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jwr The bird fights its way out of the egg. The egg is the world. Who would be born must destroy a world. The bird flies to God. That God's name is Abraxas. Max Demian1 Stones with the word Abraxas engraved on them, and used as talismans. They were cut into symbolic forms combining a fowl's head, a serpent's body, and human limbs. 2
Fig. 1: Symbolic red & blue device AEIOU introduced by Frederick III (1437) Symbolic device AEIOU, or A.E.I.O.U. of the Habsburg emperors3 Wikipedia commons, the first device had been dated 1437
1 Hermann Hesse's 1919 novel, Demian 2 Dictionary of Phrase and Fable 3 AEIOU, or A.E.I.O.U. was a symbolic device utilised by the Habsburg emperors. Emperor Frederick III (141593), who had a fondness for mythical formulae, habitually signed buildings and objects with the acronym.
Introduction
Of course mankind didn't start from Tohu wa bohu, but from a brilliant concept. It must have been perfect to last for centuries. Now how did the Master's Device lead history? Did the Master utter a Word, and if He did, has it been saved? At first I listed all relevant details in a chronologically ordered manuscript 4 without really checking the chaining triggers which passed the keywords and tokens from one generation to another. Passing tokens is done in a relay race, which requires a perfect form of the baton and a winners' team, which has prepared itself to optimize the exchange of the baton. Considering history as a relay race I checked some historical records to find traces for a baton, which at least in exchanging phases should become visible between the lines. Yes, there seems to be a baton and a bird. The message had been made of vowels, varying from time to time, but invariable in their symbolism.
Sevenfold symbolism
The old system seems to have been based on 3- and 7-poled planets- and vowel-structures. Abraxas: He who has His seat within the Seven Poles - , in the Magical Papyri. 6 Gnosticism recognized that Seven is God's favorite number, recurring on all levels of being. Writing on "Theosophical Symbology," and alluding to one of the engraved gems of the" Abraxas" type, G. R. S. Mead says: "The Gnostic Dragon has seven 'vowels' above its crest. These vowels typify the seven planes of Cosmos, the seven principles in man, and all the septenates in nature." The euphonious sounding of seven vowels is thus a way of reflecting the wholeness of this creative vibration that has formed the cosmos and the planets, as it has informed our own souls7.
5 The Gnostics and their Remains - Astrum Obscurum (C.W. King, 1887) and Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev C.W. King (published 1866) 6 Joscelyn Godwin - Mystery of the Seven Vowels (1991) 7 Joscelyn Godwin - Mystery of the Seven Vowels (1991) 8 Der Ritterorden vom Heiligen Grab - Ein Almanach - Scribd 9 There is a right time for everything, sighing - I don't know why (Test-version: this translation needs to be checked) 10 And who succeeds, may say to himself - such a pain (Test-version: this translation needs to be checked...) 11 transcription of this page (in German)
At the first page of his 61-paged notebook Frederick III, the later Holy Roman Emperor starts with the first known occurrence of his A.E.I.O.U.-device. The manuscripts starts at the 27th of April 1437, leaving a great number of pages empty. It is mostly written with Frederick's hand, but some notes including a directly neighboring explication of aeiou belong to other authors12.
The fihmf-monogram
In one of his monograms Frederick III also notes another set of 5 letters: fihmf or in another sequence: fihmf. The fihmf-monogram is preceded by a distich, in which the first verse uses the initials of the vowel AEIOU-sequence: 'En, amor electis, iniustis ordinor ultor; Sic Fridericus ego mea iura rego'. For easy identification the acronym may be highlighted: En, amor ellectis, iniustis ordinor ultor, Sic Fridericus ego rengna mea rego17. which (rather freely) may be translated to: 'See, I am loved by the elect, I am feared by the unjust; hence I, Frederick, rule legitimately. Lhotsky resolves this fihmf-acronym as: Fridericus iunior Hierosolyme miles factus", which had been performed at the accolade in Jerusalem18. The fivefold Jerusalem cross should be considered as the basic foundation for both devices aeiou and fihmf.
16 The modern alphabet with 26 letters has been in use since the Renaissance: A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. a, b, c, d, e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z. 17 translation: I am feared by the unjust; hence I, Frederick, rule legitimately 18 Roderich Schmidt AEIOV. Das 'Vokalspiel`Friedrichs III. von sterreich. Ursprung und Sinn einer Herrscherdevise - Herausgegeben Von Fritz Wagner 55. Band 1973 Heft 2 - Mgh
Retrospect
Frederick III had an obsessive belief in the inevitable destiny of Habsburg glory and grandeur and invented the mystic initials AEIOU. However he designed his device in his youth. Then he ordered the device to be inscribed in all his books and engraved on all public buildings. Frederick even used his device as a signature resolved aeiov to sign a note accompanying the confirmation for an earlier document dated from 1410. The aeiov-signature is also identifiable at his grave. To him it must have been important for a lifetime. In fact Frederick may not have invented, but reinvented the vowel-sequences such as AEIOU. If he borrowed the idea from ancient gnostic wisdom he was wise enough to keep his device sacred and to keep the message encrypted. Abraxas has been depicted as a bird, encoded in a triad ,, and /or the seven Greek vowels ,,,,,,, which in Latin would be reduced to the fivefold AEIOU, in which it must be noted that AEIOU is exactly located between the triad ,, and the sevenfold ,,,,,,, from which merely the H and must be skipped. Therefore in Roman alphabets the baton is a five-letter word AEIOU.
Fig. 3: This picture shows the coat of arms of counts of Habsburg until Rudolph the first (1218 1291).
Appendix I - Gems
Gems seem to have been the main carriers for combined graphical and textual symbolism and a closer look will reveal which symbolism has been playing a mayor role. The most frequently encountered Abraxas figure is a human form with a fowl's head and the extremities of a serpent, carrying in the one hand a shield and in the other a whip. If we examine the figure of Abraxas, we shall find it to be made up of portions of animals considered, in the ancient religion, as attributes of the sun. Thus he has the head of a cock and serpent legs, emblems of the sun in the Egyptian mythology, and he bears in his hand a whip, the symbol of the god of day19.
Fig. 4: Abraxas with the inscription I A (Jehovah) Abraxas, Green Jasper. Of unusually good and finished work, and belonging to the very dawn of Gnosticism ; certainly not later than Hadrian's reign (117-138AD) - (page 34220) The numerical value of the letters in Abrasax is also equivalent to those in Meithras, the representative of Christ; hence the figure of this god is a combination of various attributes, expressive of the union of many ideas under the same form. He is, therefore, depicted with the head of the cock, sacred to the Sun ; or of a Lion, the type of Mithras, with a human body clad in a cuirass, whilst his legs are serpent's, emblems of the good genius; in his hands he wields the scourge the Egyptian badge of sovereignty; and a shield, to denote his office of guardian to the faithful.
19 Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev C.W. King (published 1866) 20 Copied from Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev C.W. King (published 1866)
On one side of him, or in the exergue, is the word I A , the Jehovah of the Hebrews, a malignant spirit, whose influence Abraxas was thus entreated to avert at least this is Matter's explanation of this type. It was the Gnostic doctrine that the soul when released from the body, and on its way to be absorbed into the Infinite of the Godhead (the object aimed at in all oriental religions), was obliged to pass through the regions of the planets, each of which was ruled by its own presiding genius, and only obtained permission to do this by means of a formula of prayer addressed to each genius, and preserved in Origen (184/185 253/254AD).21 These spirits were, 1. 2. 3. 4. 5. 6. 7. Adonai, of the Sun ; Iao, of the Moon ; Eloi, of Jupiter ; Sabao, of Mars ; Orai, of Venus ; Astaphai, of Mercury ; and Ildabaoth, of Saturn.
All these titles occur on gems surrounding the figure of Abraxas, whose potent aid gives victory to the believer over the power of them all. The names of the Jewish angels Michael, Gabriel, Suriel, Raphael, Tauthabaoth, and Erataoth, occur as the titles of the genii of the fixed stars the Bear, Serpent, Eagle, Lion, Dog, and Bull. These notions were all of Magian origin, and had been adopted by the Jews during their captivity. But in the Gnostic mythology they were all degraded from their high estate, and reduced to the rank of secondary spirits of a mixed nature, but opposed to Abraxas, the Lord and Creator of all.22
21 According to Zoroaster the seven Dews, chief-ministers of Ahriman, are chained each to a distinct planet. 22 Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev CW King (published 1866)
Fig. 5: Adonai (sun), Iao (moon) and Eloi (Jupiter) page 376
23 Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev CW King (published 1866)
Fig. 6: Triune Deity with Copitic Legend A most singular amulet of this date, in the Horz (collection, was a heart-shaped piece of basalt, engraved on tlui one side with seated figures of Ammon and Ka (Jupiter and the Sun), between them the mystic Asp, and on the reverse this legend : "Athor and Bait, one power, with Achor one, Hail Father of the world, hail triple God. The unity of three deities, or rather the expression of the same deity in three persons, was a very favorite Egyptian type. This amulet was probably made about the time of Hadrian, both the execution of the figures and of the letters being neat and careful, and such as characterized that epoch.
Triple Mask
Thus a triple mask stood for the Trinity, with the legend added Triple Mask : Iloman. Jacinth. around the stone, "Haec est Trinitatis Imago" and a similar intaglio I have seen, a Jacinth, set in a massy gold ring, with "Noel," the corruption of Emmanuel, repeated on each side of the setting, evidently in a similar sense24
24 copied from Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev CW King (published 1866), page 301 - Note: now in Lord Braybrooke's Collection
Fig. 7: Anubis, surrounded by the seven vowels Anubis, surrounded by the seven vowels (p. 345), standing on a serpent. Green Jasper. The stone is broken at each extremity, but the head is evidently that of a jackal, not a hawk's as it appears in the cut. The work of the intaglio is extraordinarily tine, rendering this gem quite unique in its class (page 34225)
25 Copied from Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev CW King (published 1866)
Chneph
Chneph : Alexandrian. Sard. The legend, if written in the usual letter, is , followed by the trifid emblem so common in these formulae (page 34426)
26 Copied from Antique Gems Their Origins Etc. as Intepretors of Ancient History by Rev CW King (published 1866)
Fig. 8: Abraxas - IA
PLATE C. 1. Terminal figure, perhaps allusive by its form to Justinus on, The Cross. The interminable legend surrounding it yields no intelligible words, but the title below the Hermes, C occurs also on a talisman in the French Cabinet. The reverse gives the Seven Vowels (or Voices) that shroud the Ineffable Name, which has never been uttered aloud since the day of the destruction of the Temple, but is communicated only in half-whispers to every Rabbi upon his ordination. It is a remarkable fact that a Talmudist, who remembered the Second Temple, observes that this Holy Name was warbled rather than pronounced in the course of the serive; hence we may suspect the possibility of imitating its sound by the permutation of vowels that form so important an element in the construction of our talismas27.
27 The Gnostics and their Remains - Astrum Obscurum (C.W. King, 1887)
PLATE D. 3. This Chnuphis, of exceptionally fine work and yet finer material, has each of the seven rays of the crown tipped by one of the seven vowels that make up the Ineffable Name. The reverse exhibits the serpent entwined wand, (badge of the Egyptian priesthood) which generally goes with this sigil, and doubtless added to its power. Mosess rod and Aesculapiuss club hence took their origin.
PLATE J. - Subjects connected with the Mithraic Mysteries. 1. This pretty design may be tersely described in a line of Manilius: Quadrijugis et Phoebus equis et Delia bigis. Sol and Luna in their appropriate equipages: a heathenish device enough, but the same hand has backed their influence by the invocation, Iao Sabaoth, Abraxas; He, i.e. the living God, protect Aparasthathe, the bearer of this talisman. Similar formul, always attached to womens names, very frequently occur.
Plate K4 - Mithraic.
Plate K 4. This talisman displays a prostrate man under the Lions feet. Nothing definite can be made out of the disjointed inscription. The reverse merely bears the Great Name Iao, Sabaoth, and the Seven Vowels. The potency of such words is still an article of faith with all true Jews. In the year 1835-6, the Rabbi of Neutra, in Hungary, actually stood his trial for murder on the charge of having curse, by the Ineffable Name an enlightened lady whom he had ordered to leave the synagogue on the Sabbath-day, because she had ventured to make her appearance there with her hair in sight, and who had died suddenly on the very same day. The Rabbi only escaped conviction by publicly and solemnly disclaiming the possession of any such power, to the inexpressible disgust of his whole congregation, who looked upon him as a wretch that had denied his God in order to save his life!
Contents
An overlord and his device...................................................................................................................2 Gems with IA and ,,,,,, - inscriptions...............................................................................3 Sevenfold symbolism..................................................................................................................3 The A.E.I.O.U - device of Frederick III...............................................................................................3 Acronyms for AEIOU......................................................................................................................4 From Greek ,,,,,, - to Latin A.E.I.O.U - inscriptions......................................................4 The medieval Alphabet....................................................................................................................5 The fihmf-monogram.......................................................................................................................5 Retrospect........................................................................................................................................5 Appendix I - Gems...............................................................................................................................7 Abraxas with IA-inscription.........................................................................................................7 Trinities............................................................................................................................................9 The Sun, The Moon and Jupiter..................................................................................................9 Triune Deity with Copitic Legend............................................................................................10 Triple Mask...............................................................................................................................11 Anubis, surrounded by the seven vowels ,,,,,,..............................................................12 Chneph...........................................................................................................................................13 The Gnostics and their Remains - Astrum Obscurum...................................................................14 Plate A1 - Abraxas - IA (YHWH)..........................................................................................14 Plate C1 - Justinus on with the seven vowels AEHIOU...................................................15 Plate D3 - Chnuphis - with seven vowels A,I,H,I,O,Y,..........................................................16 Plate J1 - Chnuphis - with invocation Iao Sabaoth, Abraxas.................................................17 Plate K4 - Mithraic....................................................................................................................18 Appendix II: Abrasax ........................................................................................................................19