43
1583).
PHALESE 1590 .... P. Phalse & J. Bellre (publ.): Bicinia... (about 20 duets by various composers)
(Antwerp, 1590).
PHILIDOR 1700 .... A-D. Philidor: Pices a deux basses de viola, bass de violon at basson (Paris,
1700).
PHILIDOR 1700/1 .... ditto, facsimile reprint (Geneva, 1988).
PILKINGTON 1605 .... F. Pilkington: The first booke of songs or ayres of four parts (London,
1605).
PILKINGTON 1624 .... F. Pilkington: The Second Set of Madrigals (includes the six-part fantasy)
(London, 1624).
PILKINGTON 1624/1 .... E.H. Fellowes: ditto, modern edition The English Madrigalists 26
(London, 1920, rev. T. Dart).
PLAYFORD .... J. Playford (publ., London).
PLAYFORD BI 1654, 1662 .... A Breefe Introduction to the Skill of Musick (London, 1654 and
1662).
PLAYFORD CA 1655 Court Ayres (London, 1655).
PLAYFORD CMA 1662 Courtly Masquing Ayres (London 1662).
PLAYFORD DIV VLN 1685 etc The Division Violin (London, 1685 etc., various editions until
c.1730.
PLAYFORD EDM 1651-1728 The English Dancing Master (many editions from 1651 to 1728).
PLAYFORD LCG 1652 A booke of new lessons for the cittern and gittern (London, 1652).
PLAYFORD MDC 1666 Musicks Delight on the Cithren (London, 1666).
PLAYFORD MB 1651 A Musicall Banquett. Part 1: lyra viol lessons. Part 2: Musica Harmonia (as
below). Part 3: Musick and mirth, rounds or catches a3.
PLAYFORD MH 1651 Musica Harmonia, or choice Almans, Corants and Sarabands.
PLAYFORD MH 1663, 1678 Musicks Handmaide (London, 1663, 1678).
PLAYFORD MR 1689 The second part of Musicks Hand-maid (London, Henry Playford, 1689).
PLAYFORD MRLV 1652/5 Musicks Recreation on the Viol, Lyra-Way (London, 1652 or 1655).
PLAYFORD MRLV 1661, 1669, 1682 ditto (London 1661, 1669, 1682).
PLAYFORD MRLV 1682 D .... N. Dolmetsch (ad.): facsimile reprint of the harp-way sharp pieces
in MRLV (London, 1960).
POSCHIO 1618, 21, 26 .... I. Poschio: 3 editions of dances (Regensburg 1618; Nrnberg, 1621,
1626).
PRAETORIUS 1612 .... M. Praetorius: Terpsichore... (Wolfenbuttel, 1612).
PRAETORIUS 1612/1 .... B. Thomas (ed.?): ditto, modern edition (London,...)
PURCELL 1683 .... H. Purcell: Sonnatas ofIII Parts... (London, 1683).
PURCELL 1683/1 .... R. Luckett: ditto, facsimile reprint (London, 1975).
PURCELL 1683/2 .... Purcell Society (ed. M. Tilmouth): ditto, modern edition (London, 1990).
PURCELL 1697 .... H. Purcell: Sonnatas ofIV Parts... (London, 1697).
PURCELL 1697/1 .... Purcell Society (ed. M. Tilmouth): modern edition (London, 1990).
RAVAL 1593 .... S. Raval:Il Primo Libro di Canzonette a quattro voci... (incl. 3 ricarcari) (Venetia,
1593).
RAVAL 1596 .... S. Raval:Il Primo Libro di Ricercari a quattro voci cantabili par Liuti, Cimbali
at Viola darco... (Palermo, 1596).
REINCKEN 1687.... J. Reincken: Hortus Musicus... (works for V V VdG) (1687).
RIVANDER 1613 .... P. Rivander: Prati Musich, Andar Theil, (Ansbach, 1613).
RIVANDER 1614 .... P. Rivander: Neue lustige Courante... (Ansbach, 1614).
ROBERDAY 1660 .... F. Roberday: Fugues at caprices a quatre parties (Paris, 1660) (at F-Pn,
Vm7 1812; for organ but playable on viols).
ROBINSON 1603 .... T. Robinson: The Schoole ofMusicke (London, 1603).
ROGER 1703 .... E. Roger (ad.) Suittes faciles pour un violon ou une flute at une basse continue
(Amsterdam (c.1703).
ROGET 1739 .... C. Roget: Sonatas pour deux Pardessus de Violas, flutes ou violons Op. 1 (Paris,
c.1739).
ROSENMLLER 1645.... J. Rosenmller: Paduanen...etc (Leipzig, 1645).
ROSENMLLER 1654 .... J. Rosenmler: Studentenmusik... (Leipzig, 1654).
[ROSIER] 1710 .... Carolo [Rosier] X Sonata... (Amsterdam, c.1710) (for 2 bass viols and Bc).
ROSSETER 1609 .... P. Rosseter: Lessons for Consort (London, 1609) (dances a4-5).
ROTH 1624 .... C. Roth: Couranten-Lustgartlein... (Dresden, 1624).
RUDENIUS 1600 .... J. Rudenius: Floras Musicae (Heidelberg, 1600).
RUFFO 1564 .... V. Ruffo: Capricci in Musica a tre voci (Milan, 1564).
RUFFO 1564/1 .... R. Bodig (ad.): ditto, facsimile reprint and modern edition (Miami, 1984).
STE-COLOMBE ND .... Sainte-Colombe: Concerts deux Violes Esgales (F-Pn Res Vma ms.866).
STE-COLOMBE ND/i .... P. Hooreman (ed.): ditto, modern edition (Paris, 1973).
SCALETTA 1590 .... O. Scaletta: Il secondo libro de Madrigaletti a cingue voci... con una canzone
Francese... (Venetia, 1590).
SCHFFER 1622 .... Schffer: Pratum musicale flosculis (58 a4) (Leipzig, 1622).
SCHFFER 1626 .... Promuldis Epuli musicalis (36 a3) (Leipzig, 1626).
SCHEIDT 1621, 1622, 1625, 1627 .... S. Scheidt: Paduana...(1621, 1 & 2 pars ludorum (1622), 3
pars... (1625), 4 pars... (1625) (Hamburg).
SCHEIN 1609 .... J. Schein: Venuskrantzlein... (Wittenberg, 1609).
SCHENCK 1688 .... J. Schenck: Uytgevondene tyd en Konstoeffeningen (15 Sonatas, Op 2,
Amsterdam, 1688).
SCHENCK 1688/1 .... P. Stryckers (ed.): ditto, facsimile reprint (Peer, 1986).
SCHENCK 1691 .... J. Schenck: Il Giardino armonico (Amsterdam, 1691 or 1692.
SCHENCK 1692 .... J. Schenck: Scherzi Musicali op. 6 (Amsterdam, 1692).
SCHENCK 1692/1 .... ditto, modern edition: Vereniging voor Nederlandse Musikgeschiedenis -28.
45
SCHENCK 1692/2 .... ditto, facsimile reprint (Beziers ... ).
SCHENCK 1694(1) .... J. Schenck: Le Nymphe di Rheno Op. 8 (Amsterdam, c .1694).
SCHENCK 1694(l)/i .... ditto, modern edition, EDM44 (1956).
SCHENCK 1694(2) .... J. Schenck: LEcho du Danube, Op. 9 (Amsterdam, c.1694).
SCHENCK 1694(2)/i .... ditto, facsimile reprint (Oberlin).
SCHENCK 1694(2)/2 .... ditto, modern edition, EDM67.
SCHENCK 1703 .... Anon (compiler): Select Lessons for the Bass Viol of Two parts Collected... out
of the works of...Giovanni Schenck (London, [1703?]) [31 airs from SCHENCK 1692..
SCHENCK 1715 .... J. Schenck: Les Fantaisies Bizarres de la Goutte, Op. 10 (Amsterdam,
c.1715).
SCHMELZER 1664 .... Schmelzer: Sonatae unarum fidium (1664).
SCHERER 1680 .... S. Scherer: Sonatae a3... (VdG part lost) (Ulm, 1680).
SCHOP 1634 .... J. Schop: Erster...Theil neuer Paduanen... (Hamburg, 1634).
SCHOP 1646 .... J. Schop: (23 preludes, etc) (Hamburg, 1634.
SCHULZ 1617 .... J. Schulz: 40 neuer auss. schone liebl. Pad., etc... (Hamburg, 1617).
SCHULZ 1622(1) .... J. Schulz: Musicalischen Lustgarte... (more than 13 pieces a2-6) (Liineberg,
1622).
SCHULZ 1622(2) .... J. Schulz: Intrade a4 (1622).
SIEFERT 1651 .... P. Siefert: Psalmorum Davidicorum (Danzig, 1651).
SIMPSON CPM .... C. Simpson: A Compendium of Practical Musick (London, 1665, 1667, 1668).
SIMPSON CPM/1 .... P. Lord (ed.): ditto, modern edition (Oxford, 1970).
SIMPSON DIV VLN .... C. Simpson: The Division Violin (London, 1685).
SIMPSON DV .... C. Simpson: The Division Viol(ist) London, (1659, 1667, 1712).
SIMPSON DV/i .... N. Dolmetsch (ed.): ditto, facsimile reprint of the 2nd edition (London, 1955).
SIMPSON SN .... The Seasons, facsimile reprint (Gnve).
SIMPSON T 1610 .... T. Simpson: Opusculum (Frankfurt-am-Main, 1610).
SIMPSON T 1617 .... T. Simpson: Opus Newer Paduanen, Galliarden, Intraden... (Hamburg,
1617).
SIMPSON T 1617/i .... B. Thomas (ed.): ditto, modern edition (London).
SIMPSON T 1621 .... T. Simpson: Taffel Consort... (Hamburg, 1621).
SNEP 1698 .... J. Snep: Sonate, Allemande, Op. 1 (Amsterdam, c.1698).
SPONGA 1595 .... F. Sponga: Ricercari et Arie Francesi a Quattro Voci... (16 ricercari, 4 arie)
(Venetia, 1595).
STADEN .... (6 collections of dances) (Nrnberg, 1606-43).
STEUCCIUS 1602, 1604Amorum ac. Leporum Pars 1, 2 (Wittenberg 1602; pars 3, 1604).
SUSATO 1551 .... T. Susato: Het derde musick boexten (157 dances) (Antwerp, 1551).
SUTHERLAND .... GB-En Sutherland Papers, No. 314, deposit 28 (on loan).
SVET 1674 .... G. Dben (arr.): from Odae Svetlicae (Stockholm 1674).
TAILOUR 1615 .... R. Tailour: Sacred Hymns... (London, 1615).
TELEMANN 1728-9 .... G. Telemann: Der getreue Music-Meister (Hamburg 1728 and 1729).
du TERTRE 1557 .... E. du Tertre: Septime Livre de Danceries... A Quatre Parties... (27 dances)
(Paris 1557).
TIBURTINO 1549 .... G. Tiburtino (publ?): Fantasie et Recerchari a tre voci... (29 pieces, some by
Willaert) (Venetia, 1549).
T UIT KAB 1654 .... T Uitnement Kabinet, vol pavanes, alamanden, sarabanden... (Amsterdam,
c.1654).
T UIT KAB 1654/i .... ditto, modern edition (Amsterdam, 1973).
VALERIUS 1626 .... A. Valerius: Nederlandische Gedenck-Clank (Haarlem, 1626).
VECCHI 1590 .... O. Vecchi: Selva di varia Ricreatione... (13 pieces a2-10) (Venetia, 1590).
VICENTINO 1572 .... N. Vicentino: Madrigali a cinque voci ... Libro Quinto (Milan, 1572).
VINCI 1560 .... P. Vinci: Il Primo Libro... a due voci (Venetia, 1560).
VINCI 1591 .... P. Vinci & A. Verso: ... Il secondo Libro di Motetti e Ricercari a Tre Voci... (14
ricercari) (Venetia, 1591).
VINTZIUS 1629 .... G. Vintzius: Intraden... (Erfurt, 1629).
VISE 1716 .... R. de Vise: Pices de theorbe et de luth, mises en partition dessus et basse...
(Paris, 1716).
VLCKEL 1613 .... S. Vlckel: Newe deutsche weitliche Gesanglein (Nrnberg, 1613).
WAESICH 1632 .... C. Waesich: Canzoni... (1632).
WALSINGHAM .... The Walsingham Consort Books: GB-BEV MSS DDHO/20/1-3 (treble, flute,
bass) and US-OAm, MS (cittern book).
WERL .... Albrecht Werl Lute Book, at GB-Ram (Spencer collection).
WERL S .... R. Spencer, (ed), ditto, facsimile ed., Gnve.
WIDMANI 1600-1622 .... E. Widmann: (various dance collections (c. 160O, 1613, 1618, 1622).
WILLAERT 1540-1593 .... A. Willaert: (various ricercari, 1540, 1543, 1549, 1551, 1593).
YONGE 1588, 1597 .... N. Yonge (ed.): Musica Transalpina (London. Vol 1, 1588; vol 2, 1597).
YOUNG 1653 .... W. Young: Sonate a3, 4, 5 voci con Allemande, Corranti... (Innsbruck, 1653).
YOUNG 1653/i .... ditto, MS copy dated 1912-13, in GB-Lbl Add MS 38811.
YOUNG 1653/2 .... W. Whittaker (ed.): ditto, modern ed. (Oxford., 1930-31).
YOUNG 1653/3 .... G. Leonhardt (ed.): ditto, dances only, modern ed. (London, 1962).
ZACHOW 1683 .... P. Zachow: VII Branlen... (Lubeck, 1683).
ZACHOW 1693 .... P. Zachow: Verstimmter Viol di Gamba Lustspiele, ersten Theil (Lubeck,
1693).
ZIEGLER ND .... J. Ziegler: Intavolatura zur Viola di Gamba... (no date).
47
III: PUBLISHERS AND MODERN EDITIONS
This list is extracted and extended from previous versions. It does not include all
editions noted in the Thematic Index, but complete or large collections. Publishers
noted in the Thematic Index pages are listed.
ADSON 1621/1 .... JOHN ADSON: Courtly Masquing Ayres, ed. Peter Walls (London Pro Musica,
London, 1975-6).
ALAMIRE .... Alamire, Toekomstlaan 5 B BE - 3910 Neerpelt, Belgium (e-mail:
Info@alamire.com
ANTHEMS-R .... A Collection of Anthems, ed. Edward Rimbault (Musical Antiquarian Society,
1846).
A-R .... A-R Editions, Inc., 801 Deming Way, Madison, Wisconsin 53717, USA. (internet:
www.areditions.com ) .
AS .... Asclepius Editions (Brian Capleton), The Lodge, 7 Shotover Court, Old Road, Headington,
Oxford OX3 8SS. (internet: www.amarilli.co.uk/ascedns
Augener .... Augener Editions
BARRINGTON SERIES
BASSANO C 1585/1 .... Fantasie a tre voci... (Venice, 1585), ed. R. Charteris (Fretwork, London &
Bermuda, 1991).
BOCQUET SR .... Souris & Rollin (eds.): CLF: Oeuvres de Bocquet (Paris, 1972).
BOETHIUS .... (a) Boethius Editions (b) Musical Sources. Now published and issued by Severinus
Press, Newbury, Berkshire.
BUTLER P3: Henry Butler: Collected Works, ed. Elizabeth V. Phillips, with Basso Continuo
Realizations and Commentary by Jack Ashworth (A- R Editions, Inc.: Recent Researches in the Music of
the Baroque Era, Vol. 66, Madison, 1991): VdGS Nos. 1-20. [Score and parts: 1-15 for BV, Cont.; 16-20
for Vln, BV, Cont.]
BYRD AB .... A. Brown (ed.): Keyboard Music of William Byrd, I, MB 27 (London, 1969); II, MB 28
(London, 1971).
BYRD COLL .... E.H.Fellowes (ed.): The Collected Works of William Byrd (London, 1937-49):
I Masses, Cantiones Sacrae (1575). V Gradualia (1605), parts 2 and 3. VIII Motets for 3, 4 and 5 parts
XIII Songs of Sundrie Natures (1589).
XIV Psalms, Songs and Sonnets (1611).
XV Consort songs.
XVII Chamber music for strings. XX Keyboard music.
BYRD ED .... The Byrd Edition (London, 1970-).
1 C. Monson (ed.): Masses.
15 P. Brett (ed.): Consort songs for voice and viols.
16 P. Brett (ed.): Madrigals, Songs and Canons.
17 K. Elliott (ed.): Consort music.
BYRD TCM 2 .... Tudor Church Music Vol 2, William Byrd, English Church Music - I (1922).
BYRD TCM 7 .... ditto, Vol 7, Gradualia, I and II (1927).
BYRD TCM 9 .... ditto, Vol 9, Masses, Cantiones, Motets (1928).
Second Suite [15 pieces] from CAIX d'HERVELOIS 1751, ed. ?, DOVEHOUSE EDITIONS VdG
Series, No. 19 (Toronto, ?).
CALLIOP .... (Mary Cyr), 4 Brombal Drive, Guelph, Ontario N1G 4J6, Canada.
CAMBRIDGE P .... Ian Payne (ed.), Cambridge Consorts, Corda Music, CMP 418 (1991), being an
edition and reconstruction of music in British Library Add. MSS 30826-8.
CHAMBONNIRES: Oeuvres Completes (Paris, 1925; reprinted 1967), ed. P. Brundel and A.
Tessier.
CHELYS .... Chelys, The Journal of the Viola da Gamba Society of Great Britain (London, annual,
1969-2004).
CLF .... Corpus des Luthistes Franais, national collection of lute music, in volumes, by composer:
see under BOCQUET SR, DUBUT RV, DUFAUT SR, GAULTIER D T , MERCURE RV,
MESANGEAU SR, PINEL RV.
CMM... Corpus Mensurabilis Musicae, editions of the American Institute of Musicology.
CNSR .... Church Music Society Reprints.
COBBOLD P1 .... Ian Payne (ed.): The Music for Five Voices and Viols by William Cobbold,
Fretwork Editions, FE 20, London, 2003.
COBBOLD P2 .... Ian Payne (ed.): The Consort Songs and Consorts by William Cobbold, Fretwork
Editions, FE 21, London, 2003.
COLEMAN P .... David Pinto (ed.): Charles Colman: The Four-Part Airs, Fretwork Editions, FE15,
London, 1998.
ConseE .... Consortium Edition (H. Monckemeyer), Heinrichshofens.
CONSP .... Consort Publications (Ian Graham-Jones), Cedar Lodge, River Street, Westbourne,
Emsworth, Hants. PO10 8TG. igraham-jones@clara.net
COPRARIO 2-4: John Coprario: The Two-, Three- and Four-Part Consort Music, ed. Richard
Charteris, (Fretwork Edition FE4, London and Bermuda, 1991). [Score + Parts].
COPRARIO 5: John Coprario, the Five Part Pieces: CMM 92, ed. Richard Charteris, (American
Institute of Musicology, Hnssler-Verlag, 1981). [Score].
COPRARIO 6: John Coprario, the Six-part Consorts and Madrigals, ed. Richard Charteris, (Boethius
Press, Clarabricken, 1982). [Score/parts].
COPRARIO BV: John Coprario, the Fantasies for Two Bass Viols and Organ, and Eleven Pieces for
Three Lyra Viols, ed. Richard Charteris, (A-R Editions, Recent Researches in Music of the Baroque Era,
No. 41, Madison, 1982). [Score/parts].
COPRARIO VLN: 'John Coprario: Fantasia-Suites', MUSICA BRITANNICA 46 (London, 1980).
CORDA .... Corda Music (Ian Gammie), 183 Beech Road, St. Albans, Herts [Also incorporating
Golden Phoenix Editions and Kings Musick series].
COUPERIN F 1724/1 .... F. Couperin: Les Gouts -Reunis ou nouveaux concerts, facsimile reprint
(Geneva, 1979).
COUPERIN F 1728/1 .... S.L. Robinson (ed.): F. Couperin: Pices de Viole..., modern edition (Paris,
1972).)
CRACOW BV/1 .... Gordon Dodd (ed.), facsimile reproduction of a MS, at one time in Cracow
49
University Library, now at Warsaw (Pt-Wtm).
CROMWELL .... Anne Cromwells Virginal Book. (Modern edn., ed. H. Ferguson, Oxford, 1974)
Curwen Edition.
DH .... Dovehouse Editions (Donald Beecher and Bryan Gillingham), 32 Glen Avenue, Ottawa,
Canada, K1 S 2Z7 [Supplied by Loux Music Publishing Company, at The Recorder Shop, 2 Hawley
Lane, Hannacroix, NY 12087-0034, USA; internet: http//:the recordershop.com ].
DDT .... Series: Denkmler Deutsche Tonkunst.
DOWLAND 1604/2: Lachrimae..., modern edition, ed. Peter Warlock (Oxford University Press,
London, 1926).
DOWLAND 1604/3: John Dowland, Complete Consort Music, ed. Edgar Hunt, (Schott, London,
1985)
E .... Numbering by Warwick Edwards for some early consort pieces.
EAST 1610/1: Eight Fantasies of Five Parts from The Third Set of Bookes (London, 1610), ed. E. H.
Fellowes, rev. R. Thurston Dart (1960).
EAST 1618/1: Twenty Light Fantasias from the Fift Set of Bookes, ed. David Goldstein,
(Provincetown, Mass., 1969).
EAST 1624: The Sixt Set of Bookes (London, 1624)
EAST 1638: The Seventh Set of Bookes... (London, 1638).
ECS .... English Consort Series, ed. Richard Nicholson. From Brian Jordan, 10 Green Street,
Cambridge.
EECM .... Series: Early English Church Music.
EM .... Early Music (quarterly journal)
FABER .... Faber Music Ltd., 3 Queen Square, London WC1N 3AU.
FERRABOSCO I C3: Alfonso Ferrabosco the Elder (1543-88): Omnia Opera, CMM 96, Vol. IX
(1988). [Score]
FERRABOSCO II 4: 'Alfonso Ferrabosco the Younger: Four-Part Fantasias for Viols', MUSICA
BRITANNICA 62, ed. Andrew Ashbee and Bruce Bellingham, (London, 1992). A companion set of
parts: FERRABOSCO II 4/P.
FERRABOSCO II 5-6: 'Alfonso Ferrabosco the Younger: Consort Music in Five and Six Parts',
MUSICA BRITANNICA 81, ed. Christopher D. S. Field and David Pinto, (London, 2003). A companion
set of parts: FERRABOSCO II 5-6/P.
FERRABOSCO II 6: The Complete Six-part works of Alfonso Ferrabosco II, ed. David Pinto
(Corda Music, St Albans, 1990)
FERRABOSCO II Hex: Alfonso Ferrabosco II: Two Hexachord Fantasias, ed. David Pinto (Corda
Music, St Albans, 1992).
FLLSACK 1607/1: Ausserlesene Paduanen und Galliarden, Erster Theil... a5, (Hamburg, 1607).
Modern editions: ed. C. Engelke, (Breslau, 1930); ed. Helmut Mnkemeyer, (Moeck Ed. No. 9005, Celle,
1986). [See also HILDEBRAND 1609/1 for a companion volume].
FW .... Fretwork Editions (Bill Hunt and Julia Hodgson), 16 Teddington Park Road, Teddington,
Middlesex TW1 1 8ND
FWVB .... J.A. Fuller Maitland and W. Barclay Squire (eds.) The Fitzwilliam Virginal Book (modern
edition, London, 1899; reprinted New York, 1963).
GALILEI 1584/1 .... V. Galilei: Contrapunti a due voci ..., 29 textless duets, publ. SCMA VIII.
GANASSI 1542/1 .... Schneider (ed.): S. Ganassi: Regole Rubertina, modern edition (1924).
GAULTIER D T .... A. Tessier (ed.): La Rhtorique des dieux et autres pices pour luth de Denis
Gautier (Paris, 1933).
GAULTIER V SR .... A. Souris & M. Rollin (eds.) Corpus des Luthistes Francais: Oeuvres du Vieux
Gautier Paris, 2nd ed. (1980)
GIBBONS 1620/1: modern edition, ed. Edmund H. Fellowes, (Stainer & Bell, London, 1924)
GIBBONS 1620/2: modern edition, ed. George Hunter, NORTHWOOD MUSIC (Urbana, 1979). [See
also KON FANT 1648].
GIBBONS H: 'Orlando Gibbons: Consort Music': MUSICA BRITANNICA 48, ed. John Harper,
(Stainer & Bell, London, 1982).
GIBBONS TCM 4 .... 'Orlando Gibbons': Tudor Church Music Vol. 4 (1925).
GIBBONS V .... D. Wulstan (ed.): 'Orlando Gibbons, verse anthems', Early English Church Music iii
(London, 1964).
GIBBONS V2 .... D. Pinto (ed.): Orlando Gibbons: The Consort Anthems, 3 vols., FRETWORK
EDITIONS (2003).
GORTON 1701/1: Twelve Airs for two bass viols (London, 1701): DOVEHOUSE EDITIONS VdG
Series, No. 2, ed. D. Beecher and B. Gillingham (Ottowa, 1979).
GROVE .... S. Sadie (ed.): The New Grove, Dictionary of Music and Musicians (London, 1980).
GROVE2 .... ditto, 2ndedition, 2001.
GSJ .... The Galpin Society Journal (London, annual).
GUNTERSBERG . Edition Gntersberg, Langgarten 13, 69124 Heidelberg, Germany (e-mail:
zadow@guentersberg.de; internet: www.guentersberg.de).
HILDEBRAND 1609/1: Christian Hildebrand (publ.), Ander Theil ausserlesene Paduanen und
Galliarden a5, (Hamburg, 1609). Modern edition, ed. Helmut Mnkemeyer, (Moeck Edition No. 9006,
Celle, 1986).
Hinrichsen .... Hinrichsen Editions
HM .... Hortus Musicus series (Brenreiter, Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX).
HOLBORNE 1599/1: Anthony Holborne: Pavans, Galliards and Airs (London, 1599). Modern
edition, ed. Sydney Beck (New York, 1940)
HOLBORNE 1599/2: modern edition, ed. Bernard Thomas (LONDON PRO MUSICA EDITIONS,
LPM AH1, Brighton, 1980). [Score and parts: 65 pieces].
HUME 1605/1: Tobias Hume: First Part of Ayres (London, 1605); facsimile reprint, ed. Frank
Traficante (Scolar Press, Menston, 1969).
HUME 1607/1: Tobias Hume: Captain Hume's Poeticall Musicke (London, 1607); facsimile reprint,
ed. Frank Traficante (Scolar Press, Menston, 1969).
IVES 4D: . Peter Holman and John Cunningham (eds): Simon Ives, The Four-Part Dances (GB-
Lbl, Add. MSS 18940-4) (Launton, 2008)
JENKINS 3 .... Andrew Ashbee (ed.): Consort Music of Three Parts, (MUSICA BRITANNICA 70,
1997)
JENKINS 4a .... Andrew Ashbee (ed.): 'John Jenkins: Consort Music of Four Parts', (MUSICA
BRITANNICA 26,1966; 2nd. rev. ed. 1975).
JENKINS 4b .... Andrew Ashbee (ed.): Consort Music for Viols in Four Parts, (Faber Music, London,
1978).
51
JENKINS 5 .... Richard Nicholson (ed.): John Jenkins: Consort Music in Five Parts, (Faber Music,
London, 1971).
JENKINS 6 .... Andrew Ashbee and Richard Nicholson (eds.): John Jenkins: Consort Music for Viols
in Six Parts, (Faber Music, London, 1976).
JENKINS 6P .... Donald Peart (ed.): 'John Jenkins: Consort Music of Six Parts', (MUSICA
BRITANNICA 39, London, 1977).
JENKINS FS1 .... Andrew Ashbee (ed.): John Jenkins: Fantasia-Suites I, (MUSICA BRITANNICA
78, London, 2001).
JENKINS FS2 . Andrew Ashbee (ed.): 'John Jenkins: Fantasia-Suites II', (MUSICA BRITANNICA
90, London, 2010).
JENKINS LC .... Frank Traficante (ed.): John Jenkins (1592-1678): The Lyra Viol Consorts, (A-R
Editions Inc., Madison, 1992).
JENKINS S .... Helen Joy Sleeper (ed.): John Jenkins: Fancies and Ayres, (Wellesley Edition No. 1,
Wellesley College, 1950).
JENKINS W2 .... Robert A. Warner (ed.): John Jenkins: Three-part Fancy and Air (divisions),
(Wellesley Edition No. 10, Wellesley College, 1966). Revised by Andrew Ashbee: John Jenkins: Seven
Fancy-Ayre Division Suites for Two Trebles, Bass and Organ, (FRETWORK, FE8, London and
Bermuda, 1993).
KALMUS .... Kalmus/Universal Edition
KASSEL E .... J.corcheville (ed.): Vingt suites dorchestre du XVII Sicle franaise; publies ...
daprs un manuscrit de la Bibl. de Cassel (Paris 1906, reprint New York 1970). (This is a diss. for Univ.
of Paris, Sorbonne, 1906. Print includes editions and facsimile. Copies at GB-Lbl pr bks g.37; Hirsch
M.8731).
LANDMARK PRESS (Mark Davenport), Boulder, Colorado
LAWES D2 .... Mark Davenport (ed.): William Lawes: The Three-Part Consorts for two treble viols
(or violins) and bass viol, (LANDMARK Press ECS-3, Boulder, Colorado, 2002).
LAWES L2 .... Murray Lefkowitz (ed.): William Lawes: Select Consort Music, (MUSICA
BRITANNICA 21, London, 1963).
LAWES P3 .... David Pinto (ed.): William Lawes: Consort Sets in Five and Six Parts, (Faber Music
Ltd., 1979).
LAWES P4 .... David Pinto (ed.): William Lawes: Fantasia-Suites for violins, bass viol and organ,
(MUSICA BRITANNICA 60, London, 1992)
LAWES P6a .... David Pinto (ed): William Lawes: The Royall Consort (new version), (FRETWORK
FE1 1, London and Bermuda, 1995)
LAWES P6b .... David Pinto (ed.): William Lawes: The Royall Consort (old version), (FRETWORK
FE12, London and Bermuda, 1995)
LPM .... London Pro Musica Edition (Bernard Thomas), P.O. Box 97, Hebden Bridge, HX7 8UZ,
England (internet: www.londonpromusica.com
LUPO 3 .... R. Charteris (ed.): Thomas Lupo, Consort Music of Two and Three Parts, (Clarabricken,
1988)
LUPO 4 .... R. Charteris and J. Jennings (eds.): Thomas Lupo, the Four-Part Consort Music,
(Clarabricken, 1983); also FRETWORK, FE 22, London, 2003.
LUPO 5:.... Richard Charteris (ed): Thomas Lupo: The Five-Part Consort Music, (FRETWORK,
FE13, 1997 and FE14, 1998)
LUPO 6:.... Richard Charteris (ed.): Thomas Lupo: The Six-Part Consort Music, (FRETWORK, FE9,
1993)
MASQUE S .... Andrew Sabol, Four Hundred Songs and Dances from the Stuart Masque
(Providence, 1978; 2nd edn. 1982).
MICO 4 .... M. Tyler (ed.): Richard Mico: The Four-Part Consort Music, (FRETWORK, London,
1992).
MICO H .... Andrew Handley (ed.): Richard Mico: Consort Music, (MUSICA BRITANNICA 65,
London, 1994).
MUS BRIT or MB .... Musica Britannica (Published for the Musica Britannica Trust by Stainer and
Bell) includes
1. D. Stevens (ed.): The Mulliner Book
2. E. Dent (ed.): Cupid and Death
9. T. Dart and W. Coates (eds.): Jacobean Consort Music 15. K. Elliott (ed.): Music of Scotland,
1500-1700
18. J. Stevens (ed.): Music at the Court of Henry VIII
21. M. Lefkowitz (ed.): William Lawes: Select Consort Music
22. P. Brett (ed.): Consort Songs
26. A. Ashbee (ed.): John Jenkins: Consort Music of Four Parts
31, 32 M. Tilmouth (ed.): Matthew Locke: Chamber Music I and II
39 D. Peart (ed.): John Jenkins: Consort Music of Six Parts
40 W. Edwards (ed.): Music for Mixed Consort
44, 45 P. Doe (ed.): Elizabethan Consort Music I and II
46 R. Charteris (ed.): John Coprario: Fantasia-Suites
48 J. Harper (ed.): Orlando Gibbons: Consort Music
59 J. Irving (ed.): Thomas Tomkins: Consort Music
60 D. Pinto (ed.): William Lawes: Fantasia-Suites
62 A. Ashbee and B. Bellingham (eds.): Alfonso Ferrabosco the Younger: Four-Part Fantasias
65 A. Handley (ed.): Richard Mico: Consort Music
67 I. Payne (ed.): John Ward: Consort Music of Five and Six Parts
70 A. Ashbee (ed.): John Jenkins: Consort Music of Three Parts
78 A. Ashbee (ed.): John Jenkins: Fantasia-Suites I
81 D. Pinto and C. Field (eds.): Alphonso Ferrabosco the Younger: Consorts of Five and Six Parts
83 I. Payne (ed.): John Ward: Consort Music of Four Parts
90 A. Ashbee (ed.): John Jenkins: Fantasia-Suites II
MBP .... Compatible parts for MB volumes.
MINKOFF . A la Rgle dOr, 23 Rue de fleurus, 75006, Paris (internet: minkoff@minkoff-
editions.com ).
MM .... Marks Music, 87 Olive Road, London, NW2 6UR
53
MMF .... MMF Publications, PO Box 287, 2160 AG Lisse, The Netherlands. Music from Dutch
Libraries.
Moeck Editions
MP . Wydawnictowo Dawnej Musyki Polskiej/Editions de lAncienne Musique Polonaise, vol. 29.
Marcin Mielczewski, Canzona a 2: doi Violini e Basso, Krakow, 1956.
MUSICA RARA
Nagel .... Nagel Edition
NORTHWOOD .... Northwood Music (George Hunter), 1108 West Stoughton, Urbana, Illinois
61801, USA.
NOVA .... Nova Music
NOVELLO .... Novello and Co. Ltd.
PETERS .... Peters Edition
PME .... Practicall Musicke Editions (Maurice Rogers), mau-conni@oklynge83.freeserve.co.uk
PRB .... PRB Productions (Peter Ballinger), 963 Peralta Avenue, Albany, California 94706, USA.
PRBPrdns@aol.com
SARABAND .... Saraband Music (Patrice Connelly), patrice@saraband.com.au
SCHIRMER .... Schirmer
Schott .... Schott & Co. Ltd., 48 Great Marlborough Street, London
Severinus Press (see under BOETHIUS)
SIMPSON T 1621/1: Thomas Simpson: Taffel Consort... (Hamburg, 1621); modern edition, ed.
Bernard Thomas, (London Pro Musica, Brighton, 1988).
STIMU .... STIMU, Utrecht
TCM .... Tudor Church Music
TYE PM .... Christopher Tye: Complete Consort Music; modern edition, ed. Bernard Thomas,
(London Pro Musica, Brighton)
VdGS .... Viola da Gamba Society of Great Britain
VdGSA .... Viola da Gamba Society of America
VdGS SP .... Supplementary Publications of the Viola da Gamba Society (GB). VdGS NL .... Pieces
included with the Viola da Gamba Society (GB) Newsletter.
WARD P3 .... Ian Payne (ed.): John Ward: Consort Music of Five and Six Parts (MUSICA
BRITANNICA 67, London, 1995).
WARD P4 .... Ian Payne (ed.): John Ward: Consort Music of Four Parts (MUSICA BRITANNICA
83, London, 2005).
WEBSTER HC . Peter Holman and John Cunningham (eds): Maurice Webster: Complete Consort
Music (Launton, 2010)
AUTHOR INDEX FOR BIBLIOGRAPHY
Abbey, Hermione LEYCESTER A
Adams, Martin PURCELL A
del Amo, Patxi POOLE A
Andriessen, P. HACQUART C A
Aplin, John FANSHAWE A
Arkwright, G. E. P. OXFORD A
Ashbee, Andrew BDECM; BROWNE A; CONSORTS A; CONSORTS A2; COURT A;
JENKINS A1 to A12; JENKINS AH; LAWES A; LE STRANGE A; LE
STRANGE A2; RECM; WHITELOCK
Aston, Peter JEFFREYS A1; JEFFREYS A2; Baillie, L. LBL B
Baines, Francis GIBBONS B1; GIBBONS B2
Baker, David and
Jennifer BROWNING B1; PARSONS B
Bellingham, Bruce FERRABOSCO II B; WOOD B
Bennett, John S. MICO B-W; MICO-B
Bergasel, John DENMARK B
Berget, Claire STERNE B
Bertenshaw, Derry ITAL-ENG B; ITAL-ENG B2; LUPO B
Blount, G. MUNDY B
Boal, Ellen TeSelle PURCELL B
Bock, Emil W. HINGESTON B
Boden, Anthony TOMKINS B
Bodig, R (transl.) GERMANY E
Boetticher, W. RISM-TABL
Bol, Hans BASS B
Bowles, Garrett H. MARAIS B
Boyan, P. TREGIAN B-L
Boyd, Morrison
Comegys ELIZ B
Bray, Roger BALDWIN B; BALDWIN B2
Brennan, Michael G. SOMERSET B
Brett, Philip PASTON B
Brooker, Jeremy BARYTON B
Brookes, Brian NAU-B
Brookes, Virginia IN NOM B; IN NOM B1; KEYBOARD B; WARD B
Brown, Alan BYRD ST
Brown, David WEELKES B
Brown, Howard Meyer RENAISSANCE B
Cadell, P. PANMURE C
Caldwell, John TOMKINS C
Carter, Richard LEYCESTER C
Caudle, Mark VIOLIN C
Charlton, David MICROFILM
Charteris, Richard CLARK C; CLARK C2; COPRARIO C1 to C5; DOWLAND C; DUBLIN C1
to C5; FERRABOSCO C; FERRABOSCO I C; FERRABOSCO I C2;
HAMBURG C; HATFIELD C; HUNTINGDON C; HUTTON C;
JAGIELLONSKA C; KASSEL C; PEERSON C; SIMPSON C
Cheney, Stuart Glenn DUBUISSON C1; DUBUISSON C2
Cole, Elizabeth TREGIAN C1; TREGIAN C2
Conner, Ted SIMPSON Con
Corp, Edward STUART C
Coxon, Caroline JENKINS C1; JENKINS C2
Crawford, Tim CONSORTS C; HUYGENS C
Crosby, Brian DURHAM C
Crum, Margaret OXFORD C1; OXFORD C2
Cuneo, Ann TREGIAN Cu
Cunningham, Caroline COPRARIO C6; COPRARIO C7
Cunningham, John P. HARP C1; HARP C2; LAWES C1; LAWES C2; LAWES C3; LAWES C4;
55
LYRA Cu
Cyr, Mary EGERTON C; LYRA C; TREBLE C
Dart, R. Thurston CONSORTS DA; GIBBONS D; TREGIAN D
Davenport, Mark LAWES MD
David, E. NOTATION D L
Dodd, Gordon BULL D; FERRABOSCO II D; LAWES D; LAWES D2; LYRA D;
WASHINGTON D; WEELKES D; YOUNG D
Donington, Robert CONSORTS D
Duffin, Ross VOICE/VIOL D
corcheville, J. de PARIS E
Eddy, M Alexandra ROST
Edwards, Warwick CONSORTS E1; CONSORTS E2; WALSINGHAM E
Einstein, Alfred GERMANY E
Evans, Joan EAST E
Evans, Peter DURHAM E
Fallows, David DREXEL F
Fellowes, Edmund H. BYRD F; GIBBONS F
Fenlon, Ian BROWNE FF
Field, Christopher D.S. BING F; CONSORTS F; FERRABOSCO II F; LE STRANGE F; LOCKE F
Flassig, Fred GERMANY F
Fleming, Michael ICONOGRAPHY F; MAKERS F; PLAYFORD F; VIOL F; VIOL F2
Ford, Robert OSBORN F; WARD F; YALE-FILMER
Fortune, Nigel BROWNE FF
Furnas, Paul L. MANCHESTER F
Gartrell, Carol BARYTON G; BARYTON G2
Gerig, David Allen TAILOUR G
Gervers, Hilda DREXEL G
Goy, Franois-Pierre LUTE/VIOL G; NORWAY G
Graf, Anne LYRA GR
Grampp, Florian ITALY G
Greaves, Richard L. OXFORD G
Green, Robert DOLL G; PARDESSUS G
Griffiths, David YORK G1; YORK G2
Gwynn, Dominic ORGAN G
Hamessley, Lydia ITAL-ENG H1; ITAL-ENG H2
Hancock, Wendy E. BASS WH
Harding, Rosamund LOCKE H
Harley, John BYRD H; GIBBONS HY
Harman, R. Alec DURHAM H
Harper, John GIBBONS H2; GIBBONS H3
Harris, Colette HUME H1; HUME H2; LYRA H
Harwood, Ian CAMBRIDGE H; CAMBRIDGE H1; ROSSETER H
Hayes, Gerald HAYES V
Heydon, Julia J. PEERSON H
Hoffmann, Bettina ITALY H
Holman, Peter ABEL H; BALTZAR H; BARYTON H; BASS H; BASS H2; DOWLAND H;
HARP H; JEFFREYS H; JENKINS AH; JENKINS H; PURCELL H1;
PURCELL H2; STERNE H; SYMPHONY H; VIOL H; VIOLIN H; VIOLIN
H2
Howard, Alan GOLDING H
Huber, Calvin R. BRADE H
Hughes-Hughes,
Augustus LBL HH
Hulse, Lynn CAVENDISH H; CAVENDISH H2; CUTTING H; HINGESTON H;
PATRONAGE H
Irving, John HUTTON I; LBL I; TOMKINS I1 to I5
Jackson, B. G. LE BLANC J
Jenkins, P. MORLEY J
Jennings, John LUPO J1 to J3
Johnson, Jane Troy FANT-SUITE J; JENKINS J
Joiner, M. LYRA MJ
Jones. A. PEERSON J
Jones, Edward Huwys BASS J
Jones, Sterling Scott HUME J
Kelly, Ruth IVES K
Kerman, Joseph MADRIGAL K
King, A. Hyatt BIBL K
Kinney, Gordon DUBUISSON K; TELEMANN K
Knape, Walter ABEL K
Knowlton, Jean MASQUE K
Lamb, G. TREGIAN B-L
Lasocki, David BDECM
Le Blanc, Hubert LE BLANC 1740 and 1740/1
Lefkowitz, Murray LAWES L1; LAWES L4; LOCKE L; LOCKE L2
Lejeune, J. LYRA J
Lesure, Franois MARAIS L
Linfield, Eva BUXTEHUDE L
Lowinsky, Edward FERRABOSCO II L
Lussy, M. NOTATION D L
Luttman, S. SCHENCK L
Madan, Falconer OXFORD M
Marshall, Arthur FINGER M; FINGER M2
Mateer, David DOW
McCart, Calum PANMURE McC
McCoy, Stewart PASTON M
McDowell, B. MARAIS McD
McGuiness, David GIBBONS McG
Meredith, M. SIMPSON M
Meyer, Ernst H. CONSORTS M; MEYER ECM; MEYER EECM; MEYER S
Miloradovitch, Hazel CORELLI M
Milsom, John TALLIS M
Miserandino-Gaherty,
Cathie BODLEIAN G
Monson, Craig VOICE/VIOL M; VOICE/VIOL M2
Morehen, John PARSLEY M
Morris, Stephen YOUNG M; YOUNG M2
Mountney, Rev. Hugh JENKINS M
Mracek, J. UPPSALA M
Mueller, P. E. ENG MUS
Munstedt, Peter A. PLAYFORD M
Neighbour, Oliver BYRD N; BYRD N2
Nelson, E. FANTASIA N
Nelson, Graham CORKINE N; CORKINE N2; LYRA N
Newton, R. MARAIS N
Nicholson, Richard GIBBONS N
Ng, Shaun K. F. ROUSSEAU N
Noble, Jeremy RENAISSANCE N
OLoghlin, Michael GERMANY OL
Orlando, Susan ITALY O
Otterstedt, Annette LYRA O1; LYRA O2; ORGAN O
Owens, Samantha GERMANY O
Pallis, Marco CONSORTS P
Payne, Ian BYRD P; COBBOLD P; LBL P; RAVENSCROFT P; WARD P1; WARD P2
Phillips, Elizabeth BUTLER P1; BUTLER P2
Pinto, David DUBLIN P; FANTASY P; HATTON P; HATTON P2; LAWES P1 to P5;
PURCELL Pi; TOMKINS P
Platt, Peter DEERING P1
Poulton, Diana DOWLAND P
Price, Curtis PURCELL Pr
Pulver, Jeffrey PULVER
57
Rae, J. SIMPSON R
Ramsey, David LYRA GR
Rasch, Rudi DUTCH R1
Rastall, Richard ROGERS R
Rawson, Robert G. FINGER R
Rayner, Clare GIBBONS C R
Reese, Gustav RENAISSANCE R
Reeve, R. MUNDY R
Reiners, Hans BOWS R
Rhodes, David J. BASS DR
Richards, Janet M BASS R
Riley, James W. GREGORY R1; GREGORY R2
Robertson, Michael N. GERMANY R
Robinson, John LYRA R
Robinson, S. Lucy FORQUERAY R
Rose, Adrian DOLL R; DOLL R2; PARDESSUS R1; PARDESSUS R2
Ruden, J. SWEDEN-TABL
Rutledge, J. BIB R
Sadie, Julie-Ann BASS S; MARAIS S; MONTECLAIR S
Sanford, Gordon COPRARIO S
Sawyer, John LYRA S
Schneider, H. LULLY S
Schofield, Bernard TREGIAN D
Schwendowius, B. GERMANY S
Shaw, Harold Watkins BING S; ORGANISTS S
Shay, Robert PURCEL ST
Shute, John Derek WOOD S
Sicard, M. BASS SI; FRANCE S1; FRANCE S2
Sleeper, Helen JENKINS S; JENKINS S2
Smit, Lambert VIOLONCELLO S
Smith, Douglas Alton EBENTHAL S
Smith, Kathryn E. VOICE/VIOL S
Smith, Mark CELLO S
Spector, Irwin WHITE R S
Spring, Matthew LUTE S; LUTE/VIOL S
Stevens, Denis TOMKINS S
Stoltzfus, Ila H. LYRA ST1; LYRA ST2; SIMPSON S
Strahle, Graham FANTASY S1; FANTASY F2
Strover, Christian WARD S
Sullivan, W. HUME S
Summers, Mark FRANCE MS
Sutcliffe, Richard PARDESSUS S
Tessier, A. MARAIS Te
Thomas, C. TAILOUR T
Thompson, Clyde H. MARAIS T
Thompson, Robert DUBLIN T; LOCKE Th; PAPER T to T3; PLAYFORD T; PURCELL ST;
PURCELL Th1; PURCELL Th2; WITHIE T
Thompson, Ruby Reid TREGIAN T; TREGIAN T2
Tilman, Muthesius VIOL M
Tilmouth, Michael LOCKE T2; LOCKE T3; PURCELL T
Traficante, Frank BUILDING T; LYRA T1 to T4; MANCHESTER T; ZIEGLER T
Triplett, W. M. GIBBONS T
Turbet, Richard BYRD T1; BYRD T2; BYRD T3; BYRD ST
Urquhart, Margaret BOLLES U; FALLE U; JENKINS U; St BARBE U; SIMPSON U to U3
Vaught, Raymond FERRABOSCO II V
Wainwright, Jonathan HATTON W; HATTON W2; JEFFREYS W
Walls, Peter LYRA W; MASQUE W
Ward, Alan GOLDING H
Ward, John DOWLAND W; DUBLIN W
Warner, Robert A. JENKINS W1; JENKINS W3
Watts, P. CRANFORD W
Weidner, Robert W. IN NOM W
Wess, Joan FANTASIA W
Wessely-Kropik,
Helene COLISTA WK
Westrup, Jack PURCELL W
Willetts, Pamela J. BARNARD W; BING W; COSYN W; GIBBONS W; JENKINS PW; LBL W;
LE STRANGE W1; LE STRANGE W2; LILLY W; LILLY W2; MERRO W;
MICO B-W; MYRIELL W1; MYRIELL W2; STIRROP W; TREGIAN W
Wilson, John NORTH W
Winzap, F. MARAIS W
Wood, Thomas G. BALTZAR W
Woodfield, Ian RESEARCH W; VIOL W
Woodfill, Walter WOODFILL
Wool, Christopher KASSEL W
Zimmerman, Franklin PURCELL Z; PURCELL Z2
59
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2004: revised pages
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2007: New pages
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2008: Revised pages
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2008: New Pages
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FERRABOSCO II-5
FERRABOSCO II-7
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2009: New Pages
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ARNOLD
BACH CPE
BACH H
BERTALI-1-3
BRIEGEL
BUONAMENTE
BUXTEHUDE-1-3
CAPRICORNUS
CHAILO
CLEMENTIS
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MAYR
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ROSENMULLER
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2010: Revised Pages
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ITALIAN
MADRIGALS:
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A-DI-3
BANASTER
ESTO-02
HUDSON-07
JENK-43
JENK-74A
JENK 75
2010: New Pages
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SIMPSO-09
STEFFKE-04
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TAYLORR-02
YOUNG-10
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ZPLAY-T3
ZPLAY-T4
ANERIO-01
BELLI-01
CAVACCIO-01
CROCE-1-3
EREMITA-01
FERRABOSCO I-01
FERRETTI-01
GASTOLDI-01
GIOVANELLI-01
LUZZASCHI-01
MACQUE, de-01
MARENZIO-1-10
MASNELLI-01
MELDERT-01
MONTEVERDI-01
MOSTO-01
NANINO-01
OROLOGIO-01
PALESTRINA-01
PALLAVICINO-01-2
PHILIPS, P-01
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ROSSELLI-01
SABINO-01
STRIGGIO-01
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2011 New Pages
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ABEL CF-1 to -30
ARNOLD-1
BACH CPE-1
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2011 Revised Pages
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63
NORCOMBE-1
LIST OF MODERN PUBLICATIONS
(We would be pleased to receive notification of any omissions)
Space limitations mean that it is becoming increasingly difficult to record modern
publications on the Index pages and instead these will now be listed separately here.
The old material will not be deleted unless the space is required for new work, but this
list should be the first point of reference.
ANONYMOUS
Divisions (7 sets) (bass viol) VdGS ME 137
6 Greensleeves VdGS ME 69
367 Sound out my voice VdGS ME 128
6505 lyra viol VdGS ME 89
6599 3 Airs for 2 lyras VdGS ME 131
709-11
and 713-715 3 airs and 3 almains a2 VdGS ME 188
741 piece a2 [Mico?] VdGS ME 215
602-8 7 duos VdGS ME 203
903-4 2 fantasias a3 VdGS ME 146
1337-9 3 fantasias a4 VdGS ME 214
1340-1343 3 fantasias and 1 pavan a4 VdGS ME 225
1615-16 2 fantasias a5 VdGS ME 147
1655-6, 1665 3 fantasias a5 VdGS ME 217
1607, 1625 2 fantasias a5 VdGS ME 162/177
1611-14 4 pavans a5 VdGS ME 149
1546 [untitled] a5 VdGS ME 208
2142-2274 Masque airs a2 MASQUE
ALLISON, Richard (fl. 1592-1601)
E601 De la Tromba pavin MORLEY 1599/1, no. 3
E602 Response pavin MORLEY 1599/1, no. 25; MB 40, no. 1
E604 Alisons knell pavin MORLEY 1599/1, no. 11
E605 Bachilers delight MORLEY 1599/1, no. 24
E607 Go from my window MORLEY 1599/1, no. 12
E674 Quadro pavin MORLEY 1599/1, no. 1
E833 -galliard MORLEY 1599/1, no. 2
E673 Mr Alisons Almayne Musica Britannica 40, no. 4
E701 Paven dolorosa Musica Britannica 40, no. 3
E603 The sharp pavin Musica Britannica 40, no. 2
E606 The Lady Frances Sidneys Almayne Musica Britannica 40, no. 5
E244 In Nomine a 5 Musica Britannica 45, no. 150
ALLWOOD
In Nomine a4 VdGS ME 182
AMNER, John (1579-1641)
Pavan a5 Corda Music CMP 418
Galliard a 5 Corda Music CMP 418
BACH, C.P.E. (1714-1788)
Sonata in C Alamire D/1990/4169/5
Gntersberg G050
Dovehouse, Baroque no. 23
Sonata in D Alamire D/1990/4169/5
Gntersberg G046
Peters 4287
Sonata in g Alamire D/1990/4169/5
1
Gntersberg G080
Schott VAB2
BACHELOR, Daniel (c.1574-1610)
E609 Sir Francis Walsinghams good night Musica Britannica 40, no. 6
E610 The Lady Frances Sidneys felicitye Musica Britannica 40, no. 8
E612 Daniells triall Musica Britannica 40, no. 10
E614 The widows mite Musica Britannica 40, no. 11
E703 Sir Francis Walsinghams good
morrow Musica Britannica 40, no. 7
E611 The Lady Walsinghams conceits Musica Britannica 40, no. 9
E613 Daniells Almayne Musica Britannica 40, no. 12
BALDWIN, John (before 1560-1615)
E3 In manus tuas, Domine Musica Britannica 45, no. 117
E109 Coockow as I me walked Musica Britannica 45, no. 125
London Pro Musica, EM14
E110 A browninge of 3 voc. Musica Britannica 45, no.124
London Pro Musica, EM14
Northwood Music BR-1 [1st issue]
E128 Upon In Nomine [a4] Musica Britannica 45, no. 131
Brenreiter, Hortus Musicus, 134
E245 In Nomine [a5] Musica Britannica 45, no. 152
BALTZAR, Thomas (c.1631-1663)
84 Almond [solo violin] Geschichte der Musicke in Beispielen,
237
BASSANO, Giovanni
1-20 Fantasias [a3] [1585] Fretwork
Nos. 1, 8, 10, 12, 13, 15, 18 Brenreiter, Hortus Musicus 16
Nos. 2, 4, 6, 7 Brenreiter, Hortus Musicus, 64
BASSANO, Augustine (c.1526-1604)
1-5 Pavans and Galliards a5 Nova Music
BASSANO, Jerome (Hieronimus) (1559-1635)
1-4 Fantasias a5 Nova Music
BATEMAN, Robert (d.1618)
1-2 Galliards a5 Moeck, MMP VI
4, 8, 9 Almain, Volta, Nglein Blumen London Pro Musica, Brade, 1617
6 The Cadua Londn Pro Musica, T. Simpson, 1621
BENNET, John
- Eliza, her name gives honour Musica Britannica 22, no. 47
- Venus birds Musica Britannica 22, no. 48
BEVIN, Elway (c.1554-1638)
- Browning a3 Musica Britannica 9, no. 15
Northwood Music BR-1
Saraband Music, SM22
1 In Nomine a5 Musica Britannica 45, no. 153
Sul Tasto
2 In Nomine a5 Musica Britannica 45, no. 154
Sul Taso
2
BLANKES, Edward
1-6 Fantasias a3 Musica Britannica 45, nos. 118-123
VdGSA F Series nos. 3-8
London Pro Musica, VML183
E56 Fantasia a5 Musica Britannica 45, no. 138
VdGS ME 216
BLEYER, Nicolaus
1-6 LPM: SIMPSON T, 1621
BORCHGREVINCK, Melchior
1-3 Moeck MMP IV
1 VdGS ME 149
4-5 Moeck MMP VI
BRADE, William
Pavans and galliards (1607) London Pro Musica, TM24
Pavans and Galliards (1609) London Pro Musica, WB1
1617 collection London Pro Musica
1614 collection a6 London Pro Musica, MP3
BREWER, Thomas
15-21 Four-part airs VdGS ME 158
BREWSTER (BRUSTERS)
E219 In Nomine a4 Musica Britannica 45, no. 132
E248 In Nomine a5 Musica Britannica 44, no. 14
VdGS ME 183
BROWNE, John
In Nomine fantasy and air a5 VdGS ME 207
BUCKE, John
E220 In Nomine a4 Musica Britannica 45, no. 133
BROWNE, John
1 In Nomine and Air a5 VdGS ME 207
BULL, John
Fantasia a3 and a4; In Nomine a5 Northwood Music JB-1
E21 Fantasy a3 Musica Britannica 9, no. 7
3 Dorick fantasias trtrTB Corda Music CMP401
E249 In Nomine a5 Musica Britannica 9, no. 50
Brenreiter, Hortus Musicus 5
E33 Fantasy a4 MEYER EECM, p.299
Peters (ed. Beck)
Anthem Almighty God TCM 91
BUTLER, Henry (d.1652)
All in BUTLER P
BUXTEHUDE, Dietrich
Seven Op. 1 sonatas Gntersberg G118
Seven Op. 2 sonatas Gntersberg G119
266 Sonata Gntersberg G133
267 Sonata Gntersberg G127
3
268 Sonata Gntersberg G065
269 Sonata Gntersberg G134
271 Sonata Gntersberg G135
272 Sonata Gntersberg G129
273 Sonata Gntersberg G126
BYRD, William
1 Fantasia 1 a3 BYRD COLL XVII, 2
BYRD ED 17, 2
Brenreiter, Hortus Musicus 14, 1
Northwood Music, WB-3
2 Fantasia 2 a3 BYRD COLL XVII, 4
BYRD ED 17, 4
ECS, new series, 21
Northwood Music, WB-3
3 Fantasia 3 a3 BYRD ED 17, 6
Northwood Music, WB-3
4 Fantasia 4 a3 BYRD COLL XVII, 6
Northwood Music WB-3
BYRD AB, 27 [keyboard]
1 Fantasia 1 a4 BYRD COLL XIV, 35
BYRD COLL XVII, 10
BYRD ED 17, 7
Peters Edn. 6176
Northwood Music, WB-4
2 Fantasia 2 a4 BYRD COLL XVII, 118
BYRD ED 17, 11
Northwood Music, WB-4
3 Fantasia 3 a4 BYRD TCM 7, 163
BYRD COLL V, 111
BYRD COLL XVII, 118
BYRD ED 17, 147
Northwood Music, WB-4
Four fantasias a4 VdGS ME 230
1 In Nomine a4 BYRD COLL XVII, 10
BYRD ED 17, 80
ECS 20, 10
Northwood Music, WB-4
2 In Nomine a4 BYRD COLL XVII, 14
BYRD ED 17, 83
ECS 20
Northwood Music, WB-4
1 In Nomine a5 BYRD COLL XVII, 49
BYRD ED 17, 86
ECS, 20, 9
Northwood Music WB-5
2 In Nomine a5 BYRD COLL XVII, 62
BYRD ED 17, 90
ECS 20, 7
Northwood Music WB-5
3 In Nomine a5 BYRD COLL XVII, 66
BYRD ED 17, 94
ECS 20
Northwood Music WB-5
4 In Nomine a5 BYRD COLL XVII, 53
BYRD ED 17, 98
ECS 20, 8
Northwood Music WB-5
5 In Nomine a5 BYRD COLL XVII, 58
BYRD ED 17, 103
4
ECS 20
Northwood Music WB-5
E58 Fantasy a5 BYRD COLL XVII, 20
BYRD ED 17, 19
BYRD AB [keyboard], 26
Northwood Music, WB-5
E108 Prelude and Ground a5 BYRD COLL XVII, 38
BYRD ED 17, 29
BYRD AB [keyboard], 42
Northwood Music, WB-5
E112 Browning a5 BYRD COLL XVII, 20
BYRD ED 17, 19
BYRD AB [keyboard], 26
Northwood Music, WB-5
E444 Pavan a5 BYRD COLL XVII, 30
BYRD ED 17, 39
Northwood Music, WB-5
E83 Fantasia 1 a6 BYRD ED 17, 73
BYRD AB [keyboard], 29a
Northwood Music, WB-6
E84 Fantasia 2 a6 BYRD COLL XVII, 92
BYRD ED 17, 48
BYRD TCM 9, 105
BYRD ED 1, 82
Kraus, Cantantibus Organis XVI, p.33
Northwood Music, WB-6
E85 Fantasia 3 a6 BYRD COLL XVII, 70
BYRD ED 17, 63
BYRD COLL XIV, 166
Kraus, Cantantibus Organis XVI, p.38
Northwood Music, WB-6
E402 Pavan a6 BYRD ED 17, 75
BYRD COLL XVII, 99
Northwood Music, WB-6
E501 Galliard a6 BYRD ED 17, 78
BYRD COLL XVII, 101
Northwood Music, WB-6
Consort Songs BYRD ED 15
Consort Hymns BYRD ED 17
T. C.
Fantasy a4 VdGS ME 32
CARLTON, Richard (c.1558-?1638)
Pavan a5 VdGS ME 153
du CAURROY
the 1610 publication (fantasias a 3-6) LPM; Guntersberg
CHETWOOD, Mr.
1-4 Fantasias a3 Asclepius Editions
1 ditto VdGS ME 19
COBBOLD, William (1560-1639)
E60,61 In Nomine a5 Musica Britannica 45, no. 139
E59 Sub diversis speciebus Musica Britannica 45, no. 140
Fretwork
Five consort songs in Musica Britannica 22
COCKE, Arthur (d.1604)
5
In Nomine a5 Musica Britannica 45, no. 155
VdGS ME 183
COLEMAN, Charles (d.1664)
1 Fantasia for 2 bass viols VdGS ME 14
Dovehouse Editions, VDG14
Fantasia a5 VdGS ME 96
1-5 Fantasias a6 PRB Productions, VCO46
1 Fantasia a6 VdGS ME 67
3 Fantasia a6 VdGS ME 81
4 Fantasia a6 VdGS ME 127
Three-part Airs (Book 1) Corda Music, CMP490
Four-part Airs Fretwork, FE15
COPRARIO, John
1-6 Two-part Fantasias Northwood Music JC-2a/2b
Fretwork FE4b
Fantasia 1 a2 Musica Britannica 9, no. 1
Fantasias 2-3 a2 VdGS/Schott [ME] 13
1-10 Fantasias a3 VdGS ME 33
Corda Music
Fretwork FE4b
6 Fantasias a3 Northwood Music JC-3
Fantasia 4 a3 Musica Britannica 9, no. 8
4, 6 Fantasias 4 and 6 a3 Nagel Edition 563
1-7 Fantasias a4 Northwood Music JC-4
Fretwork FE4b
Fantasias 4, 6, 7 a4 VdGS ME 3, 31, 18
Fantasias 3 and 5 a4 Musica Britannica 9, nos. 19-20
1-52 Fantasias a5 COPRARIO 5 [score]
Fretwork [score and parts]
Corda Music [score]
Fantasias 7 and 9 a5 VdGS ME 63, 53
Fantasias 6, 10, 48-49 a5 Musica Britannica 9
Fantasias 5, 21, 47 a5 ECS
Fantasia 11 a5 Hinrichsen Edition 578a
Fantasia 53 a5 VdGS ME 224
1-8 Fantasias a6 COPRARIO 6
PRB Productions, VC027
Fantasias 2 and 6 a6 Musica Britannica 9
Fantasias 3 and 4 a6 VdGS ME 22
1-12 Fantasias for 2bv and organ Dovehouse Editions, VDG6
A-R Editions B41
PRB Productions, VC054
Fantasia 7 for 2bv and org. Musica Britannica 9, no. 101
1-16 Setts for vln, bv and organ COPRARIO-VLN
Nos. 9 and 12 Musica Britannica 9, nos. 98-99
1-8 Setts for 2 vln, bv and organ COPRARIO-VLN
Nos. 4 and 7 Musica Britannica 9, nos. 102-103
1-11 Airs for 3 lyra viols A-R Editions B41
31-32 Airs a2 MASQUE
CORELLI, Arcangelo
6 & 9 Sonata op. 5, nos. 11 and 6 VdGS ME 136
COSYN, John
Four consort songs Musica Britannica 22
CRANFORD, William
Three-part consorts PRB Productions, VC029
6
Fantasias 1-2 a3 VdGS ME 172
Almain a3 Curwen 93027
Four-part consorts PRB Productions, VC033
Fantasias 1-4 a4 VdGS ME 80
Walsingham variations a4 VdGS ME 109
Five-part consorts PRB Productions, VC031
Fantasia 1 a5 VdGS ME 70
Fantasia 2 a5 VdGS ME 161
Variations: go from my window VdGS ME 106
1-6 Fantasias a6 PRB Productions, VC027
No. 1 VdGS ME 66
Passamezzo pavan a6 VdGS ME 176
Quadran pavan a6 VdGS ME 175
CUTTING, Francis
Air for the tenor and violle VdGS ME 88
DAMAN, William
Ut re my a3 Musica Britannica 44, no. 1
1 Fantasia a6 Musica Britannica 45, no. 191
PRB Productions, VC065
2 Fantasia a6 [6 trebles] London Pro Musica, EM19
Musica Britannica 44, no. 67
Mapa Mundi, H1
DERING, Richard (d.1630)
1-8 Fantasias a5 PRB Productions, VC019
Fantasia 4 a5 Musica Britannica 9, no. 38
Fantasias 5, 7-8 a5 VdGS ME 112, 113, 44
Fantasias 5-8 a5 ECS 12
1-6 Fantasias a6 PRB Productions, VC024
Nos. 1 and 5 a6 VdGS ME 93, 122
Nos. 4 and 6 a6 VdGS ME 165
1-2 In Nomines a6 [anon.] PRB Productions, VC012
VdGS ME 164
4 Pavan-Almain a5 ECS 12
7 Pavan a5 ECS 7
DETHICK, ?
Pavan a5 Corda Music, CMP 418
DOWLAND, John
Lachrimae [complete] Fretwork, FE26
Music in 4 parts (trTTB) Corda Music CMP444
DUARTE, Leonora
Sinfonie a5 Corda Music CMP448
DUMONT, Henri
The Symphonias, Pavanes and Allemandes a3 and a4 from 1652, 1657 and 1668 collections
Dovehouse, no. 39
EAST, Michael
1-20 Fantasias a3 [1618] EAST 1618/1
1-8 Fantasias for 2 bass viols Northwood Music ME-3
Dovehouse VDG50
1-9 Fantasias a3 [1638] VdGS ME 73
1-12 Fantasias a4 [1638] Dovehouse Editions, VDG50
1-8 Fantasias a5 [1610] EAST 1610/1
Stainer and Bell [parts]
7
Fantasia a5, no. 1 Schott
When Israel came ANTHEMS-R
What aileth thee ANTHEMS-R
Turn thy face ANTHEMS-R
O give me the comfort ANTHEMS-R
As they departed ANTHEMS-R
But what went you out to see ANTHEMS-R
For this is he ANTHEMS-R
I have roared ANTHEMS-R
I am brought ANTHEMS-R
My loins are filled ANTHEMS-R
Sing we merrily ANTHEMS-R
Take the psalm ANTHEMS-R
Blow up the trumpet ANTHEMS-R
EGLESTONE, John
1-2 In Nomines a5 Musica Britannica 45, 156-157
FARNABY, Giles
Maske a4 Consortium Edn. 1009
FARRANT, Richard
Four-note pavan a5 Musica Britannica 9, no. 62
Ah, alas you salt sea gods Musica Britannica 22, no. 7
O Jove Musica Britannica 22, no. 8
FERRABOSCO, ALFONSO [I]
All in FERRABOSCO I C3
Pavan a5 VdGS ME 159
1-3 In Nomines a5 VdGS ME 159
C216 Duo Alfonso Musica Britannica 45, no. 115
E27 Ut re mi no. 2 Musica Britannica 44, no. 2
E41 Fantasia a4 Musica Britannica 45, no. 127
VdGS ME 135
E88 Fantasia a6 VdGS ME 135
Musica Britannica 45, no. 192
E89 Fantasia a6, no. 2 Musica Britannica 45, no. 68
FERRABOSCO, Alfonso [II]
1-24 Fantasias a4 Musica Britannica 62 [+ parts]
Nos. 1, 2, 4, 13 ECS 5
No. 5 VdGS ME 2
No. 6 VdGS ME 48
Nos. 6-9,16,21,23,24 VdGS ME 157
No. 7 VdGS ME 49
Nos. 7, 13, 15, 20-21 Consortium D-2332
No. 8 VdGS ME 55
No. 9 VdGS ME 56
Nos. 11-13, 17 Musica Britannica 9
No. 15 Peters Edn. (ed. Beck)
No. 16 VdGS ME 58
Nos. 18-20 ECS 4
No. 18 VdGS ME 59
No. 21 VdGS ME 60
No. 23 VdGS ME 65
No. 24 VdGS ME 75
All five-part Musica Britannica 81 [+ parts]
5-part pavans and almans Northwood Music Af-Pav
1-2 In Nomines a5 Consortium 2528
1 In Nomine Musica Britannica 9, no. 51
8
2 In Nomine VdGS/Schott 4
1-9 Pavans ECS 9a-b
1 Pavan [VdGS 155] 3 lyras VdGS ME 114
1, 4 Pavans Musica Britannica 9
Hexachord fantasia, part ii Musica Britannica 9, no. 39
1-4 Almains ECS 9a-b
4 Almain Musica Britannica 9, no. 65/114
All six-part Musica Britannica 81 [score]
Corda Music [parts]
2, 7 Fantasia a6 Musica Britannic 9, nos. 78, 79
3, 6 Fantasia a6 Consortium Edition
1 In Nomine a6 Musica Britannica 9, no. 85
138 Lyra viol VdGS 89
155 Lyra viol VdGS 114
FINGER, Godfrey
2, 4 Sonatas Dovehouse Editions, no. 40
3, 6 Sonatas Fentone Music
Suites in D and e Dovehouse Editions, no. 24
Sonata in B-flat Dovehouse Edition, no. 18
FORD, Thomas
Air a4 VdGS ME 62
1-6 Fantasias a5 VdGS ME 148
1 Fantasia a5 Musica Britannica 9, no. 40
1-4 Tablature duets Musica Britannica 9, nos. 126-7
Lyra viol duets A-R Editions B90
GIBBONS, Christopher
Fantasia 22 Hortus Musicus 7
39-41 Fantasias a3 VdGS ME 180
Airs a3: 47, 50,69-70, 72-3 Musica Britannica 2
81-2 Fantasias a4 VdGS ME 142
GIBBONS, Edward
In Nomine a5 VdGS ME 211
GIBBONS, Orlando
All in Musica Britannica 48
1-6 Fantasias for two trebles Northwood Music OG-2/2Tn
1-9 Fantasias a3 Stainer & Bell
Northwood Music OG-3
Nagel, 563 and 565
2 a3 with Great dooble base VdGS ME 12
3, 7 ditto Hortus Musicus 14
4 ditto Musica Britannica 9, no. 9
6 ditto Meyer ECM
All Fantasias and In Nomine a4 Northwood Music OG-4
1-2 Fantasias a4 Stainer & Bell
VdGS ME 11
In Nomine a4 Musica Britannica 9, no. 28
1-3 In Nomines and pavan a5 Northwood Music OG-5
1, 3 In Nomines a5 VdGS ME 78 and 77
2 ditto Musica Britannica 9, no. 52
1-6 Fantasias a2 Heinrichshofen
1,3,5 ditto Musica Britannica 9
Galliard a3 Musica Britannica 9, no. 17
Pavan Deleroye a5 VdGS ME 195
Cries of London Novello (ed. Bridge, 1919)
Novello (ed. Stevens, 1956)
9
Schott (ed. Just, 1933)
Musica Britannica 22
Fantasias a6 [anon, attrib. OG] Faber Music
6 fantasias, pavan and galliard
And Go from my window a6 Northwood Music OG-6
2,5,6 ditto PRB Productions
3-part fantasias with great bass viol Northwood Music OG-3/GB
GIBBONS, Richard
1-2 Fantasias a4 VdGS ME 179
GIBBS
In Nomine a5 Musica Britannica 45, no. 159
GILES, Nathaniel
Cease now vain thoughts a5 Musica Britannica 22, no. 15
GILL, George
In Nomine a6 PRB Productions, VC023
VdGS ME 206
GIOVANNELLI, Ruggiero
Ut re mi & For verie grief a5 VdGS ME 210
GISTOU, Nicolas
1-4 Pavans and galliards a5 Moeck MMP VI
GOLDAR
E223 In Nomine a4 Musica Britannica 45, no. 134
GORTON, William
1-12 a1 and a2 all in Dovehouse Editions VDG2
Prelude for bass viol VdGS ME 87
GIOVANELLI
Ut-re-mi a5 VdGS ME
GRABBE, Johann
Intrada, Paduan, Canzon LONDON PRO MUSICA TS1
GRAUN, Johann Gottlieb
Concerto for violin, gamba and orchestra Guntersberg G069
Sonata in b for gamba and cembalo Guntersberg G150
Trio in C for cembalo, gamba and bc Guntersberg G042
Trio in F for gamba and cembalo Guntersberg G057
Trio in F for cembalo, gamba and bc Guntersberg G058
Trio Concertante in D for 2 gambas and bc Guntersberg G039
Trio Concertante in G for 2 gambas and bc Guntersberg G040
Trio in G for 2 gambas and bc Guntersberg G131
GRECKE, Peter
Two suites for 2 bass viols Dovehouse Editions VDG42
GREP, Benedict
1-6 Moeck MMP V (1-2) and VI (3-6)
HACQUART, Philip
1-16 Bass Viol solos PRB Productions, B017
HAKE, Edward
In Nomine a5 Musica Britannica 45, no. 160
10
HAMMER, Franz Xaver
Five Sonatas for VdG, Cello or Bass PRB Productions
HARDING, James
1-2 Fantasias a 4 Musica Britannica 45, nos. 128-9
LONDON PRO MUSICA EM16
HELY, Benjamin
1-9 Solo bass viol Corda Music
1-6 Sonatas for 2 basses and bc Corda Music KM2
HILTON, John
Prelude and fantasias a3 Consortium 1022
1-8 Ayres a3 Practicall Musicke
HINGESTON, John
RC1-4 2 fantasias a2 VdGS ME 36/45
RC9-12 Suite 3 a2 VdGS ME 129
RC13-15 Suite 4 q2 VdGS ME 130
1-9, 11-15 Fantasias and airs for 3 bass viols Dovehouse VDG38
Fantasia, almande and corant (tr,b) VdGS ME 45
Group I PRB Productions VC047
Group VII. PRB Productions VC020
Group VIII PRB Productions VC025
Group II PRB Productions VC022
Group X PRB Productions VC014
Group XI PRB Productions VC006
No. 1 VdGS ME 35
Group XII PRB Productions VC006
HOLBORNE, Anthony
1599 book LONDON PRO MUSICA AH1
Nos. 5-9, 23-4, 27-8 ECS 1a
No. 46 ECS 1b
Nos. 40, 59 Musica Britannica 9, nos. 66-7
1-2 Fantasias a4 Schott
HOLMES, John
Piece a5 VdGS ME 208
HOLMES, Thomas
1-5 Airs a3 VdGS ME 168
HOTMAN, Nicolas
Skolding wife suite for solo b viol VdGS ME 85
HUDSON, George
Lyra viol consort (vln, lyra, theorbo) Dovehouse 35
21-28 Airs a 3 in D Practicall Musicke PM118
61-69 Airs a 3 in F Practicall Muscike PM117
HUME, Tobias
1605 book HUME 1605/1
1607 book HUME 1607/1
IVES, Simon
1-25 Airs a4 Edition HH Ltd.
Nos. 10-16,22,23 LAWES L3
No. 18 Musica Britannica 83, p.92
11
Nos. 18, 20, 22 MASQUE
No. 23 VdGS ME 62 a4
1-9 Airs for two bass viols PRB Productions VC011
Airs a2, nos. 1-2, 5 MASQUE
1-4 Fantasias a4 Peters Edition P6176
No. 3 VdGS/Schott ME 18
In Nomine a5 VdGS ME 211
1 Fantasia a6 VdGS ME 166
2 Fantasia a6 VdGS ME 71
Lyra viol nos. 43,50,113,124,127,147 MASQUE
Lyra viol 124 Musica Britannica 83 (Appendix)
JEFFREYS, George
Fantasias a3 Practicall Musicke PM 110
No. 1 VdGS ME 133
No. 5 Hortus Musicus 14, no. 5
JENKINS, John
1-21 Fantasias a3 Musica Britannica 70
Nos. 3-4, 9-10, 20 JENKINS S
Nos. 3,5,8,11,13,19 Hortus Musicus 149
No. 18 Hortus Musicus 14
Meyer EECM, Appendix
1-17 Fantasias a4 JENKINS 4b (Faber)
No. 1 Meyer ECM/EECM, Appendix
No. 3 Augener
No. 5 Peters Edition P6176
Nos. 7,9,15-16 JENKINS 4a (Musica Britannica 26)
No. 7 JENKINS W3
No. 17 VdGS ME 82
1-3 Pavans a5 Faber: JENKINS 5; Fretwork FE30 (with 4th
reconstructed pavan)
1-17 Fantasias a5 Faber: JENKINS 5; Fretwork FE29 and FE 30
Nos. 1,5,8,10 JENKINS S
No. 15 Schirmer
1-2 Pavans a6 Faber: JENKINS 6
Musica Britannica 39
1-12 Fantasias a6 Faber: JENKINS 6
Musica Britannica 39
1-2 In Nomines a6 Faber: JENKINS 6
Musica Britannica 39
1-28 Fantasias and pavan trtrB,Org Musica Britannica 70
Nos. 1-9 VdGS ME 26-28, 43, 79, 104, 108, 117-
118
2 bass viols and organ
Nos. 1-2,11-13, 14-17 Fretwork FE21
Nos. 18-21, 37-8, 44-6, 63-64 Fretwork FE27
Nos. 1-2 Dovehouse 14
Nos. 37-38, 44-46, 63 Dovehouse 7
No. 19 Dovehouse 3
Nos. 24-36 Ogni Sorte
Sonata in d, vln, B, organ Hinrichsen 559b; Schott 10624
Aria in A, vln, B, organ Hinrichsen 559a
Divisions 1 and 2, tr B, organ [Anon., attrib. Jenkins] VdGS ME 223
Fantasia-Suites
Divisions 3 and 4, tr B, organ [Anon., attrib. Jenkins] VdGS ME 228
Group I
No. 4 Stainer & Bell
No. 5 OUP Musica da Camera
Nos. 12, 17 JENKINS S
12
Group II Complete Musica Britannica 78
No. 5 Stainer & Bell
Group III Complete Musica Britannica 90
Nos. 1 and 7 Corda Music (Golden Phoenix)
Group IV Complete PRB Productions VC010
Group V Complete Musica Britannica 26
Group VI Complete JENKINS W2; Fretwork FE8
Group VII Complete Musica Britannica 78
Nos. 4,10,14 JENKINS S
Group VIII
No. 7 Early Music January 1978, 31-5
32 Ayres trtrBB, organ Musica Britannica 26
Newark Siege VdGS ME 25
Airs in two parts trB
Nos. 14-15,30-1,40-44,61-4,86-7,
154-7 Corda Music (Golden Phoenix)
1-10 Airs in three parts Tr,T,B VdGS ME 132
Airs in three parts trtrB
Nos. 1-6 PRB Productions VC017
Nos. 35-44, 15-21 PRB Productions VC021
Nos. 7-14, 53-59 PRB Productions VC028
Nos. 60-67, 71-74 PRB Productions VC071
Nos. 68-70 Corda Music (Golden Phoenix)
Nos. 85-90, 92, 102-103 VdGS ME 222
Nos. 93-103 VdGS ME 229
Airs in four parts
Nos. 1-2,8,31,45-6,50-1 VdGS ME 167
Nos. 4,9-12,18-21,23,27-30,34-7 Corda Music CMP 419
Nos. 3,5-7,13-14,22,24,38-9,41-2 Corda Music CMP 423a
+ no. 10 of dubia
Nos. 15-17,25-6,32-2,40,43-4,49,52 Corda Music CMP 423b
No. 1 ECS 15
Nos. 1,14,23-4,30,32,49 ZfS (Moeck)
Nos. 5,22 VdGS ME 11
Nos. 3,24,32,49,52 JENKINS S
Nos. 4,7,10-11,25,31,38-9,41,46-7,51 Musica Britannica 26
Lyra Consorts (tr,lyra,b,kbd)
All complete pieces in JENKINS LC
Lyra viol solo
Nos. 234,321,397,504 VdGS ME 144
JOHNSON, Edward
Paduana a5 Fullsack 1607/1
Eliza is the fairest Musica Britannica 22
JOHNSON, Robert [I]
In Nomine a4 or a5 Musica Britannica 1
Musica Britannica 15
Hortus Musicus no. 3
Curwen 90824
Johnsons Knell Musica Britannica 44, no. 39
Ditto and pavan a5 VdGS ME 199
JOHNSON, Robert [II]
Satyrs dance a4 Consortium 1009; MASQUE 249
The Temporiser; The Witty Wanton a4 Musica Britannica 9, nos. 31-32
Air in tablature VdGS ME 88
KROSCH, Johann
1-3 Airs a4 LONDON PRO MUSICA: T Simpson 1621
13
LAWES, William
Royal Consort Fretwork [old and new versions]
Consort Music a5 Faber [LAWES P3]
68-71, 74 Musica Britannica 21
75 VdGS ME 38
78-80 VdGS ME 10
Consort Music a6 Faber [LAWES P3]
96, 97-100, 104-105 Musica Britannica 21
84-86 VdGS ME 97
87-89 VdGS ME 100
90-93 VdGS ME 52
101-103 VdGS ME 91
85-86 Schirmer
101, 103 Universal Edition
Fantasias a4
108-113 [all] Dovehouse VDG45
110 VdGS SP 8 [in d]
Fantasia-Suites [all] Musica Britannica 60
1, 7-8 with one vln Musica Britannica 21
5 Stainer & Bell 5418
1, 6-7 with two vlns Musica Britannica 21
2 VdGS ME 125
4 VdGS ME 42
5 Stainer & Bell 5421
Harp Consorts
162-191 [all] PRB Productions VC062
188-190 Musica Britannica 21
Airs
10-13, 26, 28, 75, 80, 83, 206-8,
226-8, 261-3, 311-12, 320-1, 339,
342-3, 345 LaNDMarK Press ECS-3
209, 231, 345 LAWES L3
208, 226, 320-1 VdGS ME 38 [a3]
304 VdGS ME 34
306, 110 VdGS ME 197
318 VdGS ME 75 [a4]
336, 318 VdGS ME 196
337 Universal Edition
Xxxx MASQUE
Lyra Viol
567 LAWES L3
568, 573 Musica Britannica 21
LOCKE, Matthew
1-54 For Severall Friends Musica Britannica 31
Duets for TB or BB Corda Music CMP492
1-12 Duos for two bass viols Musica Britannica 31
Hortus Musicus 167
Corda Music KM1
1-40 The Little Consort Musica Britannica 31
Corda Music GP3a-b
1-24 The Flatt Consort Musica Britannica 31
1-12 Hortus Musicus 180
1-24 Broken Consort [part i] Musica Britannica 32
1-20 Broken Consort [part ii] Musica Britannica 32
1-24 Consort of four parts Musica Britannica 32
Sets 1-3 [1-12] Schott 2311a; Chester 252 a-c
Sets 4-6 [13-24] Schott 2311b; Chester 252 d-f
14
LOOSEMORE, George
Fantasia a3 VdGS ME 152
Lyra consort [tr, lv, bass] VdGS ME
LUPO, Thomas
Fantasias and airs a3 Fretwork FE18b
2, 14, 17-20, 24 Nagel 563
7, 9, 16 Nagel 565
3, 5, 26 Musica Britannica 9
8 Meyer ECM, p.144
15, 25-6 Northwood Music Tl3
15 Hortus Musicus 14
10-12, 14 Hortus Musicus 64
2, 4, 6, 8-9 VdGSA Series F
18, 20, 26 Schott
Pavans a3 LUPO 3
ECS 11
1, 3 Schott
1 Musica Britannica 9, no. 16
Fantasias a6 Fretwork FE9
5 Musica Britannica 9, no. 80
1, 6 VdGS ME 50 and 61
Fantasias and airs a4 Fretwork FE22b
1 Musica Britannica 9
2-3 VdGS ME 46 and 41
8, 11 ECS 11
Fantasias a5 Fretwork FE 13, FE 14
11-12, 24 Musica Britannica 9
25-27 ECS 3 [new series]
Airs a2 and a3
3-4 MASQUE
De MACHY, Le Sieur
29-56 bass viol Dovehouse Edition
MAERKER, Matthus
1-10 airs a5 Moeck MMP V and VI
MALLORIE/MALERY
In Nomine, Miserere, Sol re sol a5 Musica Britannica 44, nos. 51, 42, 69
MANDO, Patrick
Like as the day Musica Britannica 22, no. 12
MARC
26-38 treble/pardessus VdGS ME 173-4
MASON
1-8 Pavans a5 Corda Music CMP 418
MAYNARD, John
7 pavans for lyra viol and bass PRB Productions VC041
MERICOCKE, Thomas
In Nomine a5 Musica Britannica 45, no. 161
MELL, Davis
5, 11, 24, 39 MASQUE
MICO, Richard
15
All in Musica Britannica 65 [MICO H]
5 duos for trB VdGS ME 215
2-4 Pavans a4 ECS 7a
Two pavans a4 LONDON PRO MUSICA VML146
Consorts a4 [all] Fretwork FE7b
Fantasias a4
3, 18, 19 ECS 7b
4, 8, 15 Schott 10582-4
5 OUP EM 24
1-2 Fantasia a5 ECS 2; VdGS ME 134
In Nomine a5 ECS 2
1-3 Pavans a5 ECS 2
Latral [i and ii] Consortium
MILTON, John [I]
3 Fantasias a5 PRB Productions, VC030
Fantasia 1 a5 Musica Britannica 9, no. 44
In Nomine a6 VdGS ME 204
MONS., Thomas
Pavan and galliard a5 Moeck MMP V
MORLEY, Thomas
1-9 Fantasias a2 Northwood Music TM2
Two fantasias a5 LONDON PRO MUSICA VML207
MOSS, John
2 bass viols: suites 1-13 Dovehouse Editions VdG61A
2 bass viols: suites 14-26 Dovehouse Editions VdG61B
MOULINI, tienne
1-3 Fantasias a4 Practicall Musicke
MUDD, Henry
In Nomine a4 Musica Britannica 44, no. 15
VdGS ME 182
In Nomine a5 Musica Britanncia 44, no. 52
MUNDY, John
1-3 In Nomines a5 Musica Britannica 45
1-2 In Nomines a6 Musica Britannica 45
Sing Joyfully TCM 92
MUNDY, William
O Mater Mundi Musica Britannica 44, no. 32
Fantasia Musica Britannica 44, no. 33
Sermone Blando Musica Britannica 44, no. 43
1-2 In Nomines a5 LONDON PRO MUSICA EM17
In Nomine [E272] Musica Britannica 44, no. 53
In Nomine [E271] Musica Britannica 44, no. 54
Fie fie my fate Musica Britannica 22, no. 30
NAU, Stephen
14-19 Airs a5 KASSEL E
NICOLAI, Johann Michael
2 Sonata Gntersberg G041
3-10 Sonatas and airs Gntersberg G047
NICHOLSON, Richard
16
9 Consort songs Musica Britannica 22
Cuckoo Chester edition 230
When Jesus sat at meat (verse anthem) VdGS ME 221
NORCOMBE, Daniel
Nine divisions for bass viol: PRB Productions B016
1, 5, 8, 13, 16, 20, 25, 28, 31
OKER/OKOVER, John
1-10 Fantasias a3 Barrington Series
Nos. 1-3 VdGS ME 154
1-2 Pavans a5 PRB Productions, VC044
No. 2 Musica Britannica 9, no. 70
1-7 Fantasias a5 PRB Productions, VC044
No. 5 Musica Britannica 9, no. 45
RN, Jacob
Pavan a6 DENMARK B
PARSLEY, Osbert
Salvator Mundi a3 EM adds
Musica Britannica 44
1-2 In Nomines a4 EM adds
Musica Britannica 44, Nos. 16-17
No. 1 Curwen 93103
No. 2 VdGS ME 198
In Nomine No. 1 a5 EM adds
Musica Britannica 44, No. 55
Two pieces a5 LONDON PRO MUSICA VML177
Persleys Clocke a5 EM adds
Musica Britannica 44, no. 44
Curwen 90827
Spease Noster EM adds
Musica Britannica 44, no. 45
Super Septem PARSLEY TCM Appendix
PARSONS, Robert
1-2 In Nomines a4 Musica Britannica 44, nos. 18-19
LONDON PRO MUSICA VML187
No. 1 VdGS ME 198
Ut re mi a4 Musica Britannica 44, no. 12
Songe a5 Musica Britannica 44, no. 35
De la Court [two parts] Musica Britannica 44, no. 34
In Nomine a5 Musica Britannica 44, no. 56
BYRD COLL XX, no. 150
US-NYp edition (1937)
FWVB, no. 140
Song called trumpets a6 Musica Britannica 44, no. 70
Partita edition
LONDON PRO MUSICA EM13
1-2 In Nomines a7 Musica Britannica 44, nos. 74-75
VdGS ME 24
Pour down you powers Musica Britannica 22, no. 6
Enforced by love and fear Musica Britannica 22, no. 5
PATTRICK, Nathaniel
Climb not too high Musica Britannica 22, no. 32
Send forth thy sighs Musica Britannica 22, no. 10
Prepare to die Musica Britannica 22, no. 11
17
PEDERSN, Magnus
1-2 Pavans a5 Corda Music CMP 418
PEERSON, Martin
Fantasia a5: Attendite VdGS ME 83
1-7 Fantasias and Almains a6 PRB Productions VC39C
No. 1 VdGS ME 5
Nos. 2, 5 Schott
No. 3 VdGS ME 101
No. 4 Musica Britannica 9
No 6 VdGS ME 39
No. 7 VdGS ME 138
Blow out the trumpet Schott 10604
PHILIPS, Peter
Pavan Pagget; Galliard 10; Pavan 21
a5 Musica Britannica 9, nos. 71-2, 90
Almain Tr[egian] a5 RENAISSANCE N
PICFORTH
In Nomine a5 Musica Britannica 44, no. 57
PIETKIN, Lambert
Two sonatas a4 ttt, bass, bc PRB Productions, B049
PILKINGTON, Francis
Fantasia No. 1 a6 VdGS ME 171
POLEWHELE/SIMPSON
Divisions on Polewheles ground VdGS ME 140
POOLE, Anthony
Divisions for solo viol, no. 7 VdGS ME 139/90
POYNTE
In Nomine a4 Musica Britannica 44, no. 20
In Nomine a5 Musica Britannica 44, no. 58
PRESTON, Thomas
O lux a3 Musica Britannica 44, no. 5
In Nomine a4 Musica Britannica 44, no. 21
PRIMROSE
Almain, Corant, Saraband a3 VdGS ME 103
PURCELL, Henry
All consorts in PURCELL S
Fantasias and In Nomines a3 a7 Nagel Edition, Nos. 58, 113
1-3 Fantasias a3 Northwood Music HP-1
4-13 Fantasias a4 Northwood Music HP-2
Fantasia on one note and In Nomines
a6 and a7 Northwood Music HP-3
I-XII Sonatas of three parts PRB Productions VC058 and 59
I-X Sonatas of 4 parts Purcell Society (Novello, 1981)
PYTTYNS, Richard
Ruger Musica Britannica 44, no. 87
WARD D
RANDALL, William
18
In Nomine a5 Musica Britannica 45, no. 164
RAVENSCROFT, Thomas
Fantasias a5 PRB Productions VC035
1 Schott/VdGS 12
2 VdGS ME 98
3 VdGS ME 110
4 Schott/RMS 142, no. 25
Verse anthems [all below in] RAVENSCROFT P1
O Jesu sweet CMSR 3
Ah, helpless wretch CMSR 3
All laud and praise
O Lord, in thee is all my trust
O woeful ruins of Jerusalem
Wrapt up, O Lord
O clap your hands together
O let me hear thy loving kindness
This is the day when first
In thee, O Lord have I put my trust
READ, Richard
Pavan and Galliard for 2 lyra viols VdGS ME 131
ROGERS, Benjamin
81-89 9 Muses a4 VdGS ME 160
SADLER, John
In Nomine a5 Musica Britannica 45, no. 165
SCHAFFRATH, Christoph
duet for two viola da gambas Guntersberg 087
solo in B-flat: viola da gamba, continuo Guntersberg 049
sonata in A: viola da gamba, cembalo Guntersberg 048
SCHENCK, Johann
Six sonatas op. 9, vdg and cont. Das Erbe Deutcher Musik 67/8 (1973)
Two sonatas for 2 bass viols PRB Productions B004
Le Nymphe di Rheno PRB Productions B036
12-15 Sonata IV VdGS ME 111
SCHMELZER, Henirich
Duodena Delectarum Sonatorum
2 vlns, bass and bc (1659)
Sacro-Profanus Concentus Musicus
(1662) DT cxi-cxii (1965)
SCHULTZ, Jacob
1-2 Galliards a5 Moeck MMP
SIMMES, William
1-7 Fantasias a5 PRB Productions VC005
No. 1 Musica Britannica 9, no. 46
SIMPSON, Christopher
No. 23: Divisions for bass viol VdGS ME 140
5 duets for division viols (VdGS 24-8) VdGS ME 220
Divisions for treble and bass Dovehouse Editions, no. 11
Divisions in F major Saraband Music SM4
The Months trBBBc Dovehouse editions
The Seasons SIMPSON SN
19
1-20 20 ayres for 2 trebles and 2 basses VdGS ME 226
1-22 Airs a3 trtrB Dovehouse Editions
1-26 Little Consort tr, lyra, B, Bc PRB Productions, VC043a-c
Six ayres for lyra viol and bass PRB Productions, VC037
SIMPSON, Thomas
All in LONDON PRO MUSICA, MP9
Volta Consortium
Allemande, Ricercar, Malcontent Musica Britannica 9, nos. 105-7
SOMMER, Johann
1-11 Pavans and galliards a5 Moeck MMP V and VI
STANNAR, William
In Nomine a5 Musica Britannica 45, no. 166
VdGS ME 183
STEFFENS, Johann
1-10 Pavans and Galliards a5 Moeck MMP VI
STONINGS, Henry
In Nomine a4 Musica Britannica 44, no. 22
In Nomine a5 Musica Britannica 44, no. 59
No. 2 VdGS ME 183
Miserere a5 Musica Britannica 44, no. 46
EM series
Browning a5 Musica Britannica 44, no. 40
EM series
LONDON PRO MUSICA VML112
STONNARD, W
Hearken all ye people Concordia Edition
STROGERS, Nicholas
1-3 In Nomines a5 Musica Britannica 44, nos. 60-62
In Nomine a6 Musica Britannica 44, no. 73
In Nomine Pavin MORLEY 1599/1
A doleful deadly pang Musica Britannica 22, no. 9
Mistrust not truth Musica Britannica 22, no. 21
O heavenly God and father dear Musica Britannica 22, no. 22
SUMARTE, Richard
16-19 3 pieces for tenor lyra viol VdGS ME 102
TALLIS, Thomas
In Nomine a4 Musica Britannica 44, no. 23
In Nomine a5 Musica Britannica 44, no. 24
(both the above) VdGS ME 13
A solfinge songe Musica Britannica 44, no. 36
TAVERNER, John
In Nomine a5 Musica Britannica 44, no. 25
Musica Britannica 1, no. 35 (kbd)
TAVERNER TCM 1, p. 148
TAVERNER TCM 3, p. 199
Hortus Musicus 134
Quemadmodum a6 Musica Britannica 44, no. 71
TAVERNER TCM 3, p. 117
LONDON PRO MUSICA EM15
TOMKINS, Thomas
Complete consort music in Musica Britannica 59
20
Fantasias and In Nomines a3
No. 2 (In Nomine) Hinrichsen H558a
No. 3 (Fantasia) VdGS ME 84
Nos. 4-5, 10-12, 16 Consortium D-2331/N 1142
No. 8 Schott 10645
No. 9 Stainer & Bell 5236
No. 10 ECS 11
No. 12 Schott 6193
Nos. 13, 15 VdGS ME 189
No. 14 VdGS ME 47
No. 16 VdGS ME 2
Musica Britannica 9, no. 13
No. 17 Stainer & Bell 5234
Five-part music Northwood Music, TT-5
Fantasia a5 Musica Britannica 5, no. 33 (kbd)
Pavans a5
Nos. 1, 6-8 Moeck, ZfS; ECS 5 (6)
No. 5 VdGS ME 145
No. 6 Musica Britannica 5, no. 56 (kbd)
Musica Britannica 9, no. 73
Ut re mi a4 Musica Britannica 5, no. 35 (kbd)
Almain a4 Musica Brtiannica 9, no. 33
Six-part works Northwood Music, TT-6
Fantasias a6
Nos. 1, 4 Consortium
No. 2 Stainer & Bell
Pavan and Galliard Musica Brtiannica 9, nos. 91-2
Verse anthems
Thou art my king, O God EECM 9, no. 21
Sing unto God EECM 9, no. 20
O Lord, let me know mine end EECM 9, no. 16
Above the stars EECM 9, no. 14
TOMKINS, John or Thomas
O thrice blessed earth bed Musica Britannica 22, no. 40
TPPFER, Christian
1-5 airs a4 LONDON PRO MUSICA, Simpson 1621
TYE, Christopher
All in LONDON PRO MUSICA M1; Musica
Britannica 45
Two In Nomines a5 LONDON PRO MUSICA VML129
Lawdes Deo a5 Chester
WARD, John
Fantasias and In Nomine a5 all in Musica Britannica 67
No. 1 VdGS ME 40
No. 2 VdGS ME 6
No. 3 VdGS ME 105
No. 4 VdGS ME 76
No. 5 VdGS ME 115
No. 6 VdGS ME 54
No. 7 VdGS ME 57
No. 8 VdGS ME 120
Nos. 9-10 Musica Britannica 9, nos. 47, 46
No. 13 VdGS ME 95
In Nomine VdGS ME 15
Eight Fantasias and In Nomine Northwood Music JW-5
Italian Madrigal fantasias a5 Northwood Music JW-Mad
21
Fantasias and In Nomines a4
1-6 Musica Britannica 83
PRB Productions VC015
Nos. 1, 6 Musica Britannica 9, nos. 27, 25
No. 2 Stainer & Bell 5238
Nos. 7, 11, 16 VdGS ME 7/30
1-5 In Nomines Musica Britannica 83
PRB Productions VC009
No. 5 Musica Britannica 9, no. 29
6-20 [Paris fantasias] Musica Britannica 83
PRB Productions VC016, VC018
No. 6 VdGS ME 14
No. 7 VdGS ME 30
No. 8 Musica Britannica 9
Nos. 13, 16 VdGS ME 7
1-6 Airs for two bass viols and organ Musica Britannica 83
Dovehouse Edition VDG5
No. 2 Musica Britannica 9, no. 6
Fantasias and In Nomines a6 Musica Britannica 67
Northwood Music JW-6
No. 1 VdGS ME 51
Nos. 2-3 Musica Britannica 9, nos. 81-2
No. 5 VdGS ME 126
No. 6 VdGS ME 121
In Nomine 1 VdGS ME 64
In Nomine 2 Musica Britannica 9, no. 86
Verse Anthems Corda Music CMP 429
WEBSTER, Maurice
Complete Consort Music Editions HH Ltd.
WEELKES, Thomas
Consort Works a4, a5 and a6 Northwood Music TW-1 to TW-3
In Nomine a4 Musica Britannica 45, no. 136
VdGS ME 198
In Nomine no. 2 a5 Musica Britannica 45, no. 186
1-2 Pavans a5 VdGS ME 72
3-4 ditto VdGS ME 163
No. 2 ECS 12
No. 5 Musica Britannica 9
No. 6 WEELKES G
Fantasia a6 RENAISSANCE R
Cries of London Musica Britannica 22, no. 66
WHITBROOK
In Nomine a4 VdGS ME 182
WHITE, Robert
All instrumental music in A-R Editions R12
1-6 Fantasias a4 Musica Britannica 44
1-4 In Nomines a4 Musica Britannica 44
No. 1 Musica Britannica 1
Hortus Musicus 134
Christe qui lux no. 1 a4 Musica Britannica 45, no. 2
Christe qui lux no. 2 a4 TCM V
In Nomine a5 Musica Britannica 44, no. 63
Mr Whyte his Songe a5 Musica Britannica 44, no. 37
WHITE, William
Two Fantasias for two bass viols Dovehouse, no. 14
Fantasia no. 2 for 2 bass viols Musica Britannica 9, no. 5
22
Fantasia a3 trtrB Musica Britannica 9, no. 14
VdGS ME 169
Fantasias 1 and 3 a5 Peters Edn. 7168
Two Diapente fantasias a5 Saraband Music SM16
No. 2 Musica Britannica 9
1-6 Fantasias a6 Dovehouse Edition VDG36
No. 2 Musica Britannica 9, no. 83
No. 5 VdGS ME 92
Fantasia and 2 Pavans a6 PRB Productions VC013
Pavan no. 2 Musica Britannica 9, no. 93
WIGTHORPE, William
Smiths are good fellows (voice+5) Musica Britannica 22, no. 57
Were I made juror (voice+4) Musica Britannica 22, no. 56; ES 1
I am not I (voice+4) Musica Britannica 22, no. 55
WILBYE, John
Ne reminiscaris Domine a5 Musica Britannica 22, no. 45
Fantasia a6 Musica Britannica 9, no. 84; VdGS ME 227
WHITBROOKE
In Nomine a4 Musica Britannica 44, no. 31
WITHY, Edward
Trumpet Tune VdGS ME 86
WITHY, John
Treble and bass divisions VdGS ME 94
19 fantasias for 2 bass viols Dovehouse VDG13
Fantasia a4; In Nomine a5 VdGS ME 212
WOODCOCK, Clement
1-3 In Nomines, Hackney, Browning Musica Britannica 44
Hackney Curwen; LONDON PRO MUSICA
VML 112
Browning VdGS ME 74; LONDON PRO
MUSICA
WOODESON, Leonard
1-4 In Nomines a5 Musica Britannica 45
YOUNG, William
1-9 Fantasias a3 (trtBbc) VdGS ME 150-151
1-11 Sonatas (1653) a3-5 OUP (1930-1)
DT (1983)
8-9 2 sonatas a4 in G & F VdGS ME 178/181
19 airs (1653) (trtrBbc) OUP (1930-1)
Universal (ed. Leonhardt, 1962)
Sonata in D (vln,B,bc) Schott
29 pieces for solo bass viol Dovehouse, 46
Airs and dances for 2 bass viols PRB Productions VC038
Coranto and Masque a2 VdGS ME 184
Six dances a3 VdGS ME 185
Six Allemands a3 VdGS ME 187
ZYKA, Joseph Benedikt
Trios in C, D, F: violin, 'cello, bass viol PRB CL009
Trios in G, A, B-flat: violin, 'cello, b. viol PRB CL010
23
ANON: TWO-PART TREBLE AND BASS
Lbl, Add. MS 10,444
VdGS
No. fol.
2203 30r
2204 31v
2205 32r
2206 32v
2207 32v
2207 32v
2209 33r
2210 33v
2211 33v
2212 34v
2213 34v
2214 35r
2215 35r
2216 35r
II/54 The Lord Hays his Masque
[Thomas Lupo]; Rossiter
1609/8
II/57 The Fairey Masque
Add. 38539, f.10r
II/58 The Pages Masque
II/59 A Masque
II/60 The Gypsies masque
II/61 Black Fryars Masque
II/61b [no bass part]
II/62 The Tempest
II/63 A Masque
II/65 A Masque
II/66 The Sheapheards Masque
II/67 Durrance Masque
II/68 The Lord Hayes his first
Masque
II/69 The Second
September 2007 A-2-17
ANON: TWO-PART TREBLE AND BASS
Lbl, Add. MS 10,444
VdGS
No. fol.
VB = V.Brookes: British
Keyboard Music to c.1660: Sources
and Thematic Index
2217 86r
2218 35v
2219 35v
2220 36v
2221 36v
2222 37r
2223 37r
2224 37v
2225 37v
2226 38r
2227 38v
2228 39r
2229 40v
2230 40v
2231 40v
2232 41r
II/70[a] The Third [Bass only]
II/70 [b] The May-Pole
[VB 690] Brade 1617/18
II/71 The Amazonians Masque
II/72 The Furies
II/73 The Cuckolds Masque
Brade 1617/45
II/74 The first of the Ladyes, after the
Cuckolds
II/75 The Second
II/76 The Third
II/77 The Fourth
II/78 A Masque
II/79 Good Words for your Mony
II/80 The Second
II/82 The Lady Lucies Masque
II/86 Mary Maudling Masque
II/78 The First of the Temple
II/79 The Second of the Temple
September 2007 A-2-18
ANON: TWO-PART TREBLE AND BASS
Lbl, Add. MS 10,444
VdGS
No. fol.
VB = V.Brookes: British
Keyboard Music to c.1660: Sources
and Thematic Index
2233 41r
2234 41v
2235 41v
2236 43r
2237 43v
2238 43v
2239 44r
2240 44v
2241 44v
2242 45r
2243 45r
2244 45v
2245 45v
2246 46r
II/89 The Third of the Temple
II/90 The French Morris
II/91 Graysin Anticke Masque
II/96 Fly Foul Soul
Lbl: Add. 29481/24v
II/97 A Masque
II/98 The Antick Masque at Court
II/99 Graysinne Masque
[VB 762]
II/100 York House Masque
II/101 The Mountebanks Dance at
Grayes Inne
II/102 The Standing Masque
[VB 760]
II/103 The May-pole Dance at Grayes
Inne
II/104 The Goates Masque
II/105 The First of the Princes Masques
II/106 The Second
September 2007 A-2-19
ANON: TWO-PART TREBLE AND BASS
Lbl, Add. MS 10,444
VdGS
No. fol.
VB = V.Brookes: British
Keyboard Music to c.1660: Sources
and Thematic Index
2247 46r
2248 46r
2249 46v
2250 46v
2251 47v
2252 47v
2253 48r
2254 48v
2255 49r
2256 49r
2257 49v
2258 49v
2259 50r
2260 50v
2261 51r
2262 51v
II/107 The Third
II/108 The Kings Mistresse
II/109 Wilsons Loue
II/111 Waters his Loue
II/112 Broxboorn Berry Masque
II/113 The New Yeares Gift
II/115 Squiers Masque
II/116 The First of the Temple
[VB 768]
II/117 The Second
[VB 752]
II/118 The Third
II/119 The First of S
r
John Paggingtons
II/120 The Second
II/121 The Third
II/124 The First of the Temple
Masques
II/125 The Second
II/126 The Third
September 2007 A-2-20
ANON: TWO-PART TREBLE AND BASS
Lbl, Add. MS 10,444
VdGS
No. fol.
VB = V.Brookes: British
Keyboard Music to c.1660: Sources
and Thematic Index
2263 51v
2264 52r
2265 52r
2266 52v
2267 52v
2268 53r
2269 53v
2270 53v
2271 54r
2272 54r
2273 54v
2274 54v
II/127 The First of the Prince his
Masque
II/128 The Second
II/129 The Third
II/130 Lincolnes Inne Masque
II/131 The Prince his Masque
II/132 The Apes Dance at the Temple
II/133 Grayes Inne Masque
Brade 1617/38
II/134 Grayes Inne Masque
II/135 The First of the Prince his
[Masque] [Robert Johnson]
[VB 1838] Brade 1617/31
II/136 The Second
[VB 311] Brade 1617/32
II/137 The Third
Brade 1617/33
II/138 [no title] Brade 1617/19
September 2007 A-2-21
ANON. Airs for treble and bass
VdGS No.
2275 [Saraband]
2276 [Jig]
2277 [Air]
2278 [Corant]
2279 The Running
Almand
2280 The Port
2281 Almain
2282 [Almain]
2283 Saraband
2284 [Saraband]
2285 [Air]
2286 [Air]
February 2008 A-2-22
U
S
-
N
H
,
F
i
l
m
e
r
3
.
T
r
e
b
l
e
&
b
a
s
s
f.
90v
85v
76r
76r
75v
75v
74v
74v
74r
74r
64r
64r
ANON. Airs for Treble and Bass
VdGS No.
2287 [Air]
2288 [Saraband]
2289 The Globe Antick
2290 Courant
2291 [Saraband]
2292 The Grand Masque
2293 [Jig]
2294 Almain
2295 Ayre
2296 Courant
2297 Saraband
February 2008 A-2-23
U
S
-
N
H
,
F
i
l
m
e
r
3
:
t
r
e
b
l
e
&
b
a
s
s
f.
63v
63v
62v
62r
62r
59v
58r
57r
57r
56v
56v
ANON. Treble and Bass
Mostly, if not all, French
VdGS No.
2298 [Air]
2299 A French
Ayre
2300 A French
Ayre
2301 Moutarte
Nouvelle
2302 Tricotes
2303 Triottes
de blois
2304
2305 La
Princesse
Sir E F
2306 his French
Ayre
Courante
2307 de
Tranelinne
2308
2309
Larobichonne
February 2008 A-2-24
U
S
-
N
H
,
F
i
l
m
e
r
3
G
B
-
E
n
,
P
a
n
-
m
u
r
e
2
,
3
,
1
2
fol.
16v
17r
17r
17r
17v
17v
17v
17v
18r
69v
69v
69r
ANON. Treble and Bass
Mostly, if not all, French
VdGS No.
2310 La Bouree
de Robichon
2311 Le
Boguinet
2312 Courante
2313 Courante
2314
Moleneriser
Ledernier
February 2008 A-2-25
U
S
-
N
H
,
F
i
l
m
e
r
3
G
B
-
E
n
,
P
a
n
-
m
u
r
e
2
,
3
,
1
2
fol.
69r
69r
68v
68v
68r
ANONYMOUS
Pieces for violin, bass viol and continuo
probably of continental origin
VdGS No.
801 Sonata C
802 Sonata D
803 [Sonata] a
804a [Suite]
Allemande A
804b Courante A
804c Ballet A
804d Sarabande A
804e Gigue A
805 [Sonata] d
806 Sonata a
807 Sonata a
G
B
-
D
R
c
,
D
2
G
B
-
D
R
c
,
D
5
G
B
-
O
b
,
M
u
s
.
S
c
h
.
C
.
8
0
G
B
-
O
b
,
M
u
s
.
S
c
h
.
D
.
2
4
9
F
-
P
n
,
R

s
V
m
7
6
7
3
no.
15
24
no.
5
9
9
9
9
9
no.
2
no.
8
13
no.
43
A-2/bc-1
2003
ANONYMOUS
Pieces for violin, bass viol and continuo
probably of continental origin
VdGS No.
808 [Sonata C
and suite]
809 Symphonia G
810 Symphonia a
811 Sonata a
812 [Sonata] d
813* [Sonata] d
814 [Sonata] a
815 Sonata d
816 Sonata g
* Also in S-Uu, IMhs 11:1
Also in Exercitum Musicum (Frankfurt, 1660), No. 5
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
3
G
B
-
H
A
d
o
l
m
e
t
s
c
h
I
I
.
c
.
2
5
G
B
-
O
b
,
M
u
s
.
S
c
h
.
D
.
2
4
9
G
B
-
L
b
l
,
R
M
2
0
.
h
.
9
F
-
P
n
,
R

s
V
m
7
6
7
3
no.
231v
228v
229v
no.
10
11
12
no.
14
no.
102
no.
40
45
70
A-2/bc-2
January 2009
G
B
-
D
R
c
,
D
2
no.
27
ANONYMOUS
Pieces for violin, bass viol and continuo
probably of continental origin
VdGS No. Key
817 Sonata a
818 Sonata G
819 Sonata a
820 Sonata Bb
821 Sonata D
822 Sonata D
S-Uu
IMhs
D
-
W
,
C
o
d
.
G
u
e
l
f
.
3
4
.
7
.
A
u
g
2
o
11:9
11:4
11:10
11:3
11:6
no./p.
5/13
A-2/bc-2a
January 2009
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No.
831 Sonata g
832 [Sonata] d
833 [Sonata] G
834 [Sonata] D
835 [Sonata] D
836 Sonata a
837 Sonata d
838 Sonata F
839 La Castellina d
840 Sonata a
841 adagio A
*ANDREAS OSWALD
842 Variata Aria d
F
-
P
n
,
R

s
V
m
7
6
7
3
G
B
-
H
A
d
o
l
m
e
t
s
c
h
I
I
.
c
.
2
5
no.
1
3
8
11
14
15
19
26
27
28
29
30
no.
22
no.
10
no./
page
51
[b]/
81
*54/
88
A-2/bc-3 January 2009
E
x
e
r
c
i
t
u
m
M
u
s
i
c
u
m
(
F
r
a
n
k
f
u
r
t
,
1
6
6
0
)
D
-
W
,
C
o
d
.
G
u
e
l
f
.
3
4
.
7
.
A
u
g
.
2
o
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No.
843 [Sonata] d
844 [Sonata] a
845 Variationes D
846 Sonata d
*G.B.BUONAMENTE
847 [Sonata] e
848 [Sonata] D
849 [Sonata] F
850 [Sonata] a
851 adagio C
852 [Sonata] F
Violino Viol
damor
853 [Sonata] G
854 [Sonata] C
F
-
P
n
,
R

s
V
m
7
6
7
3
no.
31
36
46
51
54
55
58
69
71
78
84
85
no.
24
no.
11
13
A-2/bc-4 January 2009
G
B
-
H
A
d
o
l
m
e
t
s
c
h
I
I
.
c
.
2
5
E
x
e
r
c
i
t
u
m
M
u
s
i
c
u
m
(
F
r
a
n
k
f
u
r
t
,
1
6
6
0
)
S-
Uu,
imhs
1:9*
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No.
855 [Sonata] a
856 [Sonata] e
857 [Sonata] d
858 [Sonata] d
859 [Sonata] e
860 [Sonata] d
861 adagio e
862 [Sonata] F
Viola damour
Violino
863 [Sonata] A
864 La Chorista D
F
-
P
n
,
R

s
V
m
7
6
7
3
no.
89
90
91
94
97
98
104
110
111
115
A-2/bc-5 2003
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No.
865 [Sonata] D
866 [Sonata] F
867 [Sonata] d
868 [Sonata] F
869 [Sonata] C
870 [Sonata] C
871 [Sonata] a
872 [Sonata] d
873 [Sonata] d
874 [Sonata] F
875 [Sonata] Bb
876 [Sonata] a
F
-
P
n
,
R

s
V
m
7
6
7
3
no.
118
119
122
123
125
126
127
130
132
134
135
145
A-2/bc-6 January 2009
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No.
878 Canon per arsin
et thesin G
879 Symphonia D
880 Sonata D
881 Sonata G
* BERTALI
882 Sonata Bb
883 Sonata a
884 Sonata D
885 Bergamasco D
886 Sonata D
887 Sonata e
888 Sonata g
889 Upon a ground
G
B
-
H
A
d
o
l
m
e
t
s
c
h
I
I
.
c
.
2
5
no.
6
7
16
18
19
23
25
26
27
29
f.
217v
233v
232v
218v
no.
13
1
2
no./p.
38/49
*
A-2/bc-7 January 2009
G
B
-
D
R
c
,
D
2
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
3
D
-
W
,
C
o
d
.
G
u
e
l
f
.
3
4
.
7
.
A
u
g
2
o
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No. key
890 Upon a ground
e
891 Sonata C
892 Sonata Eb
893 Sonata a
894 Sonata C
G
B
-
D
R
c
,
D
2
no.
10
11:9
13:10
11:12
11:7
A-2/bc-8 January 2009
S-Uu
IMhs
2 violins, viola da gamba and continuo
2 violins, viola da gamba or trombone and bc
2 violins, viola da gamba or bassoon and bc
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No. key
900 Sonata
901 Sonata
March 2009 A-2BC-9
GB-
Cfm:
Mu.
1167
no.
(1)
(2)
ANON. Trios Tr Tr B
Mostly, if not all, French
VdGS No.
980 [Air]
981 [Air]
982 [Courant]
983 Saraband
984 Simphonia
985 Air
986 Courant
987 Saraband
988 Fantasie
989 Air
990 Gigue
991 Saraband
992 Pavan A-3-7
G
B
-
E
n
,
P
a
n
m
u
r
e
2
,
3
,
1
2
no.
1
2
3
4
5
6
7
8
9
10
11
12
13
Pages are torn out, so Treble I, nos.
1-2 and most of no. 3 and Treble II.
nos. 1-11 are missing.
February 2008
ANON. Trios Tr Tr B
Mostly, if not all, French
VdGS No.
993 Air
994 Courant
995 Saraband
Iantha or Princess Royal
996 La Princesse in Playford DM, Apollos
Banquet, etc.
997
998 Bouree de
Arvis
999 La Galliard
1000 Grand
Bouree
1001 Balliris
1002 Bouree
Royale
1003 Rondeau
1004 Air
1005 Air
A-3-8
G
B
-
E
n
,
P
a
n
m
u
r
e
2
,
3
,
1
2
no.
14
15
16
17
18
19
20
21
22
23
24
25
26
February 2008
ANON. Trios Tr Tr B
Mostly, if not all, French
VdGS No.
1006 [Air]
1007 [Air]
1008 [Air]
1009 Branle
simple
1010 Gaij
1011 Amenet
1012 Gavot
1013 Courant
1014 Saraband
1015 Courant Second treble only
1016 [Saraband] Second treble only
A-3-9
G
B
-
E
n
,
P
a
n
m
u
r
e
2
,
3
,
1
2
no.
27
28
29
30
31
32
33
34
35
36
37
February 2008
ANON
Trios Tr Tr B
VdGS No.
1020. Adagio
1021. Giga
1022. Sarabanda
1023 Adagio
1024 Balletto
1025 Sarabande
1026 Giga
1027 Adagio
1028 Balletto
1029 Giga
1030 Scalanda
1031 Adagio
1032 Balletto
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
f.
45r
45v
46r
46v
46v
47r
47v
48r
48v
49r
49r
49v
49v
September 2008 A-3-10
ANON
Trios Tr Tr B
VdGS No.
1033. Giga
1034. Sarabanda
1035. Adagio
1036. Balletto
1037. Corrente
1038. Sarabanda
1039. Adagio
1040. Balletto
1041. Corrente
1042. Sarabanda
1043. Adagio
1044. Balletto
1045. Giga
1046. Sarabanda
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
f.
50r
50v
50v
51r
51v
51v
52r
52r
52v
52v
53r
53r
53v
54r
September 2008 A-3-11
Anonymous
Three parts
1047 Sonata a S-Uu, 11:5
three viola da gamba
A-3-12
January 2009
ANONYMOUS four-parts
1378 Fuga G
1379 Sonata C
1380 Sonata F
1381 Sonata e
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
85/172
86/174
87/177
88/179
4 viola da gamba, bc
violin, 2 viola da braccio, violone, bc
2 violins, viola da gamba, violone or bassoon, bc
2 violins, trombone, bassoon, bc
A-4BC-1
January 2009
ANONYMOUS five-parts
1696 Canzona
C
1697 Sonata
a
1698 Sonata
C
1699 Sonata
a
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
85/172
86/174
87/177
88/179
violin, 2 viola da braccio, violone, bc
A-5BC-1
January 2009
5 instruments, bc
2 violins, 2 viola da braccio, violone or bassoon, bc
3 violins, 2 viola da braccio, violone, bc
2 violins, 2 viola da braccio, bassoon, bc
ANONYMOUS six parts
3007 Sonata g
3008 Sonata C
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
97/197
104/225
A-6BC-1
January 2009
2 violins, 3 viola da braccio, violone, bc
2 violins or cornetts, 3 trombones, bassoon, bc
Additions to A-defhf-3
No. 7018: other versions at 7095, 7421, 8207, 8307, 8308.
No. 7020: The Kings Kettie in GB-En, P637 R787.1, f. 1v, seq. (3)
No. 7022: Mackbeth in GB-En, P637 R787.1, f. 2r, seq. (5)
November 2008 A-defhf-3a
ANONYMOUS fdedf tuning
[Ayre], 1 part, c minor, A-ETgoss MS C, seq. (34)
[= JENKINS 546: GB-Mp, Br M 832 Vu 51: XVIII, 1, p.186]
February 2010 A-fdedf-1
ANONYMOUS fedef tuning
VdGS No. Title GB-Lbl, MS D-Kl Ms. 4
o
Mus. 249 Mus. 108.7
(seq.) fol.
9742 Air 55 =Anon 9658
9743 Air/Alm* 56 2r
9744 Air 58
9745 Air 59
9746 Allemande 1v =former Anon 8731
* Concordances are Simon Ives a2 (VdGS 1): Symphony
Coleman VdGS 15
Sumarte VdGS 29 (The Kings Maske)
March 2010 fedef-6
The Viola da Gamba Society - Publications - Thematic Index of music for viols
http://www.vdgs.org.uk/tab_mss.html[07/08/12 04:14:10]

About us Information Membership Publications Viols Meetings Events Concert listing Links
Overview Dow Facsimile Music Editions Thematic Index Chelys VdGS Journal The Viol
Thematic Index of music for viols
Tablature Manuscripts

To the main Thematic Index page

TABLATURE SOURCES FOR LYRA VIOL MUSIC
INTRODUCTION
The Society's Index of Manuscripts Containing Consort Music, now in progress, generally excludes sources of tablature
pieces. One or two exceptions have been made where these can be linked to a particular owner/copyist like John Browne, or
where the tablature pieces are part of a composite collection like GB-Ob, MSS Mus. Sch. D.245-7, by John Merro (noted as
IMCM in the list below).
Indexing lyra viol music is fraught with difficulties because the various manuscripts throw up numerous discrepancies. One
piece might be assigned to several composers, appear in more than one tuning, or present variant readings, all of which
hinder making a positive identification. In recent years Richard Carter has done much valuable work on the tablature music in
the Thematic Index, pointing out corrections and finding concordances.
It has been proposed that an index for lyra viol music be created, listing pieces by source, similar to the published IMCM
above. As work progresses we will place it on the Society's web-site Revision and correction will thus be relatively easy to
manage. It is intended to show the concordances for each piece. The aim will be to provide a link to each manuscript from
the list below.
Much work has already been done, although it will take time to create and co-ordinate the various files. Initially we have
draft lists by Richard Carter, John Cunningham, the late Gordon Dodd, and John Robinson, which will provide a very firm
foundation as the project gets under way.
Andrew Ashbee
March 2011

SOURCE LIST
(a) PRINTED SOURCES
Hume, Tobias The First part of Ayres.., 1605

Hume, Tobias Captain Humes Poeticall Musicke, 1607

Ford, Thomas Musicke of Sundrie Kindes, 1607
.pdf
195KB

Ferrabosco, Alfonso [II] Lessons for 1. 2. and 3. viols, 1609

Corkine, William Ayres to Sing and Play to the Lute and Basse Violl, 1610 .pdf 97KB

Corkine, William The Second Booke of Ayres, 1612
The Viola da Gamba Society - Publications - Thematic Index of music for viols
http://www.vdgs.org.uk/tab_mss.html[07/08/12 04:14:10]

Playford, John A Musicall Banquet, 1651

Playford, John Musick's Recreation on the Lyra Viol, 1652

Playford, John Musick's Recreation on the Lyra Viol, 1661

Playford, John Musick's Recreation on the Lyra Viol, 1669

Playford, John Musick's Recreation of the Lyra Viol, 1682

Moss, John Lessons for the basse viol, 1672

(b) MANUSCRIPT SOURCES
Austria

A-ET, goess MS 'A'

A-ET, goess MS 'B'

A-ET, goess MS 'C'


Germany

D-Kl, Ms. 4 Mus. 108 .2
.pdf
184KB

D-Kl, Ms. 4 Mus. 108 .3
.pdf
185KB

D-Kl, Ms. 4 Mus. 108 .4

D-Kl, Ms. 4 Mus. 108 .5

D-Kl, Ms. 4 Mus. 108 .6

D-Kl, Ms. 4 Mus. 108 .7

D-Kl, Ms. mus. 61.1(1)

D-Kl, Ms. mus. 61.1(2)

LUh, David von Mandelslaw


Eire

IRL-Dm, MS Z.3.4.13

IRL-Dm, MS Z.3.5.13 [see VdGS Journal III]

IRL-Dtc, 408/1 [William Ballet]


France
The Viola da Gamba Society - Publications - Thematic Index of music for viols
http://www.vdgs.org.uk/tab_mss.html[07/08/12 04:14:10]


F-Pn, Res 1111


Great Britain

GB-CHEr, MS DLT/B31 [Peter Leycester]

GB-Cu, Dd.5.20

GB-Cu, Dd.6.48

GB-Cu, Dd.5.78GB-Cu, Dd.9.33 .pdf 51KB

GB-Cu, Hengrave Hall Deposit 77 (1)

GB-Cu, Hengrave Hall Deposit 77 (2)

GB-Cu, Add. MS 9284

GB-Cu, [to check - single sheet or double fold]

GB-DU, Mus. 10445 [Andrew Bla[i]kie]

GB-En, Dep. 314/24

GB-Er, MS 787.1

GB-Eu, Reid Library, Mus.m.1

GB-HAdolmetsch, MS II B 3

GB-Lam, MS 600 [John Browne] [IMCM 2]

GB-Lbl, Add. MS 15117

GB-Lbl, Add. MS 15118

GB-Lbl, Add. MS 17795 [IMCM 1]

GB-Lbl, Add. MS 31432 Cunningham/Lawes]

GB-Lbl, Add. MS 56279 [Silvanus Stirrop]

GB-Lbl, Add. MS 59869 [Cartwright] [IMCM 1]

GB-Lbl, Add. MS 63852 [Griffith Boynton]

GB-Lbl, Egerton 2971
.pdf
109KB

GB-Lbl, Harley 7578

GB-Lbl, Mus. 249

GB-Lcm, C41/1 [formerly II F 10 ]

GB-Mp, BRm/832 Vu51 [facsimile; see VdGSJ III]
The Viola da Gamba Society - Publications - Thematic Index of music for viols
http://www.vdgs.org.uk/tab_mss.html[07/08/12 04:14:10]

GB-NTu Bell-White 46 [VdGSJ II]

GB-Ob, Ob MS Mus Sch C.61 [IMCM II]

GB-Ob, MS Mus Sch D.217

GB-Ob, MS Mus Sch D.221

GB-Ob, MS Mus Sch D.233, 236

GB-Ob, MS Mus Sch D.245-247 [IMCM I]

GB-Ob, MS Mus. Sch. F.572

GB-Ob, MS Mus. Sch. F.573

GB-Ob, MS Mus. Sch. F.575

GB-Ob, MS Mus. Sch. F.578

GB-Ob, MS Mus. Sch. b.15

GB-Och, Mus 439

GB-Och, Mus 531-532

GB-Och, Mus 725-727

GB-Och, Mus 1014

GB-SA, MS 38470/2

GB-WOhc, MS LM/1083/91/35 [see RMARC 43]

[TW m] Tunbridge Wells, Richard MacNutt private
collection



Norway

N-Tu, XA HA Mus. 1:2 [see Chelys 23]

N-Tu, XA HA Mus. 1:1 [see Chelys 23]

N-Ou, MS 294 [see Chelys 23]


Sweden

S-[K1], MS 21.068

S-L, MS Wenster G. 28

S-L, MS Wenster G.35

S-N, Finspang 9096.3

S-Skma, MS Tablatur No. 3
The Viola da Gamba Society - Publications - Thematic Index of music for viols
http://www.vdgs.org.uk/tab_mss.html[07/08/12 04:14:10]

United States of America

US-Ca, MS Mus. 70 [William Lawes] [Cunningham/Lawes]

US-LAuc, MS M286M4L992 [Mansell]

US-NH, Misc. MS 170, Filmer Ms 3

US-NYp, Drexel 4175 [Anne Twice]

US-SM, MSS EL25/A/46

US-Wc M2. I.T217C Case


Site Map
MVSICKE / OF / SVNDRIE / KINDES, / Set forth in two Bookes. / THE FIRST WHEREOF ARE, / Aries for 4. Voices to the Lute,
Orphorion, / or Basse- Viol, with a Dialogue for two / Voices, and two Basse Viols in parts, / tunde the Lute way. / THE SECOND ARE /
Pauens, Galiards, Almaines, Toies, / Iigges, Thumpes and such like, for two / Basse- Viols, the Liera way, so made as the / greatest number
may serue to play alone, very / easie to be performde. / Composed by THOMAS FORD. Imprinted at London by IOHNWINDET at the Assignes /
of WILLIAMBARLEY and are to be sold by IOHNBROWNE / in Saint Dunstons churchyard in Fleetstreet 1607.
Facsimile: London, Scholar Press, 1978. Copies in: GB-Lbl [K.9.a.19]; GB-Gu [Euing R.x.5]; US-CAh [STC11166]; US-Ws [STC 11166]
Oleg V. Timofeyev (ed.) Thomas Ford: Lyra Viol Duets, Recent Researches in the Music of the Baroque Era 90 (Middleton, Wisconsin: A-R Editions Inc., 1998)
[ISBN 978-0-89579-412-3].
no. sig.. title: PRIMA PARS. title: SECVNDA PARS VdGS [Ford] no.
1 G2v-H1r A Pauen./ M. Southcotes Pauen. [fefhf] A Pauin./ M. Southcotes Pauin. [fefhf] I
GB-Ob Mus.Sch.D.245, p. 38 Pavine [fefhf] GB-Ob Mus.Sch.D.246, p. 38 Pavine [fefhf]
MB IX, n
o
126
2 H1v-H2r The Galliard. [fefhf] The Galliard. [fefhf] II
GB-Ob Mus.Sch.D.245, p. 33 Galliarde [fefhf] GB-Ob Mus.Sch.D.246, p. 33 Galliarde [fefhf]
MB IX, n
o
127
3 H1v-H2r An Almaine./ M. Westouers farewell. [fefhf] An Almayne./ M. Westouers fare well. [fefhf] III
GB-Ob Mus.Sch.D.245, p. 34 Alman: [fefhf] GB-Ob Mus.Sch.D.246, p. 34 Alman: [fefhf]
4 H2v-I1r A Pauen./ M. Maynes Choice. [fefhf] A Pauen./ M. Maines Choice. IV
5 I1v-I2r The Galliard. [fefhf] The Galliard. [fefhf] V
GB-Ob Mus.Sch.D.246, p. 30 Galliarde [fefhf] GB-Ob Mus.Sch.D.245, p. 30 Galliarde [fefhf]
6 I1v-I2r Forget me not. [fefhf] Forget me not. [fefhf] VI
F-Pc Rs.1111, f. 173v Aria [fefhf] GB-Ob Mus.Sch.D.245, p. 35 Forget me not [fefhf]
GB-Cu Nn.6.36, f. 15r iii [defhf]
GB-Ob Mus.Sch.D.246, p. 35 Forget me not [fefhf]
7 I2v-K1r A Pauen./ Sir Richard Westons delight [fefhf] A Pauen./ Sir Richard Westons delight [fefhf] VII
8 K1v-K2r An Almaine./ Mounsieur Lullere his choice. [fefhf] An Almaine./ Mounsieur Lullere his choice. [fefhf] VIII
GB-Ob Mus.Sch.D.246, p. 31 Almaine [fefhf] GB-Ob Mus.Sch.D.245, p. 31 Almaine [fefhf]
9 K1v-K2r The wild goose chase./ Sir Iohn Philpots delight. [fefhf] The wild goose chase./ Sir Iohn Philpots delight. [fefhf] IX
GB-Ob Mus.Sch.D.246, p. 40 The wildgoose chase [fefhf] GB-Mp BRm 832 Vu 51, p. 44 14. M
r.
G. / Coranto / Willis [fefhf]
- GB-Ob Mus.Sch.D.245, p. 40 The wildgoose chase [fefhf]
10 K2v-L1r What you will. [fefhf] What you will. [fefhf] X
11 K2v-L1r And if you do touch me ile cry./ Sir Richard Tichbornes toy. [fefhf] And if you do touch me Ile cry. / Sir Richard Tichbornes toy. [fefhf] XI
GB-CHEr Ms. DLT/B 31, f. 47v Syr Rich: Titchbournes Toy GB-Ob Mus.Sch.D.246, p. 35 And if you do touch ile Cry [fefhf]
GB-Lbl Add.56279, f. 8r [no title] [fefhf] IRL-Dtc 408/I p. 58 untitled [fefhf]
GB-Ob Mus.Sch.D.245, p. 35 And if you do touch ile Cry [fefhf]
12 L1v-L2r The Baggepipes./ Sir Charles Howards delight [fefhf] The Baggepipes./ Sir Charles Howards delight [fefhf] XII
GB-Ob Mus.Sch.D.246, p. 39 Sir Charles Howards delight [fefhf] GB-Ob Mus.Sch.D.245, p. 39 Sir Charles Howards delight [fefhf]
13 L1v-L2r Why not here./ M. Crosse his choice. [fefhf] Why not here. M. Crosse his choice. [fefhf] XIII
F-Pc Rs.1111, f. 247v [Courantta] [fefhf] GB-Ob Mus.Sch.D.245, p. 39 whi not heare [fefhf]
GB-Ob Mus.Sch.D.246, p. 39 whi not heare [fefhf]
14 L2v-M1r Chang of Ayre. [fefhf] Chang of Ayre. [fefhf] XIV
GB-Ob Mus.Sch.D.246, p. 32 Change of Ayre [fefhf] GB-Ob Mus.Sch.D.245, p. 32 Change of Ayre [fefhf]
15 L2v-M1r Whipit and Tripit./ M. Southcotes Iig. [fefhf] Whipit and Tripit. / M. Southcotes Iigge [fefhf] XV
GB-Ob Mus.Sch.D.245, p. 32 whip it and trip it [fefhf] GB-Ob Mus.Sch.D.246, p. 32 whip it and trip it [fefhf]
16 M1v-M2r Cate of Bardie / The Queenes Iig. [fefhf] Cate of Bardie / The Queenes Iig. [fefhf] XVI
GB-Ob Mus.Sch.D.246, p. 36 The Queenes Jedge [fefhf] GB-Ob Mus.Sch.D.245, p. 36 The Queenes Jedge [fefhf]
GB-Cu Dd.5.20, f. 25r untitled [fefhf] IRL-Dtc 408/I p. 59 A Jigg [fefhf]
17 M2v A snatch and away./ Sir Iohn Paulets toy. [fefhf] A snatch and away. / Sir Iohn Paulets toy. [fefhf] XVII
F-Pc Rs.1111, f. 175r Saraband [fefhf] GB-Ob Mus.Sch.D.245, p. 34 A snatch and away [fefhf] [=Playford T 142]
GB-Lbl Add.56279, f. 7r ii [no title] [fefhf] IRL-Dtc 408/I p. 58 Sir / Iohn paulete / toye [fefhf]
GB-Ob Mus.Sch.D.246, p. 34 A snatch and away [fefhf]
Playford MRLV 1652, p. 6 Coranto [fefhf]
Playford MRLV 1669, p. 16 [defhf]
Playford MRLV 1682, p. 33 Saraband. [defhf]
18 M2v A pill to purge Melancholie./ M. Richard Martins Thumpe. [fefhf] A pill to purge Melancholie. / M. Richard Martins Thumpe [fefhf] XVIII
GB-CHEr Ms. DLT/B 31, f. 47r A Pill to purge Melanchollye. [=Playford T 248]
otherwise known as S
r.
Rich. Martins Thumpe [fefhf] GB-Ob Mus.Sch.D.245, p. 34 A pill to purge mellancholy [fefhf]
GB-Lbl Add.56279, f. 8r [no title] [fefhf] IRL-Dtc 408/I p. 39 untitled [fefhf]
GB-Mp BRm 832 Vu 51, p. 43 M
r
Tho: / A thumpe. / Martine. [fefhf] IRL-Dtc 408/I p. 57 untitled [fefhf]
GB-Ob Mus.Sch.D.246, p. 34 A pill to purge mellancholy [fefhf]
GB-Cu Nn.6.36, f. 15v untitled [fefhf]
Playford MRLV 1652, p. 6 A Pill to Purge Melancholy. [fefhf]

February 2011
AYRES, / TO / SING AND PLAY / TO THE LVTE AND / BASSE VIOLL. / With Pauins,
Galliards, Almaines, and / Corantos for the Lyra / VIOLL. / By William Corkine. /
LONDON / Printed by W. Stansby for Iohn Browne, and are to be sold at his / Shop in Saint
Dunstanes Church-yard in Fleete-streete. / 1610. Facsimile: Scolar Press 1978.
copies in: GB-Gu [Euing R.x.66 imperfect, lyra viol music lacking]; GB-Lbl [K.8.h.4];
GB-Lcm [1.G.38]; US [private collection of Robert S. Pirie, Hamilton, MA]
[inventory by John H Robinson, February 2011]
Lessons for the Lyra Viall.
no. sig. title VdGS no.
[tuned: ffhff] Corkine
1 E1r Almaine. 1
2 E1v Pauin. 2
3 E1v Coranto. 3
4 E2r Almaine. 4
5 E2r Coranto. 5
6 E2v Pauin. 6
7 E2v Coranto 7
8 F1r Galliard. 8
9 F1r Galliard. 9
10 F1v-F2r Whoope doe me no harme goodman. 10
cognate: GB-Mp BRm 832 Vu 51, pp. 14-15 Whoope doe me / no harme. R[icharde]. S[umarte]. [ffeff]
11 F2r Galliard. 11
12 F2v-G1r Fortune. 12
cognate: GB-Mp BRm 832 Vu 51, pp. 12-13 Fortune / R[icharde]. S[umarte]. [ffeff]
THE / SECOND BOOKE, / OF / AYRES, / Some, to sing and play to the / Base-Violl
alone: / Others, to be sung to the Lute and / Base Violl. / With new Corantoes, Pauins,
Almaines; / as also diuers new Descants vpon old Grounds, / set to the Lyra-Violl. / By
William Corkine. / LONDON: / Printed for M.L.I.B. and T.S. / Assigned by W. Barley. /
1612. Facsimile: Scolar Press 1977.
copies in: GB-Lbl [K.8.h.5]; US-SM [Huntington 13571];
US [private collection of Robert S. Pirie, Hamilton, MA]
[inventory by John H Robinson, February 2011]
Lessons for the Lyra Violl.
no. sig. title VdGS no.
[tuned: ffhfh] Corkine
1 G1r Lesson for two Lyra Violls./ Lesson for two Lyra Violls. 13
2 G1v If my Complaints. 14
3 G2r Perlude. 15
4 G2v-H1r Come liue with me, and be my loue. 16
5 H1r Perlude. 17
concordance: GB-Ob Mus.Sch.D.245, p. 112 untitled [ffhfh]
6 H1v-H2r Walsingham. 18
7 H2r Coranto. 19
8 H2v-I1r Mounsiers Almaine. 20
9 I1r Coranto. 21
10 I1v The Punckes delight. 22
[tuned: fhfhf]
11 I2r Pauin. 23
12 I2v Almaine. 24
- 1 -
D-Kl Ms. 4 Mus. 108 .2
INVENTORY by Richard Carter, September 2008, checked and revised May 2011.
This inventory is based on that in the catalogue of manuscripts held in the Kassel libraries (Gesamthochschulbibliothek Kassel, Landesbibliothek & Murhardsche Bibliothek der
Stadt Kassel), Clytus Gottwald, Harrassowitz, 1997, pp.624-631. Foliation modern. Gottwald lists very few concordances.
The key is given for pieces with the solo part in normal viol way tuning, except for the psalms; for pieces in other tunings it is only given if it is determined by a staff notation bass
part.
NO. / TITLE TUNING/KEY COMPOSER VdGS No. COMMENTS/CONCORDANCES
1
r
- 6
v
empty
7
r
incomplete pen and ink drawing
7
v
single stave, bass clef, with note names written as an ascending and descending scale
8
r
A Toy fefhf Anon. 8215 No indication of tuning
GB-Lbl Add. Ms. 5118 fo:31
r
:1
8
v
Sarabande fefhf Anon. 8216
Air ffeff d Anon. 6051
9
r
Allem(ande) d Anon. 6052
9
v
4. Sarabande F Anon. 6053
Skolding wife/School ground d Nicolas Hotman 36 Final bar spills over onto fo.10
r
Many concordant versions; see the Thematic Index.
10
r
5. Air d Anon. 6054
10
v
Sarabande & Var: fefhf Anon. 8217 No indication of tuning
11
r
A ground g Anon. 6055 Staff notation on 5-line stave, bass clef.
Fragment, no barlines ffeff g Anon. In a different hand, 6
th
staff line added later?
11
v
Borre F Lully (6056) LWV 31/17
12
r
Menuest D Lully (6057) LWV 42/20
12
v
The Italian Rant d Anon. 7805 Playford T167 MRLV 1669 no.73 The Italian Rant (edfhf)
GB-Lbl Add. Ms. 63852 (Griffith Boynton) fo:115
v
:1
13
r
Auff meinen lieben Gott a Anon. 6058 Tune Zahn
1
no. 2164, here with chords
13
v
Auff meinen lieben Gott a Anon. Single melody line except for final cadence
14
r
Basse (Auff meinen lieben Gott)
14
v
Psalm 42 Wie nach einer Wasserquelle Lobwasser 1681
2
6059
15
r
42. Ps: Basse:
15
v
Ps: 16 Lobwasser 1681 6060
16
r
Ps: 16 Basse
- 2 -
16
v
- 19
r
empty
19
v
Psal: 27 Lobwasser 1681 6071
20
r
Bass: Ps: 27 Does not fit the psalmtune: the rhythm matches, but the pitches
rapidly lose touch. The melody ends the two sections in different
keys (F and C), the bass ends both in G.
20
v
Psalm 51Herr Gott nach deiner groen gtigkeit Lobwasser 1681 6072
21
r
Basse 51
21
v
Ps: 84 Gott der du ein heerfrst bist Lobwasser 1681 6073
22
r
Basse 84
22
v
Ps 116 Ich lieb den Herrn Lobwasser 1681 6074
23
r
Basse Ps 116
23
v
PS. 19 Die Himmel alzumahl Lobwasser 1681 6075
24
r
Basse Ps 19
24
v
PS. 22 Mein Gott, mein Gott ach wie Lobwasser 1681 6076
25
r
Basse Ps 22
25
v
PS 23 Mein Hter und mein Hirt Lobwasser 1681 6077
26
r
Basse PS 23
26
v
PS 24 Dem Herren der Erdkreis zusteht Lobwasser 1681 6078
27
r
Basse P 24
27
v
PS 25 Zu dir mein Herz erhebe Lobwasser 1681 6079
28
r
Basse 25
28
v
PS: 28 Zu dir schre ich Lobwasser 1681 6080
29
r
Basse Ps 28
29
v
PS 30 Ich will dich preisen Herre Gott Lobwasser 1681 6081
30
r
Basse Ps 30
30
v
PS 31 Auff dich setz ich etc: Lobwasser 1681 6082
31
r
Basse Ps 31
31
v
PS. 32. O seelig mu ich diesen etc: Lobwasser 1681 6083
32
r
Basse Ps 32
32
v
PS:33. Wolauff ihr Heiligen und frommen etc Lobwasser 1681 6084
PS 34. Ich will nicht lassen ab etc Lobwasser 1681 6085
33
r
Basse Ps 33
Basse Ps 34
33
v
36 Ps Au des Gottlosen thun und werck Lobwasser 1681 6086
34
r
Basse Ps 36
34
v
PS. 37 Erzrne dich nicht ber die Gottlosen Lobwasser 1681 6087
35
r
Basse Ps 37
35
v
PS 43. Richt mich Herr Gott und halte mir recht Lobwasser 1681 6088
- 3 -
36
r
Basse 43
36
v
gige: Willem detekom fedfh d WillemDeutekom 11 D-Kl Ms. 4 Mus. 108.3 fo:29
v
52. Gige Willem Dtekom (ffeff)
D-Kl Ms. 4 Mus. 108.4 fo:20
v
:2 52. Gige (staff bass part)
D-Kl Ms. 4 Mus. 108.3 fo:31
v
56. Gige (fedfh)
D-Kl Ms. 4 Mus. 108.4 fo:21
v
:2 56. Gige (staff bass part)
37
r
Sarabande: Stofken fedfh d Dietrich Steffkens 102 A-ETgoss (A) fo:43
r
Sarabande Stefkens
A-ETgoss (A) fo:44
r
Doubles de la Sarabande
A-ETgoss (B) fo:70
r
Sarabande D Steffken
D-Kl Ms. 4 Mus. 108.3 fo:30
r
53. Sarab: Stffken (ffeff)
D-Kl Ms. 4 Mus. 108.4 fo:21
r
:1 53. Sarab: Stfke (staff bass part)
D-Kl Ms. 4 Mus. 108.3 fo:32
r
57. Sarabande Stebkens
D-Kl Ms. 4 Mus. 108.4 fo:22
r
:1 57. Sarab. Stbkens (staff bass)
GB-Lbl Add. Ms. 59869 (Cartwright) fo:25
r
:1
IRL-Dm Ms. Z3.5.13 (Narcissus Marsh) fo:22
r
Mr Stephkins
Prl(udium) ffeff d Anon. 6089
37
v
- 38
r
ruled, no music
38
v
PS. 40 Ich hab gewart des Herren stetiglich Lobwasser 1681 6090
39
r
Basse Ps 40
39
v
PS. 119 Lobwasser 1681 6091
40
r
Basse Ps 119
40
v
La Sisonne a Anon. 6092 Gottwald has La Bibonne. Both words exist in French, but as
Sisonne is a dance step it is perhaps more likely.
6104 Not concordant, see fo:48
v
below
8913 D-Kl Ms 2 Mus 61:1 (1) fo:15
r
:2 (Baryton)
41
r
Basse La Sisonne
Prelude D Anon. 6093 Four bar fragment, more like an extended cadence
41
v
Psalm: 103 Nun prei mein Seel Lobwasser 1681 6094
42
r
Basse Ps 103
42
v
Psalm 101Ich hab mir vorgesetzt Lobwasser 1681 6095
43
r
Basse Ps 101
43
v
Psalm: 110 Der Herr zu meinem Herrn Lobwasser 1681 6096
44
r
Basse Ps 110
44
v
PS 121 Mein augen ich gen berg aufricht Lobwasser 1681 6097
45
r
Basse Ps 121
45
v
two empty staves
Ritornelle C Anon. 6098
46
r
Aria Basse e Anon. 6099 Bass to a missing piece at 45
v
:1?
Ritornelle Basse Bass to 45
v
:2
- 4 -
46
v
untitled d Anon. 6100 later insertion in a different hand
Aria F Anon. 6102
47
r
Ballet Basse Bb Anon. 6101 Bass to a missing piece at 46
v
:1?
Aria Basse Bass to 46
v
:2
47
v
Salomons deligt F Joseph-Francois 6103 See also 52
r
:2
48
r
Salomons deligt Basse Salomon?
48
v
3. Prince Ruperts March d Anon. 6104 Not La Sisonne again, despite initial similarity.
See e.g. Playford CDM 1651
49
r
Basse
49
v
4. Allem(ande) d Anon. 6105
50
r
Basse
50
v
5. Sarabande C Anon. 6106
6. Boree Roale des Dames G Anon. 6107 see also fo:53
v
51
r
Basse Sarabande
Basse Bore
51
v
7. Menuet G Anon. 6108
8. Salomons deligt C Anon. 6103 Transposed version, see fo:47
v
52
r
Basse (Menuet)
Basse (Salomons deligt)
52
v
9. Ritornelle D Lully (6109) LWV 39/4
53
r
Basse
53
v
10. Boure A Anon. 6110 Transposed and slightly different version of 6107, fo:50
v
:2
54
r
Basse
54
v
11. Boree g Anon 6111 Two versions, the second with double stops.
55
r
Basse
55
v
12. La Menuet dauphin DB[?] a Anon. 6112 poss. Du Buisson?
56
r
Basse
56
v
- 57
r
13. Eccho D Lully (6113) LWV 39/13
57
r
Lamento d Daniel Eberlin 8 D-Kl Ms. 4 Mus. 108.3 fo:81
v
138. Lamento a doi Di D. Eb:
D-Kl Ms. 4 Mus. 108.4 fo:50
v
138. Lamento D S. Eb: (staff bass)
57
v
14. Gaillarde La Valette A Anon. 6115
58
r
Aria d Daniel Eberlin 7 D-Kl Ms. 4 Mus. 108.3 fo:80
v
137. Aria di D. Eb:
D-Kl Ms. 4 Mus. 108.4 fo:50
v
137. Aria di D. Eb (staff bass part)
58
v
15. Piece F Anon 6117
Piece dun autre ton G (6117) Transposed. Gottwald notes only one version.
59
r
16. Sarabande A Anon. 6118
59
v
17. Allem(ande) d Anon. 6119 A-ETgoss Ms. (C) seq.(3) [not concordant with Hotman VdGS 3]
60
r
18. Aria d Anon. 6120
60
v
19. Sarab(ande) & Var: d Anon. 6121
- 5 -
6203 D-Kl Ms. 4 Mus. 108.3 fo:2
r
3. Sarabande
D-Kl Ms. 4 Mus. 108.4 fo:1
v
3. Sarabande (staff bass part)
[6375 Apparent concordance lasts only two bars]
61
r
20. Sarab(ande) d Anon. 6122
61
v
21. Allemande F Anon. 6123
62
r
22. Allem(ande) d Anon. 6124
62
v
23. Sarabande g Anon. 6125
24. Sarabande g Anon. 6126
63
r
25. Sarab(ande) d Anon. 6127 D-Kl Ms. 4 Mus. 108.3 fo:49
v
83. Sarab:
63
v
26. A Toy fefhf Daniel Farrant 1 Tuning chart by octaves at end of piece
64
r
27. Sarabande fefhf Anon. 8218
64
v
28. PS 130 ffeff Lobwasser 1681 6128
65
r
Basse Ps 130
65
v
29. Bourree C Anon. 6129
A 9601 D-Kl Ms. 4 Mus. 108.3 fo:76
v
131. Bore Verstimbt (efffe)
D-Kl Ms. 4 Mus. 108.4 fo:47
v
131. Bore (staff bass part)
66
r
Basse [6129 & 9601 are independent arrangements]
66
v
30. Sarab(ande) Spagnuole d Anon. 6130
67
r
Sarab(ande) Spagnole Basse
67
v
Sar(abande) a Pinel 4 ex anon 6131
Gavotte Roale a Pinel 5 ex anon 6132
6302 D-Kl Ms. 4 Mus. 108.5 fo:11
v
, in a, incomplete
D-Kl Ms. 4 Mus. 108.5 fo:12
v
, in d, complete
68
r
Sar: Basse
Gavotte Roale Basse
68
v
Allemande d Anon. 6133 D-Kl Ms. 4 Mus. 108.3 fo:45
v
74. Allem
D-Kl Ms. 4 Mus. 108.4 fo:26
r
74. Allem: (staff bass part)
68
v
- 69
r
Sarab(ande) d Pierre Dubut 2 (ex 6134) D-Kl Ms. 4 Mus. 108.3 fo:45
v
76. Sarab
D-Kl Ms. 4 Mus. 108.4 fo:26
v
76. Sarab: (staff bass part)
8916 D-Kl Ms. 2 Mus. 61.1(1) fo:21
v
(Baryton, fedfh)
69
v
37. Sar(abande) D Anon. 6135 D-Kl Ms. 4 Mus. 108.3 fo:46
r
78. Sarab:
D-Kl Ms. 4 Mus. 108.4 fo:26
v
78. Sarab: (staff bass part)
70
r
38. Sarabande DB [?] Simplified version of no. 37. poss. Du Buisson?
70
v
39. Warumb betrbstu dich mein Hertz a Anon. 6136
71
r
40. Gigue d Anon. 6137 a contre partie?
71
v
41. Allem(ande) D Du Buisson 91 (ex 6138)
8572 D-Kl Ms. 2 Mus. 61.1(1) fo:23
v
:1 (Baryton, fdefh)
72
r
42. Sarab(ande) D Du Buisson 9 (ex 6139) PL-WtmMs. In.377/No.221 (Cracow BV1) fo:35
r
Sarabande
US-Wc Ms. M2.1.T2.17C.Case fo:9
v
Sarabande D.B.
- 6 -
72
v
43. Gigue D Anon. 6140 No final barline, but apparently complete.
73
r
44. Sarab(ande) D Anon. 6141
73
v
45. Gavotte a Lully (6142) LWV 42/28
74
r
46. Ballett g Anon. 6143
74
v
47. Coquille C Du Buisson 35 (ex 6144) F-Pc Ms. Rs. 1111 no.[205] fo:189
v
Aria
75
r
48. Pelerains C Lully (6145) LWV 17/21
75
v
49. Sarab(ande) d Lully (6146) LWV 75/37
50. Borre d Anon. 6147
76
r
51. Borre Mad: d Anon. 6148 Mad: (Madame?)
76
v
52. Sarab(ande) d Strobel 2 ex anon. 6149
77
r
53. Bourre des Moscow[?]: DB[?] g Anon. 6150 poss. Du Buisson?
77
v
54. Les Canaries d Anon. 6151
78
r
55. Gavotte F Anon. 6152
78
v
56. Sarab(ande) F Anon. 6153
79
r
57. Sarabande F Anon. 6154 [6154 & 9602 are independent arrangements]
A 9602 D-Kl Ms. 4 Mus. 108.3 fo:77
r
132. Sarab: (efffe)
D-Kl Ms. 4 Mus. 108.4 fo:77
r
132. Sarab: (staff bass part)
79
v
58. Boure de St: Germain a Lully (6155) LWV 40/7
80
r
Stimmng defhf Tuning chart by unisons
59. Almaine defhf Robert Taylor 11 GB-Lbl Ms. Mus. 249 seq.(32)
IRL-Dm Ms. Z3.5.13 (Narcissus Marsh) fo:70
r
inv Mr Taylor
80
v
60. Courente defhf Anon. 7091
81
r
61. Sarab(ande) defhf Robert Taylor 12 D-Kl Ms. 4 Mus. 108.3 fo:65
r
112. Sarab:
IRL-Dm Ms. Z3.5.13 (Narcissus Marsh) fo:69
v
inv Mr Taylor
81
v
62. Sarab(ande) d Anon. 6156
63. Sar(abande) d Anon. 6157
82
r
64. Gavotte c Anon. 6158
82
v
- 83
r
65. Allem(ande) a Anon. 6159
83
v
66. Sarab(ande) a Anon. 6160 D-Kl Ms. 4 Mus. 108.3 fo:9
v
9. Sarabande
D-Kl Ms. 4 Mus. 108.4 fo:3
v
9. Sarab (staff bass part)
84
r
67. Allemande d Pinel 6 ex anon. 6161
84
v
68. Sarab(ande) d Franois Dufaut 3 ex anon. 6162
85
r
69. Gigue D Anon. 6163 [Does not concord with Du Buisson 74]
8575 D-Kl Ms. 2 Mus. 61.1(1) fo:24
v
:1 Gigue (Baryton, fdefh)
85
v
70. Gigue G Anon. 6164
86
r
Gigue Basse
86
v
Air d Anon. 6165
87
r
Air Basse
87
v
empty page
- 7 -
88
r
Gavotte d Anon. 6166
88
v
- 89
r
Gavotte F Anon. 6167
89
v
- 90
r
Duble This is a tripla of the preceding Gavotte.
90
r
La follia, ground only. G clef on the bottom line of the tablature staff, note names written in instead of notes.
90
v
- 91
r
Gavotte d Anon. 6168
6334 D-Kl Ms. 4 Mus. 108.5 fo:33
v
untitled
91
v
Gavotte F Anon. 6169
6323 D-Kl Ms. 4 Mus. 108.5 fo:28
v
Gavotte &Variatio
[6389 The apparent concordance lasts less than 2 bars]
92
r
Gavotte F Anon. 6170
92
v
- 93
r
Gique F Anon. 6171
93
v
- 94
v
Sarabande en Rondeau C Lully (6172) LWV 71/26. Gottwald points out that the double stops are
added in different ink. See also fo:103
v
- 104
r
95
r
empty page, not ruled
95
v
Sarab(ande) d Anon. 6173
96
r
Sarab(ande) D Anon. 6174
96
v
Giqe D Anon. 6175
97
r
1. Menet A Anon. 6176
97
v
2. Menet A Anon. 6177
98
r
3. Menet A Anon. 6178
98
v
4. Borree A Anon. 6179
99
r
5. Menet A Anon. 6180
99
v
6. Menet A Anon. 6181
100
r
7. Borre a Anon. 6182
100
v
Menet D Anon. 6183 Duple metre with crotchet upbeat.
101
r
Menet D Anon. 6184
101
v
Ritornelle F Lully (6185) LWV 59/3
102
r
Menet F Lully (6186) LWV 59/7
102
v
Bouree DB[?] G Anon. 6187 Index has [Gavotte]. poss. Du Buisson?
103
r
empty page, not ruled
103
v
- 104
r
Rondea C Lully (6188) LWV 71/26 here without double stops. See fo:93
v
- 94
v
104
v
Gavotte Basch d Anon. 6189 D-Kl Ms. 4 Mus. 108.5 fo:27
v
Gavotte
D-Kl Ms. 4 Mus. 108.5 fo:39
v
Gavotte
105
r
gtre partie Gavotte D-Kl Ms. 4 Mus. 108.5 fo:40
r
gtre partie Gavotte
[These are three independent intabulations, with variant rhythms and fingerings]
105
v
Sarabande d Anon. 6190
106
r
gtre partie
106
v
Chanson Liebster Jesu Trost des Herzen a Anon. 6191 Tune Zahn
1
no. 6908
107
r
Chanson dn atre ton
3
D Anon. 6192 No final barline, but seems complete.
- 8 -
107
v
Sarabande g Lully (6193) LWV 53/48
Playford T283 MRLV 1682 no.10 Minuet, by Mr Baptist (edfhf)
108
r
Ballet G Anon. 6194 Index has [Gavotte]
108
v
- 115
v
empty pages
NOTES:
1
Die Melodien des deutschen evangelischen Kirchenlieder aus den Quelle geschpft und mitgeteilt von Johannes Zahn, a collection of 8,806 church tunes published in 6 volumes
by Johannes Christoph Andreas Zahn (1817-1895). Gottwald points out that Liebster Jesu first appeared in the Frankfurt Gesangbuch only in 1711.
2
Ambrosius Lobwasser (1515-1585) made a German translation of the psalms based on the French version in the Geneva Psalter. First published in 1573, it was reprinted over 100
times and set to music (some editions are in the form of four part books); it continued to be used into the early 18
th
century. A scan of the 1679 print held by The Herzog August
Bibliothek in Wolfenbttel is online at <http://diglib.hab.de/wdb.php?dir=drucke/xb-1304-2>. According to Gottwald the versions of the melodies which are here transcribed for
viol first appeared in the 1681 reprint (Die CL Psalmen Davids nach Frantzs. Melodey in Teutsche Reimen gebracht durch Ambrosius LobwasserMarburg, Jod. Krner,
1681).
3
In the Kassel tablatures this phrase is usually used to signal a transposed version of the previous piece, but here it is a different psalmtune.
- 1 -
D-Kl Ms. 4 Mus. 108.3
INVENTORY by Richard Carter, April 2008, checked and revised May 2011
This inventory is based on that in the catalogue of manuscripts held in the Kassel libraries (Gesamthochschulbibliothek Kassel, Landesbibliothek & Murhardsche Bibliothek
der Stadt Kassel), Clytus Gottwald, Harrassowitz, 1997, pp.635-638. Foliation modern. Gottwald lists only very few concordances.
D-Kl Ms. 4 Mus. 108.4 is a companion volume containing mainly staff notation bass parts, which are cross-referenced here where appropriate.
The key is given for all pieces with the solo part in normal viol way tuning; for pieces in other tunings it is only given if it is determined by a staff notation bass part.
No. / TITLE TUNING COMPOSER VdGS BASS PART COMMENTS/CONCORDANCES
/KEY No. INVOL. 4
I
r
s. o.
I
v
- II
v
empty
1
r
1. Allemande ffeff d Anon. 6201 1
r
Also at no. 75, fo:44
v
1
v
- 2
r
2. Cor(ante) d Franois Dufaut 4 1
r
ex anon. 6202
2
r
3. Sarabande d Anon. 6203 1
v
Here without the double
6121 D-Kl Ms. 4 Mus. 108.2 fo:60
v
19. Sarab: &Var.
[6375 Apparent concordance lasts only two bars]
2
v
- 6
r
4. Ballet (Skolding Wife) d N. Hotman 36 - Many concordances, see the Thematic Index
6
v
- 7
r
5. Allem(ande) F Anon. 6204 2
v
7
v
6. Sarab(ande) F Franois Dufaut 5 2
v
ex anon. 6205
8
r
7. Entre G Anon. 6206 3
r
8
v
- 9
r
8. Sarab(ande) F Franois Dufaut 6 3
r
ex anon. 6207
9
v
9. Sarabande a Anon. 6160 3
v
D-Kl Ms. 4 Mus. 108.2 fo:83
v
66. Sarab:
10
r
10. Gige d Anon. 6208 3
v
10
v
11. Ballet D Anon. 6209 4
r
11
r
12. Sarab(ande) D Anon. 6210 4
r
11
v
13. Gavotte D Anon. 6211 4
r
D-Kl Ms. 2 Mus. 61.1(1) fo:24
v
:2
14. Aria D Anon. 6212 4
v
12
r
15. Sarab(ande) d Jean Mercure 3 4
v
ex anon. 6213
12
v
- 13
r
16. Allem(ande) A Anon. 6214 4
v
13
r
17. Aria A Anon. 6215 5
r
18. Sarab(ande) A Anon. 6216 5
r
13
v
19. Gavotte F Anon. 6217 5
v
13
v
- 14
r
20. Sarabande Bb Anon. 6218 5
v
14
v
21. Ballet A Anon. 6219 5
v
15
r
22. Sarabande A Anon. 6220 6
r
15
v
23. Courante [?] d Anon. 6221 6
r
Index suggests Sarabande
16
r
24. Gavotte G Anon. 6222 6
v
- 2 -
16
v
25. Ballet D Du Buisson 36 (ex 6223) 6
v
F-Pc Ms Rs. 1111 fo:190
v
no.[206] Ballet
PL-WtmMs. In.377/No.221 (Cracow BV1) fo:36
r
Ballet
8574 D-Kl Ms. 2 Mus. 61.1(1) fo:24
r
:2 Ballet (fdefh, Baryton)
17
r
26. Abendlied G Anon. 6224 6
v
Title from Vol. 4
17
v
27. Psalm: 16 Anon. 6225 -
18
r
28. Ich rff z dir Herr Jes Christ g Anon. 6226 -
18
v
29. Sarabande d Anon. 6227 7
r
19
r
30. Allem(ande) d Anon. 6228 7
r
19
v
31. Serenade d Lully (ex 6229) 7
v
LWV 14/2
8748 F-Pc Ms. Rs. 1111 fo:25
v
29. Nun ist alle meine Lust (fedfh)
20
r
32. Courente D. B. d Du Buisson 3 7
v
PL-WtmMs. In.377/No.221 (Cracow BV1) fo:5
v
Courante
US-Wc Ms. M2.1.T2.17C.Case fo:3
v
Courante D.B.
20
v
33. Sarab(ande) D. B. d Du Buisson 4 8
r
PL-WtmMs. In.377/No.221 (Cracow BV1) fo:6
r
Sarabande
US-Wc Ms. M2.1.T2.17C.Case fo:4
v
Sarabande D.B.
21
r
34. Borre D. B. D Du Buisson 23 8
r
Air D. B. D Du Buisson 24 -
21
v
35. The Queens Masque G Simon Ives 50 (T262) 8
v
Playford MRLV 1661 no.7 A Masque Mr Sim. Ives (defhf)
Playford MRLV 1669 no.40
The Queens Mask Mr Simon Ives
D-Kl Ms. 4 Mus. 108.3 fo:53
v
89. Allem.
F-Pc Ms. Rs. 1111 fo:18
v
19. Nun schlaft sie schn
GB-CHEr DLT/B 31 (Peter Leycester) fo:10
r
GB-Cu Ms. Dd 6.48 fo:30
v
GB-Lbl Add. Ms. 59869 (Cartwright) fo:8
r
:1 (attr. Lawes)
GB-Lbl Add. Ms. 63852 (Griffith Boynton) fo:39
r
:2
GB-Ob Ms. Mus. Sch. F.578 fo:21
r
S-[K1] Ms. 21.068 fo:26
v
S-L Ms G.35 p.6
US-NH Ms. Filmer 3 fo:21
v
of B
US-NYp Ms. Drexel 5609 p.29
22
r
36. Aria Scavez vos la belle d Anon. 6230 8
v
22
v
37. Gavotte D. B. D Du Buisson 25 9
r
23
r
38. Ballet 1 D Anon. 6231 9
r
39. Ballet 2 D Anon. 6232 9
r
23
v
40. Ballet 3 D Anon. 6233 9
v
41. Ballet 4 D Anon. 6234 9
v
24
r
La Follia g Anon. 6235 -
24
v
42. Allemande d Ch. Coleman 292 9
v
Exercitium musicum (Frankfurt a.M., 1660) no. 68 (a3)
- 3 -
Playford CMA 1662 no. 49
Playford CA 1665 no. 2
GB-Lbl Add. Ms. 31438 no. 16 attr. Locke
GB-Ob Ms. Mus. Sch. D.220 no. 17 p.7
GB-Och Mss 1006-9 p.2:1
GB-Och Ms. 1022 no. 9
US-NH Ms. Filmer 3 fo:inv61
r
:2
25
r
43. Courr(ante) Hat: d Nicolas Hotman 23 10
r
F-Pc Ms. Rs. 1111 fo:263
r
no.[256] Courant
25
v
44. Sarab(ande) Hatt d Nicolas Hotman 28 10
r
F-Pc Ms. Rs. 1111 fo:268
r
no.[261] Sarab
GB-Ob Ms. Mus. Sch. F.574 p.4
26
r
45. Sarab(ande) d Nicolas Hotman 29 10
v
F-Pc Ms. Rs. 1111 fo:269
r
no.[263] Sarab & Variatio
PL-WtmMs. In.377/No.221 (Cracow BV1) fo:67
r
Sarabande & Variation
26
v
46. Corente d Anon. 6236 10
v
[No. 47 missing here. In Vol. 4 no. 47 is an unrelated solo piece in staff notation entitled Piece]
27
r
48. numbered and ruled, no music
27
v
49. Sarab(ande) D D. Steffkens 58 11
r
[all tablature concordances tuning fdefh]
A-ETgoss Ms. (A) fo:4
r
& fo:9
r
Sarab Stefken + Double
A-ETgoss Ms. (B) fo:61
r
Sarabande
F-Pc Ms. Rs. 1111 fo:31
v
35. Sarraband
GB-Lbl Add. Ms. 59869 (Cartwright) fo:25
r
:3
GB-Lbl Ms. Mus. 249 seq.(4) Sarabande
GB-Ob Ms. Mus. Sch. F.573 f.19
v
:1 (violin)
IRL-Dm Ms. Z3.5.13 (Narcissus Marsh) no. 5 fo:31
v
S-L Ms. G.28 p.108:2
28
r
50. Sarabande d Anon. 6237 -
28
v
- 29
r
51. Sonata A Anon. 6238 20
v
29
v
52. Gige Willem Dtekom d W. Deutekom 11 20
v
D-Kl Ms. 4 Mus. 108.2 fo:36
v
gige: Willem detekom
D-Kl Ms. 4 Mus. 108.3 fo:31
v
56. Gige (both fedfh)
30
r
53. Sarab(ande) Stffken d D. Steffkens 102 21
r
[all concordances tuning fedfh]
A-ETgoss Ms. (A) fo:43
r
Sarabande Stefkens
A-ETgoss Ms. (A) fo:44
r
Doubles de la Sarabande
A-ETgoss Ms. (B) fo:70
r
Sarabande D Steffken
D-Kl Ms. 4 Mus. 108.2 fo:37
r
Sarabande: Stofken
D-Kl Ms. 4 Mus. 108.3 fo:32
r
57. Sarabande Stebkens
GB-Lbl Add. Ms. 59869 (Cartwright) fo:25:1
IRL-Dm Ms. Z3.5.13 (Narcissus Marsh) fo:22 Mr Stephkins
30
v
54. Gige Stffk D D. Steffkens 71 21
r
A-ETgoss Ms. (A) fo:8
v
Gigue de Stefken (fdefh)
D-Kl Ms. 2 Mus. 61.1(1) fo:23
r
- 4 -
F-Pc Ms Rs. 1111 fo:41
v
47. Gigue (fdefh)
31
r
55. Allemande d Anon. 6239 -
31
v
56. Gige fedfh d W. Deutekom 11 21
v
Also at no. 52, fo:29
v
(ffeff) q.v. for concordances
32
r
57. Sarabande Stebkens d D. Steffkens 102 22
r
Also at no. 53, fo:30
r
(ffeff) q.v. for concordances
32
v
- 33
r
58. Allem(ande) d Anon. 8721 22
r
33
r
59. Sarab(ande) ffeff D Anon. 6240 22
v
33
v
60. Gavotte g Anon. 6241 22
v
34
r
61. Chanon D Anon. 6242 22
v
34
v
62. Sarabande d Anon. 6243 23
r
Also at no. 72, fo:42
v
35
r
63. Chanson a Anon. 6244 23
r
35
v
64. Lamento e Anon. 6245 23
v
D-LEmMS II.6.24 fo:98
v
36
r
Lamento Basso Nos 64-68 & 71-73: Basses, here in tablature, match Vol. 4
36
v
65. Sarabande e Anon. 6246 23
v
37
r
Sarabande Basse
37
v
66. Ballo Salomon C Anon. 6247 24
r
(Joseph-Francois Salomon?)
38
r
Salomon Basse
38
v
67. Volti(geure) C Lully (6248) 24
r
LWV 42/29
39
r
Basse Voltigeure
39
v
68. Les Esclaves C Lully (6249) 24
v
LWV 42/30
40
r
Basse
40
v
69. Ballo e Anon. 6250 -
41
r
70. Gavotte d Anon. 6251 - [Untitled]
6321 D-Kl Ms. 4 Mus. 108.5 fo:26
v
Gavotte
41
v
71. Chanson D Anon. 6252 25
r
42
r
Chanson Basse
42
v
72. Sarab(ande) d Anon. 6243 25
v
Also at no. 62, fo:34
v
43
r
Sar(abande) Basse
43
v
73. Chanson a Anon. 6253 25
v
44
r
Chanson Basse
44
v
74. Allem(ande) d Anon. 6133 26
r
D-Kl Ms. 4 Mus. 108.2 fo:68
v
:1 Allemande
44
v
- 45
r
75. Allem(ande) d Anon. 6201 26
r
Also at no. 1, fo:1
r
45
v
76. Sarab(ande) d Pierre Dubut 2 (ex 6134) 26
v
D-Kl Ms. 4 Mus. 108.2 fo:68
v
:2 Sarab
8916 D-Kl Ms. 2 Mus. 61.1(1) fo:21
v
(Baryton, fedfh)
46
r
78. Sarab(ande) D Anon. 6135 26
v
- 27
r
D-Kl Ms. 4 Mus. 108.2 fo:69
v
Sar
46
v
79. Ballet F Anon. 6254 27
r
47
r
80. Gavotte F Anon. 6255 27
v
47
v
81. Sarab(ande) F Anon. 6256 27
v
48
r
Sarabande Bb (6256) - Transposed version of No. 81
48
v
- 49
r
82. Libertas C Anon. 6257 28
r
D-Kl Ms. 2 Mus. 61.1(1) fo:8
r
:2 (Baryton, fedfh)
- 5 -
D-Kl Ms. 2 Mus. 61e fo:3-8
v
(a5)
F-Pn Ms. Rs. F.494 (a5)
S-Uu IMhs 409 (a5)
49
v
83. Sarab(ande) d Anon. 6127 - D-Kl Ms. 4 Mus. 108.2 fo:63
r
25. Sarab
50
r
84. Sarabande C Anon. 6258 - F-Pn Ms. Rs. 1402 p.1 A limperio damore [and others]
50
v
- 51
r
85. Gige d Anon. 6259 -
51
v
- 52
r
86. Rondeau C Anon. 6260 -
52
r
87. numbered and ruled, no music
52
v
- 53
r
88. Courante C Anon. 6261 - GB-Llp Ms. 1041 fo:62
r
Pensieri quietato
53
v
89. Allem(ande) defhf F Simon Ives 50 35
v
The Queens Masque See no. 35 fo:21
v
for concordances
Stimmung defhf
54
r
90. Cor(ante) - [attr. Hudson] 117 - GB-Lbl Add. Ms. 59869 (Cartwright) fo:7
r
:2
GB-Ob Ms. Mus. Sch. F.575 fo:83
v
:2 Cora(nto)
IRL-Dm Ms. Z3.5.13 (Narcissus Marsh) fo:67
v
inv
54
v
91. Sarab(ande) - [attr. Deutekom] 5 - D-Kl Ms. 4 Mus. 108.5 fo:45
v
:1 Saraband
F-Pc Ms. Rs. 1111 fo:19
r
20. Sarraband
GB-Ob Ms. Mus. Sch. F.578 fo:23
v
Sarband
92. Ballet - Anon. 7095 - GB-En Sutherland House p.4:1 Whom [serve?] yea
7018 (T166) Playford MRLV 1669 no. 2 Maying Time
Playford MRLV 1682 no. 2 Fain I would
7421 GB-Lbl Add. Ms. 63852 (Griffith Boynton) fo:117
r
inv:1
Sheapherds Hay
8207 (T183) Playford MRLV 1652 no. 1 May Time (fefhf)
8307 IRL-Dtc Ms. 408/1 (William Ballet) p.57:2 (fefhf)
8308 IRL-Dtc Ms. 408/1 (William Ballet) p.59:1 (fefhf)
55
r
93. The Chimes - Simon Ives 31 (T139) - Playford MRLV 1652 no. 41 [42] La Cloche
Playford MRLV 1661 no. 15 La Cloche M
r
Simon Ives
Playford MRLV 1669 no. 27 Second Lesson, With a Thump
Playford MRLV 1682 no. 47 Saraband
F-Pc Ms. Rs. 1111 fo:71
v
Sarabanda
GB-Cu Ms. D.d 6.48 fo:2
v
La Cloche
GB-Lbl Add. Ms. 59869 (Cartwright) fo:13
r
:2
GB-Lbl Add. Ms. 63852 (Griffith Boynton) fo:86
v
GB-Mp Ms. 832 Vu 51 (Manchester) p.133:1
La Cloche M
r
Simon Ives
GB-Ob Ms. Mus. Sch. F.575 fo:12
r
The Chimes M
r
Simon Ives
GB-Ob Ms. Mus. Sch. F.575 fo:89
v
inv
GB-Ob Ms. Mus. Sch. F.578 fo:6
r
(efdef)
- 6 -
GB-Ob Ms. Mus. Sch. F.578 fo:23
r
Courant
S-[K1] Ms. 21.068 fo:27
r
inv } Engelske/Englische
S-L Ms. G.28 p.6:2 } glocken/Klocken
S-Skma Ms. Tablatur nr. 3 fo:64
r
inv }
55
v
94. Ps: 116 verstimbt defhf F Anon. 7096 32
v
Ich Lob den Herren
56
r
95. Ps: 24 edfhf f Anon. 7831 33
r
56
v
96. Chanson edfhf g Anon. 7832 33
v
Was Gott gefelt, [mein frommes Kind]
57
r
97. Ps: 84 defhf - Anon. 7097 -
57
v
98. Ps: 34 Ich will nicht laen abedfhf f Anon. 7833 34
r
58
r
99. Aria edfhf - Anon. 7834 -
58
v
100. Sarabande edfhf - Simon Ives 83 (T48) - Playford MRLV 1652 no. 59 [63] Saraband
Playford MRLV 1661 no. 48 [49] Saraband M Esto
Playford MRLV 1661 no. 65 [67] Saraband M
r
Simon Ives
A-ETgoss Ms. (B) fo:9
r
Sarabande
F-Pc Ms. Rs. 1111 fo:3
v
3. Sarraband
GB-CHEr DLT/B 31 (Peter Leycester) fo:10
r
:3
GB-Mp Ms. 832 Vu 51 (Manchester) p.124:2
Saraband M
r
Simon Ives
59
r
101. Gige edfhf f Anon. 7835 35
r
59
v
102. Allem(ande) edfhf f Anon. 7836 35
v
60
r
103. Sarab(ande) edfhf f Anon. 7837 35
v
- 36
v
60
v
104. Sarab(ande) edfhf - Anon. 7838 -
61
r
105. Ballet ffeff e Anon. 6262 -
61
v
- 62
r
106. Ps: 32 O Seelig mus ich defhf - Anon. 7101 -
62
v
107. Ballet - Anon. 7102 -
63
r
108. Ballet - Anon. 7103 -
63
v
109. Ballet - Anon. 7104 -
64
r
110. The King enjoyes his own - Anon. 7003 (T196) - Playford MB 1651 no. 5 (fefhf)
Playford MRLV 1652 no. 7 The K. enjoyes &c. (fefhf)
Playford MRLV 1661 no. 3 When the King Enjoyes, &c.
Playford MRLV 1669 no. 8 The King enjoyes His own
Playford MRLV 1682 no. 6 The King enjoyes his own
F-Pc Ms. Rs. 1111 fo:14
v
15. Gavotte
GB-Cu Ms. D.d 6.48 fo:22
v
GB-En Sutherland House p.1:1
GB-En P637 R787.1 (Reid) seq.(4) fo:1
v
When the King enjoyes his owne
GB-Ob Ms. Mus. Sch. F.572 p.81
A-240 GB-CfmMU Ms. 647 p.inv52 (solo bass viol, staff notation)
- 7 -
64
v
- 65
r
111. Allem(ande) - Anon. 7105 -
65
r
112. Sarab(ande) - Robert Taylor 12 - D-Kl Ms. 4 Mus. 108.2 fo:81
r
61. Sarab:
IRL-Dm Ms. Z3.5.13 (Narcissus Marsh) fo:69
v
inv Mr Taylor
65
v
- 66
r
113. 114. ruled and numbered, no music
66
v
115. Allemande ffeff d Anon. 6268 -
67
r
116. Gavotte D Lully (6269) - LWV 22/21
D-Kl Ms. 2 Mus. 61.1(1) fo:25
r
:2 (Baryton, fedfh)
67
v
- 68
r
117. Allem(ande) D. B. a Du Buisson 12 - PL-WtmMs. In.377/No.221 (Cracow BV1) fo:22
r
Allemande
US-Wc Ms. M2.1.T2.17C.Case fo:13
v
Allemande D.B.
68
v
- 69
r
118. Courente D. B. a Du Buisson 13 - PL-WtmMs. In.377/No.221 (Cracow BV1) fo:22
v
Courante
US-Wc Ms. M2.1.T2.17C.Case fo:14
v
Courante D.B.
69
r
- 69
v
119. Sarab(ande) D. B. a Du Buisson 14 - US-Wc Ms. M2.1.T2.17C.Case fo:15
v
Sarabande D.B.
70
r
120. Not entered, the remaining space on 69
v
and the whole of 70
r
are filled with an incomplete piece, VdGS 6270, in a different hand.
70
v
- 71
r
121. Sarab(ande) H. d Nicolas Hotman 8 43
r
A-ETgoss Ms (B) fo:39
v
Sarabande
F-Pc Ms. Rs. 1111 fo:55
v
60. Sarraband
71
v
- 72
r
122. Jenes Zephirs D J. C. de Chambonnires 1 43
v
(ex 6271)
72
r
123. Sarabande D Pierre Dubut 1 (ex 6272) 44
r
[6272 & 6376 are independent versions]
ex 6376 D-Kl Ms. 4 Mus. 108.6 fo:37
v
Cour: (solo)
D-Kl Ms. 4 Mus. 108.6 fo:38
r
Cour: (bass)
72
v
- 73
r
124. Ritornelle g Lully (6273) 44
v
- 45
r
LWV 53/47
73
v
125. Allemande D. Eb d Daniel Eberlin 1 45
v
Nos. 125 - 128 have figured bass parts
74
r
126. Courante D. Eb d Daniel Eberlin 2 45
v
- 46
r
74
v
127. Sarabande D. E d Daniel Eberlin 3 46
r
75
r
128. Giqe d Daniel Eberlin 4 46
v
75
v
129. Allemande D Anon. 6274 47
r
76
r
130. Sarab(ande) D Anon. 6275 47
v
76
v
131. Borre Verstimbt efffe A Anon. 9601 47
v
- 48
r
77
r
132. Sarab(ande) A Anon. 9602 48
r
77
v
133. Allemande Eb: ffeff A Daniel Eberlin 5 48
v
78
r
134. Gavotte Eb: A Daniel Eberlin 6 49
r
78
v
135. Sarabande A Anon. 6276 49
v
bass part in vol. 4 marked Viola 2da
79
r
(Sa)rabande d Anon. 6277 -
79v - 80r 136. Giqe A Anon. 6278 49
v
- 50
r
bass part in vol. 4 marked Viola 2da
80
v
137. Aria di D. Eb: d Daniel Eberlin 7 50
v
D-Kl Ms. 4 Mus. 108.2 fo:58
r
Aria
81
r
Aria del Basso
81
v
138. Lamento a doi Di D. Eb: d Daniel Eberlin 8 50
v
D-Kl Ms. 4 Mus. 108.2 fo:57
r
Lamento
82
r
Lamento Basso
82
v
139. Sarab(ande) D. Eb. d Daniel Eberlin 9 51
r
83
r
Sarab(ande) Basse
- 8 -
83
v
140. Gige D. S. Eb. d Daniel Eberlin 10 51
r
84
r
Gige Basse
84
v
Stimmng efhff
84
v
- 85
r
141. Aria Variatio efhff - Anon. 9351 -
85
r
142. Sarab(ande) 9352 -
85
v
143. Courente 9353 -
86
r
144. Gavotte 9354 -
86
v
145. Gigue 9355 -
87
v
- 88
v
empty pages
Cambridge, University Library [GB-Cu] MS Dd.9.33, c. 1600-1605
no. f. title VdGS no.
1 95v Untitled [ffeff] 6501
GB-Cu Dd.5.20, f. 19v untitled [ffeff]
The third of Mathew Holmes' lute manuscripts, containing a single piece for lyra viol on the last folio of music.
London, British Library [GB-Lbl], Egerton MS 2971: 'Songs Etc. 17
th
Century'
See EGERTON C .... Mary Cyr: A 17th-century source of ornamentation for voice and viol: British Museum MS Egerton
2971, RMARC 9, 53-72 for a full list of contents and concordances for the vocal music
no. p. mod. f. VdGS
flyleaf recto Robius Downes
Texted songs with lyra viol [tuning?] tablature [5-line] accompaniment in score:
1 88-89 24v-25r Dolcissimo sospiro [Caccini]
2 - 25v-26r Ma grideran per me lepiagg'i Mont'e queste
3 91 27r Parlera, nel mio uoluo la pietat'el dolore
4 92-93 27v-28r Crud' Amarilli
5 94-95 28v-29r Amarilli mia bella [Caccini]
Solo lyra viol tuned fefhf [5-line tablature]:
6 129 33r Alman Coperario [fefhf] solo Alm 25
130 33v [tuning indication]: fefhf Leiro
7 131 34r A toy by D. Farrant [fefhf] Toy 1
D-Kl 4
o
Mus.108 II, no. 26, f. 63v untitled [fefhf]
F-Pc Rs. 1111, no. 190, f. 174v Courant [fefhf]
IRL-Dtc 408/I, p. 40 header: for the Leereowe violl [fefhf]
IRL-Dtc 408/I, p. 40 & 60 a Toye [fefhf]
GB-CHEr DLT/B 31, f. 45v iii untitled [fefhf]
GB-Cu Dd.5.20, f. 25v untitled [fefhf]
GB-Lbl Add.15118, f. 31r ii Thumpe [fefhf]
8 131 34r Alman [fefhf] Alman 2

March 2011
ANONYMOUS
Pieces for two violins and bass/continuo
probably of continental origin
VdGS No. key
900 Sonata
901 Sonata
March 2009 A-2BC-9
GB-
Cfm:
Mu.
1167
no.
(1)
(2)
ABEL, Carl Friedrich
(1723-1787)
This Catalogue is compiled by Peter Holman. The introduction is cut down from the full expla-
nation in ABEL-H (q.v.). The Catalogue replaces that of ABEL-K and it is suggested that A pre-
fixes the catalogue numbers for general use. See also VIOL-H, chapters 5-6.
Charles Frederick Abel was probably the most prolific composer for the viola da gamba after the
Baroque period. We have ninety-five surviving works featuring the gamba in solo or obbligato
roles: thirty pieces for unaccompanied gamba (plus three short cadenza-like passages); forty-nine
solos or sonatas and two separate minuets for gamba and bass; four duets for gamba and
violoncello; a gamba part possibly from a sonata with obbligato harpsichord; two incomplete
trios for flute, gamba and bass; a quartet for flute, violin, gamba and violoncello; two quartets for
gamba, violin, viola and violoncello; and an aria with gamba obbligato. In addition, there are a
number of surviving violoncello parts that may originally have been intended for the gamba, and
we know from newspaper advertisements and other documentary sources that many other works
once existed.
Most of Abels viola da gamba music was catalogued and published in modern editions by Walter
Knape in the 1960s and early 70s, though his work (ABEL K) is unsatisfactory in several
respects. A number of pieces were omitted from his catalogue, some of which were known when
it was compiled, there are many errors in the listing of sources and in the incipits of the pieces,
and he is not a reliable guide to Abels hand, failing to recognize genuine examples and wrongly
claiming copies made by others as autographs. In what follows Abels gamba music is grouped
into eight categories by scoring:
1. Unaccompanied viola da gamba
2. Viola da gamba and bass/continuo
3. Viola da gamba and violoncello
4. Viola da gamba and ?harpsichord
5. Flute, viola da gamba and bass/continuo
6. Flute, violin, viola da gamba and violoncello
7. Viola da gamba, violin, viola and violoncello
8. Soprano, viola da gamba, two violins, viola and bass/continuo
Within each category the works are presented in the order they appear in the primary sources,
and the sources are ordered by the alphabetical order of their RISM library sigla, with (in the case
of Category 2), the printed collection coming first in the sequence. Knapes catalogue numbers
(WKO) have been included, but since a number of works are not in WKO new numbers have
been allocated in the form 1:4 (i.e. the fourth piece in Category 1) or 7:2 (the second in Category
7), thus allowing for extra pieces to be added as they come to light.
Abel wrote his viola da gamba parts mostly in the treble clef, expecting it to be played at the
lower octavea feature preserved in the incipits. Occasionally, as in 4:1, 7:1 and 7:2, the parts
are written in the alto and bass clefs, as in modern practice, which suggests the intervention of a
contemporary copyist or arranger. A distinction is made between solo gamba works that have a
simple accompaniment, occasionally figured and usually labelled Basso (Category 2), and duets
specifically for gamba and violoncello (Category 3) in which the violoncello presumably has a
more active rolethough the four works concerned are not available for study. The titles of the
pieces are given in the form they appear in the principal source; Holman has given appropriate
titles to untitled pieces in square brackets. The incipits have been transcribed directly from the
sources with a minimum of editorial changes and additions, though a few obvious errors have
been corrected without comment; the exact placing and duration of slurs is sometimes open to
question and may differ slightly from modern editions. Holman has only included fingerings that
February 2011
ABEL CF-1
he believes to be autograph. Holman writes: I have tried to list all modern editions, and would
be glad to hear of any I have missedor of any other omissions and errors.
Library Sigla (Following the RISM system used in Grove Music Online)
A-HE Heiligenkreuz, Musikarchiv des Zisterzienserstiftes
A-LA Lambach, Benediktiner-Stift Lambach, Bibliothek
AUS-NLwm Nedlands (Perth), Wigmore Music Library, University of Western
Australia
CZ-Pnm Prague, Narodn Muzeum
D-B Berlin, Staatsbibliothek zu Berlin Preuischer Kulturbesitz,
Musikabteilung
D-Dl Dresden, Schische Landesbibliothek, Staats- und
Universittsbibliothek Dresden
DK-Kk Copenhagen, Det Kongelige Bibliotek Slotsholmen
GB-Ckc Cambridge, Rowe Music Library, Kings College
GB-Lbl London, The British Library
GB-Lna London, The National Archives
GB-Lu London, University of London, Senate House Library
US-NYp New York, NY, New York Public Library at Lincoln Center, Music Division
Publisher Abbreviations
CAP Charivari Agrable Publications, Oxford
DE Dovehouse Editions, Ottawa, Viola da gamba series
Fretwork Fretwork Editions, London
EG Edition Gntersberg, Heidelberg
HM Hortus Musicus, Brenreiter, Kassel
Knape C. F. Abel, Compositionen, ed. Walter Knape, Cuxhaven
PRB PRB Productions, Albany CA
UO Ut Orpheus Edizioni, Bologna
Sources
The Favourite Songs in the Opera Sifari, 2 vols. (London: Welcker, [1767]). A selection of arias from
the opera in full score. 8:1 is in vol. 1, pp. 2-7; copy consulted: GBLbl, G.206.k.(2).
Six Easy Sonattas for the Harpsichord, or for a Viola da Gamba, Violin or German Flute, with a Thorough-
Bass Accompaniment ([?London, ?1772]). It consists of 2:1-6 in score. The only surviving copy is D-
Dl, Mus. 3122-R-2. There is a facsimile with an introduction by Michael OLoghlin (Heidelberg,
2005), EG, G501.
Les Suites des trios primieres: trios pour le violon, violoncello, et basso (London: Longman, Lukey and Co.,
[1772]). It consists of parts of 5:1, 5:2 and a variant of Six Sonatas for a Violin, a Violoncello, & Base,
with a Thorough Base for the Harpsichord, op. 9 (London, 1772), no. 5. The only known copies are at
GB-Ckc (violoncello and basso parts) and AUS-NLwm (violoncello part).
A-LA, oblong-quarto manuscript parts of 7:1 and 7:2, copied by an unidentified hand. The
ultimate source was clearly Abels Six Quartettos for Two Violins, a Tenor and Violoncello Obligati, op.
8 (London, 1769), nos. 5 and 2, though the fact that they are numbered 1 and 3 in the
manuscripts rather than 5 and 2 suggests that there was at least one intermediate source.
D-B, KHM 25 a/b. Folio scores of 2:7 and 2:8 copied by an unidentified late eighteenth-century
German hand. It is not autograph, as claimed by Knape: the handwriting is quite different from
Abels known autographs, such as GB-Lbl, Add. MS 31,697, Items 1-5 and the first section of
US-NYp, Drexel MS 5871, the composer is given the formal title Sigr Abel (he signed his work
C. F. Abel), and the viola da gamba part is mostly written in the alto clef; the composer wrote
February 2011
ABEL CF-2
his gamba music in the treble clef.
D-B, Mus. Ms. 253/10. Folio parts of the three-movement version of 6:1, copied on paper
stamped J J / Berlin by the same late nineteenth-century copyist as part of D-B, Mus. Ms. 263
and Items 1 and 2 of D-B, Mus. Ms. Slg. Klg. 2. He may be the Braunschweig cellist and gamba
player Johann Klingenberg (1852-1905) since D-B, Mus. Ms. Slg. Klg. 2 came from his
collection.
D-B, Mus. Ms. 263. Folio scores and gamba parts of 2:10 and 2:7, copied by two late nineteenth-
century hands. The first, possibly Johann Klingenberg, also copied D-B, Mus. Ms. 253/10 and
Items 1 and 2 of D-B, Mus. Ms. Slg. Klg. 2. The second hand used paper stamped C. Peters
Mnchen. They are edited for performance with added dynamics and a keyboard realization of
the bass.
D-B, Mus. Ms. Slg. Klg. 2. Folio scores of 2:10, 1:3 and 1:4 (Item 1), 6:1 (Item 2), 2:7 and 2:8
(Item 4), as well as Abels two sonatas for violoncello and bass WKO 147 and 148 (Item 3), from
the collection of Johann Klingenberg. The hand of Items 1 and 2, possibly Klingenberg himself,
also copied D-B, Mus. Ms. 253/10 and part of D-B, Mus. Ms. 263.
GB-Lbl, Add. MS 31,697. A scrapbook containing seven separate items, the first five of which
are Abels autographs of 2:9, 1:1, 1:2, 1:3, and 1:4. Items 6 and 7 are manuscripts each containing
sequences of 15 sonatas by Abel for viola da gamba and bass (2:10-21, 23, 25-26 and 2:27-41), as
well as, in Item 6, the individual minuets 2:22 and 2:24. They were copied by an unidentified
hand probably in the 1770s from Abels autographs. Most if not all the items were owned by
Elizabeth, Countess of Pembroke (1737-1831), and it was probably assembled in its present form
by the artist and gamba player Thomas Cheeseman (1760-?1842).
GB-Lu, MS 944/2/1-3. Three late eighteenth-century folio manuscript part-books containing, in
the earliest layer, trio sonatas by Maximilian Humble and anonymous, as well as (in the first
violin and bass parts) a set of early eighteenth-century sonatas composed or arranged for viola da
gamba and bass; the gamba part of 4:1 comes at the end of this sequence, though there is no
corresponding part in the bass part-book. The part-books seem to have been owned in turn by
John Williamson (1740-1815), a Canterbury surgeon; his son John (1790-1828), also a Canterbury
surgeon; the organist Stephen Elvey (1805-1860); and his brother Sir George (1816-1893); they
were given to London University Library in 1925 as part of the Elvey Collection.
US-NYp, Drexel MS 5871. An oblong large-quarto manuscript beginning with 29 pieces for
unaccompanied viola da gamba (1:5-33) in Abels autograph, as well as containing copies of
Corellis trio sonatas op. 1, nos. 1-2 and op. 3, nos. 1-5 in a different hand, and an anonymous
Solo per il Cembalo that appears to be in Abels autograph and may be by him. The manuscript
subsequently belonged to Joseph Coggins (1786-1866) and Edward Rimbault (1816-1876),
passing into the Drexel Collection after the sale of Rimbaults library in 1877. There is a facsimile
with an introduction by Walter Knape (Peer: Alamire, 1993), Facsimile series, 21, and another in
Music for Solo Viola da Gamba, CAP040 (2007).
Collection of the late Edgar Hunt, manuscript parts of 6:1. They have not been available for
study, but a note in the VIOLA (or Viola da gamba) part of Hunts edition (Schott, 10190)
states: The MS part (in the editors possession) is headed Viola da gamba whereas in the title it
is given as Violetta. The part is written an octave higher in the treble clef in accordance with
Abels custom when writing for the Viola da gamba.
Private collection, part-autograph folio manuscript containing ten sonatas for viola da gamba and
bass (2:42-51) and four duets for gamba and violoncello (3:1-4). It has not been available for
study, though a certain amount can be learned about it from the descriptions in sale catalogues:
Puttick and Simpson, 27 November 1882, lot 508; Sothebys 17 June 1947, lot 241; and Sothebys
26 May 1994, lot 97. It belonged to Elizabeth, Countess of Pembroke (1737-1831), Edward
Payne (1844-1904) and Arthur Frederick Hill (1860-1939).
February 2011
ABEL CF-3
Category 1: Unaccompanied Viola da Gamba
1:1 [Te]mpo di Menuet, G major, WKO 153.
Source: GB-Lbl, Add. MS 31,697, f. 6v (Item 2).
Editions: Knape, xvi; Schott, 10353; EG, G142; CAP, 041, 042.
Comment: slightly related to 1:24.
1:2 Tempo minuetto, D major, WKO 154.
Source: GB-Lbl, Add. MS 31,697, f. 7 (Item 3).
Editions: Knape, xvi; Schott, 10353; EG, G142; CAP, 041, 042.
Comment: related to 1:22.
1:3 Sonata, G major, WKO 155.
Sources: GB-Lbl, Add. MS 31,697, ff. 8-9 (Item 4); D-B, Mus. Ms. Slg. Klg. 2, Item 1, pp. 6-7.
Editions: Knape, xvi; Schott, 10353; EG, G142; CAP, 041, 042.
Comment: A later hand added Composed for the Lady Pembroke on GB-Lbl, Add. MS 31,697,
f. 8. D-B, Mus. Ms. Slg. Klg. 2 was presumably copied directly or indirectly from GB-
Lbl, Add. MS 31,697. 1:3/1 is related to 1:4.
[Ada]g[io]
Allegro
Menuet
1:4 Adagio, G major, not in WKO.
Source: GB-Lbl, Add. MS 31,697, f. 9v (Item 5).
Edition: Schott, 10353; EG, G142; CAP, 041, 042.
Comment: related to 1:3/1.
ABEL CF-4
February 2011
C. F. ABEL
C. F. ABEL
1:5 Allegro, D major, WKO 186.
Source: US-NYp, Drexel MS 5871, p. 1.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 042.
1:6 [Adagio or Andante], D major, WKO 187.
Source: US-NYp, Drexel MS 5871, p. 2.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:7 Tempo di Minuet, D major, WKO 188.
Source: US-NYp, Drexel MS 5871, p. 3.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:8 Adagio, D major, WKO 189.
Source: US-NYp, Drexel MS 5871, p. 4.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:9 Vivace, D major, WKO 190.
Source: US-NYp, Drexel MS 5871, p. 5.
Editions: Knape, xvi; UO, HS99; CAP, 041, 042.
1:10 Andante, D major, WKO 191.
Source: US-NYp, Drexel MS 5871, p. 6.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
Comment: the opening is related to Louis Caix dHervelois, Musette in D major for bass viol and
continuo, Troisime oeuvre (Paris, 1731), 14-15.
ABEL CF-5 February 2011
C. F. ABEL
1:11 [Allegro], D major, WKO 192.
Sources: US-NYp, Drexel MS 5871, p. 7.
Editions: Knape, xvi; UO, HS99; CAP, 041, 042.
1:12 [Minuet], D major, WKO 193.
Source: US-NYp, Drexel MS 5871, p. 8.
Editions: Knape, xvi; UO, HS99; CAP, 041, 042.
1:13 [Flourish or Cadenza], D major, not in WKO.
Source: US-NYp, Drexel MS 5871, p. 8.
Edition: UO, HS99; CAP, 041, 042.
1:14 [Prelude], D major, WKO 194.
Source: US-NYp, Drexel MS 5871, p. 8.
Edition: UO, HS99; CAP, 041, 042.
1:15 [Allegro], D major, WKO 195.
Source: US-NYp, Drexel MS 5871, p. 9.
Edition: Knape, xvi; UO, HS99; CAP, 041, 042.
1:16 Fuga, D major, WKO 196.
Source: US-NYp, Drexel MS 5871, pp. 10-11.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
Comment: the subject is taken from Corellis Concerto Grosso in D major, op. 6, no. 1.
February 2011
ABEL CF-6
C.F. ABEL
1:17 [Adagio ], D major, WKO 197.
Source: US-NYp, Drexel MS 5871, p. 11.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:18 Allegro, D major, WKO 198.
Source: US-NYp, Drexel MS 5871, pp. 12-13.
Editions: Knape, xvi; UO, HS99; CAP, 041, 042.
1:19 [Minuet], D major, WKO 199.
Source: US-NYp, Drexel MS 5871, p. 13.
Editions: Knape, xvi; DE, 22; CAP, 041, 042.
1:20 [Flourish or Cadenza], D major, not in WKO.
Source: US-NYp, Drexel MS 5871, p. 13.
Edition: CAP, 041, 042.
1:21 Tempo di Minuet [en rondeau], D major, WKO 200.
Source: US-NYp, Drexel MS 5871, p. 14.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:22 Tempo di Minuet, D major, WKO 201.
Source: US-NYp, Drexel MS 5871, p. 15.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
Comment: related to 1:2.
February 2011
ABEL CF-7
C. F. ABEL
1:23 [Minuet en rondeau], D major, WKO 202.
Source: US-NYp, Drexel MS 5871, p. 16.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:24 [Minuet with two variations], in D major, WKO 203, 204.
Source: US-NYp, Drexel MS 5871, p. 17.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
Comment: slightly related to 1:1.
1:25 [Flourish or Cadenza], D major, not in WKO.
Source: US-NYp, Drexel MS 5871, p. 17.
Edition: UO, HS99; CAP, 041, 042.
1:26 [Prelude], D minor, WKO 205.
Source: US-NYp, Drexel MS 5871, p. 18.
Editions: Knape, xvi; UO, HS99; CAP, 041, 042.
1:27 [Minuet], D minor, WKO 206.
Source: US-NYp, Drexel MS 5871, p. 18.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:28 Allegro, D minor, WKO 207.
Source: US-NYp, Drexel MS 5871, p. 19.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
February 2011
ABEL CF-8
C. F. ABEL
1:29 [Allegro], D minor, WKO 208.
Source: US-NYp, Drexel MS 5871, pp. 20-21.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:30 Adagio, D minor, WKO 209.
Source: US-NYp, Drexel MS 5871, p. 22.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:31 Tempo di Minuet, D major, WKO 210.
Source: US-NYp, Drexel MS 5871, p. 23.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:32 Allegretto, A major, WKO 211.
Source: US-NYp, Drexel MS 5871, pp. 24-25.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
1:33 [Rondo], A major, WKO 212.
Source: US-NYp, Drexel MS 5871, p. 25.
Editions: Knape, xvi; DE, 22; UO, HS99; CAP, 041, 042.
February 2011
ABEL CF-9
C. F. ABEL
Category 2: Viola da Gamba and Bass/Continuo
2:1 Sonata, C major, WKO 141.
Source: Six Easy Sonattas, no. 1, pp. 2-5.
Editions: Knape, xvi; HM, 39; EG, G062.
Vivace
Adagio
Minuetto
2:2 Sonata, A major, WKO 142.
Source: Six Easy Sonattas, no. 2, pp. 6-9.
Editions: Knape, xvi; HM, 39; EG, G062.
Allegro
Siciliano
Tempo di Minueto
2:3 Sonata, D major, WKO 143.
Source: Six Easy Sonattas, no. 3, pp. 10-12.
Editions: Knape, xvi; HM, 39; EG, G062.
Allegro
Adagio
February 2011
ABEL CF-10
C. F. ABEL
Minuetto
2:4 Sonata, G major, WKO 144.
Source: Six Easy Sonattas, no. 4, pp. 13-16.
Editions: Knape, xvi; HM, 40; EG, G063.
Allegro
Adagio
Minuetto
2:5 Sonata, A major, WKO 145.
Source: Six Easy Sonattas, no. 5, pp. 17-20.
Editions: Knape, xvi; HM, 40; EG, G063.
Allegro
Andante
Minuetto
February 2011
ABEL CF-11
C. F. ABEL
2:6 Sonata, E minor, WKO 146.
Source: Six Easy Sonattas, no. 6, pp. 21-24.
Editions: Knape, xvi; HM, 40; EG, G063.
Moderato
Adagio
Minuetto
2:7 Sonata, E minor, WKO 150.
Sources: D-B, KHM 25a; D-B, Mus. Ms. 263; D-B, Mus. Ms. Slg. Klg. 2, Item 4.
Editions: Knape, xvi; Schott, ES1373; EG, G090.
Siciliano
Allegro
Presto
2:8 Sonata, G major, WKO 149.
Sources: D-B, KHM 25b; D-B, Slg. Klg. 2, Item 4.
Editions: Knape, xvi; EG, G090.
Adagio
Allegro
February 2011
ABEL CF-12
C. F. ABEL
Allegro ma non presto
2:9 Sonata, G major, WKO 152.
Source: GB-Lbl, Add. MS 31,697, ff. 3-6 (Item 1).
Editions: Knape, xvi; PRB, CL015; EG, G188.
[A]llegretto
Adagio
[A]llegro
2
:10 Sonata, C major, WKO 151.
Sources: GB-Lbl, Add. MS 31,697, ff. 10v-13 (Item 6, no. 1); D-B, Mus. Ms. 263; D-B, Mus.
Ms. Slg. Klg. 2., Item 1, pp. 1-5.
Editions: Knape, xvi; PRB, CL015.
Comment: the Cantabile, arranged for gamba, violin and violoncello probably by Johannes
Klingenberg, also appears in the D-B, Mus. MS 253/10 version of 6:1. The D-B manu
scripts were presumably copied directly or indirectly from GB-Lbl, Add. MS 31,697.
Allegro
Cantabile
Tempo di Minuetto
February 2011
ABEL CF-13
C. F. ABEL
2:11 Sonata, D major, WKO 156.
Source: GB-Lbl, Add. MS 31,697, ff. 13v-15 (Item 6, no. 2).
Editions: Knape, xvi; PRB, CL013.
Allegro
Minuetto
2:12 Sonata, G major, WKO 157.
Source: GB-Lbl, Add. MS 31,697, ff. 15v-17 (Item 6, no. 3).
Editions: Knape, xvi; PRB, CL013.
Moderato
Tempo di Minuetto
2:13 Sonata, D major, WKO 158.
Source: GB-Lbl, Add. MS 31,697, ff. 17v-19 (Item 6, no. 4).
Editions: Knape, xvi; PRB, CL014.
Moderato
Minuetto
2:14 Sonata, G major, WKO 159.
Source: GB-Lbl, Add. MS 31,697, ff. 19v-21 (Item 6, no. 5).
Editions: Knape, xvi; PRB, CL014.
Allegro
February 2011
ABEL CF-14
C. F. ABEL
Minuetto
2:15 Sonata, D major, WKO 160.
Source: GB-Lbl, Add. MS 31,697, ff. 21v-23 (Item 6, no. 6).
Editions: Knape, xvi; PRB, CL014.
Allegro
Minuetto
2:16 Sonata, D major, WKO 161.
Source: GB-Lbl, Add. MS 31,697, ff. 23v-25 (Item 6, no. 7).
Editions: Knape, xvi; PRB, CL015.
Allegro
[Minuet]
2:17 Sonata, C major, WKO 162.
Source: GB-Lbl, Add. MS 31,697, ff. 25v-27 (Item 6, no. 8).
Editions: Knape, xvi; PRB, CL013.
Allegro
Vivace
February 2011
ABEL CF-15
C. F. ABEL
2:18 Sonata, A major, WKO 163.
Source: GB-Lbl, Add. MS 31,697, ff. 27v-29 (Item 6, no. 9).
Editions: Knape, xvi; PRB, CL014.
Allegro
Tempo di Minuetto
2:19 Sonata, A major, WKO 164.
Source: GB-Lbl, Add. MS 31,697, ff. 29v-31 (Item 6, no. 10).
Editions: Knape, xvi; PRB, CL015.
Allegro
Minuetto
2:20 Sonata, D major, WKO 165.
Source: GB-Lbl, Add. MS 31,697, ff. 31v-34 (Item 6, no. 11).
Editions: Knape, xvi; PRB, CL014.
Allegro
Adaggio
Tempo di Minuetto
February 2011
ABEL CF-16
C. F. ABEL
2:21 Sonata, D major, WKO 166.
Source: GB-Lbl, Add. MS 31,697, ff. 34v-36 (Item 6, no. 12).
Editions: Knape, xvi; PRB, CL014.
Allegro
Andante
Minuetto
2:22 Tempo di Minuetto, C major, not in WKO.
Source: GB-Lbl, Add. MS 31,697, f. 37.
Edition: PRB, CL014.
Comment: treated as the third movement of 2:21 in PRB, CL014, but the discrepancy of keys
makes this unlikely.
2:23 Sonata, G major, WKO 167.
Source: GB-Lbl, Add. MS 31,697, ff. 37v-38v (Item 6, no. 13).
Editions: Knape, xvi; PRB, CL013.
Allegro
Tempo di Minuetto
2:24 Tempo di Minuetto, D major, not in WKO.
Source: GB-Lbl, Add. MS 31,697, f. 39.
Editions: Knape, xvi; PRB, CL013.
Comment: treated as the third movement of 2:23 in Knape, xvi and PRB, CL013. This is
unlikely unless a da capo to 2:23/2 is intended, though it is not indicated in the manuscript.
February 2011
ABEL CF-17
C. F. ABEL
2:25 Sonata, D major, WKO 168.
Source: GB-Lbl, Add. MS 31,697, ff. 39v-42 (Item 6, no. 14).
Editions: Knape, xvi; PRB, CL013.
Allegro
Allegro
Minuetto
Minuetto
2:26 Sonata, D major, WKO 169.
Source: GB-Lbl, Add. MS 31,697, ff. 42v-44 (Item 6, no. 15).
Editions: Knape, xvi; PRB, CL013.
Allegro
Minuetto
Allegretto
2:27 Sonata, C major, WKO 170.
Source: GB-Lbl, Add. MS 31,697, ff. 45v-48 (Item 7, no. 1).
Editions: Knape, xvi; PRB, CL014.
Moderato
February 2011
ABEL CF-18
C. F. ABEL
Andantino
Allegro
2:28 Sonata, G major, WKO 171.
Source: GB-Lbl, Add. MS 31,697, ff. 48v-51 (Item 7, no. 2).
Editions: Knape, xvi; PRB, CL014.
Vivace
Cantabile
Vivace
2:29 Sonata, D major, WKO 172.
Source: GB-Lbl, Add. MS 31,697, ff. 51v-54 (Item 7, no. 3).
Editions: Knape, xvi; PRB, CL014.
Comment: the second movement is wrongly given in the source with only two sharps.
Allegro
Adaggio
Minuetto
February 2011
ABEL CF-19
C. F. ABEL
2:30 Sonata, A major, WKO 173.
Source: GB-Lbl, Add. MS 31,697, ff. 54v-57 (Item 7, no. 4).
Editions: Knape, xvi; PRB, CL014.
Allegro
Cantabile
Tempo di Minuetto
2:31 Sonata, G major, WKO 174.
Source: GB-Lbl, Add. MS 31,697, ff. 57v-60 (Item 7, no. 5).
Editions: Knape, xvi; PRB, CL013.
Moderato
Cantabile
Vivace
2:32 Sonata, C major, WKO 175.
Source: GB-Lbl, Add. MS 31,697, ff. 60v-63 (Item 7, no. 6).
Editions: Knape, xvi; PRB, CL013.
Allegro
Adaggio
February 2011
ABEL CF-20
C. F. ABEL
Tempo di Minuetto
2:33 Sonata, A major, WKO 176.
Source: GB-Lbl, Add. MS 31,697, ff. 63v-66 (Item 7, no. 7).
Editions: Knape, xvi; PRB, CL013.
Allegro
Andantino
Allegro
2:34 Sonata, A major, WKO 177.
Source: GB-Lbl, Add. MS 31,697, ff. 66v-69 (Item 7, no. 8).
Editions: Knape, xvi; PRB, CL015.
Allegro
Andante
Allegro
2:35 Sonata, G major, WKO 178.
Source: GB-Lbl, Add. MS 31,697, ff. 69v-71 (Item 7, no. 9).
Editions: Knape, xvi; PRB, CL013.
Allegro
February 2011
ABEL CF-21
C. F. ABEL
Minuetto
2:36 Sonata, A major, WKO 179.
Source: GB-Lbl, Add. MS 31,697, ff. 71v-73 (Item 7, no. 10).
Editions: Knape, xvi; PRB, CL013.
Allegro
Andante
Minuetto
2:37 Sonata, D major, WKO 180.
Source: GB-Lbl, Add. MS 31,697, ff. 73v-75 (Item 7, no. 11).
Editions: Knape, xvi; PRB, CL015.
Allegro
Siciliano
Minuetto
February 2011
ABEL CF-22
C. F. ABEL
2:38 Sonata, D major, WKO 181.
Source: GB-Lbl, Add. MS 31,697, ff. 75v-77 (Item 7, no. 12).
Editions: Knape, xvi; PRB, CL015.
Allegro
Minuetto [and two variations]
2:39 Sonata, G major, WKO 182.
Source: GB-Lbl, Add. MS 31,697, ff. 77v-79 (Item 7, no. 13).
Editions: Knape, xvi; PRB, CL015.
Allegro
Adaggio
Minuet
2:40 Sonata, A major, WKO 183.
Source: GB-Lbl, Add. MS 31,697, ff. 79v-81 (Item 7, no. 14).
Editions: Knape, xvi; PRB, CL015.
Allegro
Adaggio
Minuetto
February 2011
ABEL CF-23
C. F. ABEL
2:41 Sonata, C major, WKO 184.
Source: GB-Lbl, Add. MS 31,697, ff. 81v-83 (Item 7, no. 15).
Editions: Knape, xvi; PRB, CL015.
Moderato
Tempo di Minuetto
2:42 Sonata, E major, not in WKO.
Source: part-autograph manuscript, private collection, no. 3.
Edition: none.
Allegro
Adagio
Tempo di Minuet
2:43 Sonata, E major, not in WKO.
Source: part-autograph manuscript, private collection, no. 4.
Edition: none.
Vivace
Adagio
Menuet
2:44 Sonata, B major, not in WKO.
Source: part-autograph manuscript, private collection, no. 5.
Edition: none.
Moderato
Adagio
Tempo di Menuet
2:45 Sonata, B major, not in WKO.
Source: part-autograph manuscript, private collection, no. 6.
Edition: none.
Vivace
Adagio
Tempo di Menuet
February 2011
ABEL CF-24
C. F. ABEL
2:46 Sonata, B major, not in WKO.
Source: part-autograph manuscript, private collection, no. 7.
Edition: none.
Allegro
Adagio
Menuet
2:47 Sonata, F major, not in WKO.
Source: part-autograph manuscript, private collection, no. 8.
Edition: none.
Moderato
Adagio
Men[uet]
2:48 Sonata, G major, not in WKO.
Source: part-autograph manuscript, private collection, no. 9.
Edition: none.
Allegro
Adagio
Tempo di Menuetto
2:49 Sonata, D major, not in WKO.
Source: part-autograph manuscript, private collection, no. 10.
Edition: none.
Moderato
Adagio
Men[uet]
2:50 Sonata, D major, not in WKO.
Source: part-autograph manuscript, private collection, no. 13.
Edition: none.
Allegro
Adagio
Allegretto
2:51 Sonata, A major, not in WKO.
Source: part-autograph manuscript, private collection, no. 14.
Edition: none.
Moderato
Adagio
Tempo di Menuet
February 2011
ABEL CF-25
C. F. ABEL
Category 3: Viola da Gamba and Violoncello
3:1 Duetto, D major, not in WKO.
Source: part-autograph manuscript, private collection, no. 1.
Edition: none.
Allegro
Rondeau
3:2 Duetto, D major, not in WKO.
Source: part-autograph manuscript, private collection, no. 2.
Edition: none.
Allegro
Adagio
Tempo di Menuet
3:3 Duetto, G major, not in WKO.
Source: part-autograph manuscript, private collection, no. 11.
Edition: none.
Poco allegro
Un poco adagio
Rondeau alegretto
3:4 Duetto, G major, not in WKO.
Source: part-autograph manuscript, private collection, no. 12.
Edition: none.
Un poco allegro
Andante
Tempo di Minuet
February 2011
ABEL CF-26
C. F. ABEL
Category 4: Viola da Gamba and ?Harpsichord
4:1 [Sonata], C major, not in WKO.
Source: GB-Lu, MS 944/2/1-3, part 1, pp. 30-31.
Edition: none.
Comment: only the gamba part survives, entitled F. Abel per il Viol di Gambo, though its
style suggests that it comes from an accompanied sonata with obbligato harpsichord rather
than one for gamba and bass; see Holman, Life after Death, 226-227.
[Allegro]
[Andante]
[Minuet]
Category 5: Flute, Viola da Gamba and Bass/Continuo
5:1 Trio, F major, not in WKO.
Les Suites des trios primieres, pp. 8-9 in each part, no. 4.
Edition: none.
Comment: only the gamba and figured bass parts survive, in a publication said to be Pour le VIO-
LON, VIOLONCELLO, et BASSO. From the documents relating to Abels lawsuit against
Longman, Lukey and Co. in 1773 we know that it was written about 10 years ago (i.e.
around 1763) and was originally composed for a Flute, Viol di gamba and a Bass; see
Holman, Life after Death, 224-226.
Moderato
Andante
Menuetto
February 2011
ABEL CF-27
C. F. ABEL
5:2 Trio, G major, not in WKO.
Les Suites des trios primieres, pp. 9-10 in each part, no. 5.
Edition: none.
Comment: only the gamba and figured bass parts survive, in a publication said to be Pour le
VIOLON, VIOLONCELLO, et BASSO. From the documents relating to Abels lawsuit
against Longman, Lukey and Co. in 1773 we know that it was written about 10 years
ago (i.e. around 1763) and was originally composed for a Flute, Viol di gamba and a
Bass; see Holman, Life after Death [VIOL H] , 224-226.
Allegro
Andante
Menuetto
Category 6: Flute, Violin, Viola da Gamba and Violoncello
6:1 Quartet, G major, WKO 227.
Sources: manuscript in the possession of the late Edgar Hunt; D-B, Mus. Ms. Slg. Klg. 2,
Item 2; D-B, Mus. Ms. 253/10.
Editions: Schott, 10190; PRB, CL007.
Comment: the Edgar Hunt and D-B manuscripts preserve independent versions, published
respectively by Schott and PRB; the one in D-B, Mus. Ms. Slg. Klg. 2 may derive from a
manuscript, now lost, that was offered for sale in Hamburg in 1783 as Abel, I Quatuor.
Viola da Gamba Fl. Violin & Violoncel G dur. In addition, the version in D-B, Mus. Ms.
253/10 has a central Cantabile described as an insertion (Einlage); it is an arrangement,
possibly made by Johann Klingenberg, of 2:10/2; see Holman, Life after Death, 227-228.
The two-movement version is found as the outer movements of a flute quartet in CZ-Pnm,
XXII A7, while the Allegretto also serves as the finale of the string quartet op. 12, no. 6,
WKO 72/3.
Allegro Moderato
Cantabile: see 2:10/2
February 2011
ABEL CF-28
Category 7: Viola da Gamba, Violin, Viola, Violoncello
7:1 Quarteto N: 1, A major, not in WKO.
Source: manuscript parts at A-LA.
Edition: none.
Comment: An arrangement of no. 5 of Abels Six Quartettos, op. 8, WKO 65, with the gamba tak-
ing the first violin part down the octave. The part is written in the alto clef, which suggests
that the arrangement was not made by Abel himself.
Un poco Vivace
Adagio ma non Tropo
Allegro assai
7:2 Quarteto N. 3, B major, not in WKO.
Source: manuscript parts at A-LA.
Edition: none.
Comment: An arrangement of no. 2 of Abels Six Quartettos, op. 8, WKO 62, with the gamba tak-
ing the first violin part down the octave. The part is written in the alto clef, which suggests
that the arrangement was not made by Abel himself.
Allegro con Spirito
Adagio
Tempo di Menueto
February 2011
ABEL CF-29
C. F. ABEL
Category 8:
Soprano, Viola da Gamba, Two Violins, Viola and Bass/Continuo
8:1 Frena le belle lagrime, B major, not in WKO.
Source: The Favourite Songs in the Opera Sifari, vol. 1, pp. 2-7.
Modern edition: Fretwork, FE2.
Cantabile
See ABEL-H Appendix 1 for a discussion of lost or unidentified works by Abel
February 2011
ABEL CF-30
ABEL, Clamor Heinrich (1634-1696)
Sonata sopra CucCuc in G major for violin, bass viol and continuo
GB-DRc, D2, no. 19 [H. Abell]
GB-HADolmetsch, II.c.25, no. 9 [Clamor Hen
Abell]
GB-Lbl, Add. 31423, ff. 230/249/261v (no. 14)
[Anon.]
for 2 violins and continuo
[Sonata] F-Pn, Rs Vm
7
673, no. 45
[Sonata] F-Pn, Rs Vm
7
673, no. 86
January 2009 ABEL CH-1
Further information from Richard Carter:
Clamor Heinrich Abel's "Musicalische Blumen" was published in three parts:
Part One (52 pieces, 1674) and Part Two (59 pieces, 1676, dedication dated
1675) - both titled "Erstlinge Musicalischer Blumen" - contain suites for four
instruments (most probably violin band with two treble violins) and harpsi-
chord continuo.
Part Three (61 pieces, 1677, dedication dated 1676) - "Dritter Theil Musical-
ischer Blumen" - contains eight suites (Allemanda/Courante/Sarabanda/
Gique) for violin and harpsichord, plus a further seven suites for violin, lyra
viol ("verstimbte Violadagamba") and harpsichord, of which the last is also
for scordatura violin. No copy of the viol partbook is known to survive.

Clamor Heinrich Abel - Erstlinge Musicalischer Blumen (1674)

1. Praeludium.

_
Adagio.

,
,
,
,
,

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,

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Sonatina.
Allegro.
,
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,
,

2. Allemanda.

3. Corrante.

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4. Sarabanda.

5. Giqve.
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6. Praeludium.

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adagio.
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7. Allemanda. 8. Corrante.

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9. Sarabanda.

10. Giqve.
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11. Sarabanda.

12. Giqve.
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13. Praeludium.

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14. Allemanda. 15. Corrante.

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16. Sarabanda.

17. Giqve.
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18. Praeludium.
Clamor Heinrich Abel - Erstlinge Musicalischer Blumen (1674)

Adagio.

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19. Allemanda. 20. Corrante.

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21. Sarabanda.

22. Giqve.
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23. Praeludium.

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24. Allemanda. 25. Corrante.

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26. Sarabanda.

27. Giqve.
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28. Praeludium.

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29. Allemanda. 30. Corrante.

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31. Sarabanda.

32. Giqve.

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33. Praeludium.

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Allegro.
Sonatina.
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34. Allemanda.
Clamor Heinrich Abel - Erstlinge Musicalischer Blumen (1674)

35. Corrante.
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36. Sarabanda.
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37. Giqve.

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38. Praeludium.

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39. Allemanda. 40. Corrante.

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41. Sarabanda.

42. Giqve.
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43. Praeludium.

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44. Allemanda.

45. Corrante.
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46. Sarabanda.

47. Giqve.

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48. Praeludium.

Adagio.

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,

Allegro.
Sonatina.
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49. Allemanda. 50. Corrante.

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51. Sarabanda.

52. Giqve.

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Clamor Heinrich Abel - Erstlinge Musicalischer Blumen (1675/6)

1. Praeludium.

2. Allemanda.
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3. Corrante.

4. Sarabanda.

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5. Giqve.
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6. Allemanda.
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,
,
_
,
,
,

,
,
,
,

7. Corrante.

8. Sarabanda.

_
,
,
,
,
,
,
,
,
,
,
,
, , ,
,
,
,
,
_
,
,

,
,
,
,
,
,
,
,
, ,
,
,

,
,
,

9. Giqve.
,
_
,
,
,
,
,
,
,
,
,
, ,
, ,
,
,
,
,
, ,
,
,
,
,

,
,
,

10. Praeludium.

11. Allemanda.
_
,
,
,
,
,
,
,
,
,
,
,
,

,
,
,

_
,
,
,
,
,
,
,
,
,
,

,
,
,
-

12. Corrante.

13. Sarabanda.

_
,
,
,
,

,
,
,

,
,
,
,
,
,

,
,
_
,
,
,

,
,
,
,
,
, ,
, ,
,
,
,
,
,

14. Giqve.
,
_
,

,
,
,
,

,
,

,
,
,
,
,
,
,
,
,
,
,

, ,
,
,
,
,

,

,
,

15. Praeludium.

16. Allemanda.
_
,
,
,
,
,
,
[note: this key sig. in PARS PRIMA only, in error]
,
,
,
,
,
,
,
,,

,
,
,
,
,
,

,
,
_
,
,
,
, ,
,
,
,
,
,
,
,
,
,
,

,
,
,
,

17. Corrante.

18. Sarabanda.

_
,
,
,
,
,

,
,
,
,
,
,
,

,
,
_
,
, ,
,
,
,
,
, ,
,

,
,
,
,
,
,

19. Allemanda.

20. Corrante.

_
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

,
,
_
,
,
,
,
,
,
,

,
,
,
,
,
,
, ,
,
,

21. Sarabanda.

22. Giqve.
,
_
,
,
,
,
,
,
,
,
,
,

,
,
,
,

_
, ,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

23. Praeludium.
Clamor Heinrich Abel - Erstlinge Musicalischer Blumen (1675/6)

24. Allemanda.
_

,
, ,
,
,
,
,
,

,
,
,

,
,
, ,

_

,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

25. Corrante.

26. Sarabanda.

,
,
,
,
,
,
,
,
,
,
,
,
,
,

,
,
_

,
,
,
,
,
,

,
,
,

, ,

27. Allemanda.

28. Corrante.

,
,
,
,
,
,
,
,
,
,
,
,
,
,
, ,

,
,
,
,
,
,
,
,
,
,
, ,

,
,

29. Sarabanda.

30. Giqve.
,
_

,
,
,
,
,
,
,
,
,
,
,
,
, ,

,
,
,

,
,
,
, ,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

,
,
,

31. Praeludium.

32. Allemanda.
_
allegro
,
,
,
,
, , ,
,
,
,
,
,
,
,
adagio
,
,
,

,
,
,

_
,

,
,

,
,
,
,
,
,
,
,
,

,
,
_

,
,
,

33. Corrante.

34. Sarabanda.

_
,

,
,
,
,
,
,
,
,
,

,
,
,
,
,

_
,
, ,
,
,
,
,
,
,
,

,
,
,

,
,
,

35. Giqve.
,
_
,
,
,
,
,

,
,
,
,
,

,
,
,
,
,

,
,

#
, ,
,

,

,
,

36. Praeludium.

37. Allemanda.
_
adagio
,
,
,
,
,
,
,
,
,
, ,
,
_
,
,
,

,
,
,
,
,

,
,
,
,
, , ,

,
,
,

,
,

38. Corrante.

39. Sarabanda.

_
,
,
,

,
,
,
,
,
,
,
,
, ,
, ,
, _
, ,

, , ,

,
,
, , ,
,
, ,

,
,
,

40. Giqve.
,
_
, ,
,
,
,
,
,
,
,
,
,
,
,
,
,
, ,
,
,
,
,
,

,
,

41. Praeludium.
Clamor Heinrich Abel - Erstlinge Musicalischer Blumen (1675/6)

42. Allemanda.
_

,
,
,
,
,

,
,
,

,
,
,
,
,
,
,
,
,
,

,
, _

,
,
,

,
,
,
,
,
,
,
, ,

,
,
,

,

,
,

43. Corrante.

44. Sarabanda.

,
,
,
,
,

,
,
,
,

,
,
,
_

,
,
,
,

,
,
,
,
,
,
,
, ,
,
,

45. Giqve.
,
_

,
,
,
,
,
,
,

,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

46. Praeludium.

47. Allemanda.
_
,
,
,
, ,
,
,
,
, ,
, ,
,

,
,
_
,
,
,
,
, ,
,
,
,
,
, ,
,

,
,
,
, ,

48. Corrante.

49. Sarabanda.

_
,
,
,
,
,
,
,
,
,
,
,
,
,
,
, ,
, ,

_
,
,
,
,
,
,
,

,
,
,
,
,
,
,
,

,
,
,

50. Giqve.
,
_
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

,
,

51. Sonata Battaglia.

_
,

, _
,
,
,

,
,

,
,
,
,
,
,
,

,
,
,

,
,

,
,

.

,
,
,
,

.

,
,
,
,
.

,
,
,

52. Allemanda.

53. Ballo presto.

_
,
,

,
,
,
,
,
,
,
,
,
,
,

,
,
,
,
,
,

,
,
,
_
,
, ,
,
, ,
,
,
,
,
,
,

,
,
,

,
,

54. Corrante.

55. Gavotte.
_
,
,

,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
_
,
,
,
,
,
,
,
,
,
,
,
,

,
,

,
,
,
,

56. Sarabanda.

57. Ballet.
_
,
adagio
,
,
,
,
,
, , ,
,
,
NOTE: for nos. 56-59 the second part is missing.
,

,
,
,
,

,
,
_
,
,
,
,
,
,
,
,

,
,

,
,

,
,

,
,
_

,
,
,

58. Sarabanda.

,

59. Giqve.
_
,
,
,
,
,
,
,
,
,
,
,

,
,
,
,

,
,
_
,
,
,
,
,
,
,

,
,
,
,
,
,
,
,
,
,
,
,
piano
,
,
,
,
,
,

,
,
ACHILLEO, Paolo
2 vln, bc
[Sonata] F-Pn, Rs Vm
7
673, no. 131
January 2009 ACHILLEO-1
ADSON, John
c.1586-1640)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
32
ADSON-1 January 2009
ADSON, John (1586/7-1640)
Courtly Masquing Ayres (1621)
Five-part pieces
1. Adsonns Masque*
2. Mr Adson Masque
3. Adsons Masque
4. Essex Anticke Masque
5. The First of my Lord of Essex
6. The Second
7. The Third
8. The Second [Temple Antick]
9. The First of the Temple Antick
10. The First Witches Dance [Robert Johnson]
11. Broxboorn berry Maske
12. Broxboorn berry Maske
13. Williams his Loue
14.
15. Van-weelly
16.
17.
18.
19.
20.
21.
*titles from GB-Lbl, Add. 10444
for Cornets and Sagbuts
Six-part pieces
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
32. Corant C/a
GB-Lbl,
Add. 10444
(a2: Treble/Bass)
f./no.
15v;70v/9
39v;90r/83
39v;90r/84
42r;92r/92
42v;92r/93
42v;92v/94
42v;92v/95
51r;100r/123
50v;100r/122
21r;74v/25
13r;67v/5
13r;67v/4
47r;96v/110
34r;85r/64
38v;89v/81
treble; bass
only
GB-Ob,
Mus. Sch.
D.220
p.39, no.36
a2: bass only
GB-Lbl,
Add.
38539
[Lute]
f.30v
ADSON-2
January 2009
ARNOLD, Gregory
Canzona
Canzona
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
67/120
77/149
ARNOLD-1 January 2009
2 violins, bassoon, bc
2 violins, viola da braccio, bastarda, bc
John ATKINSON
Perhaps the Court musician (died 1671)
VdGS No.
1. Saraband C GB-Ob, MS Mus. Sch. D.220,
p. 81, no. 60 (bass only)
7th instalment 2002 ATKINSON-1
BACH, Carl Philipp Emanuel (1714-1788)
Helm numbers (in BACH CPE H) See GERMANY OL
Solo in C, VdG, Bc B-Bc, 5634
H 558 D-B, Sig. Klg. 6
Solo in D, VdG, Bc B-Bc, 5364
H 559 D-B, Sig Klg. 6
Trio in g, VdG and Cembalo obbligato A-Wgm, XI 36270
A-Wn, 16786
B-Bc, 5635
D-B, ms. autogr. Bach
P357
D-B, SA 3627/1
February 2011 BACH CPE-1
BACH, HEINRICH
(1615-1692)
2 vln, 2 viola da braccio, violone
Sonata D-W, Cod. Guelf. 34.7. Aug 2
o
,
no. 92, p. 186
Sonata D-W, Cod. Guelf. 34.7. Aug 2
o
,
no. 93, p. 188
January 2009 BACH H-1
Mr BARRAT
VdGS
No.
1. Ambuscado GB-Ob, MS Mus. Sch. D.220,
p. 85, no. 79
7th Instalment, 2002
BARRAT-1
Robert BATEMAN
(d. 1618)
VdGS
No
VdGS Nos. 1-2 have pavans placed before them attributed to Johann Thomas (an Englishman?).
VdGS No. 4 is called Stephen Thomas his 2[nd] in GB-Lbl, Add. 10,444.
1 Galliard G
2 Galliard a
3. Almain C
4. Almain G
5. Batemans
Masque a
6. The Cadua
a
7. The Fates
Masque. g
8. Volta D
9. Nglein
Blumen g
H
I
L
D
E
R
B
R
A
N
D
1
6
0
9
no.
10
14
B
R
A
D
E
1
6
1
7
no.
23
14
44
S
I
M
P
S
O
N
T
1
6
2
1
no.
50
G
B
-
L
b
l
,
A
d
d
.
1
0
4
4
4
f.,no.
5v,
12
7v,
25
18v,
17
23v,
32
48v,
114
U
S
-
N
Y
p
,
D
r
e
x
e
l
5
6
1
2
p.,
no.
Other sources attribute this
piece to Robert Johnson:
Princes Almain
K
E
Y
B
O
A
R
D
2003
BATEMAN-1
THOMAS BATESON (d.1630)
CS
If floods of tears
a4
Second set of Madrigals (1618),
no. 12. Publ. EM xxii (2/1960)
BATESON-1 August 2004
BECKEN, Pleikardus Carolus (fl. 1650s)
Airs a 3 apparently from his lost 1. Th. neuer Allem. Ball. Arien, Schicken, Cour. u.
Sarab. etc m[it] 2. Violinen und einem Bass. (Strasburg, 1655) Single treble parts only
survive in GB-Lbl, Add. MS 31438, as listed below.
VdGS No.
1. Allemand
2. [Allemand]
3. Allemand
4. Courant
5. Saraband
6. Ballet
7. Ballet
8. Courant
9. Saraband
10. Aria
11. [Allemand]
12. Courant
13. Saraband
BECKEN-1
March 2008
f.
63v
63v
64r
64r
64v
64v
64v
65r
65r
65v
65v
65v
66r
BECKEN, Pleikardus Carolus (fl. 1650s)
Airs a 3 apparently from his lost 1. Th. neuer Allem. Ball. Arien, Schicken, Cour. u.
Sarab. etc m[it] 2. Violinen und einem Bass. (Strasburg, 1655) Single treble parts only
survive in GB-Lbl, Add. MS 31438, as listed below.
VdGS No.
14. [Allemand]
15. Aria
16. [Allemand]
17. Courant
18. Saraband
19. Ballet
20. Schick
21. Courant
22. Courant
23. Allemand
24. Allemand
25. Schick
26. Courant
BECKEN-2
March 2008
f.
66r
66v
66v
66v
67r
67r
67v
67v
67v
68r
68r
68v
68v
BECKEN, Pleikardus Carolus (fl. 1650s)
Airs a 3 apparently from his lost 1. Th. neuer Allem. Ball. Arien, Schicken, Cour. u.
Sarab. etc m[it] 2. Violinen und einem Bass. (Strasburg, 1655) Single treble parts only
survive in GB-Lbl, Add. MS 31438, as listed below.
VdGS No.
27. Saraband
28. Allemand
29. Courant
30. Saraband
31. Allemand
32. Courant
33. Saraband
34. Allemand
35. Gavot
36. Gavot
37. Gavot
38. Gavot
39. Brandle BECKEN-3
April 2008
f.
68v
69r
69r
69v
69v
70r
70r
70r
70v
70v
70v
70v
70v
BECKEN, Pleikardus Carolus (fl. 1650s)
Airs a 3 apparently from his lost 1. Th. neuer Allem. Ball. Arien, Schicken, Cour. u.
Sarab. etc m[it] 2. Violinen und einem Bass. (Strasburg, 1655) Single treble parts only
survive in GB-Lbl, Add. MS 31438, as listed below.
VdGS No.
40. Bransle
41. Bransle
42. Bransle
January 2009
f.
71r
71r
71r
BECKEN-4
DIETRICH BECKER (1623-1679)
Pieces for two violins, bass and continuo
Sonata a3
Sonata a3
Sonata a3
Sonata a3
Sonata
Allmandt
Courant
Saraband
Gigu
Sonata
B
E
C
K
E
R

1
6
6
8
B
E
C
K
E
R

1
6
7
4
G
B
-
L
g
c
,

G
.

M
u
s
.

4
6
9
-
7
1
U
S
-
N
H
b

O
s
b
o
r
n

5
1
5
no.
1
2
3
4
no.
1
2
3
4
5
6
no.
1
2
3
4
5
6
f.
32v
2
n
d

v
i
o
l
i
n

o
n
l
y
b
a
s
s

o
r

b
c

o
n
l
y
2004
BECKER-1
DIETRICH BECKER (1623-1679)
Pieces for two violins and continuo
Allmandt
Courant
Saraband
Gigu
Sonata
Allmandt
Courant
Saraband
Gigu
Sonata
B
E
C
K
E
R

1
6
7
4
G
B
-
L
g
c
,

M
S
S

G
.
4
6
9
-
7
1
no.
7
8
9
10
11
12
13
14
15
16
no.
7
8
9
10
11
2004
BECKER-2
2
n
d

v
i
o
l
i
n

o
n
l
y
DIETRICH BECKER (1623-1679)
Pieces for two violins and continuo
Allmandt
Courant
Saraband
Gigu
Sonata
Brandle simple
Gay
Amener
Gavott
Courant simple
Courant simple
B
E
C
K
E
R
1
6
7
4
no.
17
18
19
20
21
22
[b]
[c]
[d]
23
24
2004
BECKER-3
DIETRICH BECKER (1623-1679)
Pieces for two violins and continuo
Sarabanda
Sonata
Allmandt
Courant
Saraband
Gigu
Sonata
Ari
Courant
Saraband
Gigu
B
E
C
K
E
R
1
6
7
4
no.
25
26
27
28
29
30
31
32
33
34
35
2004
BECKER-4
DIETRICH BECKER (1623-1679)
Pieces for two violins and continuo
Sonata
Allmandt
Courant
Saraband
Gigu
Pieces for violin, viola da gamba and continuo
Sonata
Allmandt
Courant
Sarabande
Gigu
B
E
C
K
E
R
1
6
7
4
no.
36
37
38
39
40
41
42
43
44
45
no.
25
2004
BECKER-5
G
B
-
D
R
c
M
S

D
2
DIETRICH BECKER (1623-1679)
Four-part pieces for two violins, viola,
violon and basso continuo
Sonata
Allmand
Courant
Saraband
Gigue
Sonata
Allmand
Courant
Saraband
Gigue
B
E
C
K
E
R

1
6
6
8
U
S
-
N
H
b

O
s
b
o
r
n

5
1
5
no.
5
6
7
8
9
10
11
12
13
14
f.
25'
26:1
26:2
26:3
26:4
26':
1
26':
2
27:1
27:2
27:3
b
a
s
s

o
n
l
y
2004
BECKER-6
F
-
P
n
,

R

s

V
m
7

6
7
3
no.
101
DIETRICH BECKER (1623-1679)
Four-part suites for violin, viola,
viola da braccio, violon and basso continuo
Brandle
Gay
Amener
Gavott
Courant
Brandle
Gay
Amener
Gavott
Courant
B
E
C
K
E
R

1
6
6
8
U
S
-
N
H
b

O
s
b
o
r
n

5
1
5
no.
29
[b]
[c]
[d]
[e]
30
[b]
[c]
[d]
[e]
f.
27':1
27':2
27':3
27':4
27':5
28:1
28:2
28:3
28:4
28:5
b
a
s
s

o
n
l
y
2004
BECKER-7
DIETRICH BECKER (1623-1679)
Five-part pieces
Sonata 2 violins, viola, viola da
braccio, violon, bc
Paduana
Paduana
Sonata
Sonata 4 violins, violon, bc
Ari 2 violins, 3 viola da gamba, bc
Ballet
Sarband
Sonata 2 violins, viola, viola da
braccio, violon, bc
Allmand
B
E
C
K
E
R

1
6
6
8
U
S
-
N
H
b

O
s
b
o
r
n

5
1
5
no.
15
16
17
18
19
20
21
22
23
24
f.
31
28':1
28':2
29
31'
29':1
29':2
30:1
30:2
30'
b
a
s
s

o
n
l
y
2004
BECKER-8
DIETRICH BECKER (1623-1679)
Five-part pieces
Courant 2 violins, viola, viola da
braccio, violon, bc
Sarband
Gique
Canzon 2 violins, 2 cornetto, violon
fagotto, bc
B
E
C
K
E
R

1
6
6
8
U
S
-
N
H
b

O
s
b
o
r
n

5
1
5
no.
25
26
27
28
f.
30:2
30'
31
32
b
a
s
s

o
n
l
y
2004
BECKER-9
Ambrose BEELAND (1597-c.1678)
Airs [GB-Ob, Mus. Sch. D.220 assumed in two parts;
GB-Lbl, Add. 31429 for two trebles and bass]
VdGS No.
G
B
-
O
b
,
M
S
M
u
s
.
S
c
h
.
D
.
2
2
0
(
b
a
s
s
o
n
l
y
)
p./no.
16/
I:47
19/
I:54
19/
I:55
19/
I:56
24/
I:77
37 &
41/
II:26 &
40
37 &
41/
II: 27 &
41
45/
III:5
45/
III:6
45/
III:7
45/
III:8
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
(
T
r
T
r
B
)
7th Instalment, 2002
BEELAND-1
1. Country
Dance G
2. Toy G
3. Country
Dance G
4. The Common
Hunt G
5. Country
Dance g
6. Almain a
7. Saraband a
8. Almain Bb
9. Toy Bb
10. Corant Bb
11. Saraband Bb
London city wait from 1631 and tenor
violinist at the English Court 1639-1671.
AMBROSE BEELAND
Airs in two parts
VdGS No.
12 Bow bells rung
backward
13 Corant
14 [Corant]
15 [Corant]
February 2008 BEELAND-2
G
B
-
O
b
,
M
S
M
u
s
.
S
c
h
.
D
.
2
2
0
(
b
a
s
s
o
n
l
y
)
p./no.
88/
V;89
88/
V:90
U
S
-
N
H
,
F
i
l
m
e
r
3
(
t
r
e
b
l
e
&
b
a
s
s
)
f.
85r
85r
Ap
BENDA, Franz (1709-1786)
Solo in F major, viola da gamba and
continuo
D-B, KHM 6208
A-SPL
June 2011
BENDA-1
Nicolaus BLEYER
(1591-1658)
All published LPM
1. Paduan
2. Courant
3. Ballet
4. Volta
5. Courant
6. Mascarada
(see also T SIMPSON 1617, No. XXI: Bleyers Armbande)
2004 BLEYER-1
T
S
I
M
P
S
O
N
1
6
2
1
no.
9
12
22
35
43
49
Melchior BORCHGREVINCK
(c.1570-1632)
All published Moeck MMP
1. Paduana
2. Paduana
3. Galliard
4. Paduana
5. Galliard
2004 BORCHGREVINCK-1
F
U
L
L
S
A
C
K
1
6
0
7
I/I
IV/I
IV/ii
VI/I
VI/ii
H
I
L
D
E
R
B
R
A
N
D
1
6
0
9
= Ex Anon 1613 and
1690 (q.v.)
BRADE, William (d.1630): Newe lustige Volten, Coranten, [...], 1621, a5
No. Title*
I Paduan
II [Galliard]
III [Corant]
IV [Air]
V [Corant]
VI [Corant]
VII [Corant]
VIII [Corant]
IX [Galliard]
X [Galliard]
XI [Almain]
XII [Galliard]
XIII [Galliard]
XIV [Galliard]
XV [Galliard]
XVI [Galliard]
XVII [Almain]
XVIII [Corant]
XIX [Air]
XX [Corant]
XXI [Almain]
XXII [Almain]
XXIII [Corant]
XXIV [Galliard]
XXV [Corant]
XXVI [Corant]
XXVII [Corant]
XXVIII [Corant]
XXIX [Corant]
XXX [Corant]
XXXI [Corant]
XXXII [Corant]
XXXIII [Corant]
XXXIV [Galliard]
* No attempt has been made to assign titles such as volta, mascherada, etc.
which Brade may well have used. Corant is assigned to triple-time pieces in 6/4; Galliard
to triple-time pieces in 3/2.
2003 BRADE-12
BRIEGEL, Wolfgang Carl
(1626-1712)
Sonata A
Allemand d
Courant d
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
violin and bc
viola da gamba and bc ground
no./p.
33/36
29/33
30/34
BRIEGEL-1
January 2009
Airs for 2 trebles and a bass Och
379-81
no.
67
A
68
A
69
A
treble 1 (fragment) and
bass only
bass only
bass only
Pavan
Almain
Corant
J. BROWNE-1
August 2004
BULL, John
Two-part: Treble and Bass
Bulls Toye Lbl, Add. 10,444, f.8v
August 2007 BULL-2
BUONAMENTE, Giovanni Battista
(d. 1642)
Sonata a
F
-
P
n
,
R

s
V
m
7
6
7
3
1:9
BUONAMENTE-1 January 2009
S-
Uu,
imhs
G
B
-
H
A
d
o
l
m
e
s
t
s
c
h
I
I
.
C
.
2
5
no.
51
A
no.
24
A
E
x
e
r
c
i
t
u
m
M
u
s
i
c
u
m
(
F
r
a
n
k
f
u
r
t
,
1
6
6
0
)
no.
11
A
ex anon.
846
BUXTEHUDE, Dietrich
(1637-1707)
BuxWV no. [see New Grove]. See also DTT xi (1903; rev. 1957)
VII Suonate for violin, viola da gamba and bc
(Lbeck, ?1694)
252 I F
253 II G
254 III a
255 IV Bb
256 V C
257 VI d
258 VII e
BUXTEHUDE-1 January 2009
BUXTEHUDE, Dietrich
(1637-1707)
BuxWV no. [see New Grove]. See also DTT xi (1903; rev. 1957)
VII Suonate for violin, viola da gamba and bc
(Lbeck, 1696)
259 I Bb
260 II D
261 III g
262 IV c
263 V A
264 VI E
258 VII F
BUXTEHUDE-2 January 2009
BUXTEHUDE, Dietrich
(1637-1707)
BuxWV no. [see New Grove]. See also DTT xi (1903; rev. 1957)
266 Sonata C
267 Sonata D
268 Sonata D
269 Sonata F
271 Sonata G
272 Sonata a
273 Sonata Bb
270 Sonata F Bass only
13:27
13:24
13:23
13:28
13:26
13:25
1:12
S-Uu,
imhs
BUXTEHUDE-3 January 2009
2 violins, viola da gamba, bc
viola da gamba, violone, bc
viola da gamba, bc
GB-
Ob
Mus.
Sch.
D,249
p.
128-9
2 violins, viola da gamba, bc
violin, viola da gamba, bc
2 violins, bc
WILLIAM BYRD
(1540-1623)
In assessing the contributions of scholars and musicians to the revival of English
Golden-Age music in general, and of music for viols in particular, our early attention
is fixed on the work of Dr E. H. Fellowes and of the publisher, Stainer & Bell Ltd.,
who brought out his editions of the English Madrigal School and of the collected
works of William Byrd.
Long before the generality of viol consort editions began to appear in quantity, all
Fellowess editions were in print: a creditable achievement. Fellowes, moreover, had
the music sung and played; although Byrds consort music may have been transposed,
halved in note-values and played by the violin family, the music was given an airing,
and we are becoming more aware, nowadays, that the treatment described, though
unfashionable, was not totally unrepresentative of l7th-century practice.
More recent work on Byrds music and sources has been done by Brett, Edwards,
Elliott and Neighbour (the first three of whom have contributed to The Byrd Edition,
under Bretts general editorship, with which Stainer & Bell are currently replacing the
Fellowes/Dart revised edition). In making up the Societys records, the compiler was
aware of the volume and quality of published information. Although he took note of
the sources that he saw, it did not seem to him necessary to tread the whole path all
round the libraries merely to check work already known to be accurate.
These index sheets of William Byrd, therefore, like those of several other
composers in the second instalment, rely to an appreciable extent on published
information, for which the Society is grateful to the authorities named above.
However, the compiler ventures to hope that added value is being given, firstly by the
completeness of the record, secondly by the collation and exhibition of the various
numbering systems.
In this index, the symbols BYRD ED 1 etc., with their Arabic numerals, distinguish
The Byrd Edition, mentioned above, from its predecessor, The Collected Works of
William Byrd to which the symbols BYRD COLL I etc., with their Roman numerals,
are assigned.
Since the above was written the appearance of BYRD H has added significantly to
the Byrd biography, whilst also providing a new survey of the composers music.
BYRD-1
CAPRICORNUS,
Samuel Friedrich
(1628-1665)
Ciaccona D
Sonata a
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
37/47
CAPRICORNUS-1 January 2009
violin, viola da gamba, bc
3 violins, 2 viola da braccio, 2 viola da gamba, bass, organ
S-Uu
imhs
1:13
CHAILO, Carlo
2 vlns, bass and bc
Sonata B-Bc, XY 29,410, seq. (6)
January 2009 CHAILO-1
Alexander CHESHAM (d.1625)
T. SIMPSON 1621, No. 21 (a4)
Courant Published by LPM
2004 CHESHAM-1
Edmund CHILMEAD
(1610-1654)
VdGS
no./key
Three-part airs for two trebles and bass
1. C
2.* F *Included here on grounds of
style and place
7th Instalment 2002 CHILMEAD-1
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
43v/
32
44v/
33
A
CLAMER, Andreas Christophorus
Mensa harmonica XLII. Rarioibus Sonatinis instructa. Septem in Partes, seu Tonos distributa
(Salzburg, 1682). [DT 129 (1979)]
Partita
I G Intrada/Giga/Sarabanda/
Balletto/Lamento/Saltarello
II A Intrada/Courante/Sarabanda/
Aria/Giga/Saltarello
III g Intrada/Moresca/Courante/
Moresca/Sarabanda/Scherzo
IV G Intrada/Courante/Sarabanda/
Gigue/Balletto/Saltarello
V Bb Bransle/Gaye/Amenis/
Gavotte/Moresca/Gigue
VI F Intrada/Svitte/Courante/
Svitte/Sarabanda/Saltarello
VII D Intrada/Courante/Sarabanda/
Intrada/Courante/Sarabanda
August 2007 CLAMER-1
CLAUSSEN, J.
VdGS
No.
1. Sonata a2 violino e viola [da gamba and continuo], G major
DRc, D2, No. 5
2003 CLAUSSEN-1
CLAYTON, William(c.1636-1697)
Airs a2 and a3
VdGS No.
a2
1. Prelude
2. Coranto
3. Coranto
a3:
4. Long time
5.[Corant]
6. [Corant]
7. [Corant]
U
S
-
N
H
,
F
l
i
m
e
r
4
f./no.
35v/1
35v/2
36r/3
36r/4
f.
7v:1
7v:2
A
8
A
March 2008 CLAYTON-1
I
R
-
D
m
,
M
S
Z
4
.
2
.
1
6
(
S
c
o
r
e
,
T
r
&
B
)
CLAYTON, William(c.1636-1697)
Airs a3 in E minor
VdGS No.
E1.
E2
E3a*. *Treble not
identified (or
illegible)
E3b*
E3c.*
E4.
E5.
E6. Saraband
E7.
E8.
E9.
E10.
E.11
G
B
-
W
,
V
i
c
.
C
h
.
7
-
8
T
r
e
b
l
e
2
&
B
a
s
s
p/no.
26/1
27/2
36/-
35/-
34/-
27/4
28/5
28/6
29/7
29/8
30/[9]
31/
[10]
31/
[11]
March 2008 C LAYTON-2
CLEMENTIS
Sonata d
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
84/170
CLEMENTIS-1 January 2009
2 violins, viola da gamba, violone, bc
JOHN COPRARIO
(c.15751626)
In the following index pages our earliest chickens come home to roost. Our
Provisional Index began, in Bulletin No. 24 of December 1965, with 5 pages of
Coperario which were added to in later issues; the present task is to revise and redraw
them.
Much has happened, however, in the intervening period. Richards had already
studied and catalogued the bass viol works (see BASS R). Charteris completed a
doctorate thesis (COPRARIO C1), published his catalogue of the complete works
(COPRARIO C2) and a series of editions of the music, and discovered the autograph
at Hatfield House, successfully identifying it with the hand of Rules how to
compose. To much of this work the Provisional Index was an input; from much of it,
the present revision has drawn appreciable benefit.
A word on numbering is necessary. We started with Meyers numbers, but reasons
accumulatedTregians score being onewhy a different system should be sought.
At first sight, Charteriss catalogue, in which the whole repertoire was numbered
straight through, as in our Lawes index but with no gaps, appeared to provide a
satisfactory system. However, his editions of the important collections of music began
to appear; because these emanated from different publishers, eachnot
unexpectedlywas numbered consecutively from 1. As those are the numbers which
will appear in programmes and lists of recordings, and by which the public will be ex-
pected to know the works, the compiler has thought it prudent to adopt them in
preference to the ones in the catalogue. Nevertheless, all the numbering systems are
given, for cross-referencing purposes, those in the catalogue being prefixed C, and
Meyers numbers being prefixed M.
By the way, Giovanni Coperario (who by the way was plain Cooper but affected
an Itallian termination) NORTH W p. 288 has officially become John
Coprario, as insisted upon by the authorities, on the strength of the autograph and the
contemporary printed editions.
For a minor clash of attribution involving Coprario, see page TYE-4.
Works dropped from the original index pages are:
Fantasy a4, Meyer 7 to Bull (q.v., and see BULL D).
Fantasy a4, Meyer 9 to T.C. (q.v., and see BROWNE A, p. 51).
Fantasies a5, Meyer 51, 55, 57: to East (q.v., Penitet, Credidi , Vixi).
See also COPRARIO C5
COPRARIO-1
John COPRARIO
Fantasia a3 St Aubyn MS, No. 11 a3
VdGS No. 11 (Bass only)
Fantasia a5 US-Cl Wr f.35v, No. 53
VdGS No. 53 (TrAB parts only)
January 2009 COPRARIO-18
WILLIAM CRANFORD
(fl. c.16201640)
Cranfords small output of string music appears mainly in the MSS of Browne,
Le Strange, Merro and Marsh.
Andrew Robinson, after editing the two anonymous sets of variations, attributed
them to Cranford on grounds of style. Go from my window appears among the six-part
pieces with one part apparently missing. However, at no time is the tune missing, nor
are the distances between parts wider than one might expect from this composer, and
Robinsons proposal to reclassify this work as a five-part piece has been accepted.
Cranfords style is almost unique among seventeenth-century consort
composers. The fewer the parts, the more pointilliste, as may best be appreciated by
starting with the six-part and finishing with the three-part works. The harmony is
distinctly strange and the texture is often mechanical. There are signs of either a
facetious nature or an unbalanced mind.
There is one noticeable similarity of flavour, between part of Cranfords six-part
fantasy No. 1 and a passage towards the end of the six-part fantasy Chowse of Martin
Peerson, that well-known practical joker; the question is: who was poking fun at
whom ?
The reason for mentioning the style in this Index is the fact that Sir Nicholas Le
Strange who annotated his part-books with sub-sources and textual variants, in
painstaking detail, gave no indication whatever that the Cranfords differed in any way
from the soberer and more conventional works (which, incidentally, did not include
any by Peerson or Lawes) in his collection. They came from few sub-sources, as can
be verified from the Le Strange index pages, and were only lightly annotated.
The work entitled In Nomine Mr Cranford, 5 parts, 2 basses, at No. 55 in the Bc
book, EIRE-Dm 143 Z2.4.16 was found by Peter Watts not to be by Cranford; it is a
Bc part for Alfonso Ferrabosco IIs five-part In Nomine No. 3.
CRANFORD-1
RICHARD DEERING
(c. 1580-1630)
The main references to the life and work of Dering or Deering can be found in
Platts introduction to DEERING P1 and in GROVE. Despite careful research, not all
of Deerings movements here and on the Continent have been satisfactorily accounted
for. The discovery that what purported to be his six-part fantasy (Meyer No. 2) proved
to be the Advent motet Gaudete Omnes by Hieronymus Praetorius was mentioned in
the Societys Bulletin No. 28 (1968); thus, when GROVE (p. 671 of the 5th Edition)
was found to be saying:
It would seem ... that the musical Dr Richard During of Hamburg mentioned in a
letter by Huygens may not have been related to the composer, despite his similar name
...
our interest was greatly aroused, as Praetorius was a Hamburg organist for much of
Deerings lifetime, and there may be more in the Hamburg connection than meets the
eye.
One five-part fantasy, No. 5, stands out from the others; it is for two basses and is
found only in GB-Lbl Add MSS 39550-4, checked only from Harman. Comparison of
Tregians and Le Stranges lists is interesting; did Sir Nicholas correctly attribute this
fantasy to Deering, or does it belong to some other acknowledged two-bass composer
such as Coperario or Lupo ?
The five-part dances have been numbered so as to keep reasonably close to the
sequence in GB-Lcm MS 1145, almaines being paired with their appropriate pavans.
Reference to the Mico index will show how it was decided to distribute the pavans in
GB-Ckc MSS Rowe 114-7 between Deering and Mico.
The anonymous six-part pieces have been indexed with a cautious attribution to
Deering; if the eye be allowed to glance up to the five-part incipits, this possibility
may seem not too far-fetched.
Although a flyleaf in GB-Lcm MS 2039 bears the inscription Mr Deerings 2 & 3
parts, the reference is to some vocal works later in the MS. The anonymous pieces at
the beginning are pavans and galliards in 4 or 5 parts, with at least a bass part missing.
No. 5 is the familiar chromatic pavan of Toinkins (No. 6); there is no evidence to
connect any of the others with Deering.
It was the tabular layout of the five-part fantasies which quickly brought to the
compilers eye the probable identity, later confirmed beyond doubt, of the Rowe and
Clark partbooks: see the first two columns on page 3.
DEERING-1
JOHN DOWLAND
(15631626)
The fine collection of Lachrimae pavans and other dances, of 1604, makes up the
major part of Dowlands consort music; to this, several other airs have been added.
Dowland has formed the lifes work of Diana Poulton, and his career and music
have been extensively recorded by her in DOWLAND P. For many years we have
played Lachrimae from Warlocks edition of 1926; more recently, we have had
Edwardss facsimile edition of 1974. Further information on Dowland sources was
given by Ward in DOWLAND W.
The compiler was much exercised as to the presentation of concordances, in view
of the multitudinous sources of versions for solo lute, voice or voices, and plain or
mixed consort. In the case of Holborne, all sources known to the Society were given;
were the same policy applied to Dowland, the scope of the Index would be
substantially overreached. Lachrimae Antiquae, for example, would need about
sixty entries, including arrangements, and the mere existence of a two-part version of
Pipers Pavan would admit about twenty extra concordances.
After a trial tabulation of all sources, the decision was made to record only the
principal consort sources and publications, and to give, in the first few columns, a key
to the full source-information in DOWLAND P. The columns headed DOWLAND
P refer to the separate numbers, given therein, to versions for consort, versions for
solo lute, and songs in the First Book of 1597 et seq (I), the Second Book of 1600 (II).
A Pilgrims Solace of 1612 (PS) and A Musicall Banquet of 1610 (AMB).
Authorities appear to be agreed that all the versions for consort, other than those in
the Lachrimae collection, of the pieces listed are in arrangements which cannot be
attributed to Dowland.
The five-part setting of Lachrimae Antiquae in GB-Lbl Add MSS 17786-91 is
apparently related to the keyboard version in FWVB 121 where it is followed, as in
Add 17786-91, by James Hardings Galliard.
The compiler is indebted to Tim Crawford for the observation that the part given
on f.86 of Lbl Add MS 33933 (one of Thomas Wodes part books) is in the soprano
clef and is called Contra of Lachrimae or Flow My Tears. It is practically identical
with the lute part in the Cambridge Consort Books i.e. that in Cu MS Dd 3.18 f.16,
published in MORLEY 1599/1 No. 7. I suspect that Contra means something more
like Contrapartie which the French used somewhat later for a second lute part added
to a solo to make a duet, but at the same pitch so that the parts cross.
Details of GB-Lbl Add MS 10444 will be found in LE STRANGE W2.
DOWLAND-1
JOHN DOWLAND
Three parts (altus, tenor, quintus) of Lachrimae Antiquae (VdGS No. 1) appear in a
MS addition to PL-Kj, Mus. ant. pract. H 540 at f. 1-1v (see JAGIELLONSKA C)
DOWLAND-5
DRESE, ADAM (c.1620-1701)
Violin, viola da gamba, bc
Sonata D-W, Cod. Guelf. 34.7. Aug 2
o
,
no. 47, p. 72
2 vln, viola da gamba, bc
Sonata D-W, Cod. Guelf. 34.7. Aug 2
o
,
no. 55, p. 91
2 cornettini, 2 cornett, 2 trombone or 2 pochetti, 2 vln, 2 vla da gamba, bc
Sonata D-W, Cod. Guelf. 34.7. Aug 2
o
,
no. 102, p. 214
January 2009 DRESE-1
Henri DU MONT (1610-1684)
VdGS No. (All published: Dovehouse, no. 39)
1. Pavane
tr t b
2. Symphonia
tr tr b
3. Allemanda
tr tr b
4. Symphonia
tr tr t b
5. Allemanda
gravis
tr t t/b b
6. Pavane
tr tr b
7. Allemanda
tr t b
8. Allemanda
gravis
tr t b
9. Symphonia
tr tr b
10. Allemanda
tr tr b
April 2008
D
U
M
O
N
T
1
6
5
2
D
U
M
O
N
T
1
6
5
7
D
U
M
O
N
T
1
6
6
8
no.
23
24
25
37
40
no.
19
no
num-
ber
no
num-
ber
no
no
num
ber
no
num
ber.
DU MONT-1
EBERLIN, Daniel (1647c.1714)
Sonatas for 2 vlns, bass and bc
F-Pn, Rs Vm
7
673, no. 150
Trium mirifice (1675), no. 2
La Eminenza
F-Pn, Rs Vm
7
673, no. 149
Trium mirifice (1675), no. 3
La Favorita
January 2009 EBERLIN-2
William ELLIS (d. 1679). Oxford organist who organized concerts in the
Interregnum.
Apart from these airs, Ellis also wrote anthems and keyboard music.
VdGS Bass parts only of two-part airs
Nos.
7th Instalment 2002 ELLIS-1
1. Almain d
2. Corant d
3. Almain d
4. Almain d
5. Saraband d
6. Michaelmas
Day C
GB-Och,
Mus.
1022
No.
17
18
19
20
21
22
Christian ENGLEMANN
Four-part airs (both published LPM)
1. Courant T SIMPSON 1621, No. 27
2. Ballet T SIMPSON 1621, No. 47
2004 ENGELMANN-1
ERBEN, Johann Balthasar
1626-1686
Sonata sopra
ut re mi fa
sol la
2 violins, bc
S-Uu,
imhs
3:4
ERBEN-1 January 2009
ERMISH, Caspar Jacob
Sonata a4
2 violins, viola, violone, bc
S-Uu,
imhs
3:2
ERMISH-1 January 2009
FARMER, Thomas
(d.1688) Violinist and Theatre composer
Airs in D major a3 (tr tr b)
VdGS No.
D1.
D2.
D3
D4 2nd treble (1st missing)
February 2008 FARMER-2
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
4r/1
4v/2
4v/3
4v/4
FARMER, Thomas
(d.1688) Violinist and Theatre composer
Airs in G major a3 and a2
VdGS No.
G1.
G2.
G3.
G4.
G5.
G6.
G7.
G8.
G9.
G10.
G11.
February 2008 FARMER-3
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
G
B
-
L
b
l
,
M
u
s
.
1
4
2
N
e
w
A
y
r
e
s
a
n
d
D
i
a
l
o
g
u
e
s
(
a
2
)
f.
18r
18r
18v
18v
19r
20r
20v
no.
3
no.
1
3
5
THOMAS FARMER Theatre Airs a2 and a3 in G Minor
g1 g14
g2 g15
g3 g16
g4 g17
g5 g18
g6 g19
g7
g8
g9
g10
g11
g12
g13
February 2008 FARMER-4
THOMAS FARMER
Theatre Airs a2 and a3
in G minor
VdGS No.
g1.
g2.
g3.
g4.
g5.
g6.
g7.
g8.
g9.
g10.
g11.
g12.
g13.
g14.
g15.
g16.
g17.
g18.
g19
February 2008
GB-Lbl
A
d
d
.
3
1
4
2
9
M
u
s
.
1
4
2
G
B
-
W
,
V
C
9
N
e
w
A
y
r
e
s
a
n
d
D
i
a
l
o
g
u
e
s
(
a
2
)
f./no.
5r/-
5v/1
6r/2
6r/3
6v/[4]
7r/5
7v/6
7v/7
8r/8
25r/1
25r/2
25v/3
25v/4
26r/5
no.
1
2
p.
48
48
49
49
50
no.
2
19
20
FARMER-5
T
R
E
B
L
E
O
N
L
Y
ALFONSO FERRABOSCO II
(15751628)
In deed I haue seene the like committed by maister Alfonso, a great musition,
wrote Morley, in 1597, of Alfonso Ferrabosco I; fantasies by Alfonso Ferrabosco II in
the Shirley partbooks, GB-Lbl, Add MSS 40657-61, in William Lawess hand, are
headed Alfonso. Both generations, therefore, were known affectionately by the same
first name, and many a manuscript was labelled Alfonso Ferrabosco without the
slightest attempt to distinguish. However, in these days, it is gratuitously confusing to
publish, as is sometimes done, a modern edition as by Alfonso Ferrabosco with no
distinction, when it is so easy to follow the examples of Tregian and others, and to use
the suffixes Elder and Younger, or Senior and Junior, or Father and Son, or I and II.
The principal work on Alfonso IIs four- and six-part fantasies is that by Vaught
(see FERRABOSCO II V). See also FERRABOSCO II D and TOMKINS C.
Most of Alfonso IIs four- and five-part works are found in Tregians score, and
thus were probably composed by c.1610-1613; several of them had already appeared
in the Lessons of 1609 (see FERRABOSCO II 1609).
Judging by the list of sources, and by the large number of alternative versions, the
four-part fantasies, and the five-part dances, were very popular, not only with the
Jacobeans but with the Carolines also. Fantasy 24, attributed ambiguously to Alfonso
Ferabosco might well have been composed by Alfonso I, perhaps with a vocal text.
Lowinsky (see FERRABOSCO II L) attributed the Hexachord Fantasy to Alfonso
della Viola, but scholars are now agreed that this is wrong.
The six-part works cannot be accurately dated, mainly because none of them
appears in Tregians score. The earliest of their sources is GB-Och Mus. 61-6,
contributed to by Myriell (d.1625), but that fact demonstrates little else than the
probability that two of the fantasies were produced during their composers lifetime.
A complete edition of the consort music is published in MUSICA BRITANNICA,
Vols, 62 (four-part) and 81 (five- and six-part), with the lyra viol pieces planned to
appear later.
FERRABOSCO II-1
FERREIRA, Miguel
Musician to Queen Catherine of Braganza
Trios for two treble and a bass
VdGS No.
1. Courant
2. Allemand* * identified as by f
3. Allemand*
4. Allemand*
5. Allemand]
6. Corant
7. Saraband
8. Contredance
March 2008 FERREIRA-1
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
G
B
-
O
c
h
M
u
s
.
1
0
6
6
no.
16
17
18
19
f.
2r
2r
A
3v
A
3v
A
T
r
e
b
l
e
o
n
l
y
FLUDD, Robert (1574-1637)
January 2008 FLUDD-1
US-NH, Filmer 3
3r
3v
3v
4v
6v
8r
8v
9v
10v
11r
11v
1. D Fludds
dreame
2. Dr Fludds scale
3. Dr Fludds
First Pavan
4. Dr Fludds
Second Pavan
5. Dr Fludds
Changes
6. First Coranto
7. First Almayne or
his Mottle
8. Second Almaine
[Coranto]
9. A Toye
10. A Brandle
11. The May Game
FORCER, Francis (c.1650-c.1704)
Airs in B-flat Major a3
VdGS No.
B1.
B2.
B3.
B4.
B5.
B6.
B7.
B8.
B9.
B10.
B11.
B12.
B13.
G
B
-
W
,
V
C
9
p./no.
18/1
18/2
19/3
55/[1]
55/2
56/3
56/4
57/5
57/6
58/7
58/8
f.56v-/
no.
/4
/9
/2
/3
/5
/6
/7
/8
/1
/10
February 2008 FORCER-1
L
b
l
,
A
d
d
.
2
9
2
8
3
-
5
FRSTER, Kaspar
1616-1673
Sonata a3
Sonata a3
Sonata a3
Sonata a7
Sonata a3
La pazza
Sonata a3
Sonata a3
S-Uu,
imhs
3:6
3:7
3:7a
&3:9b
3:8
3:9a
3:10
3:11
FORSTER-1 January 2009
2 violins, bassoon, bc
2 violins, viola da gamba, bc
2 violins, viola, violone, 2 cornetts, bassoon, bc
2 violins, viola da gamba, bc
2 violins, viola da gamba, bc
2 violins, violone, bc
2 violins, viola da gamba, bc
FROBERGER, Johann Jacob
(1616-1667)
Suites for Violin and viola da gamba
Are these versions of keyboard works?
1. Allemande a
2. Courant a
3. Saraband a
4. Gigue a
5. Allemande G
6. Courant G
7. Saraband G
8. Gigue G
9. Courant G
10. Sarabande G
11. Allemande D
12. Courant D
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
8/23
9/24
10/24
11/24
12/25
13/25
14/25
15/26
16/26
17/26
18/27
19/27
FROBERGER-1 January 2009
FROBERGER, Johann Jacob
(1616-1667)
Suites for Violin and viola da gamba
Are these versions of keyboard works?
13. Sarabande D
14. Gigue D
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
20/27
21/27
FROBERGER-2 January 2009
FURCHHEIM,
Johann Wilhelm
(d. 1682)
Sonata e
a2
Sonatella A
a7
Sonata D
a6
Sonata a
a5
Sonata Eb
a5
Suite a5: b
Praeludium
Allemande
Courant
Sarabande
Gigue
S-Uu,
imhs
3:13
3:14
3:15
3:16
3:17
a&b
3:12
FURCHHEIM-1 January 2009
2 violins, bc
3 violins, 2 viola, violone, bc
3 violins, 2 violas, bassoon, bc
2 violins, 2 cornets, bassoon, bc
2 violins, 2 violas, bassoon, bc
2 violins, 2 violas, violone, bc
John GAMBLE (d. 1687)
Cornettist and violinist at the
English Court, 1660-1684)
7th Instalment 2002 GAMBLE-1
VdGS
No.
1. Almaine c
2. Corant c
3. Saraband c
4. Almaine C
5. Saraband C
6. March F
G
B
-
O
b
,
M
u
s
.
S
c
h
.
D
.
2
0
0
(
b
a
s
s
o
n
l
y
)
p./no.
67/4
67/5
67/6
84/72
84/73
168/60
CHRISTOPHER GIBBONS
(1615-1676)
Work on Christopher Gibbons has been done mainly by Rayner (see GIBBONS C
R), Field (see CONSORTS F) and Johnson (see FANT-SUTTE J). In the preparation
of these index sheets, only the first two of those references were consulted. All known
sources have been inspected.
Both Rayner and Field numbered parts of the repertoire in suites; this was
convenient up to a point, but, as can be seen from the index sheets, alternative airs
were introduced here, and sundry movements were omitted there, and it now becomes
necessary to refer to movements individually as well as collectively. Although all
suite-numbering is indicated, every movement or piece, as with the Lawes fantasies
and airs, has been awarded its own separate Air-number.
During the drafting of the sheets it appeared that, for lack of space, not all the
source-columns could be properly annotated, as elsewhere in the Index. Accordingly,
a list of sources was prepared and is now given on page 2; some comments follow
hereunder.
GB-Lbl Add MS 17799 is Matthew Lockes autograph of Cupid and Death with
Gibbonss contributions in Lockes hand. Add MS 17800 which appears in some
source-lists is a much later copy and has been ignored herein.
GB-Ob MS Mus Sch C.44 is a near-A4-sized book which formerly contained some
folded leaves of a larger size. These are now filed separately between two grey boards
tied with white tapes. As will be remembered from OXFORD Cl, the earlier in the
alphabet, the bigger the book, so the shelf mark A.641, by which these leaves must be
ordered, denotes a MS of the very largest class.
EIRE-Dm MS Z4.2.16 (microfilm at GB-Cpl) is known mainly as a thorough-bass
book, but the Gibbons airs therein are set out in 2-part score, Tr and B. Details of this
book are given by Charteris in DUBLIN C2.
Only the first of the four-part fantasies (Fantasy 81) listed herein is fully
authenticated, but the attribution to Gibbons of the other two (see page 8) appears
reasonable in the circumstances.
John Cannell has discovered that GB-Ob MSS Mus. Sch. C.138 contains playing
parts of seven of Christopher Gibbonss airs, evidently used at Oxford in music for his
Act, 11 July 1664. They are Nos. 31, 33, 47, 50, 52, 53 and 61.
2003 C. GIBBONS-1
CHRISTOPHER GIBBONS LIST OF SOURCES OF STRING MUSIC
Source No. in MS VdGS Air No. MS contains Remarks
GB-Lbl Add MSS
17799 47, 50, 69, Score Locke autograph of
70, 72, 73 Cupid & Death, publ
in MUS BRIT 2
31431 134-44 13-15, 17-24 Tr 1, 2 only
31435 1-12 19-30 Tr Tr B Bc
Lcm MSS
870 19-30 Tr Tr B
871 1-12 Tr B Org 1662: hand resembles
that of Gb-Lbl Add MS
31423 etc
872 1-12 Tr B
Ob MSS Mus Sch
C.44 - 35-38 Tr Tr B Bc AUTOGRAPH
C.44 (A.641) 81-3 Score PART AUTOGRAPH;
large unfolded leaves from C.44
C.53 - 20-24, 31-34 Tr Tr B Bc AUTOGRAPH
C.102 Sets 1-4 19-30 Tr Tr B Org Lowes hand
Set 5 22, 31-34
D.231 1-11 42-3, 48-9, Tr Tr B Bc Another Base of y
e
3
d
45, 44,
46, 50, fancie of Mr Gibbons things
35-7 (25-30) in Lowes hand;
- 19-30 other hand(s) unknown E.443-6
1-9 42-50 Tr Tr B Bc New consort bookes
10-19 33, 34, 31, 32, copied by Lowe from
23, 24, 26, 27 Och Mus. 1006-9
29, 30
Och MSS
8 - 1-12, 61-3, Score, organ
13-30, 42, 48, additions
49, 51, 50, in red
47, 52, 81
10 - 22, 31 (fragm) Score Late C17
15 - 81 (fragm) Score
21 - 39-41 Score
414-6 Sets 1-6 13-30 Tr Tr B
Sets 1-4 1-12
- 61-3, 42,
48-51, 47, 52
434 - 1-12, 61, 64, B only AUTOGRAPH
74, 75
620 - 13-30 Score Given to R. Goodson, 1702
778 1-12 1-12 Bc only Not Jenkinss hand (as 777)
1006-9 - 42-50, 33, 34, Tr Tr B Bc
31, 32, 23, 24,
26, 27, 29, 30
1180 Sets 1-4 1, 4, 7, 10-12 Organ Aldrichs hand. Most
Sets 1-6 13-30 pieces have RH staff blank.
EIREDm MSS
Z2.1.13 - 33, 53, 54 Score
Z4.2.16 - 66-68, 64-5, Score
69, 71-2
C. GIBBONS-2
ORLANDO GIBBONS
(1583-1625)
With Orlando Gibbons, the two chief points of interest are the date of the printed
set of three-part fantasies, and the attribution of some of the six-part works.
Dart (see GIBBONS D) suggested that the formerly-accepted date of 1610 for the
printed fantasies could not be correct, and that a date of c1620 was more probable;
this is accepted here.
Nicholson (see GIBBONS N) stated a most reasonable case for the attribution to
Orlando Gibbons of five anonymous six-part fantasies and the variations on Go from
my window in GB-Och Mus. 2, and for the reclassification as untexted vocal pieces of
three six-part fantasies (i.e. Meyer 2, .5 and 5). We therefore accepted the sole
attributed fantasy (Meyer as common ground, and, having dropped the three vocal
pieces, renumbered the anonymous fantasies as Nos. 2 to 6, and listed the set of
variations. All this was set out on page 34 of CHELYS 5 (1971), and, since no
subsequent dispute arose, we came to regard this arrangement as generally acceptable.
However, since three publications adopted the GB-Och sequence, we followed suit.
More recently, however, in his complete editionGIBBONS Hof the consort
works, Harper accepted the first two vocal pieces as fantasies but continued, like us,
to query the third, and printed all three on the reasonable grounds that, otherwise, they
would be the only substantial pieces of Gibbons unavailable in modem editions. We
have accordingly listed them, but without reintroducing them into the numbering
system. One reason, incidentally, for reprinting these sheets was our desire to
incorporate the entries and numbering of GIBBONS H.
Both Meyer (see MEYER ECM) and Baines (see GIBBONS B1) were content to
accept the last three 3-part fantasies (with Great Dooble Base) as being by Gibbons,
but the discovery, in NOTATION DL. of a fragment of Fantasy 7 (which echoes No.
3 ?), attributed to Coprario, has led to re-attribution to Coprario (see GIBBONS N and
an edition in COPRARIO 2-4). Holman (see VIOLIN H2) and Harley in GIBBONS
HY record the presence of a Great Dooble Base in the Hatton household, which
might have been the inspiration for these pieces as well as for some works by George
Jeffreys, and also at Court. At least two sources of these fantasies incorporate
additional phrases which suggest the skeleton of an organ part; owing to this and to
the wide open spaces between the string parts, a reconstructed organ part will be
needed in modem performance.
Further comment by Baines on the consort repertoire of Gibbons will be found in
GIBBONS B2.
Numerous similarities can be detected between passages in Gibbons, mainly in the
printed set, and passages in Tomkins and Lawes.
For a curious act of piracy from the printed edition of c.1620, see page BUTLER-2.
2003 O. GIBBONS-1
GIBBONS, Orlando
Almain Lbl, Add. 10,444, Section 1, no.
(a2: tr/b) 14, f.6r: Gibbons his Almaine
(The siluer Swanne is Section 1, no. 11 at f.5r)
August 2007 O.GIBBONS-8
RICHARD GIBBONS
Fantasies a4 Ob Mus EIRE-Dm VdGS
Sch C.64-9 Z3.4.1-6 SP
no. no.
1a4 18a4 179
2 17 179
2003 R. GIBBONS-1
JOHN GIBBS
GB-Ob, MSS Mus. Sch. D.212-216
No. I/16 a5
Published MB 45, No. 159
J. GIBBS-1
In Nomine a5 published as ME 206
August 2006 GILL-1
Madrigal to text by Livio Celiano. Ut re mi fa sol la ognarmonia/abbraccia col
dolcezza Ruggiero Giovanelli. Il Terzo Libro de madrigali a cinque voci (Venetia,
1599, No. 10). Bass part also at Anon 1567.
Nicolas GISTOU(d. 1609)
Five-part consorts published Moeck MMP VI
VdGS No.
2004 GISTOU-1
1. Paduana
2. Galliard
3. Paduana
4. Galliard
H
I
L
D
E
B
R
A
N
D
1
6
0
9
no.
IV/i
IV/ii
VII/i
VII/
ii
ROBERT GOLDAR (GOLDER/GOWLDYN)
died c.1563.
GB-Lbl, RM 24.d.2, No. 24
Published MB 45, No. 134
GOLDAR-1
Johann GRABBE
(1585-1655)
published LPM
2004 GRABBE-1
VdGS No.
1. Intrada
2. Paduan
3. Canzon
T
S
I
M
P
S
O
N
1
6
2
1
no.
2
14
38
William GREGORY
Airs for solo lyra viol
VdGS defhf
No.
Ayre 1-3: A sequence from
1 MRLV 1669, nos. 51-
G 53
Cor
2
G
Sar
3
G
A Trumpet
Preludem
4
G
Trumpet
Allmaine
5
G
Ayre
6
G
Allmane
7
G
Saraband
8
G
GREGORY W-1
P
L
A
Y
F
O
R
D
T
G
B
-
E
n
,
P
6
3
7
R
7
8
7
.
1
no.
257*
46
19
f.
(seq.)
21r
(48)
Ap
21v
(49)
27r
(60)
34v
(76)
34v
(77)
November 2008
William GREGORY
Airs for solo lyra viol
VdGS edfhf
No.
* 11-16: a sequence from MRLV 1661, nos. [59]-[64]
P
L
A
Y
F
O
R
D
T
G
B
-
E
n
,
P
6
3
7
R
7
8
7
.
1
no.
202*
214
38
131
7
100
Tun.
no:
p
XI,19;
120:2
XI, 21
121:2
G
B
-
M
p
,
M
S
8
3
2
v
u
5
1
O
b
,
M
S
M
u
s
.
S
c
h
.
F
.
5
7
5
f.
28v
f.
(seq)
7v
(20)
8r
(21)
Allmane
18
Coranto
19
GREGORY W-6 November 2008
William GREGORY
Airs for solo lyra viol
VdGS
No. edfhf
Sarraband
20
g
Prelude
30
g
Corranto
31
g
Sarraband
32
g
November 2008 GREGORY W-7
G
B
-
E
n
,
P
6
3
7
R
7
8
7
.
1
f.
(seq)
8v
(22)
8v
(23)
9v
(25)
10r
(26)
William GREGORY
Airs for solo lyra viol
VdGS fedfh
No.
GREGORY W-8
O
b
M
S
M
u
s
.
S
c
h
.
F
5
7
5
G
B
-
E
n
,
P
6
3
7
R
7
8
7
.
1
f.
29v
30r
Ap
30v
Ap
31r
Ap
f.
(seq.)
29r
29v
Ap
30r
30v
Ap
Benedict GREP
Five-part consorts all published Moeck MMP
V and VI
VdGS No.
2004 GREP-1
F
U
L
L
S
A
C
K
1
6
0
7
H
I
L
D
E
B
R
A
N
D
1
6
0
9
1. Paduana
2. Galliard
3. Paduana
4. Galliard
5. Paduana
6. Galliard
no.
III/I
III/ii
no.
III/I
III/ii
XI/I
XI/ii
Mr GROBE
Partita for viola damor [scordatura], viola da gamba and bc
January 2009 GROBE-1
Allemande
Courant
Gavotte
Saraband
Gigue
S-Uu
imhs
18:27
GROH, Heinrich
Direct. Mus. Merseb[urg]
Suite a5:
Allamanda
Courante
Sarabande
Gigue
1:11
GROH-1 January 2009
2 violins, 2 viola, violone, bc
S-Uu
imhs
John GROME
Mid-17th century
solos for lyra viol
VdGS
No.
1. Prelude
defhf
2. Prelude
edfhf
3. Almain
fdefh
4. Corant
fdefh
5. Saraband
fdefh
6. Prelude
fdefh
April 2008 GROME-1
L
b
l
,
A
d
d
.
5
9
8
6
9
G
B
-
E
n
,
P
6
3
7
R
7
8
7
.
1
f.
11:2
17:1
f.
14v
14v
15v
15v
Carel HACQUART
(1640-1701?)
The Durham copy of Carolus Hacquarts Chelys Op 3 (1686) is the only copy known to the
compiler; it is for solo viol, with no accompanying basso continuo book; however, entries in a
manuscript volume at DurhamGB-DRc MS A.27clearly show that a basso continuo book must
have existed. Prebendary Falle, to whom the Durham books belonged, copied selected bass viol
pieces from the printed book into MS A.27, as described, with an inventory, by Urquhart in FALLE
U.
As he copied each piece, Falle made an annotation, in A.27, such as 3/2; this can be seen or
easily deduced from FALLE U to signify page 3 of the viol book, and page 2 of a [now missing]
Bc book, and similarly for other copies which he made, including 10 more by Hacquart.
While GB-DRc MS A.27 is under review, the organisation of the generality of basso continuo
parts copied into A.27 by Falle may be of some interest.
Up to page 99, the Bc part for each piece is braced beneath the solo part, making a short score,
except for pages 51-54 on which Schencks Sonata II from his Op. 2 (1688) is presented without Bc
part.
Between pages 101 and 319, near the end, no Bc parts are given; only the solo viol part is given,
on a single staff. It is as if the household, at page 100 of the MS and half way through its musical
life, had lost a key viol or theorbo player, or as if a fashion had changed.
Between pages 320 and 327, at the end of MS A.27, the Fantasie and Passacaille from Falles
own In Genere Harmonico are presented, with Bc part.
1992 C. HACQUART-1
HAMMER, Franz Xaver (1741-1817)
Sonatas for Viola da Gamba and continuo
No. 1 D-Swl, 2285/1
No. 2 D-Swl, 2285/2
1st movt. a partial reworking of
Sonata No. 1 by Andreas Lidl
3rd movt. as Lidls 3rd movt, with
added second episode by Hamer
February 2011 HAMMER-1
Franz Xaver HAMMER
Sonatas for Viola da Gamba and continuo
no. 3 D-Swl, 2285/3
[Viola da Gamba, Violoncello, bass]
February 2011 HAMMER-2
Franz Xaver HAMMER
Sonatas for Viola da Gamba and continuo
No. 4 D-Swl, 2285/4
Viola da Gamba and Violoncello
[arranged, possibly from an as yet
unknown sonata by Lidl]
No. 5 D-Swl, 2285/5
Viola da Gamba and Violoncello
[unattributed, in Hamers hand]
February 2011 HAMMER-3
Franz Xaver HAMMER
Viola da Gamba solo
No. 1 D-Swl, 2885/1 [after Sonata 1]
No. 2
No. 3
February 2011 HAMMER-4
HAMMERSCHMIDT, Andreas
Trios
VdGS No.
1. Ballet
2. Saraband
3. Ballet
4. Aria
5. Saraband
6. Allemande
7. Saraband
8. Saraband[?]
9. Ballet
10. Allemande
11. Courant
12. Saraband
February 2008
G
B
-
L
b
l
,
A
d
d
.
M
S
3
1
4
3
8
[
T
r
e
b
l
e
o
n
l
y
]
no./
fol.
1/84r
2/84r
3/84v
4/84v
5/84v
6/85r
7/85r
8/85r
9/85r
10/85v
11/85v
12/85v
All probably from Dritter
Theil Newer Paduanen,
Galliarden [etc.] mit 3. 4.
und 5 Stimmen (1650). See
GERMANY-R
HAMMERSCHMIDT-1
HANLEIN, Paul (1626-1686)
Sonata a5 S-Uu, imhs 4:1
Battallia
HANLEIN-1 January 2009
2 violins, 2 violas, violone, bc
HELLER, Johann Killian (?1633-1674)
[Sonata] for two violins and bass
F-Pn, Rs Vm
7
673, no. 72
[authenticity is questioned]
January 2009 HELLER-1
C[uthbert?] HELY
Two trebles, bass and continuo
Mask GB-Lbl, Add. MSS 18940-4, f. 3r
Keyboard: US-NYp, Drexel 5612,
p. 113 [Anon.]
July 2004 HELY C-1
HERWICH, Christian
Ruggiero D-W, Cod. Guelf 34.7. Aug 2
o
p. 34, no. 31
Viola da gamba to a ground
Violin, viola da gamba, bc
Sonata D-W, Cod. Guelf 34.7. Aug 2
o
p. 87, no. 53
La Chilana D-W, Cod. Guelf 34.7. Aug 2
o
p. 116, no. 65
2 vln, viola da gamba, bc
Aria D-W, Cod. Guelf 34.7. Aug 2
o
p. 258, no. 110
January 2009 HERWICH-2
JOHN HINGESTON
(c.1610-1683)
Hingestons works survive in a very few MSS, principally in GB-Ob MSS
Mus Sch D.205-11, of which he wrote the organ part, the remainder being
copied under his direction. His respect for Edward Lowe, who became the
Heather Professor at Oxford in 1661, is pleasingly attested in the following
note, found in those partbooks:
This set of Bookes & works of mine I freely give to y
e
Musique
School at Oxon whereto I was ye more incouraged, from what I have
heard & seene of y
e
care,e Dilligence & industry, of ye present
proffessor thereof in y
e
Universitie, Mr Edward Lowe, my ever honored
frind and fellow servant.
Did Lowes successors enjoy testimonials as fair as that ?
Attention is called to the works listed on page 7, which appear in MS E.382
but not in 1455 D.205-11. E.382 is holograph, and is a reasonably complete
reduction of the string parts; from this it should be easy to reconstruct the
string parts of those extra pieces.
Modern studies of Hingeston in the United Kingdom fall neatly between
Richards, who covered the works for bass viols (see BASS R), Field who dealt
with the fantasy-suites (see CONSORTS F), and Hulse who has studied the
life and works as a whole (see HINGESTON H).
Konrad HFFLER (1647-1705?) [12 suites for viola da gamba and con-
tinuo] All in Primitiae Chelicae (Nuremberg, 1695). Published in Das Erbe Deutscher
Musik, 67
1. Suite I F Prelude-Fuga;
Allemand; Courant;
Saraband; Giga
2 Suite II b Allemand; Corrente;
Saraband; Giga
3 Suite III D Allemand; Corrente;
Saraband; Giga
4 Suite IV A Preludio; Allemand;
Corrente; Saraband;
Giga
5 Suite V d Preludio; Allemand;
Corrente; Saraband;
Giga
6 Suite VI G Preludio; Allemand;
Courant; Saraband;
Giga
April 2008 HOFFLER-1
Konrad HFFLER (1647-1705?) [12 suites for viola da gamba and con-
tinuo] All in Primitiae Chelicae (Nuremberg, 1695). Published in Das Erbe Deutscher
Musik, 67
7. Suite VII a Allemand; Corrente;
Saraband; Giga
8. Suite VIII c Allemand; Corrente;
Saraband; Giga
9. Suite IX Bb Allemand; Corrente;
Saraband; Giga
10. Suite X g Allemand; Corrente;
Saraband; Giga
11. Suite IX C Sonata-Fuga; Allemand;
Corrente; Saraband;
Giga
12. Suite XII e Allemand; Courant;
Saraband; Giga
April 2008 HOFFLER-2
HOFFMANN, Giovanni/
Johann
Sonata d
D-W,
Cod. Guelf.
34.7.
Aug. 2
o
no./p.
46/71
2 violins, bc
HOFFMANN-1 January 2009
HFFNER
Sonata a8 S-Uu, imhs 4:2
HFFNER-1 January 2009
2 violins, violetta, 2 viola da braccio, 2 trombetta, bassoon, bc
ANTHONY HOLBORNE
(d.1602)
Holbornes collection of 65 airs (see HOLBORNE 1599) is the foundation of the
first six index sheets. Judging by the number of arrangements, for instruments other
than the Viols, Violins or other Musicall Winde Instruments for which they were
set, they must have been extremely popular in this country and on the Continent.
For much of the information given, the Society is indebted to Jeffery (see
HOLBORNE J1) and Edwards (see CONSORTS E1); their numbers are given in the
tables in addition to the Societys numbers which run consecutively through the 1599
edition.
When two Edwards numbers are given, the lower one usually refers to a mixed
consort setting, and this, by the nature of the sources, is often an incomplete setting.
There is a fair spread of modern publications, with little scope, if any, for
newcomers.
The final page collects together some miscellaneous works, mainly from the mixed
consort department.
Useful information concerning the plucked string sources has been set out by
Diana Poulton in DOWLAND P; many of these cover both composers.
A discussion by Jeffery of the instrumentation of Holbornes works, and of the
different instrumentations in the plucked string sources, appears in HOLBORNE J2.
George HUDSON
2004 HUDSON-6
GB-Ob,
Mus. Sch.
D.220
(bass only)
p./no.
23/70
23/71
23/72
23/73
23/74
48[a]/16
48[a]/17
48[a]/18
62/71
62/72
62/73
G minor
95. Almaine
96. Saraband
97. Corant
98. Saraband
99. [Saraband]
Bb Major
143. Almain
144. Corant
145. Saraband
146 Air
147. Corant
148. Saraband
George HUDSON
2004 HUDSON-7
GB-Ob,
Mus. Sch.
D.220
(bass only)
p./no.
68/7
68/8
68/9
68/10
68/11
C minor
10. Air
11. Corant
12. Saraband
13. Running Alman
14. Air
HUDSON, George GB-SA
38470/2
tuning: [fedef] fol.
150 Prelude 1v
151 An Allmaine 2v
152 A Corant 3r
May 2007 HUDSON-8
ITALIAN MADRIGALS
Many English consort manuscripts include Italian madrigals, both texted and untexted.
Alfred Einsteins pioneering study The Italian Madrigal (Princeton, 1949) was followed
by Joseph Kermans The Elizabethan Madrigal (MADRIGAL-K). More recently two
important works are ITAL-ENG H1: Lydia Hamessley, The Reception of the Italian
Madrigal in England: A Repertorial Study of Manuscript Anthologies, ca. 1580-1620
(unpublished diss. University of Minnesota, 1989) and ITAL-ENG B: Derry
Bertenshaw: The influence of the late 16th century Italian polyphonic madrigal on the
English viol consort, c.1600-45: a background study, (unpublished Ph D thesis,
Leicester, 1992), together with spin-off articles ITAL-ENG H2 and ITAL-ENG-B2. The
considerable presence of Italian madrigals within consort manuscripts makes it sensible
that they should be noted in this Index. Few manuscripts of exclusively vocal music
(such as those in the Madrigal Society collection) are included. Lute book versions are
excluded too. I leave aside the argument as to whether the madrigals were played, or
sung, or played and sung from these books. The decades immediately before and after
1600 saw the most copying of Italian madrigals, particularly from the printed
collections and including English versions from e.g. Musica Transalpina, Italian
Madrigals Englished and Morleys Selected Madrigals. Thereafter they declined
gradually, but were not extinguished from the sources until the advent of the Civil War.
(There are later purely vocal collections.)
English prints are identified as:
MT 1588 = Musica Transalpina, 1588
MT 1597 = Musica Transalpina, 1597
W 1590 = Watson: Italian Madrigals Englished, 1590
Morley 1598 = Morley, Selected Madrigals, 1598
Felice Anerio
Untexted
Title First Print Other Prints GB-Lbl, Add. 37402-6*
no./f.
Amor se bei rubini a5 II a5 (1585) Paradiso musicale (1596) 73/43v
Quelle rose che coltin a5 Le Gioie (1589) Paradiso musicale (1596) 69/40v
Texted
Title First Print Other Prints GB-Lcm,
684
US-SM, Ellesmere 25
A 46-51
Amor se bei rubini a5 II a5 (1585)
[Madrigali Spirituali]
Paradiso musicale (1596) [56]/29v
Quelle rose che coltin a5 Le gioie (1589) Paradiso musicale (1596) [58]/30v
Laura che noi cironda a6 I a6 (1590), no.2 f.133v/no.72 [75]/50v
Questa, chel cor mancide a6 I a6 (1590), no.4 f.123v/no.52 [76]/51r
Laura dolce a6 I a6 (1590), no.3 f.124r/no.53
Godi leggiadre filli a6 I a6 (1590), no.14 f.134r/no.73
Come ne caldi a6 I a6 (1590), no.15 f.134v/no.74
Giovanni Francesco Anerio
Picciola sei ma vaga, gentil I a 5 (1599): GB-Ob, Tenbury 940-4, no. 8
Deh qual prova maggio flori [authorship ? in Hammesley]: GB-Ob, Tenbury 940-4, no. 136
February 2010 IM-ANERIO-1
Guilio Belli
Texted
Title First Print Morley
Selected Madrigals 1598
GB-Ob,
Tenbury 940-4
no.
Perch vallontanate a5 II a5&6 (1592) Hark and give ear attentive 36
Picciol premio al mio amore a5 II a5&6 (1592) 55
Se diletto prendete a5 II a5&6 (1592) 56
Udite, amanti a5 II a5&6 (1592) 57
February 2010 IM-BELLI-1
Giovanni Cavaccio: madrigals for six voices
Title Print GB-Lcm, 684 US-SM,
Ellesmere EL 25
A 46-51
owner or copyist Hamond Herbert/Egerton
f./no. f.
Guinta qui dori Il trionfo di Dori
1592, p.9
135r/75 53r
February 2010 IM-CAVACCIO-1
February 2010 IM-CROCE 1
Giovanni Croce
Untexted madrigals: five voices
Title First print GB-Lbl, Add. 37402-6
No./fol.
US-LAuc, C6968M4 and
GB-Ckc MS 321
US-NYp
Drexel 4180-5
Merro
Cintia il tuo dolce II a5 (1592) 36/22v f.46r [English title]
Candide perle II a5 (1592) 45/27r
Se da voi Novi pensieri musicali
(1594) a5
48/28v No. 29 a5
Ecco pal ma [a10] No. 8/f. 146v
Texted madrigals: five voices
Title First Print Englished Filmer 1
fol.
Ellesmere 25 A 46-51
no./fol.
Tenbury 940-4
no.
Filmer Herbert/Egerton
Meco godi un diletto I (1590) 53
Se voi sete il mio cor I (1590) [60v] 78
Shai tu, crudel I (1590) 61r 81
Amor se maccendesti I (1590) 96
Quandoio mirai I (1590) 98
Odi, languide I (1590) 149
Cinthia il tuo dolce II a5 (1592) MT 1597 1/2r 95
Candide perle II a5 (1592) 13/8r 121
Cruda la fume II a5 (1592) 125
Tu dunque II a5 (1592) 139
February 2010 IM-CROCE 2
Title First print Englished Filmer 1
Fol.
Ellesmere 25 A 46-51
No./fol
Tenbury 940-4
No.
Cadea, nel dirmi 1594 21
Chi pensa chombra 1594 25
Questaspre doglie 1594 38
Tu pur insidiosa 1594 41
La misera farfalla 1594 51
Amor, ecco la mano 1594 52
Amor, con quai parole 1594 63
Scoprir un picciol riso 1594 67
Se da voi mallontano 1594 69
Poscia chamor 1594 73
Tarda fosta, rispose 1594 84
Ella che pur arde 1594 88
Soavissimo fiato 1594 109
Perche, lasso 1594 116
Amor cieco moffesse 1594 143
Occhi bei si 1594 147
Title First print B-Br, MS II
4109
page
GB-Lbl, Add.
29372-7
Page/fol.
GB-Lcm
684
GB-Och,
Mus. 67
Fol.
Myriell Myriell Hamond Myriell
Lady, let me behold a4 MT 1597, no. 3 72
Since that the time a4 MT 1597, no. 2 74
Daphne the bright a4 MT 1597, no. 20 80
February 2010 IM-CROCE 3
Title First print B-Br, MS II
4109
page
GB-Lbl, Add.
29372-7
Page/fol.
GB-Lcm,
684
f./no.
GB-Och,
Mus. 67*
fol.
US-SM, Ellesmere
EL 25 A 46-51
fol.
owner or copyist Myriell Myriell Hamond Myriell Herbert/Egerton
O gracious and worthiest a6 MT 1597, no. 19 244/127v 98r/1
Lo, where I lie in grief a6 107r/19
Hard by a crystal fountain a6 MT 1597, no. 24 248/129v 116r/37
Lord in thy wrath a6 Musica Sacra 1608,
no. 1
250/130v
Deh non misar a6 I 1590 124v/54
Bocca soave e care a6 I 1590 125r/55
Adio caro il mio Tirsia a6 I 1590 127r/59 50r
(i) Valli profunde a6 I 1590 131v/68
(ii) Erme cam vag a6 I 1590 132r/69
Chiudea le luci Aminta a6 I 1590 49r
Sa la gelata mia timida a6 I 1590 49v
Ove tra lherbe e I fiori a6 Il trionfo di Dori
1592
52v
Long have I languished a6 Musica Sacra 1608,
no. 2
251/131r
Show mercy a6 Musica Sacra 1608,
no. 7
252/131v 64v
Give me a clean heart a6 Musica Sacra 1608,
no. 8
253/132r 65v
Lord in Thine anger a6 Musica Sacra 1608,
no. 5
332/171v 66v
My strength even fails a6 Musica Sacra 1608,
no. 6
334/172v 67v
Guilio Eremita
Textless madrigals
Title First print GB-Cfm, Mu 782 US-CLwr f.35v
(Blossom) No./fol
GB-Lbl, Add. 37402-6
No./fol.
US-NYp Drexel 4180-5
No./fol.
Tisdale/Bull Merro
Io seguo lardente fiamma II a5 (1589) 1/15v
O vaga tortorella II a5 (1589) 2/16v
Mentre intento mirar II a5 (1589) 7/17v
Se perch cruda sete II a5 (1589) 12/18v
Si rispose ben mio II a5 (1589) 5/19v
Lungi, ben mio II a5 (1589) 18/20v 54/46v [English]
Fuggi, se sai fuggire II a5 (1589) 20/21v 44/26v
O mio sonno dolore II a5 (1589) 6/22v
O misero mio core [a8] RISM 1596
8
11/149r
Texted madrigals
Title First print Englished US-CLwr f.35v
(Blossom) No./fol.
GB-Lbl, Add. 29372-7
Page/fol.
GB-Ob, Tenbury
940-4
Myriell
O vaga tortorella II a5 (1589) 65
Lungi, ben mio II a5 (1589) MT 1597/3
So far dear life
143/73r [English] 72
Fuggi, se sai fuggire II a5 (1589) MT 1597/
Fly if thou wilt
79
February 2010 IM-EREMITA-1
February 2010 FELICIANI-1
Andrea Feliciani: madrigals for six voices
Title Print GB-Lcm, 684
owner or copyist Hamond
f./no.
Fra i vaghi e bei crin doro I 1586, p.4; Armonia di
scelti authori a sei voci
1586, p.4
127v/60
For grief I die [Io per
languir]
MT 1597, no. [Armonia di
scelti authori a sei voci
1586, p.5]
February 2010 IM-FELICIANI-1
February 2010 IM-FERRABOSCO I 1
Alfonso Ferrabosco I: Il Primo Libro de Madrigali a Cinque (1587) [* = untexted]
Title Englished GB-
Cfm,
52 A
33-35
(3
parts)
GB-
Cfm,
782*
GB-Lbl,
Madrigal
Society
G44-47,
49
GB-Lbl,
Egerton
3665
(Score)
GB-Lbl,
Add.
37402-
6*
GB-Ob,
Tenbury
364-8
GB-Ob,
Tenbury
940-4
GB-
Och,
Mus
78-82
GB-
Och,
Mus
463-7
US-SM,
Ellesmere EL
25 A 46-51
owner; copyist Paston Tisdale/
Bull
Tregian Paston Herbert/Egerton
f. f. no. no. f. f. no. f. f. f.
Se pur ver 27 A 75v A 25v A
(i) Mentre ti fui s
grato
48v 16r A 76r A 31v*
(ii) Mentre ti fui s
caro
49v 19 A 16v A 76v A
(iii) Hor pien dalto
desiro
50v 18 A 17 A 18 77v A 23v A 21v
(iv) Hor un laccio M1598 51v 27 17v A 30 78v A 24r A 22r
(v) Lasso donque che
sia
52r 79v A
(vi) Ben che senza
mentire
53r 80v A
(i) Vorrei lagnarmi a
pieno
5v A 43v 25 24r A 117 81v A 24v A 11v*
(ii) Sio taccio 6v A 45v 26 24v A 110 82v A 25r A
Perle, rubino et ostro 18 33r A 83v A
O dolcissimo bacio 19 84v A
Gi fu mia dolce
speme
20 85v A
February 2010 IM-FERRABOSCO I 2
Voi volete chio
moia
38v A 86v A
Cara la vita mia 39v A 87v A
Quant io son
infelice
88v A
Godea Tirsi gli amori no. 22 89v A
Chi ha cor da partire 36v A 90v A
O crude pene mie 34v A 5r A 91v A
Non fingo 35v A 30v A 92v A
Donna, se voi
modiate
no. 21
Alfonso Ferrabosco I: Il Secondo Libro de Madrigali a Cinque (1587)
Title Englished GB-
Cfm,
52 A
33-35
(3
parts)
GB-Cfm,
782*
GB-Lbl,
Egerton
3665
(Score)
GB-Lbl,
Add.
30820-2
(3 parts)
GB-Lbl,
Add.
34050
(1 part)
GB-Lbl,
Add.
37402-
6*
GB-Ob,
Tenbury
364-8
GB-Ob,
Tenbury
940-4
GB-
Och,
Mus
463-7
US-SM,
Ellesmere
EL 25 A
46-51
owner; copyist Paston Tisdale/
Bull
Tregian Paston Paston Paston Herbert?
f. f. no. f. f. f. no. f. f.
(i) A la dolcombra 25v A 43
(ii) Non vide il mondo 26v A 23 35v A 28v
(iii) Un lauro mi difese 7v A 44
(iv) Per pi
fermognhor
45
(v) Selve, sassi,
campagne
46
February 2010 IM-FERRABOSCO I 3
(vi) Tanto mi piacque 47 35r A
(i) Donna, lardente
fiamma
MT2 57v 32 24v 36r A 49r A 49 26r A 29r
(ii) Signor, la vostra
fiamma
MT2 59r 33 25v 50r A 50 26v A
(i) Scorprir lardor
mio
48 11v A
(ii) Se voi ste il mio
sol
49 12v A
Non mi fuggir ben mio 50 14v A 9r A 71 7r
Zefiro torna MT2 28 30v 31r A 10v A 82
Gi non fia ver 51 11v 14v A
Poi chio non posso 52 12v 15v A
Bruna sei tu, ma bella MT2 29
Non lasso martire 32v A 53 37v A 7v
(i) Solo e pensoso 8v A 54
(ii) S chio mi
credhomai
M1598 55
Nel pi fiorito Aprile MT2 56r 31 26v 51v A
Alfonso Ferrabosco I - Five-part Italian madrigals in MS
Title GB-Cfm,
52 A 33-35
(3 parts)
GB-Lbl,
Add. 29427
(Altus)
GB-Lbl,
Add.
30820-2
(3 parts)
GB-Lbl,
Egerton 3665
(Score)
GB-Lbl,
Madrigal
Society G.
44-47, 49
GB-Ob,
Tenbury
940-4
GB-Och,
78-82
GB-
Och,
463-7
US-NH,
Filmer 1
owner/copyist Paston Myriell Paston Tregian Filmer
f. f. no. no. no. no. f.
(i) Poich, lasso, m tolto 16 5 A 1 A
(ii) Chio sento ad hora 17 6 A 2 A
February 2010 IM-FERRABOSCO I 4
(iii) Come solea 7 A 3 A
(iv) Ove le luci giro 8 A 4 A
Io son ferito 5 Ap
(i) Vidi pianger madonna 2 1 (A. F.) 6 A 103v A
(ii) Come dal ciel 40 2 A 7 A 104v A
Tu dolce anima mia 10v A 64r 12 4 A 8 A 77v A
(i) Non ardo et son nel foco 5r A 35 9 A 79v A
(ii) Foco l mio cor 4v A 36 10 A 80v A
Cantai un tempo 13 12 A
Non ha tante 9v A 14 13 A 83v A
Chi per voi non sospira 40v A 34 3 A 14 A 78v A
(i) Dolci ire 15 15 A 81v A
(ii) Forse anchor fia 37 115 16 A 82v A
Amor mi sprona 41 17 A
Deh non ponete fine 42 18 A 15r A 102v A
(i) Dolci, mentre il ciel volse 38 16 A 19 A 27v A 73v A
(ii) Felice, ohime! 39 20 A 28r A 74v A
(i) Standomi un giorno 5 21 A 28v A 84v A
(ii) Indi per alto mar 6 22 A 29v A 85v A
(iii) In un boschetto 7 23 A 30v A 86v A
(iv) Chiara fontana 8 24 A 31v A 87v A
(v) Una strania phenice 9 25 A 32v A 88v A
(vi) Al fin vidio 10 26 A 33v A 89v A
Hor che la notte 27 A
February 2010 IM-FERRABOSCO I 5
Alfonso Ferrabosco: Six-part Italian madrigals in MS
Title GB-Cfm 24 E 13-
17
(5 of 6 parts)
GB-Lbl,
Add. 30816-19
(4 of 6 parts)
GB-Lbl,
Add. 37403
(37402-6)*
GB-Ob,
Tenbury 1018
(Score)
US-NH, Filmer 1 US-NYp, Drexel
4302
(Score)
owner/copyist Paston Filmer Tregian
p. f. f. f. no.
(i) Dolce guerriera
mia
15 4v A 127v A 1
(ii) Ma se con lopre 16 5r A 128v A 2
Grave pene in amor 19 2r A 3
Cos m laspettar 11 1v 125v A 4
Interdette speranze 12 6r A 124v A 5
(i) Se lungi dal mio
sol
3 6
(ii) Sola voi nol
sentite
4 42
(i) Ecco che unaltra
volta
7
(ii) E se di vero amor 8
Vergine bella [11
parts]
9-19
(i) Mentre chil cor 131v A 20
(ii) Quel foco morto 132v A 21
Se pur ver 22
Quel sempre acerbo 23
(i) Io vo piangendo 24
(ii) S che, sio vissi 25
(i) Valle, che dei
lamenti
26
February 2010 IM-FERRABOSCO I 6
(ii) Ben riconosco in
lei
27
(i) Lasso me 133v A 28
(ii) Cerco fermar il
sol
134v A 29
(i) Hor vedi, amor 30
(ii) Tu sei pregion 31
Non lasso martire 32
Voi volete chio moia 34v 33
(i) Gi disfattha le
nevi
34
(ii) Esser non pu 35
(i) Benedetto sial
giorno
129v A 36
(ii) Benedette le voci 130v A 37
Ogni loco mattrista 38
Questi chinditio 135v A 40
Con lagrime 126v A 41
(i) Fui vicino a cadere 43
(ii) Hor, comaugel 44
Quando la bella 1*
Giovanni Ferretti
Title First print GB-Ob, Tenbury 940-4 GB-Lbl, Add. 29427
Myriell
Tutte le stella V/1585 57r [textless]
Una piaga mortal V/1585; Morley 1598 15 [texted]
Venite amanti V/1585; Morley 1598 7 [texted]
Donna mi fuggognhora V/1585; Morley 1598 3 [texted] 57v [textless]
February 2010 IM-FERRETTI-1
February 2010 GASTOLDI-1
Giovanni Gastoldi: madrigals for six voices
Title Print GB-Lcm, 684
owner Hamond
f./no.
Al mormorar Il trionfo di Dori
1592, p.27
126v/58
Felice amante I 1592 131r/67
February 2010 IM-GASTOLDI-1
Ruggiero Giovanelli
Title Print GB-Cfm Mu. 782 GB-Ob,
Tenbury 940-4
GB-Lbl,
Add. 37402-6*
US-LAuc, C6968M4
and GB-Ckc MS 321
Tisdale/Bull
Sel vaggia anima mia
I/1586 13v 10
Misera, che faro?
I/1586 119
Ohime perche mi fuggi
I/1586 60
Occhi miei che miraste
II/1593 9v
Se di farmi morire
II/1593 10v
O come vaneggiate Donna
II/1593 11v
Voi volete chio nuoia II/1593 37
Tu nascesti di furto
II/1593 no.47/f.28 59
Morir di dolor
II/1593; Morley 1598 12v 105
O timida lepretta II/1593; Morley 1598 7v
Mi sfidate
II/1593; Morley 1598
Come potr, giamai
II/1593; Morley 1598 8v 2
Cor mio, deh non piangete
III/1599 106
Tamo, mia vita
III/1599 107
Cor mio, bench lontana
III/1599 118
Comodiarvi possio Filli
III/1599 26
Sei tu, cor mio
III/1599 102
Vidi Filli partire
III/1599 76
February 2010 IM-Giovanelli-1
Luzzasco Luzzaschi
Tra le dolcezze La gloria musicale a cinque voci (1592/14), p. 10
in GB-Lbl, Add. 37402-6, f.29v [textless]
February 2010 IM-LUZZASCHI-1
Giovanni/Jean de Macque
Hor un laccio 1582/4 = Dolci affeti madrigali a cinque voci (Venice)
1585/19 = Symphonia angelica (Antwerp)
1598 = Morley, Selected Madrigals [My sweet Lais]
Se daltro mai 1594/7 = Melodia Olympica (Antwerp)
GB-Lbl, Add. MS 29427, no. 64, f.46 [textless]
February 2010 IM-de MACQUE-1
February 2010 IM-MARENZIO 1
Luca Marenzio: Il Primo Libro de Madrigali (1580) for five voices
Title Englished GB-Cfm,
Mu. 782*
GB-Lbl,
Add.
37402-6*
GB-Lbl,
Royal
24.d.2*
GB-Ob,
Tenbury
940-4
US-NH,
Filmer 1
US-NYp
Drexel
4180-5
US-SM,
Ellesmere EL
25 A 46-51
owner Tisdale/Bull Baldwin Filmer Merro Herbert/Egerton
f. no./f. f. no. f. f. f.
Liquide perle Amor MT 1588 29v 1
Spuntavan gi W 1590 30v
(ii) Quandol mio
vivo
W 1590 31v
Dolorosi martir MT 1597 34v 21r 15 73r 65r* 13v
Che fa hoggi MT 1588 3/3r
Madonna mia gentil W 1590 33v
MT 1588 has five pieces from this book; W 1590 has 10
February 2010 IM-MARENZIO 2
Luca Marenzio: Il secondo libro de madrigali (1581) for five voices
Title Englished GB-Cfm,
Mu. 782*
GB-Lbl,
Royal
24.d.2*
GB-Ob,
Mus. Sch.
C45-50
GB-Ob,
Tenbury
302*
GB-Ob,
Tenbury
940-4
US-NH,
Filmer 1
US-SM,
Ellesmere EL
25 A 46-51
owner Tisdale/Bull Baldwin Barnard? Filmer Herbert/Egerton
f. f. f. no. f. f.
Amor poiche non
vuole
38v
(ii) Chi strinse mia 44
Fillide mia 39v
O voi che sospirate 37v 20v 46v 2 136/98v 14r
Mi fa lasso languire 36v 145/107v
Gi torna a rallegrar 35v 10
(seq.42)
100 128/91v
February 2010 IM-MARENZIO 3
Luca Marenzio: Il terzo libro de madrigali (1582) for five voices
Title Englished GB-Cfm,
Mu. 782*
GB-Ob,
Tenbury
940-4
GB-Och,
Mus 2*
(Score)
GB-Och,
Mus 403-
8*
GB-Och,
Mus 436*
(organ)
GB-Och,
Mus 67*
(organ)
US-NH,
Filmer 1
owner Tisdale/Bull Hatton Hatton Hatton Myriell Filmer
f. no. f. f.
Caro dolce mio ben Morley
1598
41v 120 109v 2v 40 35v 106v
Rose bianche e
vermiglie
40v
Se la mia fiamma
ardente
42v
February 2010 IM-MARENZIO 4
Luca Marenzio: Il quarto libro de madrigali (1584) for five voices
Title Englished GB-Lbl,
Add.
37402-6*
US-NH,
Filmer 1
owner Filmer
no./f. f.
Giunto a la tomba 4/3v 70v
(ii) Non di morte sei
tu
71v
(iii) Ongli lor tu 72r
(iv) Ed amando morr 72v
February 2010 IM-MARENZIO 5
Luca Marenzio: Il quinto libro de madrigali (1585) for five voices
Title Englished GB-Ob,
Tenbury
940-4
US-NH,
Filmer 1
owner Filmer
no. f.
Se voi sete cor mio 22 60v
Basciami, basciami,
mille mille volte
59
February 2010 IM-MARENZIO 6
Luca Marenzio: Il sesto libro de madrigali (1594) for five voices
Title GB-Lbl,
Add.
29427*
(altus)
GB-Lbl,
Add.
37402-6*
GB-Lbl,
Add.
40657-
61*
GB-Och,
Mus 2*
(Score)
GB-Och,
Mus 403-
8*
GB-Och,
Mus
436*
(organ)
GB-Och,
Mus 67*
(organ)
US-NH,
Filmer 1
US-SM,
Ellesmere EL
25 A 46-51
owner Myriell Shirley Hatton Hatton Hatton Myriell Filmer Herbert/Egerton
f. no./f. f. f. f. f. f. f. f.
Udite lagrimosi
Spiriti dAverno
33r 13r
(ii) Che se tu 40v 110r 3r 51r 34r 41v 12r
Rimanti in pace 27/18v 39v 108v 1v 49v
(ii) Ondei di morte 63v 28/19r 40r 109r 2r 50r 32r 12v & 33r*
February 2010 IM-MARENZIO 7
Luca Marenzio: Il settimo libro de madrigali (1595) for five voices
Title GB-Lbl,
Add.
37402-6*
GB-Lbl,
Add.
40657-
61*
GB-Ob,
Tenbury
940-4
GB-Och,
Mus 2*
(Score)
GB-Och,
Mus 403-
8*
GB-Och,
Mus
436*
(organ)
GB-Och,
Mus 44*
GB-Och,
Mus 67*
(organ)
GB-Och,
Mus 527-30,
1024
owner Shirley Hatton Hatton Hatton Myriell
no./f. f. no. f. f. f. f. f. f.
Deh poi chera 1/1r 41v 137 117r 8r 57v 32v
Quellaugellin 42r 126 118r 9r 58v
Cruda Amarilli 141
(ii) Ma grideran per
me
118v 9v 59r
O disaventurosa 45v
Al lume delle stelle
Tirsi
49v
Ami Tirsi 116v 7v 57r
Arda pur sempro
mora
39v 108r 1r 49r 5v
February 2010 IM-MARENZIO 8
Luca Marenzio: Il nono libro de madrigali (1599) for five voices
Sole e pensoso: GB-Lbl, Add. 40657-61, f.43r
GB-Ob, Tenbury 302, f.46
Luca Marenzio: Madrigali libro primo (1588) for four, five and six voices
Title GB-Lbl,
Royal 24.d.2
owner Baldwin
(all a5): f.
Fuggito l sonno 3r
Senza il mio vago 3v
(ii) O giorno 4v
Fiere Silvestre 5v
Ecco che unaltra volta 7r
E se di vero Amor 9r
Comogni rio che dacque 9v
Valli riposte 11v
Basti fin qui le pene 13r
O fere stele 17r
Se la mia vita 18r
Piango chAmor 18v
Affliger chi per voi 19v
February 2010 IM-MARENZIO 9
Title Print US-NH, Filmer 1
Hor pien daltro (a5) Dolci affetti madrigali 1582, p.5 no. 34, f. 13r
Luca Marenzio: Madrigals for six voices
Title Print GB-Lcm,
684
GB-Ob, Mus. Sch. MSS
C.45-50
US-NH,
Filmer 1
owner Hamond Filmer
f./no. no. (page) no./f.
Se bramate chia mora IV a6 1587;
Antwerp 1594, f.5r
1 (65)
(i) Ecco chel ciel V a6 1591, p.6 125v/56 2 (66)
(ii) Ecco che millaugel V a6 1591, p.7 126r/57
(ii) Mentre novella alma vittoria I a6 1581;
Antwerp 1594, f.46r
3 (67)
Donna pi daltri adorna II a6 1585;
Antwerp 1594, f.4r
4 (68)
(i) Baci soavi e cari V a6 1591, p.16 135v/76 5 (69)
(ii) Baci amorosi e belli V a6 1591, p.17 6 (70)
(iii) Baci affamati engordi V a6 1591, p.18 136v/78 7 (71)
(i) Leggiadrissima eterna primavera V a6 1591, p.1 8 (72)
(ii) Gi le muse e le gratie V a6 1591, p.2 9 (73)
Occhi sereni e chiari I a6 1581
Nuremberg 1589, no.21
128r/61 10 (74)
Crudell perche mi fuggi IV a6 1587
Antwerp 1594, f.36r
14 (78)
Nel pi fiorito Aprile I a6 1581;
Nuremberg 1589, no.20
153/112r
February 2010 IM-MARENZIO 10
Piangea Filli e rivolte III a6 1585;
Antwerp 1594, f.27
122r/49
(i) Laura serena I a6 1581 122v/50
(ii) Le quale spargea I a6 1581 123r/51
(v) Baci mentre V a6 1591, p.20 136r/77
(iv) Baci cortesi e grati V a6 1591, p.19 137r/79
(vi) Baci ohime non mirate V a6 1591, p.21 137v/80
(i) Come inanti de laba Antwerp 1594, f.48v 128v/62
(ii) Cosi questa Antwerp 1594, f.49r 129r/63
Don Cinthia a Damone III a6 1585;
Antwerp 1594, f.40r
129v/64
Per duo coralli ardenti I a6 1581;
Antwerp 1594, f.11v
130r/65
Paulo Masnelli
Title Print GB-Lbl,
Add. 37402-6* [fol.]
GB-Lbl,
Add. 29427*
[no./fol.]
US-CLwr,
f.35.v* [no./fol.]
Myriell
Soavissimo adore II/1596 33r
Occhi cari et amati II/1596 33v
Non vi bastava II/1596 32v 96/63r 9/9r
Ah disleale II/1596 34r
A che tormi il ben
mio
II/1596 34v
February 2010 IM-MASNELLI-1
February 2010 IM-MELDERT-1
Leonardo Meldert: madrigals for six voices
Title Print GB-Lcm, 684
owner or copyist Hamond
f./no.
Cresci bel Verdi Alloro Il lauro verde 1583, f.9 133r/71
MONTEVERDI, Claudio
Title Print
La Giovanetta pianta III/1592
O come gran martire III/1592
Sovra tenere herbetta III/1592
O dolce anima mea III/1592
Stracciami pure il core III/1592
O rossignol III/1592
La tral sangue III/1592
O primavera III/1592
Perfidissimo volto III/1592
Ma dove, o lasso me III/1592
Rimanti in pace III/1592
Ondei di morte III/1592
Luci serene chiara IV/1603
Voi pur da me partire IV/1603
Cor mio mentre IV/1603
Cor mio non mori [Frag.] IV/1603
La piaga IV/1603
Volgea lanima [Frag.] IV/1603
* = textless
February 2010
U
S
-
S
M
,
E
l
l
e
s
m
e
r
e
2
5
A
4
6
-
5
1
GB-Lbl
A
d
d
.
2
9
4
2
7
*
A
d
d
.
3
7
4
0
2
-
6
*
A
d
d
.
4
0
6
5
7
-
6
1
*
2
*
GB-Och
4
0
3
-
8
*
4
3
6
*
4
4
*
5
2
7
-
3
0
,
1
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*
6
7
*
I
-
D
m
,
Z
.
3
.
4
.
7
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9v
27v
8v
9r
28r
3r
3v
10r
10v
33r
93
62
90
89
10v
6v
8r
9r
12v
11v
8v
13v
42r
10r
34r
41r
34r
G
B
-
O
b
,
T
e
n
b
u
r
y
9
4
0
-
4
112v
111v
110v
5r
4v
3v
12r
11v
53v
52v
51v
62v
61v
47v
3r
3v
3v
25v
26v
24v
23v
64
39
33
46
58
85
106v
105v
U
S
-
C
L
w
r
,
f
.
3
5
.
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(
B
l
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s
s
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)
*
33r
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2
4
8
5
*
42v
29r
28v
G
B
-
O
c
h
,
2
1
p.304
p.308
p.302
p.306
IM-Monteverdi-1
G
B
-
O
b
,
E
4
1
5
-
1
8
*
25r
Giovanni Battista Mosto
Title Print English
print
GB-Ob,
Tenbury
940-4
GB-Lbl,
Add.
37402-6*
US-SM
Ellesmere
25 A 46-51
no. no./fol. f.
Cara, dolce,
noturna
II/1584 91
Deh, non
mi dar pena
II/1584 92
Dolce al-
pestre parole
Melodica
Olympica
1591
Morley,
1598
101 64/38r 24r
February 2010 IM-Mosto-1
Giovanni Maria Nanino: five-part madrigals
Title Print Englished GB-Ob,
Tenbury 940-4
no.
Dolce fiamella mia 1581
10
M1598 4
Amore, deh dimmi come 1581
10
108
Questo vostro fuggire II/1586 131
Deh coralli ridenti II/1586 134
Amore mi f morire II/1586 103
N mai si lieto II/1586 104
Laurora el giorno el sole II/1586 114
Da bei vostriocchi II/1586 127
Credetel voi II/1586 122
(ii) Ondei di sdegnaccesso a
guerra
II/1586 42
Morir pu il vostro core II/1586 24
February 2010 IM-NANINO-1
Alessandro Orologio:
Five-part madrigals
Title Print Englished GB-Cfm,
Mu. 782
GB-Ob,
Tenbury 940-4
Tisdale/Bull
f. no.
Ma se pieta I/1588 14v 74
Mentre di
gioia
I/1588 MT2 68
Hor che suave
laura
I/1588 MT2 112
Se mi tenetel
core
I/1588 11
February 2010 IM-OROLOGIO-
1
Giovanni Pierluigi Palestrina
Title Print US-NYp, Drexel 4180-5
Virgine bella I/1581 40r
Virgine saggia I/1581 40v
Virgine pura I/1581 41r
Vergine santa I/1581 41v
Vergine sola I/1581 42r
Vergine chiara I/1581 42v
Vergine quanta lagrime I/1581 43r
30 five-part madrigals: the whole of Delle madrigali spirituali libro secundo are on ff.
109r-147r of GB-Och, Mus 8.
Io son ferito a5 is in US-NH, Filmer 1, f.97v [from Il terzo libro delle Muse a cinque
voci (Venice, 1561)]
September 2007 IM-Palestrina-1
PALLAVICINO, Benedetto
a. O saette damor II/1584
b. Dolce mia cara mano II/1584
c. Hor veggio chiar II/1584
d. N lo star II/1584
e. Natura non mi fi II/1584
f. Non mirar III/1588
g. Non mi ferir III/1588
h. Con che soavit III/1588
i. Donna,se voi modiate V/1593
j. Tamo mia vita V/1593
k. Donna, se quell ohim V/1593
l. Baci amorosi e cari V/1593
m. Come vivro nelle mie
pene VI/1600
n. Era lanima mia VI/1600
o. O come vaneggiate VI/1600
p. Cor mio, deh non
languire VI/1600
q. O dolorosa morte VII/1604
* = untexted
February 2010
GB-Lbl
A
d
d
.
2
9
4
2
7
*
A
d
d
.
3
7
4
0
2
-
6
*
A
d
d
.
4
0
6
5
7
-
6
1
*
E
g
e
r
t
o
n
3
6
6
5
G
B
-
O
b
,
T
e
n
b
u
r
y
9
4
0
-
4
GB-Och
58v
42v
41v
39r
38v
40r
20v
23r
23v
41v
89
28
32
62
117v
120r
8v
7r
37r
72v
11r
58r
56v
90r
125v
60v
2
*
4
0
3
-
8
*
4
3
6
*
x
x
x
x
IM-PALLAVICINO-1
PALLAVICINO, Benedetto
a. O saette damor II/1584
b. Dolce mia cara mano II/1584
c. Hor veggio chiar II/1584
d. N lo star II/1584
e. Natura non mi fe II/1584
f. Non mirar III/1588
g. Non mi ferir III/1588
h. Con che soavit III/1588
i. Donna,se voi modiate V/1593
j. Tamo mia vita V/1593
k. Donna, se quel ohim V/1593
l. Baci amorosi e cari V/1593
m. Come vivro nelle mie
pene VI/1600
n. Era lanima mia VI/1600
o. O come vaneggiate VI/1600
p. Cor mio, deh non
languire VI/1600
q. O dolorosa morte VII/1604
r. Tuttere fuoco ?
February 2010
GB-Och
6
7
*
I
-
D
m
,
Z
.
3
.
4
.
7
-
1
2
*
U
S
-
S
M
,
E
l
l
e
s
m
e
r
e
E
L
2
5
A
4
6
-
5
1
34v
30v
4v 104v
156v
U
S
-
N
Y
p
,
D
r
e
x
e
l
4
1
8
0
-
5
*
IM-PALLAVICINO-2
5
2
7
-
3
0
,
1
0
2
4
25v
26r
27v
26v
30r
22v
23r
23v
February 2010 PHILIPS-1
Peter Philips: madrigal for six voices
Title Print GB-Lcm, 684 GB-Ob, Mus. F 1-
6
owner or copyist Hamond Hamond
f./no. f./no.
Poi che voi non
volete
132v/70 65v/13
February 2010 IM-QUINTIANI 1
LUCREZIO QUINTIANI
Title Print Englished GB-Cfm,
Mu. 782*
GB-Lbl,
Add.
29427*
GB-Lbl,
Add.
37402-6*
GB-Lbl,
Egerton
3665
GB-Ob,
Tenbury
940-4
GB-Lcm,
MS 684
US-NH,
Filmer 1
US-CLwr,
f.35v*
(Blossom)
US-SM,
Ellesmere EL
25 A 46-51
owner; copyist Tisdale/Bull Myriell Tregian Hamond Filmer Herbert/Egerton
five-part f. f. f. no./f. no. f./no. f. f./no. f.
Al suon
damata
I/1588 MT 1597 23v 60v 6r 169/280v 10r/11
Monti, selve,
fontane
I/1588 MT 1597 25v 21r 170/281r 13 42v/6 61v 19v
Creschin a gara I/1588 MT 1597 27v 171/282r 43 99v
Di lauri e mirti I/1588 24v 21v 714/494v 14 72r/65
Alto Signor
che da stellanti
I/1588 715/495r
Se le virt I/1588 29r 716/496r 78r/77
Non pu tanto I/1588 26v 717/495v 23 100v
Dolce esca del
mio cor
I/1588 718/496r 101v
(ii) Dolci
dogni mio ben
I/1588 719/496v
Sapete Amanti I/1588 720/497v 78v/78
Gia
cominciame
I/1588 721/498r
(ii) Chi sara
mai
I/1588 722/497v
Voi sola, ex
voi anco
I/1588 723/498v
Polimia, un che
thonora
I/1588 28v 724/499r 77v/76
Liete verdi I/1588 725/500r
Che sel grider I/1588 726/500r
Dimmi per
corte sia
I/1588 727/500v
Dunque aminta I/1588 728/500v
February 2010 IM-QUINTIANI 2
Mi piace star in
vita
I/1588 729/501r
Taci prendi in
mio larco
I/1588 730/501v
Cipriano de Rore
Title Print US-NH, Filmer 1
owner Filmer
f.
Cantai mentre I/1542 96v
Se be nil duol per voi IV/1557 94v
(ii) Ben voi a pi di mille IV/1557 95r
Alme Susanna ben felice V/1566 95v
February 2010 IM-de RORE-1
February 2010 ROSSETTI-1
Franois Roussel [Francesco Rosselli]
Title Print US-NH, Filmer 1
owner Filmer
five-part: no./f.
Guidomi in partil
ciel
Il terzo libro delle
Muse 1561, p.10
102/69v
Da indi in qua sol Il terzo libro delle
Muse 1561, p.11
103/70r
Ippolito Sabino
Title Print Englished GB-Ob, Tenbury
940-4 no.
Ecco imi discoloro VII/1589 M1598 94
February 2010 IM-SABINO-1
February 2010 STRIGGIO-1
Alessandro Striggio: madrigals for five voices
Title Print US-NH, Filmer 1
owner
no./f.
Anchor chio possa dire Melodia Olympica 1591 127/90v
madrigals for six voices
Title Print GB-Ob, Mus Sch. 45-50
owner
no./p.
Nasco la pena mia I 1560 13/77
February 2010 IM-VECCHI-1
ORAZIO VECCHI
Title Print Englished GB-Lbl,
Add.
29427*
(altus)
GB-Lbl,
Add.
37402-6*
GB-Lbl,
Add.
40657-61
GB-Ob,
Tenbury
940-4
GB-Och,
Mus 67*
(organ)
US-
CLWr,
f.35v*
(Blossom)
(3 parts)
US-SM, EL 25
A 46-51
Myriell Shirley Myriell Herbert/Egerton
f. no./f. f. no. f. f./no. f.
Il bianco e dolce
cigno
I/1589 MT2 18/14r 97 2v
Chi vi mira I/1589 61
Del dimmi, vita mia I/1589 M1598 66
Tremolavon le frondi I/1589 M1598
On dallhor io,
languendo
I/1589 34
Clorinda, hai vinto I/1589 61r 62/37r 40v 31v 31r/38
Cara mia Dafne I/1589 31/20r
O di rare eccelenze I/1589 29/19r 12
Pastorellla gratiosella I/1589 30/19v 20
Donna, sio sono il
sole
I/1589 77
Al bel de tuoi capelli 1590 54
February 2010 IM-VECCHI-1
VECCHI: Madrigals for six voices
Title Print GB-Lcm, 684 GB-Ob, Mus. F 1-6
owner or copyist Hamond Hamond
f./no. f./no.
O che vezzosa I 1583 130v/66 73r/23
Stefano Venturi
Title Print US-SM,
Ellesmere
25 A 46-
51
Add
37402-
6*
GB-Ob,
Tenbury
940-4
GB-
Cfm,
782*
Och
Mus. 33
(score)
Musica
Transalpina
1597
Morley
Selected
Madrigals
1598
Occhi mirando I a5
(1592)/5
38/20v [41]/25r 6 3v Sweet eyes
Quellaura I a5
(1592)/21
37/20r [42]/25v 3 4v As Mopsus
went
As Mopsus
went
Sun sguard un fa beato I a5
(1592)/2
39/21r [43]/25v 48 5v
Occhi, se lachrimare I a5
(1592)/15
6v
February 2010 VENTURI-1
February 2010 WERT-1
Giaches de Wert
Title Print US-SM, Ellesmere
EL 25 A 46-51
US-NH, Filmer 1
owner Herbert/Egerton Filmer
five-part: f. no./f.
Fra le dorate
chiome
VIII 1586 25r
Quella donna real Madrigale del fiore,
libro primo 1561
101/f.69r
Various settings including violin, viola
da gamba, cello and continuo:
D-B, Sig. Klg. 63/1 (attrib. Schaffrath)
GB-Lbl, Add. MS 33296 (pp.149-172)
Breitkopf 2 (1762), p.80 (oboe, viola,
viola da gamba, continuo)
Breitkopf 3 (1763), p.106 (oboe, vln pic-
colo, viola/vdg, continuo)
Breitkopf 6 (1765), p.241 (oboe, vln pic-
colo, viola da gamba, continuo)
Quartet in C: 2 vln, viola da gamba, con-
tinuo
D-B, SA 3369 (Sig. Graun)
D-B, SA 3159 (attrib. Janitsch)
Quartet in D: oboe/flute, oboe/violin,
viola da gamba/viola/cello, continuo
D-B, Mus. ms 11103/24
D-B, SA 3152
D-B, SA 3164
June 2011 JANITSCH-1
JANITSCH, Johann Gottlieb (1708-c.1763)
For further details see GERMANY OL
Quartet in D major: flute/violin, oboe/
violin, viola/viola da gamba, continuo
D-B, SA 3132
D-B, SA 3162
Dk-Kk, mu 6212.16.30
Dk-Kk, mu 7411.1832
Quartet in A: various settings, including:
Violin, viola da gamba, cello, continuo
D-B, Slg. Klg. 63/2 (attrib. Schaffrath)
June 2011 JANITSCH-2
JANITSCH, Johann Gottlieb
For further details see GERMANY OL
JOHN JENKINS
(1592-1678)
The pages devoted to Jenkins set out all the works for bowed strings that are known
to the Society.
The principal work done on Jenkins is that by Ashbee (e.g. JENKINS Al), Coxon
(e.g. JENKINS C1), Field (CONSORTS F), Nicholson (JENKINS 5, 6), also Peart
(JENKINS 6P), Richards (BASS R), Sleeper (e.g. JENKINS 5), Warner (e.g. JENKINS
W1) and Willetts (e.g. JENKINS PW). Coxons comprehensive handlist (JENKINS C2),
although non-thematic, has been of great assistance, for many years, to students of
Jenkins.
Our numbering of the works for viol consort has departed for several reasons from
that of Meyer; it conforms with the numbering decided on by the Societys editors for the
VdGS/Faber series of publications. However, Meyer numbers are quoted for ease of
cross-reference wherever they exist.
Our numbering of airs and suites follows the numberings of Ashbee and, where
appropriate, Field. As a consequence, the airs are separated into two-, three- and four-
part collections; the indication of correspondence between these collections is facilitated
by the use of the following internal prefixes:
A/2/... = No. ... in the 2-part series (Tr B).
A/5/... = No. ... in the 5-part series (Tr Tr B).
A/3T/... = No. ... in the 3-part series (Tr T B).
A/4/... = No. ... in the group of 52 four-part airs.
For example, as may be verified, A/3T/S = A/2/16 and A/4/37.
The identification of Jenkinss autograph follows the suggestions and findings of
Ashbee, Lefkowitz and Willetts; these are particularly helpful in the case of the bass viol
works in GB-Lcm 921, where Jenkins evidently means what it says.
The re-emergence of D-Hs ND VI 3193 has confirmed the attribution to Jenkins of
the ten sets for three trebles and bass on page 19.
JENKINS-1
John Jenkins
510
Saraband efdef tuning
Formerly at no. 205. The first four bars are identical with 205, but the remainder differs.
January 2009 JENKINS-74a
Robert JOHNSON
September 2005 JOHNSONS-3
Fantasia
for
3 trebles
ffhfh
14
The
Princes
US-LAuc fF1995M4, No. 18
GB-Lam MS 600 f.76' anon ffhfh
GB-Cfm MSS E13-17 part 2 no 5: a6:
R. J. Almand
also GB-Lbl, Add. MS 63852, f. 90'inv: 2
defhf A, and f.37:2 kbd and ex-Anon 6512
KERLL, Johann Kaspar (1627-1693)
[Sonata] for two violins and bass
F-Pn, Rs Vm7 673, no. 12
F CS-KRa, 4:52
Exercitum Musicum, no. 8
Sonata S-Uu, imhs 4:5
g
2 violins, viola da gamba, bc
William KING
1. Almaine
before the song
2. Ayre
3. [Galliard]
4. [Air]
5. [Galliard]
2003 KING-1
GB-Ob,
Mus. Sch.
E.447-9
f./seq.
33v/1
34r/2
34v/3
35r/4
35v/5
KNP, Lder (d.1665)
VdGS No.
1. Ballet
2. Saraband
3. Ballet
4. Corant
5. Ballet
6. Corant
7. Ballet
8. Saraband
9. Ballet
10. Corant
11. Ballet
12. Corant
February 2008 KNOP-1
G
B
-
L
b
l
,
A
d
d
.
M
S
3
1
4
3
8
no./
fol.
1/82v
2/82v
3/82v
4/83r
5/83r
6/83r
7/83v
8/83v
9/83v
10/83v
11/83v
12/84r
KRIEGER, Johannn Philipp (1649-1725)
XII Suonate, op. 2 for violin, viola da gamba and continuo (Nuremberg, 1693)
all published in DTB (New) vol. 8 (1986)
1 C
2 d
3 e
4 F
5 G
6 a
7 Bb
8 g
9 g
10 A
11 D
12 D
KRIEGER-1
January 2007
KRIEGER, Johann Philipp
[Sonata] for two violins and bass/bc
F-Pn, Rs Vm
7
673, no. 133
Sonata for 2 violins, viola da braccio, bassoon, bc
a4
S-Uu, imhs 4:9
January 2009 KRIEGER-2
Johann KROSCH (GROSCHE)
(fl. 1599-1607)
four-part consorts (published LPM)
VdGS No.
1. Courant
2. Courant
3. Courant
2004 KROSCH-1
T
S
I
M
P
S
O
N
1
6
2
1
no.
15
25
26
WILLIAM LAWES
(1602-1645)
These pages set out all the chamber music for bowed strings of William Lawes that is
known to us. -
The principal work done on Lawes is that by Lefkowitz (e.g. LAWES L1), Field
(CONSORTS F) and Pinto (e.g. LAWES P3).
To an extent not met with in Jenkinss music, the miscellaneous airs, in many different
settings, overlap with the main collections such as the five-part, six-part and Harp
consorts. With Jenkins, the few airs which appear in different collections have been
allowed to remain there, linked by suitable cross-references; with Lawes, each air
appears once only, in what is deemed to be the most appropriate place.
Moreover, all the works are numbered serially throughout the Index, starting with the
principal collections and finishing with the miscellaneous airs, and each piece has a
unique air number for easy reference. For example, The Air from the five-part
Consort in F identifies a particular setting; however, if only the tuneregardless of
key or settingis under consideration, Air 80 quickly locates it. Nevertheless, such a
procedure has obscured the grouping of several well-defined sets of airs; to make up
for this, the following list, which shows the organisation of some apparently-popular
four-part sets, is offered:
GB-Ob MSS Mus Sch E.4316 and F.5689
Set in g: Pav 101, Air 103, Cor 338, Air 70, Cor 339.
Set in G: Pav 79, Air 320, Air 80, Cor 322.
GB-Lbl Add MSS 40657-61
Set in g: Air-fant 336, Air 337, Air 103, Cor 339.
The following list shows the various names by which the Royall Consort and its
subdivisions were known:
Source Name Given to Suites
C The Royall Consort 1-10
D The Royall Consort 1-6
F Flat Ayres; Sharp Ayres 1-3; 4-6
G The Royall Consort 1-6
H Mr W.L. his Consort 7-10
H Mr Lawes his Great Consort 1-10
K Mr William Lawes Royall Consort 1-3 etc.
Lack of space has made difficulties in showing some modern editions: Royall Consort
(Old and New versions) =LAWES P6a and 6b; Complete three-part airs = LAWES D2
LAWES-1
LILIUS, Franciszek (Francis Lily)
(d.1657)
Sonata a
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
61/105
LILIUS-1 January 2009
violin, viola da gamba, bc
John LILLIE
fdefh continued
VdGS No.
35. Almaine
36. Almaine
37. Corranto
January 2009 LILLIE-3
G
B
-
E
n
,
P
6
3
7
R
7
8
7
.
1
f./seq.
16r/38
16v/39
17r/40
MATTHEW LOCKE
(1622-1677)
The standard works on Locke are by Harding (LOCKE H, reviewed in Chelys 5
(1971) p.25), Tilmouth (LOCKE T1, reviewed in Chelys 4 (1972) p.58, and LOCKE
T2), and by Lefkowitz in LOCKE L.
When cataloguing Lockes Airs, the temptation is to be drawn too far from this
Indexs proper scope, into the generality of the theatrical music. A line has therefore
been drawn around the repertoire presented in LOCKE T1, namely, the main
collections: For Several Friends, the bass viol duos, the Little Consort, the Flat
Consort, the Broken Consort, the Concert of Four Parts, and the Oxford Suite, also the
Almand for solo bass viol and the two canons. Details of the theatrical airs are readily
accessible, if needed, in LOCKE H.
LOCKE H and LOCKE T1 present a choice of numberings. Since LOCKE T1 is
the authoritative published text of the music, its numbering of the Suites (sets
herein) has been adopted, even though it differs in places from the grouping in the
sources. Individual pieces, as the index pages clearly show, were numbered in most
sources with a considerable degree of accord; this numbering has been used in
preference to the lower-case letters (which are nevertheless quoted for cross-
reference) in LOCKE T1. Hardings system of numbering, which more nearly
conforms to the grouping in the sources, is given for cross-reference, the numbers
being prefixed by H. when abbreviation is necessary.
Additional notes on sources:
GB-Lbl, Add MSS 10444-5: see LE STRANGE W2.
GB-Mch MS Mun A.2.6: See Chelys 5 (19734) p.78.
Ob MSS Mus Sch D.235-6: as elsewhere, listed in detail so as to make plain
the organisation of the set. The apparent reason why the Flat Consort peters
out in the manner shown is that it runs up against music coming the other way
in the books reversed.
US-NYp MS Drexel 5061: microfilm C.13 at GB-Cpl.
US-NYp MS Drexel 3976: microfilm C.11 at GB-Cpl, identified there as
MS Drexel 1355.
LOCKE-1
JEAN-BAPTISTE LULLY
(1632-1687)
Airs in C Major a3
VdGS No.
C1.
C2.
C3. 4th part added
C4.
February 2008 LULLY-3
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
15v/1
15v/2
16r/3
16v/4
THOMAS LUPO
1571-1628
Jenningss investigations, in LUPO J1 and LUPO J2, of the Lupo family, brought to light
several contenders for the honour of having composed the viol consort music which
survives in Thomas Lupos name.
Thomas Lupo (senior) was the son of Joseph Lupo; he was a court musician from 1590
and composer for the violins from 1621; after his death in 1628 his son, Theophilus Lupo,
took his place as court musician. Thomas Lupo (junior) was a cousin, being the son of Peter
Lupo, who was a brother of Joseph.
Jennings attributed all the consort music to Thomas Lupo (senior).
Among the three-part works, several dances, mainly almaines, are labelled as fantasies;
they are written in a light style, apparently for two violins and bass viol.
Among the three-part works are found pieces for three equal instruments - this is a rare
instance. Those for trebles and tenors are transpositions of the same work; the one for three
basses is a different fantasy.
Among the four-part works are a few pieces labelled fantasy, but these are rather of the
nature of airs.
Among the five-part works are several for two basses, not represented in Tregians score.
A few five- and six-part fantasies embody florid division parts.
LUPO-1
Matthus MAERKER
Five-part consorts published Moeck MMP
V and VI
VdGS No.
1. Paduana
2. Galliard
3. Paduana
4. Galliard
5. Paduana
6. Galliard
7. Paduana
8. Galliard
9. Paduana
10. Galliard
2004 MAERKER-1
F
U
L
L
S
A
C
K
1
6
0
7
H
I
L
D
E
B
R
A
N
D
1
6
0
9
no.
XII/I
XII/ii
no.
V/I
V/ii
IX/I
IX/ii
XIII/I
XIII/ii
XV/I
XV/ii
MAJEST:, Caesar
[Emperor Ferdinand III?]
Aria
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
43/64
MAJESTY-1 January 2009
violin, viola da gamba, bc
MARIN
MARAIS
(1656-1728)
Indexing Marals means, chiefly, listing the contents of the five books of Pices de Viole
which, with facsimiles and modern editions available, have been well known for many years.
It also illustrates the existence of anthologies made from and outside the Pices de Viole, and
collates their sources, some of them less well known, of which the following is a summary:
GB-DRc MS A.27. Copies by Prebendary Philip Falle (1556-1742), as described by
Urquhart in FALLE U.
GB-En MSS 9465-7 (formerly Panmure MSS 21-23: see Cadell in PANMURE C). Copies
of many Pices de Viole, and of many additional items (for which see pages MARAIS-36 to
39). In the Folies, II
e
Livre, VdGS (Hsu) No. 20, Panmure, like II
e
Livre, has 15 Couplets, but
these differ towards the end; moreover, Panmure has 14 additional unpublished Couplets.
Many of the additional Panmure pieces are not individually attributed; however, the three
MSS form an integral set, and the legend on the cover of MS 9465 (Panmure 21) Pices de
viole de Mr Marais - helps to authenticate the attribution to Marais of the whole set.
F-Pn Vm
7
6275 and Vm
7
1107. These are MS copies, made by Jean-Pierre de Villeneuve,
for 5-string pardessus de viole, of items liberally drawn from the Pices de Viole, as explained
in detail, with source-tables, by Miloradovitch in MARAIS M. One or two doubles, and one
piece La Siamoise do not appear in the five books.
Receull dAirs (Nevers, 1763), in private hands, and F-Pn Vmc 85 (Ex Libris Le Blanc) are
both identified by Miloradovitch (see p. 66 of MARAIS N), as sources containing copies of
works, by Marais and others, for pardessus de viole, but their contents are not listed.
corcheville. Pieces listed by corcheville in PARIS E include a few items in sources
other than the five books; most of them concord with pieces in the five books, but
corcheville does not list the concordances. The sources are F-Pn Vm
7
1107 (2 pieces), and
the following 18th-century MSS: 4866 (flute) (6 pieces), 4867 (solo violin) (2 or 3 pieces) and
4872 (keyboard) (1 piece).
Pices en trio (MARAIS 1692) are not listed on this occasion.
Numbering. Where original numbering exists it has been adopted, as in the principal
modern editions. I
er
Livre is the only one of the five books to have no original piece-
numbering; V
e
Livre is the only one of the five to have original suite numbering. Otherwise
the numbering is editorial. The Additional Pieces beginning on page MARAIS- 36 are
numbered editorially, beginning at 151, so as to avoid confusion with the numbering of the
five books and to facilitate quotation without qualification.
Publications. Between Caldwell, Ebner and Minkoff, the facsimile reproduction of the
printed books (including La Gamme and the Pices en Trio) is more than achieved. Modern
editions: Hsu, with Broude Bros., (MARAIS H): all the Pices de Viole. Charbonnier
(MARAIS C) and Kinney (MARAIS K) have contributed modern editions of some of the
Pices de Viole.
The help given by Anne Cross in collating all this material is much appreciated.
MARAIS-1
Thomas MAYLARD
Musician known to Pepys; also served Oliver Cromwell
VdGS No.
1. Almaine
2. Almaine
3. Corant
7th Instalment 2002 MAYLARD-1
G
B
-
O
b
,
M
u
s
.
S
c
h
.
D
.
2
0
0
(
b
a
s
s
o
n
l
y
)
p./no.
119/70
119/71
119/72
GB-Lbl, Add. 10,444, Section 1, no. 15
Maynards Almaine (treble and bass)
August 2007 MAYNARD-1
MAYR, Rupert Ignaz (1646-1712)
Sonata for two violins and continuo
F-Pn, Rs Vm
7
673, no. 136
(Ignatio Maer)
January 2009 MAYR-1
Thomas MUDDE [II] (d.1667)
Airs for two trebles, bass and continuo
VdGS No.
1. Ayre
2. Almain
3. Corant
4. Echo
5. Saraband
6. Corant
7 Ayre
8. Ayre
9. Echo
10. Saraband
2004 MUDDE T-1
G
B
-
L
b
l
,
A
d
d
.
M
S
1
8
9
4
0
-
4
f.
4r:1
4r:2
4v:1
4v:2
4v:3
5r:1
5r:2
5v
6r:1
6r:2
NICOLAI, Johann Michael
Sonata
Violin, viola da gamba (*bassoon)
Sonata D-W, Cod. Guelf. 34.7 Aug 2
o
, no.
36, p. 44
Violin, viola da gamba
Sonata D-W, Cod. Guelf. 34.7 Aug 2
o
, no.
83, p. 167
2 vln, viola da gamba, bassoon
Sonata D-W, Cod. Guelf. 34.7 Aug 2
o
, no.
103, p. 219
2 vln, 3 vla da braccio, violone
2 violins and viola da gamba
[Sonata] vln, 2 vla da braccio, viola da gamba
(vla 1)
[Sonata]
January 2009 NICOLAI-2
GB-HAdolmetsch, MS II.c.25, no. 32 (anon.)
GB-Lbl, Add. 31423, f.221v (anon.)
F-Pn, Res Vm
7
673, no. 73
*D-W, Cod. Guelf. 34.7.Aug 2
o
, p. 42, no. 35
F-Pn, Res Vm
7
673, no. 21
F-Pn, Res Vm
7
673, no. 25
F-Pn, Res Vm
7
673, no. 82
Sonata
Sonata
[Sonata]
F-Pn, Res Vm
7
673, no. 105
F-Pn, Res Vm
7
673, no. 106
(vln and vla 2 only)
OSWALD, Andreas
(Uswalt) dates unknown
Ex Anon 842
1. Sonata e
2. Sonata D
3. Sonata A
4. Sonata D
5. Aria d
variata
6. Sonata A
7. Sonata D
8. Sonata C
9. Sonata D
10. Sonata D
violin and bc
violin, viola da gamba, bc
D-W,
Cod. Guelf
34.7.
Aug. 2
o
no./p.
4/5
6/17
45/68
49/76
54/88
60/102
62/108
71/131
109/256
111/261
scordatura
OSWALD-1 January 2009
two violins, bc
F-Pn,
Rs
Vm
7
673
no.
30
A
violin, viola da braccio, viola da gamba, bc
violin, trombone, bassoon, bc
OSWALD (Uswalt), Andreas
dates unknown
11. Sonata G
12. Sonata D
13. Sonata F
14. Sonata e
15. Sonata d
16. Sonata D
two violins, viola da gamba, bc
violin, trombone viola da gamba, bc
D-W,
Cod. Guelf
34.7.
Aug. 2
o
no./p.
68/121
112/264
70/128
113/266
81/160
OSWALD-2 January 2009
S-Uu
IMhs
9:6
(gamba)
violin, 2 viola da braccio, bassoon, bc
3 violins, bc
OSWALD, Andreas junior
It is presumed he is a different person
from Andreas Oswald [I], but
evidence is lacking.
Sonata G
Sonata a
violin, viola da gamba, bc
violin, viola da gamba or trombone, bc
D-W,
Cod. Guelf
34.7.
Aug. 2
o
no./p.
48/74
52/85
OSWALD-3
January 2009
PAISIBLE, James (d.1721)
(d.1688) Theatre composer (wind player)
Airs in G minor a3
VdGS No.
g1.
g2.
g3.
g4.
g5.
g6. RoundO
g7.
g8. RoundO
g9.
g10.
g11.
February 2008 PAISIBLE-1
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
8v/1
9r/2
9r/3
9v/4
9v/5
10r/6
10v/7
10v/8
11r/9
11v/10
12r/11
PAISIBLE, James (d.1721)
(d.1688) Theatre composer (wind player)
Airs in G minor a3
VdGS No.
g12. Brawles
g13. [Brawle]
g14. [Brawle]
g15. [Brawle]
g16. [Brawle]
g17. [Brawle]
g18. [Brawle]
g19. [Brawle]
g20.
g21.
g22.
February 2008 PAISIBLE-2
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
12v/1
13r/2
13v/3
13v/4
14r/5
14r/6
14v/7
14v/8
23v/10
24r/11
24v/12
PAISIBLE, James (d.1721)
(d.1688) Theatre composer (wind player)
Airs in G major a3
VdGS No.
G1.
G2. RoundO
G3.
G4. RoundO
G5.
February 2008 PAISIBLE-3
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
20v/1
21r/2
21v/3
21v/4
22r/5
PAISIBLE, James (d.1721)
(d.1688) Theatre composer (wind player)
Airs in D Minor a3
VdGS No.
d1.
d2.
February 2008 PAISIBLE-4
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
22v/6
22v/7
PAISIBLE, James (d.1721)
(d.1688) Theatre composer (wind player)
Airs in F Major a3
VdGS No.
F1.
F2.
February 2008 PAISIBLE-5
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
23r/8
23v/9
Mogens PEDERSN Magno Petreio
Both published in CAMBRIDGE P
PEDERSN-01
July 2004
Arthur PHILLIPS Organist to Henrietta Maria; also at Magdalen
College, Oxford, and Professor of Music at Oxford:
VdGS No. 1639-1656.
1. Almain
2. Corant
3. Saraband
4. Pavan
5. [Air]
6. [Air]
7. [Almain]
8. [Corant]
9. [Fanfare]
2004 PHILLIPS A-1
GB-
Ob
E.447-
9
GB-
Och
1022
f./seq. no.
87
88
89
29v/1
30r/2
30v/3
31v/4
31v/5
32v/6
Sebastian LAPIERRE
Dancing master at the English Court, 1611-1642
1. Ayre GB-Ob, MS Mus. Sch. D.220
p. 39, no. 34
2. Corant p. 169, no. 62
7th Instalment 2002 LA PIERRE-1
PISCATOR, George
(fl. 1610-1635)
Sonata a
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
105/230
PISCATOR-1 January 2009
2 cornetts, 2 violins, 3 trombones, bc
POHLE, David
(1624-1695)
Sonata G
Sonata d
Sonata C
Sonata A attrib. D. P.
[=Nun danket]
D-W,
Cod.
Guelf.
34.7.
Aug 2
o
no./p.
74/137
79/154
82/164
POHLE-1 January 2009
2 violins, viola da braccio, bc
2 violins, viola da gamba, violone, bc
gamba [part III]
gamba [part III]
2 [scordatura] violins, bc
no.
24*
F-Pn,
Rs
Vm
7
673
RICHARD, Balthasar (c.1600-after 1660)
Sonata for violin and continuo
F-Pn, Rs Vm
7
673, no. 78a
[Richardo]
Sonata for two violins, viola da gamba and bc
GB-HAdolmetsch, II.c.25, no. 21
[Anon.]
GB-Lbl, Add. 31423, f. 216v
[Balthasar Richardt]
Sonata for two violins, viola da gamba and bc [see also ZAMPONI]
B-Bc, XY 29,410, no. 2
[in A; Zamponi]
F-Pn, Rs Vm
7
673, no. 63 [Anon.]
GB-HAdolmetsch, II.c.25, no. 2
[Balthasar Richardt]
January 2009 RICHARD-1
ROSENMLLER, Johann (c.1619-1684)
2 vlns, viola da gamba and bc
Sonata GB-HAdolmetsch
II.c.25, no. 4 (Rosemulden
1666)
Sonate da camera (1667) for two violins, two violettas and continuo [reduced to three
parts by omitting the violettas. The first movement only is copied]
no. 2 F-Pn, Rs Vm
7
673, no. 100
no. 11 F-Pn, Rs Vm
7
673, no. 102
no. 6 F-Pn, Rs Vm
7
673, no. 120
January 2009 ROSENMULLER-1
ROSIER, Carl (1640-1725)
Sonata for two violins and continuo
F-Pn, Rs Vm7 673, no. 32
Sonata for violin and viola da gamba with continuo
F-Pn, Rs Vm7 673, no. 144
A. S.
See Ambrosius Scherle
Solo in B-flat, viola da gamba,
continuo
D-B, Am.B. 499/5
Duet in d, 2 viola da gambas
D-B, Am.B. 498 (Hesse and
Schaffrath)
Trio in G, viola da gamba, cembalo
D-B, Am.B 581
Trio in A, viola da gamba, cembalo
D-B, Am.B. 497/17
SCHAFFRATH, Christoph (1709-1763)
For more details see GERMANY OL
SCHAFFRATH-1
June 2011
Johann (Giovanni) SCHENCK (c.1660-c.1712)
SCHENCK L contains a useful summary, by Luttman, of Schencks music.
SCHENCK [1703], of which a copy is held at GB-Cfm, is entitled Select Lessons
for the Bass Viol/of Two Parts/Collected by our Best Viollists out of the works of that
great Master/GIOVANNI SCHENCK... (GB-Cfm MU MS 882).
There are 31 pieces, for basso continuo only, lacking solo part(s). Mention of Two
Parts apparently led to an assumption that the Bc parts are from the only collection of
Schencks that was specifically designated for two viols, namely Op 8: Le Nymphe de
Rheno. They are thus quoted in GROVE and HOG.
However, from information kindly collected by Derek Davidson, it was found that
none of the pieces concorded in any particular with Op 8, but that all of them did
concord with pieces in Op. 6, Scherzi Musicali, these being (in Op. 6, as shown in the
index pages): Nos 38-43; 11-13; 15-17; 44-45; 47-48; 21-24; 26; 51-55; 58; 60-62;
64.
Some of the selections consisted of the omission of second gigues, and the isolation
of chaconnes. The two parts must have been Op. 6s solo and continuo viol parts.
SCHENCK-1
Johann SCHENCK
Two Sonatas for Solo Bass Viol from A-Wn, Codex 16598
(Both published in Das Erbe Deutscher Musik, 67)
Sonata IV Adagio-Allegro; Aria; Aria;
Adagio; Tempo di gavotte;
Adagio; Allegro; Giga
Sonata V Adagio; Allegro; Allemand;
Courant; Giga; Aria; Aria Burlesca
April 2008 SCHENCK-17
All[emande]
Amb
It is suggested that A. S. is Ambrosius Scherle, a viol player at the Brandenburg
court 1621-1646 and Amb is a contraction of his forename. See
http://igor.gold.ac.uk/~mas01tc/web/ttc/RoweBaryton.html#RoweBarytonRef
October 2007 Scherle-1
(89)
SCHMELZER, Johann Heinrich
Sacro-Profanus Concentus Musicus (Nuremberg, 1662) [DT cxi-cxii (1965)]
key
Sonata 1 C
Sonata 2 d
Sonata 3 C
Sonata 4 a
Sonata 5 g
Sonata 6 d
Sonata 7 D
Sonata 8 G
Sonata 9 d
Sonata 10 D
Sonata 11 F
Sonata 12
a8 2 trumpets,2 vlns, 4 gambas, Bc
a6 Corn. & Tromb. 1-3, or vln, gambas
1-3, Bc
a6 2 vlns, 4 gambas, Bc
a6 2 vlns, 4 gambas, Bc
a6 2 vlns, 4 gambas, Bc
a6 2 vlns, 4 gambas, Bc
a5 2 vlns, 3 gambas
a5 2 vlns, 3 gambas
a5 2 vlns, 3 gambas
a4 vln, 3 gambas
a4 vln, 3 gambas
Wind instruments
SCHMELZER-3
January 2009
S-Uu
MSS
58:10
58:13
SCHMELZER, Johann Heinrich
key
64/113
Sonata a
Sonata d
Sonata d
Saraband
variata D
Sonata a
Sonata F
Sonata e
Sonata g
Sonata G
Sonata G
January 2009
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
3
G
B
-
H
A
d
o
l
m
e
t
s
c
h
,
I
I
.
c
.
2
5
f.
226r
222r
no.
14
31
no
4
G
B
-
D
R
c
,
D
5
violin, viola da gamba and continuo
violin and continuo
2 violins and continuo
2 violins, viola da gamba and continuo
S-Uu
IMhs
SCHMELZER-4
8:6
58:7
8:18
8:4
8:13
8:5
8:8
8:11
8:12
D-W,
Cod.
Guelf.
34.7
Aug 2
o
no./p.
43/64
attrib.
Caesar
Majest.
SCHMELZER, Johann Heinrich
key
* amended from
Bertali
Sonata G
Sonata A
Sonata C
Sonata e
Sonata d
Sonata F
January 2009
S
-
U
u
,
I
M
h
s
D
-
W
,
C
o
d
.
G
u
e
l
f
.
3
4
.
7
A
u
g
2
o
8:14
8:9*
8:2.03
&
8:21
8:10
no./p.
40/54
41/57
2 violins, viola da gamba and continuo (a3)
SCHMELZER-5
2 violins, viola da braccio/viola da gamba, viola da gamba
and continuo (a4)
violin, 4 viole and continuo (a5)
violin, viola da gamba, bc
2 violins, bc
SCHNITTELBACH, Nathanael
(1633-1667)
Violin and bc
Sonata D-W, Cod. Guelf. 34.7. Aug 2
o
,
no. 7, p. 20
Violin, viola da gamba, bc
HAdolmetsch, II.c.25, no. 1
Sonata DRc, D2, seq. (8)
January 2009 SCHNITTELBACH-1
Jacob SCHULTZ
FLLSACK 1607, no. I/ii
1. Galliard Written to pair with Paduana
I/i by Melchior Borchgreving
FLLSACK 1607, no. VIII/ii
2. Galliard Paired with Paduana VIII/i by
Thomas Mons.
7th Instalment 2002 SCHULTZ-1
Mr SHEPPIE
VdGS No.
GB-Ob, MS Mus. Sch. D.220
(bass only)
1. Almaine p. 121, no. 81
2. Aire p. 122, no. 85
7th Instalment 2002 SHEPPIE-1
CHRISTOPHER SIMPSON
(c.1604-1669)
For some years the principal work on Simpson comprised that of Meredith (see
SIMPSON M) and Richards (see BASS R). This has been supplemented more
recently by Urquharts studies of autographs of Simpson which are now considered to
include:
GB-T MS 390 (printers copy for the Compendium).
GB-Och MS 1183, f.28, annotations and music hand of a set of divisions, for treble
and bass, VdGS No.5.
B-Bc MS Litt. XY 24,910, playing parts of The Seasons, without continuo but
otherwise complete.
Details of MSS in private hands were kindly contributed by Ian Harwood. One of
them is a single bass part of 23 two-part airs by Simpson; its existence has prompted
the constitution of a separate list of two-part airs, despite the many correspondences -
details of which are tabulated - with the three-part airs and the Little Consort.
A feature peculiar to the division viol repertoire is the proliferation of copies of The
Division Viol into the back of which were bound leaves of manuscript paper bearing
sets of divisions by numerous composers. The practice is testimony to Simpsons
acknowledged eminence in the field; it undoubtedly ensured the survival of many
papers which otherwise might have taken the air in kites, as North put it. One such
Simpson, at US-Cn, has in its MS leaves some sets of divisions which correspond,
not to other bass viol settings, but to those in Playfords The Division Violin.
1980, rev. 1989 SIMPSON-1
SIMPSON, Christopher
Miniatures and exercises for bass viol
David Pinto has pointed out that the 1667 edition of Simpsons The Division-Viol in-
cludes a page of miniatures and exercises on page [62] (the verso after the final page of
text). These are indexed below.
1.
.
2.
3.
4.
5.
6.
7.
8.
September 2007 SIMPSON.C-11
THOMAS SIMPSON
Opusculum Neuwer Pauanen (Hamburg, 1610)
Consorts in Five Parts
VdGS No.
20 I Pavan
21 II Galliard
III Pavan by John Dowland, VdGS No. 2 (q.v.)
22 IV Galliard
23 V Pavan Sachevils dolorosi
24 VI Galliard
VII Pavan by Thomas Tomkins, VdGS No. 6 a5 (q.v.)
25 VIII Galliard
26 IX Pavan
27 X Galliard
XI Pavan by John Dowland, VdGS No. [22]
28 XII Galliard
XIII Pavan by John Farmer, VdGS No. 1
29 XIV Galliard
30 XV Lazers Pavan
31 XVI Galliard
XVII Pavan by John Farmer, VdGS No. 2
32 XVIII Galliard
33 XIX Pavan
34 XX Galliard
XXI Pavan by John Dowland, VdGS No. 10 (q.v.)
35 XXII Galliard
36 XXIII Pavan
37 XXIV Galliard
38 XXV Courante
39 XXVI Volta
40 XXVII Courante
41 XXVIII Volta
42 XXIX Courante
43 XXX Volta
2004 T. SIMPSON-2
THOMAS SIMPSON
Opus newer Paduanen, Galliarden, Intraden, Canzonen (Hamburg, 1617)
Consorts in five parts All published: Musica Rara
VdGS No.
44 I Paduana
45 II Intrada
46 III Ricercar
47 IV Canzon
48 V Courante
49 VI Courante
50 VII Volta
51 VIII Courante
52 IX Allmande
53 X Paduan
54 XI Galliard
55 XII Intrada
56 XIII Ballet
57 XIV Volta
58 XV Courante
59 XVI Volta
60 XVII Courante
61 XVIII Ballet: La mia Salome
62 XIX Almanda
63 XX Mascarada
64 XXI Bleyers Armbande (Nicolaus Bleyer, VdGS No. 1)
65 XXII Pasameza
2004 T. SIMPSON-5
Johann SOMMER (d. 1627)
Five-part consorts Published in Moeck
MMP V and VI
VdGS No.
1. Paduana
2. Paduana
3. Galliard
4. Paduana
5. Galliard
6. Paduana
7. Galliard
8. Paduana
9. Galliard
10. Paduana
11. Galliard
2004 SOMMER-1
F
U
L
L
S
A
C
K
1
6
0
7
H
I
L
D
E
B
R
A
N
D
1
6
0
9
no.
XIV/i
XVIII/
i
XXI/ii
XXII/i
XXII/
ii
XXIV/
i
XXIV/
ii
no.
XVI/i
XVI/ii
XVII/i
XVII/
ii
to pair with E. Harden
Galliard
to pair with J.
Dowland Galliard
to pair with E.
Johnson Pavan
Johann STEFFENS
(c.1569-1616)
Five-part consorts published in Moeck MMP VI
VdGS No.
1. Paduana
2. Galliard
3. Paduana
4. Galliard
5. Paduana
6. Paduana
7. Galliard
8. Paduana
9. Paduana
10. Galliard
2004
H
I
L
D
E
B
R
A
N
D
1
6
0
9
no.
I/i
I/ii
II/i
II/ii
X/i
XII/i
XII/ii
XIV/i
XVIII/
i
XVIII/
ii
Pair for Bateman Galliard
VdGS No. 1
Pair for Bateman Galliard,
VdGS No. 2
STEFFENS-1
STEFFKENS and HOTMAN
Dietrich Steffkens and Nicolas Hotman qualify for mention in the same breath, on
three counts. Firstly, they are intimately connected in the Goss MSS (A-ETgoss MSS
A to C). Secondly, it is to the same MSS that we owe our knowledge of far larger lists
of works, of both oomposers, than have ever been published before. Thirdly, Steffkens
and Hotman, well known to Constantijn Huygens, are mentioned, together with Walter
Rowe, in a single letter of Huygens, drawn to the compilers attention by Hirschfeld and
Vellekoop.
Steffkens works are presented here; Hotmans start on page HOTMAN-1.
From Huygens and other sources, it is clear that Steffkens signed his name in the
German style: Stoeffken. He was better known in the Anglicised version, Steffkens or
Steffkins, and, as Steffkens is the form mostly found in the Goss MSS, we have
adopted it. At the same time, to preserve the distinction between Dietrich and Frederick,
we have taken for Frederick the spelling Stepkins which is the one used by Falle in the
relevant MS.
In LYRA D, the possibility was floated that the principal hand in the Goss MSS
could well be that of Steffkens. However, Crawford and Holman consider it certain that
the small group of pieces from sequence no. (72) to no. (77) in Goss B (i.e. Airs 106,
104, 103, 102, 91, 92), four of which are attributed to Sto or Stoeffken, is in the
composers hand. If that is true, another contender must be found for Hand Q, and the
names of Huygens and Hotman readily suggest themselves as possibilities.
In LYRA D, also, the link between the Goss MSS and US-NYp MS Drexel 5551
(Ms leaves bound into the back of a copy of SIMPSON 1659), in relation to Airs 1-5
and 8-15, was noticed. Goss A is dated 19 Octobre 1664; the ten airs, present in both
sources, are marked in Drexel 3551 A suite of Mr Steffkins he gave me October yr.
1664. It remains desirable to know who owned Drexel 3551 at that time.
Numerous letters to and from Huygens testify to Steffkens presence in the
Netherlands at times between 1648 and 1659. Ashbee has located English public
records which indicate that Steffkens was in London c.1628-1642 and 1660-1673, and
we look to North (NORTH W p. 298) for confirmation of the friendship between
Steffkens and Jenkins, dating, perhaps, from those years.
STEFFKINS-1
STOSS, Johann
Sonatas for two violins and continuo
F-Pn, Rs Vm
7
673, no. 57
S-Uu, IMhs 8:24a and 8:24b
F-Pn, Rs Vm
7
673, no. 59
F-Pn, Rs Vm7 673, no. 83
F-Pn, Rs Vm7 673, no. 124
January 2009 STOSS-1
Richard Carter points out that the second division of Goss (116) is identical to Christopher Simpson
no. 125 (Hengrave Hall 77(1), no.4, p.82). Was Pater Switoni a code name for Simpson among his
Catholic associates?
April 2010 SWITONI-1
THOMAS TOMKINS
(15721656)
The latest (and very full) account of Tomkinss life and works is TOMKINS B. Comments
on the consort music are by Denis Stevens, revised from his earlier account in TOMKINS S.
The three-part works and three of the five-part pavans can be dated before 1659, when
John Merro died. Pavan 6, the very well known chromatic pavan, appears both in FWVB
and in Tregians score, and can be dated before 1619.
As some published editions of the three-part works have already employed Merros
numbering, this is adopted herein, in preference to separate lists of In Nomines and
fantasies. There seems little doubt that Fantasy 17 is by Tomkins, placed as it is with eleven
other anonymous but recognisable pieces by Tomkins, forming the entire contents of GB-
Och MSS 1018-20.
For recent studies of the instrumental works of Tomkins, see TOMKINS I1, I2 and I3.
John Irving has edited the complete consort music as MB 59.
Tomkins is remembered not only for his own work but for his ownership and use,
possibly for instruction, of an important keyboard and score book, GB-Add MS 29996; see
TOMKINS C and FERRABOSCO II D.
As noted under Gibbons, affinities exist between passages in Tomkins and passages in
Gibbons and Lawes.
August 2005 TOMKINS-1
TURNER, William (1651-1740)
(1632-1687)
Airs in C Major a3
VdGS No.
C1. RoundO
C2.
C3.
C4.
February 2008 TURNER-1
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
9
f./no.
16v/1
16v/2
17r/3
17v/4
UCCELLINI, Marco (1603-1680)
Sonatas for two violins and continuo
Op. 4, no. 15 F-Pn, Rs Vm7 673, no. 35
(Cassati)
Op. 4, no. 20 F-Pn, Rs Vm7 673, no. 64
(Casati)
Op. 4, no. 17 F-Pn, Rs Vm7 673, no. 66
(Casati)
Op. 5, no. 13 F-Pn, Rs Vm7 673, no. 92
January 2009 UCCELLINI-1
VALENTINI, Giovanni (c.1582-1649)
Aria for two violins and continuo
F-Pn, Rs Vm7 673, no. 18
(Valentini)
[Aria] for two violins and continuo
F-Pn, Rs Vm7 673, no. 33
(Io. Valentini)
Sonata for two violins and continuo
F-Pn, Rs Vm7 673, no. 22 (anon)
in five parts: D-Kl, 2o Mus 60f-y
(Giovanni Valentini)
Sonata for 5 instruments with violone [=a6]
D-W, Cod. Guelf. 34.7. Aug 2
o
no. 95, p. 192
Sonata for 2 violins, 2 viola da braccio, bassoon, bc
D-W, Cod. Guelf. 34.7. Aug 2
o
no. 99, p. 203
January 2009 VALENTINI-1
Jean de la VOLLE
fl.1660s. Composer and French musician
at the court of Charles II.
VdGS No. Trios for Tr Tr B
1. Prelude
2. Pavan-
Allemand
3. Allemand
4. Allemand
5. Chicone
6. Saraband
7. Prelude
8. Allemand
9. Air
10. Allemand
11. Gigue
12. Symphonia
13. Boure
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
,
f
f
.
8
5
-
1
1
2
G
B
-
O
c
h
,
M
u
s
.
1
0
6
6
.
T
r
e
b
l
e
o
n
l
y
no.
1
2
3
4
5
6
7
8
9
10
11
12
13
no.
7
8
4
5
28
12
Ap
13
Ap
14
15
20
22
29
26
Treble I parts in Bc, XY
24910 are Treble II in
Add. 31424. Those
shown conform with Bc,
XY 24910 and often the
leading part is used for
this Index. In Add.
31424 most of these
pieces are ascribed to
L.V and it is assumed
that all the remainder
(Ap) are also by de la
Volle.
B
-
B
c
,
M
S
L
i
t
t
X
Y
,
2
4
9
1
0
f.
15v
A
15v
A
16v
A
May 2008 VOLLE-1
T
R
E
B
L
E
O
N
L
Y
Jean de la VOLLE
fl.1660s. Composer and French musician
at the court of Charles II.
VdGS No. Trios for Tr Tr B
14. Symphonia
15. Allemand
16. Chicona
17. Air
18. [Air]
19. Saraband
20. Allemand
21. Courant
22. Courant
23. Courant
24. Saraband
25. Allemand
26. Allemand
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
,
f
f
.
8
5
-
1
1
2
G
B
-
O
c
h
,
M
u
s
.
1
0
6
6
.
T
r
e
b
l
e
o
n
l
y
no.
14
15
16
17
18
19
no.
60
Ap
61
Ap
63
Ap
1
2
Ap
3
Ap
6
Ap
9
10
Ap
11
Treble I parts in Bc, XY
24910 are Treble II in
Add. 31424. Those
shown conform with Bc,
XY 24910 and often the
leading part is used for
this Index. In Add.
31424 most of these
pieces are ascribed to
L.V and it is assumed
that all the remainder
(Ap) are also by de la
Volle.
B
-
B
c
,
M
S
L
i
t
t
X
Y
,
2
4
9
1
0
f.
13v
A
14r
A
14v
A
May 2008 VOLLE-2
T
R
E
B
L
E
O
N
L
Y
Jean de la VOLLE
fl.1660s. Composer and French musician
at the court of Charles II.
VdGS No. Trios for Tr Tr B
27. Suite
28. Courant
29. Courant
30. Saraband
31. Saraband
32. Sinfonie
33. Allemand
34. Prelude
35. Allemand
36. Courant
37. Saraband
38. Prelude
39. Allemand
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
,
f
f
.
8
5
-
1
1
2
G
B
-
O
c
h
,
M
u
s
.
1
0
6
6
.
T
r
e
b
l
e
o
n
l
y
no.
20
21
22
23
24
25
26
27
no.
21
23
24
25
27
48
49
47
50
51
52
Ap
30
31
Treble I parts in Bc, XY
24910 are Treble II in
Add. 31424. Those
shown conform with Bc,
XY 24910 and often the
leading part is used for
this Index. In Add.
31424 most of these
pieces are ascribed to
L.V and it is assumed
that all the remainder
(Ap) are also by de la
Volle.
B
-
B
c
,
M
S
L
i
t
t
X
Y
,
2
4
9
1
0
f.
16v
A
17r
A
18v
A
May 2008 VOLLE-3
T
R
E
B
L
E
O
N
L
Y
Jean de la VOLLE
fl.1660s. Composer and French musician
at the court of Charles II.
VdGS No. Trios for Tr Tr B
40. Allemand
41. Fantazia
42. Courant
43. Saraband
44. Branle
45. Galliard
46. Allemand see no. 59
47. Allemand
48. Ballet see no. 60
49. Allemand *one treble only
50. Saraband
51. Allemand
52. Saraband
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
,
f
f
.
8
5
-
1
1
2
G
B
-
O
c
h
,
M
u
s
.
1
0
6
6
.
T
r
e
b
l
e
o
n
l
y
no.
27
28
29
30
31
32
33
34
35
36*
37
38
39
no.
36
35
32
34
37
44
39
43
40
42
45
46
Treble I parts in Bc, XY
24910 are Treble II in
Add. 31424. Those
shown conform with Bc,
XY 24910 and often the
leading part is used for
this Index. In Add.
31424 most of these
pieces are ascribed to
L.V and it is assumed
that all the remainder
(Ap) are also by de la
Volle.
B
-
B
c
,
M
S
L
i
t
t
X
Y
,
2
4
9
1
0
f.
18v
A
May 2008 VOLLE-4
T
R
E
B
L
E
O
N
L
Y
Jean de la VOLLE
fl.1660s. Composer and French musician
at the court of Charles II.
VdGS No. Trios for Tr Tr B
53. Gigue
54. Caprice
55. Courant
56. Sinfonia
57. Saraband
58. Courant
59. Allemand no. 33 transposed
60. Ballet no. 35 transposed
61. La
Bergerette
62. Saraband
63. Gigue
64. Gavot
65. [Allemand]
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
,
f
f
.
8
5
-
1
1
2
G
B
-
O
c
h
,
M
u
s
.
1
0
6
6
.
T
r
e
b
l
e
o
n
l
y
no.
40
41
no.
33
38
Ap
41
53
Ap
54
Ap
55
Ap
56
Ap
57
Ap
58
Ap
59
Ap
62
Ap
64
Ap
Treble I parts in Bc, XY
24910 are Treble II in
Add. 31424. Those
shown conform with Bc,
XY 24910 and often the
leading part is used for
this Index. In Add.
31424 most of these
pieces are ascribed to
L.V and it is assumed
that all the remainder
(Ap) are also by de la
Volle.
B
-
B
c
,
M
S
L
i
t
t
X
Y
,
2
4
9
1
0
f.
19r
A
18r
A
14v
A
14r
A
9v
A
May 2008 VOLLE-5
T
R
E
B
L
E
O
N
L
Y
Jean de la VOLLE
fl.1660s. Composer and French musician
at the court of Charles II.
VdGS No. Trios for Tr Tr B
66. [Courant]
67. [Saraband]
68. [Courant]
69. [Saraband]
70. [Allemand]
71. [Courant]
72. [Saraband]
73. [Saraband]
74. [Courant]
75. [Sinfonia]
G
B
-
L
b
l
,
A
d
d
.
3
1
4
2
4
,
f
f
.
8
5
-
1
1
2
G
B
-
O
c
h
,
M
u
s
.
1
0
6
6
.
T
r
e
b
l
e
o
n
l
y
B
-
B
c
,
M
S
L
i
t
t
X
Y
,
2
4
9
1
0
f.
9v
A
10r
A
10v
A
10v
A
12v
A
12v
A
13r
A
13r
A
17v
A
19v
A
May 2008 VOLLE-6
T
R
E
B
L
E
O
N
L
Y
7. [Air] US-NYp, JOG 72-50, f. 19v
8. Air f. 19v
9. Jigg f. 19v [all attrib. F. W.]
May 2008 WITHY, F-1
WOOD, Mr
[not Anthony Wood] fl. c.1680.
Airs [Theatre suites?] for tr tr b
VdGS No.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13. (Keyboard)
A
d
d
.
3
1
4
2
9
f.
27v
28v
29r
29v
30r
30r
30v
30v
31r
31v
31v
32r
A
d
d
.
4
1
2
0
5
fol.
33v
GB-Lbl
February 2008 WOOD-1
WOOD, Mr
[not Anthony Wood] fl. c.1680.
Airs [Theatre suites?] for tr tr b
VdGS No.
14. June 1682
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
L
b
l
,
A
d
d
.
2
9
2
8
3
-
5
f.10v-/
no.
/1
/2
/3
/4
/5
/6
/7
/8
/9
/10
/11
/12
/13
April 2008 WOOD-2
WOOD, Mr
[not Anthony Wood] fl. c.1680.
Airs [Theatre suites?] for tr tr b
VdGS No.
27.
28.
29.
L
b
l
,
A
d
d
.
2
9
2
8
3
-
5
f.10v-/
no.
/14
/15
/16
April 2008 WOOD-3
WILLIAM YOUNG
(d.1662)
William Young is best known for his work done while in the service of the Archduke
of Austria, notably the printed set of Sonatas and Airs of 1653. Recently a second
print has been discovered containing the nine pieces for Treble, Tenor, Bass, and
Continuo, hitherto called fantasias, but styled Sonatas in the print (Innsbruck, 1659).
Receipt of later information since these pages were first drawn up has made necessary
some revision of our numbering, which where possible follows that of Richards, of
the bass viol pieces (see BASS R). At the end of the works for two bass viols:
RC 24 has been made No. 1 of the Solo Divisions.
RC 23 has been assigned to Butler and replaced by the former RC 30.
RC 25 has been assigned to Jenkins (RC 63).
RC 26-29, four solo dances, now appear as Prelude 16, Allemande 19, Courante 20
and Sarabande 18 of the 30 airs for solo bass viol.
Stephen Morris is currently engaged on a dissertation about Youngs life and works,
and we are very grateful to him for much help, not least his catalogue of Youngs
compositions. M numbers refer to the Morris Catalogue (in progress).
It is now believed that William Young of Austria composed all the music ascribed to
Young in English manuscripts and that the eponymous wind player at the English
Court (d.1671) can be disregarded as a possible composer of any of them.
1980, rev. 1989, 2003 YOUNG-1
ZAMPONI, Gioseffo (d.1662)
Sonata for violin, viola da gamba and bc
GB-DRc, D2, no. 28 [B5tl2 = Butler]
GB-DRc, D5, no. 3 [Zamponi]
GB-DRc, D10, no. 29 [Sing
r
. blank]
GB-Lg, Gresham Mus. 369, f.91r inv.
[violin only]
Sonata for two violins, viola da gamba and bc
GB-HAdolmetsch, II.c.25, no. 2
[Balthazar Richart]
F-Pn, Rs Vm
7
673, no. 63 [Anon.]
B-Bc, XY 24,910 [Zamponi; in
key A]
Sonata for two violins, viola da gamba and bc
F-Pn, Rs Vm
7
673, no. 99
[Zamboni]
Sonata for violin, viola da gamba and bc
F-Pn, Rs Vm
7
673, no. 45 [Anon]
D-W, Cod. Guelf 34.7. Aug 2o, no.
50, p.79 [Sign: Schampon]
Capriccio in F-Pn
Many lost works
January 2009 ZAMPONI-1
ZUBER, Gregor (fl. 1633-1673)
Published Paduanen, Galliarden, Balletten, Couranten und Sarabanden a5 (Lbeck,
1649) and another similar collection for four instruments and continuo (Frankfurt am
Main, 1659). Both these are lost and his only surviving music is treble parts to dances,
apparently from these collections, in GB-Lbl, Add. MS 31438, as listed below.
VdGS No.
1. Allemand
2. Courant
3. Saraband
4. Ballet
5. Courant=Sar.
6. Ballet a5
7. Saraband
2 a5
8. Ballet a5
9. Courant
10. Mascharada
11. Saraband
12. Ballet
13. Saraband
January 2009
f.
50r
50r
50r
50v
50v
50v
51r
51r
51r
51v
51v
51v
52r
ZUBER-1
ZUBER, Gregor (fl. 1633-1673)
Published Paduanen, Galliarden, Balletten, Couranten und Sarabanden a5 (Lbeck,
1649) and another similar collection for four instruments and continuo (Frankfurt am
Main, 1659). Both these are lost and his only surviving music is treble parts to dances,
apparently from these collections, in GB-Lbl, Add. MS 31438, as listed below.
VdGS No.
14. [Allemand]
15. Saraband
16. [Saraband]
17. Saraband
18. Ballet
19. Balletto
20. Brandle
21. Saraband
22. [Almand]
23. Courant
24. Saraband
January 2009
f./no.
52r/14
52r/15
52v/16
52v/17
52v/18
75v/1
75v/2
75v/3
76r/4
76r/5
76v/6
ZUBER-2
Gregorius Zubern
1649 a5 Frankfurt am
Main 1660
ZUBER, Gregor (fl. 1633-1673)
Published Paduanen, Galliarden, Balletten, Couranten und Sarabanden a5 (Lbeck,
1649) and another similar collection for four instruments and continuo (Frankfurt am
Main, 1659). Both these are lost and his only surviving music is treble parts to dances,
apparently from these collections, in GB-Lbl, Add. MS 31438, as listed below.
VdGS No.
25. Saraband
26. Balletto
27. [Courant]
28. Saraband
29. Aria
30. [Almand]
31. [Courant]
32. Saraband
33. Aria
34. Ballet
35. Courant
January 2009
f./no.
76v/7
76v/8
77r/9
77r/10
77r/11
77v/12
77v/13
78r/14
78r/15
78r/16
78v/17
ZUBER-3

Trio in C, violin, viola da gamba,
violoncello

D-Dl, Mus. 3345-P-1
D-B, Klb 77 (Klingenberg)







Trio in D, violin, viola da gamba,
violoncello

D-Dl, Mus. 3345-P-1
D-B, KHM 5774 (bass only)
D-B, Klb 77 (Klingenberg)






Trio in F, violin, viola da gamba,
violoncello

D-Dl, Mus. 3345-P-1
D-B, Klb 77 (Klingenberg)
ZYKA, Joseph Benedikt (c.1730-1791)

For further information see GERMANY OL
June 2011 ZYKA-1

Trio in G, violin, viola da gamba,
violoncello

D-Dl, Mus. 3345-P-1
D-B, Klb 77 (Klingenberg)







Trio in A. Violin, viola da gamba,
violoncello

D-Dl, Mus. 3345-P-1
D-B, Klb 77 (Klingenberg)







Trio in B-flat. Violin, viola da gamba,
violoncello

D-Dl, Mus. 3345-P-1
D-B, Klb 77 (Klingenberg)






Another version: movement II; Adagio: movement III: violin, violoncello, unfigured bass
In D-B, KHM 5773

ZYKA, J. B.

For further information see GERMANY OL
June 2011 ZYKA-2