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This article 1st appeared in the G.F.A. magazine Soundboard, fall 1997. The piece is of great interest to both flamenco and classical guitar players. Considered very controversial, it challenges the notion of flamenco and classical guitars being different. Mr. Brune argues, quit succinctly, why the modern nylon string guitar was invented.
Enjoy!
Originaltitel
The Cultural Origins Of The Modern Guitar by R.E. Brune
This article 1st appeared in the G.F.A. magazine Soundboard, fall 1997. The piece is of great interest to both flamenco and classical guitar players. Considered very controversial, it challenges the notion of flamenco and classical guitars being different. Mr. Brune argues, quit succinctly, why the modern nylon string guitar was invented.
Enjoy!
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als PDF, TXT herunterladen oder online auf Scribd lesen
This article 1st appeared in the G.F.A. magazine Soundboard, fall 1997. The piece is of great interest to both flamenco and classical guitar players. Considered very controversial, it challenges the notion of flamenco and classical guitars being different. Mr. Brune argues, quit succinctly, why the modern nylon string guitar was invented.
Enjoy!
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als PDF, TXT herunterladen oder online auf Scribd lesen