P E R C U S S I O N

DRY

I N T E R A C T I V E

R E C I T A L M U LT I M E D I A

TABLE OF CONTENTS
INTRODUCTION CONCEPT OBJETIVE INTERPRETATION CONCEPTUAL FRAMEWORK BIOGRAPHY DEMO CONTACT

CONCEPT
Th e c o n t r a s t i n b e t w e e n w a t e r a n d d r y n e s s . Th e a d v a n c e o f t h e d e s e r t . The way of administering the water in the planet. The wealth and poverty that causes the management of the water. The supplying problems in the countries that do not have access to the water producing millions of deaths in the whole world. Th e w a t e r p o l l u t i o n i n t h e p l a n e t . Th e b a d u s e a n d l i t t l e a w a r e o f t h e i n h a b i t a n t s w h o n e v e r h a d p r o b l e m s o f s u p p l y. water as a principal world problem by the climatic change and his bad management. Dry is the title that includes the recital inspiration. The

Th i s r e c i t a l i s n o t a d o c u m e n t a r y, i t d o e s n o t w a n t t o t e l l c o n c r e t e histories or to quote statistical information, but it wants to cause reflection to the audience by means of sonorous and visual stimuli as well as for the music and the images.

INTRODUCTION
Dry is a new concept of multimedia interactive recital, using the new technologies astool of inspiration and artistic development.The percussion instruments of all kinds giving a great richness of tunes and incomparable expression, processed in real-time and meltingthe effects with the natural sound of the instrument. The recital is immersed with a few interactive projections that answer to the sounds of the instrumentalist, modulating the images and applying effects in real-time. Not only on a screen placed behind the interpreter, also projecting on the instruments and his own body. The corporal movement also affects the modulation of the sound and of the images in real-time extracting all the possibilities to the multimedia interaction. In his live-set uses various techniques of interpretation: intuitive music, concrete music and improvised composition. The show lasts about an hour non-stop, and it brings the artists together to techniques and styles such as electroacoustic, sound art, noise, djing, repetitive music, looper and free jazz. All the music and audiovisual material is created by the artist exclusively for this recital.

OBJETIVE
The new technologies are a big tool for the artists, musicians and composers. So muchthat current creative pieces are created even as the multimedia art; which combines differentdisciplines as the music, the visual achievement, photography, animation 3D and mapping. To be able to take part as a musical interpreter in festivals of multimedia creation, in whichnormally musicians are not seen with acoustic instruments. Investigate in the interaction betweenmusic and images, by means of the processed music and the corporal movement to modifysounds and images. This recital can be interpreted so much by the composer as for other instrumentalists be alreadypercussionists or not. It can be adapted to other instruments without problem, being able this way to experience the processed music and the interactionwith imagesfor a big quantity of musicians. This recital takes as a target to join these multimedia and interactive disciplines with the recital soloist.

Also it can be adapted to duets, trios and groups of camera, dividing the sequences and effects between the interpreters.

It is possible to play the recital in theatres and auditorium or in open spaces, since it always needs amplication.

INTERPRETATION
The recital interpretation is based on an unexpected composition, a skill already performed since the 70s and pretty adapted to synchronize music with images. The recital interpreter has to follow a computer screen where he can see the music and images sequencer. On the screen the interpreter receives a lot of information: where the effects are goingto begin and to nish, type of effects, the images in real-time, active or mute microphones, instrument that must play, mallets... All these effects and images are alwaysprogrammed and equal, in such a way that the interpreter across the essays knows at any moment what is happening and what is going to happen. The sequencer bar that moves across the passed time is indispensable for the synchronization between music and images. The interpreter movements are programmed along the recital of the same way with a sensor of movement (Kinect, Microsoft) so that these act on certain parameters of music and images. Also cameras are installed in the stage focusing on specic places as the water bucketful, the rst plane of the musician, vibraphone plates or the timpani. These cameras are programmed by the sequencer causing a video effect achievement in real-time.

CONCEPTUAL FRAME WORK

The multimedia art combines all kinds of sensory experiences by means of the light, the sound, images, costume, scenic effects and so on. All these means are within reach of the artist, not as entertainment support but as elements of artistic expression. The multimedia-contemporary art is the one that better adapts to our new forms of expression, creating the artists their own rules for the musical and visual expression. Being able to deformreality or to create virtual situations to transmit sensations. Now a days and in the future the new artistic multidisciplinary pieces will appear as information in software where the future creatives will be able to understand, reproduce and adapt the worksin the course of time.

BIOGRAPHY
He studied piano and percussion at the Royal Conservatory of Music in Madrid, graduating in percussion. Postgraduate three-years course at Neopercusin by Juanjo Guillem and Juanjo Rubio, where he received master classes from many teachers, highlighting Enrique Llopis, Rafael More, Francisco Diaz and Javier Benet. Attended specialized courses with L.H. Stevens, and Miguel Bernat. He was a member of the National Youth Orchestra of Spain and the Youth Orchestra of Madrid, receiving specialized courses from international teachers. He has collaborated with the National Orchestra of Spain, the Symphony Orchestra of Castilla y Leon, Madrid Symphony Orchestra, Symphony Orchestra of Las Palmas, Orchestra of the Community of Madrid, ORTVE, Oviedo Philharmonic and Orchestra of Cordoba. As a sound engineer has conducted numerous concerts with Juanjo Guillem and his company Ritmo Vital at the National Auditorium (Madrid), Guggenheim Museum (Bilbao), Circulo de Bellas Artes (Madrid), Diario Levante (Valencia), Galileo Theatre (Madrid), Contemporary Music Festival of Santander and chamber hall of the National Auditorium (Madrid). He also worked for numerous orchestras including the National Orchestra of Spain in "Water Concerto" by Tan Dun and "Seven" by Peter Etvs, with the Symphony Orchestra of Castilla y Leon "Fearful Symmetries Concerto for Orchestra" by John Adams and "Overture 1812" by Tchaikovsky with JONDE. He has performed sound installation with Bryan Wolf (Stockhausen assistant) in Oviedo for the workart Kontakte. In CNDM at the National Auditorium, with Dave Samuels at the Circulo de Bellas Artes, with Ensemble Diffusion during Veranos de la Villa, etc ... With Musicadhoy makes all the shows that require sound installation, working with Helmut Lachenmann, Andr Richard and the Son Festival, 2011-2012. In the studio has recorded with the National Youth Orchestra of Spain, Juanjo Guillem, Face To Face Duo, Martin Baeza, Diffusion Ensemble, Christopher Slaski, Antonio Serrano and the Andalusian Women Composers. He was the founder and owner of the company Rubirec, specialized in acoustic studies, for over 5 years. He is currently the manager and owner of Rubirecords, making recordings, live sound and audio installations. He is also a personal adviser of diferent musicians and companies. As a multimedia soloist has played in Summer Clasical Festival (Madrid), XXV International Matisse Course (Madrid), II International Percussion Festival Albolote (Granada) and CRK Payap University (Chiang Mai). He teaches at Chiang Mai Payap University (Thailand) and Granada Percussion Center (Spain), performing multimedia recitals and master classes in Spain and Asia.

DEMOS
You can visit my multimedia website: www.ivanandresyague.rubirecords.es/multimedia-repertoire

CONTACT
To contact Ivn Andrs Yage you can send a email to: ivan@rubirecords.es You can nd more information in the website: ivanandresyague.rubirecords.es