Lowndes PDF

How to Make Anyone Fall in Love with You

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Library of Congress Cataloging-in-Publication Data

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To fulfill the promise of the title,

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offers 85 techniques based on scientific studies into the nature of romantic love.
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CONTENTS
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Part One: First Impressions You Never Get a Second Chance at Love at First Sight
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Part Two: Similar Character, Complementary Needs I Want a Lover Just Like Dear Old Me (Well, Almost)!
Want a Lover Just Like Dear Old Me (Well, Almost)!
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Part Three: Ego How Do You Love Me? Let Me Count the Ways
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Part Four: Equity The WIIFM Principle of Love (What's in It for Me?)
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Part Five: Early-Date Gender-Menders Is There Love After Eden?
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Part Six: Rx For Sex How to Turn On the Sexual Electricity
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Afterword
Afterword Notes About the Author
1 Anyone? Yes, Practically Anyone

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How to
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Make Anyone Fall in Love with You

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Science "Discovers" Sex

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what
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want
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National Science Foundation Tackles Love

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New York Times

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How More Research Was Compiled

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How the Techniques Were Developed

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How I Tested the Techniques

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Potential Love Partner

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Lovemap
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2 What Makes People Fall in Love? The Six Elements
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I. First Impressions You Never Get a Second Chance at Love at First Sight
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II. Similar Character, Complementary Needs I Want a Lover Just Like Dear Old Me (Well, Almost)!
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III. Equity The "WIIFM" Principle of Love

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What can they do for me?

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IV. Ego How Do You Love Me? Let Me Count the Ways
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V. Early-Date Gender-Menders Is There Love After Eden?

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VI. Rx for Sex How to Turn on the Sexual Electricity

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How to Drive Your Man Wild in Bed, How to Drive Your Woman Wild in Bed, How to Drive Your Man Even Wilder in Bed How to Satisfy a Woman Every Time and Have Her Beg for More
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3 The Physical Side of Falling in Love

"Why Do My Insides Go All Funny?"
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"Does Somebody Have to Be Pea-Brained to Fall in Love with Me?"

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"Why Do We Fall in Love with One Person and Not Another?"

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"How Can These Little Things Start Love?"

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BLAM!
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How to
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Make Anyone Fall in Love with You

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4 Where Are All the Good Men and Women?

Looking for Love in All the Wrong Places
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5 Does Love At First Sight Exist?

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Medical Aspects of Human Sexuality10

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PART ONE FIRST IMPRESSIONS YOU NEVER GET A SECOND CHANCE AT LOVE AT FIRST SIGHT
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6 How to Make A Dynamite First Impression

First Impressions Last Forever
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beautiful
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Be Ready for LoveAlways!

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TECHNIQUE #1: DRESS FOR "THE KILL"EVERYWHERE

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Stay Psychologically ''Fit to Kill"

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TECHNIQUE #2: STAY PSYCHOLOGICALLY "FIT TO KILL"

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insides go all funny

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7 How to Ignite Love at First Sight

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Journal of Research in Personality15

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How Much Eye Contact Does It Take to Imitate Love?

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Rubin's Scale
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The King and I

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TECHNIQUE #3: INTENSE GAZE

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already
How to Get Sexy "Bedroom Eyes"

Bedroom eyes
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copulatory gaze
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without
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before
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large pupils
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pupillo-metrics
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consciously
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TECHNIQUE #4: BEDROOM EYES

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How to Awaken Primal, Unsettling, Sexy Feelings in Your Quarry

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except his eyes off her

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he couldn't take
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after
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sexy
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why
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TECHNIQUE #5: STICKY EYES

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Naughty Eyes Are So Nice

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visual voyage
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TECHNIQUE #6: A VISUAL VOYAGE

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intense gaze, bedroom eyes, sticky eyes

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8 Your First Approach

The Gentle Art of Pickup (Not for Men Only)
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Hunters, Make the First Move . . . Fast

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This does not

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mean she is not interested

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anything
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move fast, every
TECHNIQUE #7 (FOR HUNTERS): MOVE FAST

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Make eye contact

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Smile at her
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Give her a nod

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Move within her range

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opening line
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How to Pick up Girls

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whatever
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knows
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do
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Huntresses, Make the Fast Move . . . First

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female proceptivity
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receptivity
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then
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First Moves That Work for Women

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works
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nonverbal solicitation signals

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not
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you
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TECHNIQUE #8 (FOR HUNTRESSES): MOVE FIRST

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you
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9 Your First Body Langauge

Let Your Body Do the Talking
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the Dance of Intimacy

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must
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The Dance of Intimacy

Step One: Nonverbal Signal
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Step Two: Talk

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Step Three: Turning must

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does
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Step Four: Touching

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visual voyage
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Step Five: Synchronization

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Annie
Get Your Gun says

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When You Are Quarry

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The Word That Can Save Your Relationship

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potential
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touch
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synchronicity
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turning
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impress a woman
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show how impressedyou are with her

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We grew up
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Wrong
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must the time

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But now is not

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soften
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soften
TECHNIQUE #9: SOFTEN YOUR QUARRY'S HEART S

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smile
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open
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forward
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touch
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eye
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nod
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"But This Is So Basic!"

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10 Your First Conversation

Conversation Is Making Beautiful Music Together
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dance music
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Conversation Is Like Making Love

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Conversation Is Like Selling

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not
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eyeball selling
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Watch Your Quarry's Face

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Watch Your Quarry's Head Position

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Explore Your Quarry's Body Position

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Watch Your Quarry's Hands

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Keep an Eye on Your Quarry's Eyes

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bor-ing
3
TECHNIQUE #10: EYEBALL CONVERSING

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How to Know What Topics Turn Your Quarry On

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you
cherry picking
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really
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cherry
plants
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plants
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TECHNIQUE #11: CHERRY PICKING

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conversational cherry
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tropical storm
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Tropical
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dog
pool
How to Fool Your Quarry into Thinking You Two Are Already in Love
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dear, darling
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lambie pie what

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Level One: Cliches

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cliches
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Level Two: Facts

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facts
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Level Three: Feelings and Personal Questions

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feelings
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personal questions
)
Level Four: We Statements

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we statements
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we
TECHNIQUE #12: THE PREMATURE WE

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premature we
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we
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feelings
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we
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we've
we
we
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we
Get Even Closer by Giving the Gift of Intimacy

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that's
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early-bird disclosure
24
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TECHNIQUE #13: EARLY-BIRD DISCLOSURE

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minor
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Make Your Lifestyle "Fit" Your Quarry's Lovemap

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Nutshell Resume
Number 1: "I'm the Type of Man or Woman You Could Love."

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Number 2: "I Love My Job."

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like
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Number 3: "Let's Keep Talking."

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Now
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TECHNIQUE #14: NUTSHELL RESUME

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11 Your First Date

The Game Begins in Earnest
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''How Soon Should I Make My Move?''

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how
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typecasting
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Question: Answer:
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earned
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before
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before
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earned
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before
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TECHNIQUE #15 (MORE IMPORTANT FOR HUNTERS): LET YOUR QUARRY PASS THE AUDITION FIRST
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"Playing Hard to GetShould I, or Shouldn't I?"

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he
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love
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a 9 3 0
25
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lot
TECHNIQUE #16: I'M HARD TO GET (BUT, FOR YOU, BABY . . .)

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The Scientifically Proved Best First Date

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not
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other
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Give Your Quarry First-Date Butterflies

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27
` G 4 G C 9 G 2 G @ C 9 3 2 4 6 @ F 3 4 4 G 4 G C 9 4 2 4 2 b 9 @ 6 4 4 2 9 G
` C 4 F 4 ) 2 9 4 H 2 6 S 7 7 2 9 9 2 9 @ F 9 2 2 9 6 G 4 E @ 2 2 G C 8 4 2 G F
TECHNIQUE #17: GIVE FIRST-DATE BUTTERFLIES

9 4 F 6 @ G 7 G 2 4 2 ) 7 @ 2 9 4 2 @ 6 @ G B B e @ 4 G G 6 2 G F ) 2 9 4 4 4 G @ F ) 3 2 4
Plant the Seeds of Similarity

4 2 G H G 9 8 2 4 4 7 3 4 G 2 6 2 3 4 5 F 6 @ G e @ 4 G G 6 7 4 8 2 9 6 @ 0 B Q ) 2 9 7 G 2 4 2 ) 2 9 2 3 2 4 2 2 9 0 d 9 2 C 9 x @ ) 4 2 9 @ F 9 7 G E 2 9 H ) B
TECHNIQUE #18 (MORE IMPORTANT FOR HUNTRESSES): FIRST-DATE BONDING

d 4 2 2 9 2 9 4 2 6 @ 4 G 3 4 G ) @ F F 2 9 B 7 4 8 G 2 2 G 2 G 4 C 2 8 2 6 4 4 7 G 2 4 2 0
not
2 6
doing things
First-Date Restaurant Smarts

Q 3 4 2 2 G 9 4 2 4 C 2 8 2 6 6 @ C 9 7 G 6 @ G 7 G 2 4 2 ) 2 G E 4 E 6 F F 2 8 8 G h E 7 G ) B 4 7 2 G ) G 4 2 9 3 4 8 2 0 Y 4 6 3 G 4 2 9 F G @ F C 9 G 7 9 4 8 F 2 C 9 4 G 2 4 @ G 4 2 0
` @ F F 2 ) C 3 @ 2 9 4 F G 4 2 2 2 4 C 6 @ 2 9 5 9 3 F 9 2 6 G 4 C 9 4 G 3 F E @ 2 C 9 4 b 0
TECHNIQUE #19 (FOR HUNTRESSES): "I KNOW A GREAT LITTLE PLACE"

d 9 4 6 2 4 3 4 9 4 G 2 2 9 G @ F 9 9 2 3 4 C 9 h 4 9 4 2 0 D 8 G 6 3 4 2 2 E 4 C 5 E 5 9 @ E
inexpensive
You
G B @ F
28
2 9
TECHNIQUE #20 (FOR HUNTERS): SPRING FOR A NICE RESTAURANT

D 7 6 @ G F @ 2 6 @ G 7 G 2 4 2 ) 2 4 5 9 G 2 4 G 2 4 @ G 4 2 2 9 4 4 2 3 9 G 5 6 @ 4 2 2 G C 2
p s F 4 2 E 4 2 w G 2 6 w 2 3 9 G 3 G 2 4 2
p d 9 2 2 7 4 2 @ 6 C 4 1 2 4 G D 7 @ C 7
a @ 4 2 v 2 6 4 d 3 G 4 2 @ G
29
Hunters, Some Spit and Polish for Your P's and Q's
Y ) D C 4 9 4 G 6 @ 4 5 F ) w G 6 @ G 4 6 F F 2 3 @ 6 2 9 8 4 2 G 2 9 2 4 5 4 E @ 2
manners
D 2 4 F 2 9 9
TECHNIQUE #21 (FOR HUNTERS): P'S AND Q's

1 @ 2 G ) C 5 @ 4 C 6 7 w 3 6 4 G E 2 G Y B B B Y 4 G F @ 0 r 4 2 2 9 2 9 4 3 2 2 6 4 6 @
Satisfy a Woman Every Time and Make Her Beg for More
4 1 2 ) E C 4 @ 9 6 @ 7 2 9 4 8 C 9 G ) 6 @ E 4 2 7 6 F 2 4 G 2 7 9 G B 4 2 3 6 h 9 G 9 4 G 2 4 9 G E G 4 0
Complete Book of Etiquette

@ C 9 7 4 G 3 E 4 G G 4 6 @ ) 2 4 5 9 2 E C 3 C 4 2 @ G
Amy Vanderbilts' Miss Manners' Guide for the Turn-of-the-Millennium

@ G C 4 E G 4 G 6 4 4 5 7 G 4 C 6 7 B 4 E G 4 G E 4 F 2 9 6 @ 2 2 2 2 9 3 0 B B B G 6 @ 2 F G 4 C @ 6 2 4 5 9 G 4 G 3 9 C G F 2 9 2 G
Huntresses, Forgive His Foibles

p 8 G 6 ) 1 @ 2 G ) 7 9 2 9 4 @ 4 8 ) 2 E G F 2 2 9 4 2 2 2 0 2 2 9 3 4 9 4 8 2 9 4 @ G 4 E 3 6 2 9 2 9 4 2 9 4 E 8 C 3 3 4 C E G 4 3 E 4 G G 4 F E F C 4 7 @ C 2 0 D 7 B B B
Helen Keller
9 S 3 4 7 9 9 @ 3 4
TECHNIQUE #22: NEVER SAY BUTTERFINGERS

p 8 G 1 @ 2 G 8 G 5 2 9 G e @ 4 G G 6 3 G ) B ) 7 @ 3 E ) E @ G ) 4 7 4 @ H 4 0 d 9 6 E 8 @ 6
` 2 9 G e @ 4 G G 6 0 I @ C C 7 @ 1 @ 2 G 4 1 @ 2 G b 8 G
butterfingers
` G 3 8 2 9 4 5 4 4 C 2 9 4 @ 2 4 4 3 G 2 9 8 F 0 D C 2 4 6 ) 2 G 7 C 2 6
a 1 @ 2 G ) 3 4 2 2 G 9 4 C 5 F 9 4 e ) 2 C G 2 C y 2 9 3 4 6 @ 4 2 2 7 4 8
First-Date Duds
v C 2 9 3 4 5 2 9 3 4 v C 2 9 3 4 5 2 9 3 4 7 C @ G 2 0 P @ 2 2 9 6 G 4 3 4 2 C 4 6 a 7 @ C 4 2 2 4 8 a 4 G 2 G
perception
8 S 9 @ 2 F @
` 9 D 7 G 2 G 4 G C 9 2 9 4 2 7 2 ) D 2 9 @ F 9 2 4 G 9 4 6 @ b 2 9 4 2 C 2 9
"I Haven't Got a Thing to Wear" (Women, Don't Worry about It. Men, Worry about It.)
2 2 @ G 2 C C 2 F 2 2 9 E 2 2 3 C 2 9 0 D 4 8 G 2 6 7 I 6 G 4 C @ 2 @ 6 ) E 2 9 3 4 3 G 9 C 2 @ G 7 3 3 E G 7 2 9 2 H 0 B B B
30

tonight
2 E 4 3 2
TECHNIQUE #23 (FOR HUNTERS): DRESS AFFLUENTLY

D 2 7 3 7 6 4 G 7 H @ 4 8 @ 2 ) 3 4 B 3 2 4 G 4 C 9 G 3 4 C 7 7 G 2 6 0 s 8 9
` 5 F 4 C 4 @ 4 4 0 0 ) 4 S F 9 2 2 4 b ) 2
` C 3 7 2 3 4 G 2 4 6 2 G 9 C 9 5 2 9 4 3 2 6 @ b 2 7 6 9 F 9 2 9 9 G 0
he's
B 8 6
unimportant
2 E 8 G 6 4 2 2 G G 4 2 2 9 2 9
friendliness
h
TECHNIQUE #24 (FOR HUNTRESSES): DRESS ALLURINGLY

3 ) 2 9 H 2 2 3 6 @ 4 6 ) D 9 4 8 2 F 2 4 2 9 F 2 4 G ) 2 G G 6 4 E @ 2 2 0 w 6 @ 2 7 2 4 F 4
a 4 5 6 2 9 F 7 6 @ 0 4 @ 4 6 G C C 8 2 7 9 4 2 6 @ 9 @ 4 9 @
PART TWO SIMILAR CHARACTER COMPLIMENTARY NEEDS I WANT A LOVER JUST LIKE DEAR OLD ME (WELL, ALMOST)!
i
12 "It's You and Me, Baby, Alone Against This Mad, Mad World"
@ 8 9 4 G 2 9 C 9 2 @ 2 ) 2 4 2 2 G 4 C 2 0 Y 3 4 v 4 @ @ E 2 6 2 6 @ ) P G 7 4 B B 7 4 2 9 G 7 C 5 2 F 2 9 G 0 I @ 5 C 2 G 4 C 2 ) 2 2 9 6 D 2 9 3 4 F C 4 6 4 ) 6 2
Similarity . . . and a Touch of Difference (Just a Touch)

I 3 4 G 2 6 4 7 0 2 2 3 @ C 9 3 4 G 2 6 ) 8 G 2 3 ) E C 3 E G F ) 5 7 7 G C ) B B 2 0 P @ 2 9 G 2 9 G @ E d 9 6 6 5
certain kinds
G 2 @ F 9 2 5 7 2 6 0 d 9
p d 9 6 4 5 7 G C 3 3 2 4 G 6 x @ 4 2 4 4 G 2 G 0 3 3 2 4 G 6 3 4 3 2 9 F 2 9 4 2
think
6 3 4 G G 4 9 7 7 7
31
@ G 8 G G 6
Perceive
4 @ ) 6 0 @
actually
e @ 4 G G 6 2
perceive
7 F B 4 2 2 9 2
13 How to Establish Subconscious Similarity

How to Instantly Make Your Quarry Feel, "Why, We're Just Alike!"
1 4 8 6 @ 8 G 3 2 4 6 4 3 3 4 2 6 7 2 ) d 9 G 4 D 9 4 8 4 2 C 3 3 D 2 4 2 B C 9 4 G 3 4 ) 2 4 2 C 9 3 2 G 6 ) 2 4 2 2 3 4 C 6 ) 2 4 2 5 F 0
p 8 G 6 ) 6 @ 3 F 9 2 9 4 8 3 2 3 4 2 9 @ F 9 2 ) d 9 8 @ 4 7 G 3 4 7 7 G 2 4 2
dialects
2 ) 4 @ 9 )
Words to Give Your Quarry "That Family Feeling"

p x @ 7 @ 2 9 4 3 9 G 4 0 4 3 6 3 3 E G 4 7 G @ 2 9 4 3 G 2 9 4 C 9 B B B p 2 9 G 0 4 F @ 4 C 3 4 6 G 3 3 E G 4 C @ E 2 4 5 4 5 0 s 8 G 6 6 @ 3 2 9 4 9 G 9 G B
a G 9 4 6 @ 2 2 C 2 ) E @ 2 6 @ G e @ 4 G G 6 9 4 4 C 4 4 6 7 4 5 F 2 9 4 2 5 9 3 G 9 G 2 4
echo
G 2 B
denotation
connotation
6 @ G e @ 4 G G 6 7 6 @ 9 4 8
feels
2 C 8
kid, infant, toddler, tot, or youngster

9 2 4 5 F 2 9 9 G ) @ 9 4 2 8 G G ) 9 @ E 3 4 6 7 4 C 2
a G E 4 E 6 8 G 6 9 G 7 4 3 6 @ 2 9 4 3 G ) )
she
6 @ h Y 6
profession
F 2 G
job
)
profession
G @ e @ 4 G G 6 ) E G 4 C 4 2
firm
@ E B @ F
station
) F C G @ C 4 E 4 2 4
office
) @ 4 G C 4 @ 2
house
G F 6 2 @
a 2 9 G 2 6 4 E 6 @ G ) 4 5 S 2 9 F 9 G 9 G G 0
Booking
6 @ E 2 2
gig book
E 2 9 6
ing
3 @ G
gig
) @ G 2 C 3
` r 3 3 E G 3 6 g n m 4 2 4 7 G b )
a 9 C G 4 2 4 4 G 2 6 0 1 4 2 4 F 4 G E 6 )
a 9 4 @ 2 E C 4 2 0 D 9 4 G 9 G 2 9 2 9 4 2 9 4 G 4 6 6 F 2 9 G 9 4 G 4 0 D 2 4 @
a 5 9 4 G 4 6 6 F 9 G C 8 G 4 2 2 9 9 0
a 9 ) 9 @ 0 1 7 2 6 @
practice
4 2 G ) D 5 7 G 0 d 9
rehearse
)
practice
TECHNIQUE #25: ECHOING

s 4 G 6 4 E @ F G 4 2 9 ) 6 @ 2 5 @ F 9 B 4 E @ 2 6 @ G e @ 4 G G 6 2 8 5 9 8 4 @ ) 9 G 4 2 2 2 @ ) G
rehearse
E 2 2 9 4 2 a G ) 9 2 G @
a 0 D 7 9 5 2 2 4 E @ 2 9 G G 4 2 4 6
practice
) F G F @ I @
p C 5 4 F 4 ) 2 9 2 3 4 F G @ C 8 G 4 2 0 w y 9 4 7 7
a 9 0 9 G 6 @ G C 4 E
a 1 G 3 C 4 4 F 2 9 9 G 7 9 0
a v @ 3 E 7 @ ) D C @ 2 G 2 4 2 G 4 5 F 3 6 E @ 6 ) 9 ) 9 6 6 @ @ 2 9 G E 6 C 4 F 9 G
a 9 4 2 6 @ 3 4 4 5 9 ) F @ 6 C 7 @ 0
Cabin
p E 4 @ 2 7 @ C 4 E 4
p ) 4
cabin
2 9 4 2 G 0
a 9 3 4 G 8 @ 4 C 4 2 7 G 3 0 ) 9 ) E @ 2 2 9
` 9 4 6 5 G E 8 @ 6 2 5 G 0 G
a 9 2 9 G ) 0 b
"We Even Speak the Same (Body) Language"

w 3 G C 4 2 9 P 4 @ 2 7 @ 4 2 9 3 G @ 2 @ G C @ 2 @ G 4 8 G 2 6 0 1 4 6 ) 3 2 2 B B B B 4 5 C 3 7 G 2 4 E 6 7 C 4 G C 4 2 4 2 @ ) E @ 2 9 4 8 4 @ 4 E G C 9 4 4 8 4 G 2 6 7 B
a ) E @ 2 3 E 4 C 5 F G @ @ @ 4 6 E C 3 8 2 4 7 2 G @ 2 4 7 3 @ 2 7 2 4 5 F 0
move
4 8 F 4 I 4 6
a 0 4 6 4 3 C E G @ 2 2 9 4 C 4 4 @ 6 C 9 4 G 3 F 3 4 G C 4
` 1 2 Y 4 G G 6 2 9 r C 9 0 E @ G 7 G 3 7 C 9 b
a ) 2 9 G G 2 G C 9 4 F 0 C 5 @ 2 2 9 G C 9 2 3 4 2 9 C 4 0
moves
) 1 @ 2 G
old
7 6 4 5
new
5 9 7 7 G 2
no
C 2 @ 4 F 0
class
G ) 4
32
0 D 2 5 4 E 4 4
a 7 F 9 2 4 2 2 4 2 2 9 4 2 G 4 2 4 4 G 0 4 F G C 4 @
stews
) 4 G ) G 4 2
stewardesses stew-bums
3 3 I 4 G 4 0 d 4 2 4 0
a 4 4 2 9 G 4 w 3 2 4 @ 5 6 4 4 2 2 G 4 C 2 8 F G 4 F 2 9 G )
a C 4 2 4 G 0 d 9 6 4 5 7 G 7 G 2 2 9 3 2 9 4 2 8 F 7 G G 4 2 4 2
a 4 G 4
those
men
@ 5 3 4
a 4 2 ) I 4 G 4 G F 7 G 3 4 w 3 2 3 4 G G 6 4 9 G 2 S G G C 5 7 G 3 e @ ) Q G 5 0
TECHNIQUE #26: COPY THEIR CLASS ACT

1 @ 2 G 4 1 @ 2 G @ G @ F F G G 6 9 @ B B B 3 8 7 7 G 2 6 7 G 3 2 9 2 4 5 F 4 C 4 2 0 d 9
move
14 How to Establish Conscious Similarty

The Three Crucial Conscious Similarities
w 7 2 G 6 @ 8 E @ 2 4 @ E 4 7 @ E C C @ 3 4 G 2 6 2 9 6 @ G e @ 4 G G 6 ) 2 2 3 2 9 6 @ G 4 7 7 2 6 2 9 G C G 2 C 4 4 6 0 d 9 7 F 3 4 G 2 ) G 4 C 5 7 2 9 3 ) 9 @ 4 2 8 4 G @ B
interests the two of you

9 4 2 5 7 3 @ C 6 @
have
5 ) Q @ 3 E
basic values, beliefs, reactions,

H 2 G 3 6 3 G 2 4 2 0 B E C 3 F C 4 G 6 4 7 2 G 2
and ways of looking at the world

Q @ 3 E G 2 9 G @ E 2 4 @ 8 0 2 4 2 0 D 2 4 2 9 2 9 4 2 3
tacit
assumptions of what a relationship should or should not he
Similarity Number One: "Do We Like to Do Things Together?"

1 @ 2 G ) E 4 G 2 9 3 G 3 G 2 4 2 2 3 2 9 4 6 @ 2 9 5 0 B t
a Y 6 7 G 9 2 3 4 E @ 2 4 3 4 9 9 4 G C 2 6 3 2 4 2 4 4 G 2 6 0 1 5 9 G 0 I 9 3 2
a d 9 9 3 2 2 9 4 2 2 9 C 4 C 7 3
Casablanca
a D 9 4 8 4 E @ 6 4 3 v G 5 ) 4 8 G 6 F S 5 F 3 4 9 8 G 4 ) G 4 0 G v G 5
TECHNIQUE #27 (MORE IMPORTANT FOR HUNTRESSES): RIDE YOUR QUARRY'S WAVES
r 6 @ G e @ 4 G G 6 4 8 0 G 9 3 2 G C 6 C ) G 9 9 G ) G 9 F 7 C 4 G 2 0 d 9 3 6 @ 8 F 6 @ G
gis
) 2 4 2 2 9
talk
G 3 4 5 3 4 0
do
Similarity Number Two: "Do We Have the Same Basic Beliefs?"

1 @ 2 G ) E 4 G 2 9 3 G 3 G 2 4 2 2 3 2 9 4 6 @ 2 9 5 0 B t
p 2 F 9 4 8 4 5 2 F 2 9 G 0
33
4 4
Echoing
6 @ 7 4 E @
Copying Their Class Act

4 C 2 8 2 0 Q 2 F 7 G 9 4 G 8 2 C ) G B
one
2 9 B G 8
` @ C 4 E F 8 E 7 G 9 3 2 v 4 8 b 4 4 3 4 0 I 9 G 5 4 4 3 4 9 2 G 4 4 C 2 8
p G 2 4 3 2 3 4 5 @ G E G 4 C 2 C G 2 4 4 6 0 I 4 3 4 5 @ @ 3 0 s H C 2 3 2
a 2 9 G 3 7 4 F 4 0 d 3 2 9 6 G G ) 2 9 F E 4 G
a 9 0 v 0 ) G 8 2 9 4 2 2 9 7 4 2 E 7 G 2
synchronization
@ 4 G G 6 2 9 5 F ) 4 6 0
` 9 2 9 5 F 3 G 7 2 9 9 G 2 G @ 6 4 4 2 2 F 2 9 G 9 F 2 E 2 9 3 b )
Co-React
TECHNIQUE #28 (MORE IMPORTANT FOR HUNTERS): CO-REACT

d C 4 2 @ G 6 @ G e @ 4 G G 6 9 4 G 2 ) 9 4 G 9 G 9 G B C 8 C 2 4 9 6 @ 7 6 0 4 2 C 9 6 @ G
Similarity Number Three: "What is Love?"

p @ 3 C @ 2 9 2 9 G 2 6 7 3 4 G 2 6 @ 2 2 2 4 2 0 D 2 2 9 3 2 @ E C 4 @ B B 2 6 G 4 G 2 @ F 6 9 4 9 2 9 G 4 G E 3 0 B
should
C 1
The Little Prince

) 9 2 9 G ) E @ 2 5 F
p I C C 9 4 @ E E 6 @ G G 4 2 9 H C 2 4 2 6 @ G ) 6 @ G
comparison level
E 6 9 7 4 G 4 E 8 ) 2 4 C 3 3 2 3 2 4
p 6 @ G 6 @ G G 4 2 9 7 4 0 D 7 ) 2 6 @ ) 4 G 4 2 9 9 @ E 2 C 3 2 6
p 8 G 6 ) 7 2 9 4 G 4 2 9 2 6 @ 8 F C H 2 C ) 4 4 G 2 G 9 F 2 2 C
` 7 7 4 C C G F 2 2 9 G 7 2 9 4 G 2 G b ) 2 9 G 4 2 9 2 0 Y 2 4 G 2 C C @ 6
a 4 4 G 7 2 9 4 F G 2 9 4 G 2 6 G 2 ) E @ 2 2 9 6 9 4 8 4 H 2 9 2 9 4 2 2 3 G 2 4 2 0
the way he wants you to love him

6 @ 4 2 2 8 6 @ G 4 G 2 G 0 B
the way she wants you
to love her
Robert J. Sternberg
s 4 G 6 6 @ G G 4 2
34
9 6 @ G g h g 2 E 8 0 1 @ 2 G ) 2 9 4 E 2
` 6 @ 5 4 3 4 2 8 6 @ D 2 3 4 H @ 4 6 0 b
TECHNIQUE #29 (MORE APPROPRIATE FOR HUNTERS): WHAT IS LOVE?

1 @ 2 G ) 4 5 6 @ G e @ 4 G G 6 ) 2 9 G G C 2 6 G 4 4 9 9 C 4 x @ 2 ) 9 9 7 4 4
Let's Talk About Our RelationshipNot!

I 3 C 2 3 G 4 G 6 G 4 2 9 C @ G C @ G 4 F C @ 2 C @ 2 9 G G 4 2 9 6 B B B B B 4 7 2 0 d 9 6 @ F F 2 H G F 2 9 G 8 2 9 G @ F 9 x @ y y ) H G C ) 4 4 7 7 G 3 4 2 0 d 9 C 4 E B
only
C 4 ) 2 9
should
C 3 3
what
G 0 I 9
thought
p C @ 9 4 8 E G @ F 9 2 2 9 3 C G 0 8 G 6 ) 7 4 9 4 3 4 G 7 F 4 E @ 2 4 G 4 2 9
TECHNIQUE #30 (MORE APPROPRIATE FOR HUNTRESSES): WHAT SHOULD I SAY LOVE IS?
1 @ 2 G ) 6 @
must
4 E @ 2 @ 2
` 6 @ G 6 @ F 7 G G G 4 2 8 G 9 4 4 C G
hard
thinking
4 2 9 G 9 @ 2 G 8 @ B
15 How to Establish Complementary Needs
"I Got Just What You Need, Baby"

D G 3 3 E G C ) 4 4 8 G 6 2 2 F G ) 4 5 F 3 6 3 2 9 G 9 4 2 3 4 4 Y 3 3 6 4 4 v 4 6 4 2 2 F 2 3 4 G G 0 I 9 G C 2 2 9 7 F @ G G 6 G 9 6 3 2 3 0
Maybe
@ 9 4 8 4 9
` C 9 4 8 9 3 G 9 G C G ) G ) 9 C 9 3 4 5 6 @ G e @ 4 G G 6 4 @ G 9 2 b 0
a 6 @ G 4 G 4 6 @ G 8 C 3 @ 2 G G C 8 F 4 2 4 0 G 2 2 6 4 C 2 @ G 2 4 G 2 2 3 G F 0
` D 7 6 @ 9 4 8 4 5 2 9 4 2 6 @ G e @ 4 G G 6 4 @ 6 4 2 b ) 6 @ 8 9 2 4 6 G 2 0 D 7 6 @ 9 4 8 4 2 G 4 2
wishes
G 3 G 4 2
TECHNIQUE #31: I GOT JUST WHAT YOU NEED

G 3 2 3 2 2 3 ) C 4 @ 4 6 4 5 9 4 2 x @ 4 2 6 @ G e @ 4 G G 6 4 3 G 9 G 9 G G 8 @ 8 G 0
after
G 8 @ 4 G 7 B
35
4 B
PART THREE EGO HOW DO YOU LOVE ME? LET ME COUNT THE WAYS

16 The World Revolves Around You, My Quarry

d 9 G C 8 C 2 8 G 6 3 4 4 8 G 6 3 4 2 9 2 G G 9 4 G 0 d 9 4 2 2 9 C G 2 2 @ ) D 4 3 7 7 G 2 0 D 4 3 @ x @ 0 D 4 3 C 4 0 Q 3 4 2 2 G 9 G 4 G 6 D 3 4 6 4 4 G 2 2 9 B B B
thinking
me
) 4 G G 6 7
a 6 @ 3 @ 2 F 4 E @ 2 2 @ E 2 6 0 G 3 4 2 @ G ) 4 G G 4 2 C 3 3 2 C 4 2 @ G 6 @ G e @ 4 G G 6 7 7 0
Ego Massage Is a Highly Skilled Craft

w 5 7 @ F 3 4 4 F 2 @ 2 F 8 F C 3 3 2 0 D 2 F 4 F 4 2 9 G @ F 9 @ G 2 4 F 7 6 @ G B e @ 4 G G 6 7 S 3 4 F 4 2 9 7 2 G F 2 0 @ G e @ 4 G G 6 4 7 S 3 4 F C G @ C 4 4 2 4 4 F B
p 4 ) 4 4 6 E 6 ) 4 2 4 ) 4 2 2 2 G C ) G 4 C G 4 y 6 ) G 7 @ 5 4 C G 4 C 5 2 F @ 0 d 9
a I 5 G 4 4 G 7 @ 3 4 F 2 0 G 4 C 2 G 7 @ 6 2 G 4 ) C 4 6 7 G 3 3 2 9 6
36
3 4 G
unconditional
17 Step One: Silent Praise

Let Your Body Do the Praising
w 4 F C 4 ) 8 2 9 G G 2 E G 2 E G G G 2 E 6 0 9 6 @ 7 G 2 3 2 6 @ G e @ 4 G G 6 ) 6 @ G E 6 9 @ 9 @ 2 ) D G 6 @ G G 2 E 6 0 Y 6 C C @ 3 3 4 6 2 5 2
intense gaze Sticky Eyes

5 @ G 6 @ G E F 4 B B
Bedroom Eyes
e @ 4 G G 6 7 6 @ 6 @ G e @ 4 G G 6 B
` 4 2 9 4 2 6 @ 4 G 3 F ) 4 F F 9 2 6 7 G 4 G ) 4 G 8 4
soften
b 2 9 C G @ 2 2 @ G
you
TECHNIQUE #32: BODY PRAISE

9 6 @ 3 2 6 @ G e @ 4 G G 6 ) F 8 2 9 @ E 3 4 2 9 4 2 6 @ 4 G G G 2 E 6 G 4 2 9 3 G 9 G 2 9 G @ F 9
p 9 7 G 3 2 9 4 G G C 2 7 6 4 E 6
18 Step Two: Empathy

"I Can Identify with That!"
w 6 @ G e @ 4 G G 6 4 5 F ) 2 9 H 2 2 7 G 6 @ 2 3 6 G 4 G 2 0 2 6 @ G e @ 4 G G 6 5 6 @ B B B B B @ G 2 4 4 4 F G 2 9 9 4 2 9 G 9 4 6 F 0 w C C 3 9 2 9 E 6 G 5 F G 9 G 4 B B B
a e @ 4 G G 6 4 3 0 2 4 6 6 @ 4 G C @ F 2 2 9 4 2 2 4 8
a 4 G 2 G 2 9 3 6 @ 8
TECHNIQUE #33: EMPLOY EMPATHIZERS

I G 5 3 4 2 9 2 C 9 G 4 2 9 G @ F 9 @ 2 6 @ G B B B C 8 G 4 2 2 9 6 @ G e @ 4 G G 6 0 v @ 2 6 @ G 7 G 2 C @
` 2 9 2 F 9 2 9 G 0 v 2 G G 6 ) F 2 3 h 6 @ 9 4 8 6 @ G C 9 4 C 2 9 0 w 3 4
TECHNIQUE #34: KEEP THE SPOTLIGHT ON YOUR QUARRY

d 9 5 7 6 @ G C 8 G 4 2 2 9 6 @ G e @ 4 G G 6 4 4 F 4 2 2 F 9 2 0 s 8 G 6 2 3 2 9 F 6 @ G e @ 4 G G 6 ) 9 G
` 7 2 9 C 8 G 4 2 4 ) 2 9 G 7 G )
you
b
Lovers Share Intimate Details

s 8 G 6 2 9 2 4 G 7 4 8 C 4
My Life
7 2 9 G 0 Q 4 C 6
I'm
B 2 C 2
I
4
a 3 3 G 4 E 0 1 G 2 9 5 6 9 9 4 G 2 9 G G G 2 E 0
everything
F 9 4 G 7 F @ 0
my
7 4 C
me
4 3 5
those
6 @ 3 G 7 G
p 8 G 1 @ 2 G C 4 2 G 2 2 9 G e @ 4 G G 6 C G 4 8 F 2 E 4 2 4 G 2 9 G @ F 9 4 2 C 9 x @ D C 4
tracking
9 8 G E 4 2 G G 7 B
first
G 3 2 9 @ 4 G
TECHNIQUE #35: TRACKING

5 4 4 G 2 G 4 7 7 C C 2 G G ) 2 G 4 C 5 2 9 2 2 2 4 7 6 @ G e @ 4 G G 6 7 0 r 7 G 2 2 9 3 6 @ G C 8 G 4 2 5
My
3 0
Life
minor
major
Lovers Have Private Jokes

1 G 4 2 9 G C 2 4 E 4 6 2 3 5 6 @ G e @ 4 G G 6 F 4 x @ y @ 2 2 9 7 G 2 G 7 8 ) B 8 E 7 G 2 @ 2 4 E 2 F 8 4 7 @ S E C 3 3 2 0 B
p C C 4 4 6 ) D F @ 2 2 9 4 s F 9 C 9 4 4 3 9 4 G 0 9 D 7 G 2 2 2
p 9 4 G 4 2 4 4 G 2 6 )
p 9 @ G 2 2 9 G H 2 ) 9 4 G 2 @ ) 2 9 6 C 4 3 @ 4 2 3 @ 2 4 C 8 G 2 9
p 3 4 C 9 3 ) C @ F 9 4 G ) @ 4 3 2 2 9 6 G 4 7 G 4 0
p 9 4 G 9 4 2 9 4 8 4 4 G F 2 9 G 3 7 9 2 2 4 9 E 4 C 5 4 C 5 0 w 2 9 E G 4 8 9 5 G 2
p 2 9 G F 4 y F @ 4 2 2 9 4 5 5 2 C 4 6 5 7 G F 9 2 2 2 E 6 ) 9 4 G 3 4 4 @ F F 2 0 D 9
p 9 4 G 2 4 6 2 3 4 6 G ) E @ 2 2 9 @ 5 2 7 9 2 G 6 4 2 9 4 2 9 )
p 9 4 G ) 9 4
p 4 2 G 2 9 4 G 2 6 ) 9 4 G @ F F 2 2 9 9 2 2 @ G 2 9 2 8 2 C 4 2 C 9 2 9 7 4 s F 9
terrible
2 9 5 2 9 4 2
p 5 4 2 9 4 G 4 4 ) 9 ) 2 9 4 8 4 C @ 7 2 4 7 G 2 0 1 C G 4 C 5 @ 0 D 4
TECHNIQUE #36: PRIVATE JOKE

d C G 4 2 G 3 4 2 @ G 2 3 4 C 6 ) 2 C 4 G 7 @ 6 9 6 @ G B e @ 4 G G 6 2 F 4 2 G 6 0 d 9 C 5 @ 2 4 9 G 4 2 9 4 2
p 9 G 9 E 8 @ 6 G 9 0 4 2 2 9 7 4 8 G 2
p w 2 9 4 2 8 C 3 3 @ C 4 2 2 C 9 x @ ) 6 @ 3 @ 2 9 4 7 C 4 @ 2 0 4 @ 2 @ 3 E G
heckling
) G 6 ) 2 3 9 2 G F G 2
p 4 @ 2 @ 3 E G 2 w 7 2 G 6 @ 9 4 G 6 @ G e @ 4 G G 6 2 2 3 4 E 7 G 6 @ 8 5 2 9
p 7 2 7 7 ) 2 4 7 2 G @ F 9 F 2 9 4 2 @ G 7 4 C 4 2 G 0 d 2 9 4 6 ) 9 8 G 9 4 G C 3 @ 2 9
p 9 4 G 6 3 6 2 G 6 3 @ C 9 2 9 4 2 9 7 G F 2 D 3 4 F G F 2 9 9 3 ) 4 D @ @ 4 6 F 2 3 6 4 6 0
19 Step Three: Admiration

"Oh, Honey, You Did an Absolutely Superb Job Slicing These Mushrooms"
I 2 2 9 G ) 4 G 6 C 8 G 4 2 ) 2 C 8 C 6 @ G e @ 4 G G 6 6 @ 4 3 G 9 3 G 9 G 0 Q 2 9 2 3 B 2 4 G 7 G C F 2 4 2 3 2 2 H G 4 G 8 4 0 d 9 2 2 2 G C 2 4 G C 4 B B B
kudos
not
@
p 2 @ 4 2 0 F G 4 2 @ 4 2 ) @ 4
that
8 0 G 7 G 6
a @ 4 G 4 C @ G 4 G ) 2 9 3 G 4 2 9 2 F 8 G 7 G C F 2 4 2 3 2 0 G 4 F 2 9 G
sous chefs
C F 3 @ 2 8 ) D 9 4
TECHNIQUE #37: CONFER KUDOS

w 2 9 2 3 4 C 6 G F G ) 4 4 G 8 4 2 2 6 @ G B B B 3 4 2 9 y G 0 I G 5 6 @ G C 8 G 4 2 2 9 2 2
20 Step Four: The Implied Compliment
"You're Much Too Young to Remember This, But . . ."

1 G 6 2 4 2 9 G 4 6 2 @ 7 7 @ 6 @ G e @ 4 G G 6 9 6 @ G G 4 2 9 2 2 7 G 4 F 2 9 4 B B B 7 @ S E E F C 3 3 2 0 B
Imply
2 4 G 4 6 @
Being as smart as you are Anyone as well spoken as you

3 2 ) @ C 9 4 ) ) C @ 4 6 2 9 G 4 6 2 C G 4 7 2 2 9 3 C 3 3 2 2 B B 0 I 4 6 3 2 9 F 5
Really bright people like you

G E 3 0 B 7 2 9 3 C 3 3 2 ) E C 4
Anybody as fit as
2 9 @ F 9 6 @ 9 4
you are
@ C 4 2 9 2 2
TECHNIQUE #38: THE IMPLIED COMPLIMENT

a 4 8 2 9 4 2 9 2 6 @ G e @ 4 G G 6 9 4 G 2 E 6 2 @ C 5 F 3 B B C 3 3 2 2 2 9 C 4 G 6 4 G 2 7 6 @ G 2 C 0
The Bull's-Eye Booster: ''I Just Love What You Like About Yourself"
Y 2 G 4 2 9 G e @ 4 G G 6 7 G 3 2 9 F 2 9 6 5 4 E @ 2 9 3 G 9 G 0 P @ 2 2 3 @ C 9 3 G 2 2 B B B B 9 6 @ C 3 3 2 6 @ G e @ 4 G G 6 7 G 3 2 9 F 9 G 9 G 4 6 G @ 7 0 B B
p s 4 G 6 6 @ G C 8 G 4 2 ) 2 4 G 2 C C @ 6 F 4 2 9 G F E 2 G 3 4 2 G 4 0 4 G 7 @ 6 C G 4 7 2 6 @ G G 4
a 1 @ 2 G 4 1 @ 2 G ) 9 G 4 F 6 @ G e @ 4 G G 6 ) 4 C G 2 3 F 0 G 4 7 G 4 G C 2 3 4
p 8 C 2 G 6 C 4 G G 3 G @ C 9 2 9 4 4 4 @ F 4 F G 4 2 G ) 3 G 2 4 2 ) 7 4 2 0 3 3 2 F 3
TECHNIQUE #39: THE BULL'S-EYE COMPLIMENT

P 7 G 6 @ 7 G 6 @ G 7 G 2 8 G 2 C 3 3 2 ) 4 5 6 @ G 7 ) B 9 4 2 2 9 G 3 2 G @ 7 d 9 2 4 5 G C
21 Step Five: The Big Guns

"You Are the Most Fascinating Person I've Ever Met"
s 4 C 9 2 3 6 @ C 9 4 G F 4 E 8 @ C 3 3 2 ) 6 @ G H 2 9 2 G 0 5 2 9 6 G B B p 7 G 4 2 4 G ) 6 @ G e @ 4 G G 6 E F 2 8 4 @ C C @ @ C 3 3 2 0 @ C 4 @ B B
killer compliment
9 4 2 2 9 5 G C 4 ) S 2 4 G F 2 ) @ 2
tell
G 4 2 C 4 E
a E @ 2 3 8 G 6 G 8 4 2 2 8 E G 8 4 2 4 E @ 2 2 9 3 0 G 9 4 2 9 G C 8 4 4 G 2 G 9 4 4
tell
4 E @ 2 9
tell
5
necessarily
"What Does Giving a Killer Compliment Do for Me?"

D 3 @ G 6 @ 8 7 F @ G @ 2 E 6 2 9 4 2 F 8 F 2 9 5 G C 3 3 2 2 4 2 G 6 4 2 G @ 2 C 4 C 2 0 B @ G C 8 4 G C 9 G 4 G 6 @ G 7 9 6 @ C 4 6 E @ G 2 @ 2 0
` r C 2 6 ) 4 2 4 4 G 2 6 ) D 4 C 9 4 2 2 F 2 9 4 4 C C @ 2 4 2 ) 4 @ 4 2 2 9 4 2 0 w F 2 4 C C @ 2 4 2
Whoa
9 9 4 8 F
` I 2 d 3 @ 2 Y 6 5 F 2 4 5 0 v D 4 2 2 g o p 9 2 F 2 9 G @ F 9 3 6 8 b
is
4
TECHNIQUE #40: THE KILLER COMPLIMENT

I 4 G C 9 7 G 4 @ x @ x @ 4 2 6 6 @ G e @ 4 G G 6 ) B 2 9 4 2 3 2 @ 2 C 3 3 2 2 0
` 4 8 6 @ G e @ 4 G G 6 C 9 4 6 4 E 2 2 4 3 3 G ) 9 ) F 9 ) 2 9 4 5 0 v 2 G G 6 ) 9 G
22 Fine-Tuning the Ego Machine

"Wait a Minute. Does Everybody Like Compliments?"
w 4 G 3 4 2 4 3 4 G 2 9 4 2 2 4 4 @ G 0 w 4 C 3 3 2 3 4 2 B B B 3 9 @ 2 E F G 4 0 D 7 6 @ 4 G 2 G 4 C 5 F H 2 G 3 6 4 2 2 G 4 C 2 8 e @ 4 G G 6 G 8 G 6 B
37
4 @
TECHNIQUE #41: SHORT ON ASSETS? GO LONG ON PRAISE

w 2 2 G 4 C 2 8 4 4 C C 3 9 4 G 4 C C @ 2 3 2 B B B G 4 ) C 3 3 2 7 2 9 4 8 8 4 @ 2 9
appropriate
Knee-Jerk Praise: "What You Just Did Was Fabulous"

1 G 4 2 2 2 9 2 6 @ B
must
G 2 G @ 3 9 ) 7
knee-jerk
C 3 3 B E F 4 ) 2 4 5
don't
` 2 3 4 F G 4 2
TECHNIQUE #42: THE KNEE-JERK COMPLIMENT

w 7 2 G 6 @ G e @ 4 G G 6 4 C C 3 9 3 2 ) C 3 3 2 B B
immediately
7 4 2 2 G F 4
great
terrific
Have the First Laugh

d 4 C 3 4 ) 6 @ G 7 4 C @ 2 7 3 4 6 E E E F 4 G @ 2 9 4 7 4 C F 9 3 2 9 C @ E 0 w 9 8 G 4 C 9 @ C 9 ) 6 @ @ C 2 9 @ 4 4 G 7 9 2 4 G 2 2 9 2 G C 5 ) G 2 9 G 2 ) 7 B B B
TECHNIQUE #43 (ESPECIALLY FOR HUNTRESSES): HAVE THE FIRST LAUGH

1 @ 2 G ) 2 2 9 3 E 4 G G 4 3 2 2 9 4 2 D 7 7 G 6 @ 2 9 E 8 @ 2 C 9 x @ ) E @ 2 4 8 F 2 @ 2 @ E 4 F G 4 8
Lovers Give Each Other Pet Names

P 6 6 @ 4 G G 4 6 7 G 4 2 9 G 2 G 2 G 4 2 C G 4 2 2 3 4 C 6 2 9 6 @ G e @ 4 G G 6 4 3 4 5 9 3 G B 9 G 7 5 2 9 C 2 G 7 2 9 @ 8 G 0
Leilie
7 4 C 2 @ E 3
` @ G 2 9 7 4 C 2 2 9 4 2 r C 5 D C 4 9 3 r C 5 6 b C 4 3 G @ G 7 G 9 4 2 F F 0
p 9 9 H G C 4 C 9 9 4 3 9 4 8 4 2 G F 4 7 7 C 2 0 5 4 6 4 )
TECHNIQUE #44: CONFER PET-NAME STATUS

D 7 2 4 G G 4 2 ) 4 5 6 @ G e @ 4 G G 6 9 4 2 9 G 9 4 B B B C 4 4 4 5 0 D 7 6 @ 2 9 4 2 6 @ G e @ 4 G G 6 5 2 9 4 2
When Your Quarry Praises You

4 6 D 4 E G F 4 E 5 2 G 7 G 4 E 5 C 3 3 2 0 Q 9 G 2 E 7 @ P @ 2 B 2 9 G 4 4 E F 7 4 2 7 8 G 4 2 9 @ 4 @ 2 ) 7 G 4 C C 4 2 G C 4 3 0 D 2 4 7 @ 7 B
merci
b 0 4 4 3
` 2 9 4 5 6 @ b ) 2 9 F G 4 C @ 3 @ G 3 @ G
C'est gentil
4 2 2 9
` 6 2 G 4 4 2 ) d 9 4 2 5 7 6 @
Boomeranging Thanks for asking

0 1 G 4 G 4 2 0 8 @ 6 3 G 2 9 4 2 2 9 B
Thanks, you remembered

4 F G 4 2 2 3 0 ) D 5 9 4 G G G 0
Oh, thanks for noticing
TECHNIQUE #45: BOOMERANGING

9 6 @ G e @ 4 G G 6 C 3 3 2 6 @ G 4 5 6 @ 4 E @ 2 B 4 6 2 9 F 6 @ 6 2 4 5 F 4 E @ 2 ) E 3 G 4 F 2 9 F
boomerang
) F 7 F ) 0 d 9 3 G F
23 Keepinq the Love Coals Warm

"I Love the Way You Wrinkle Your Nose When You Laugh"
d 9 7 4 F S 3 4 4 F 2 C 9 x @ C C G F S 2 G 3 8 0 D 2 9 5 B B
you
4 2
Spocking
7 C 4 2 2 9 F 2 9 2 9
Spocking
) 4 G C 4 2 ) B B G 4 3 G 0
a 2 4 G 2 2 7 4 8 7 G 4 3 6 G 4 7 7 7 G 2 G 4 0 d 9 F C ) 7 F 7 G 3 6 @ G 8 3 4 )
` d 2 4 6 8 4 2 9 G 7 G 5 6 @ G e @ 4 G G 6 8 2 9 6 @ b ) C @ G 4 F 2 9 4 2 9 C 9 6 @ 4 G 0
New Yorker
H 9 4 @ 2 C 7 9 4 C @ G G
Spocking
TECHNIQUE #46: SPOCKING

d 9 5 4 E @ 2 2 9 @ E 2 ) 3 4 6 E 8 6 ) 2 9 F 6 @ 8 4 E @ 2 6 @ G F 7 C 4 2 2 9 G 0 d 9 ) 4 2 3 3 2 ) 2
why
really
` 2 @ G 2 9 3 0 ) 2 9 4 2
Spocking
PART FOUR EQUITY THE "WIIFM" PRINCIPLE OF LOVE (WHAT'S IN IT FOR ME?)
e
24 Everybody's Got a Market Value, Baby

v @ G F 4 9 4 2 4 G F @ 3 2 ) 4 3 4 D C 8 4 G 4 2 3 ) s 8 G 6 E 6 F 2 4 8 4 @ 2 9 B 3 4 G 5 2 ) E 4 E 6 0 D 4 4 4 0 1 C G 4 1 C @ 9 4 C 3 3 2 ) C 4 6 B B B B B
a 4 3 4 E @ 0 2 8 7 C 9 9 4 F @ G @ G 4 C 9 2 9 4 2 ) 4 9 @ 3 4
` 2 G 4 C 2 ) 2 9 E F x @ 2 k l l m n h 9 4 2 2 7 G 3 b
` @ E 3 4 2 H @ 4 2 6 b G d 9 G r 5
` 7 F 4 8 7 b ) 2 @ 2 2 F 2 2 9 G 4 5 6
p 8 0 @ C 2 F @ 3 G @ @ G 8 6 4 4 E G 4 2 G 6 H G 3 2 ) C 2 2 E 4 C 5 4 G
equity
` G
exchange
b
horse-trading principle
Why Is Finding Love Like Horse Trading?

d 9 x @ 2 6 2 9 G 6 7 8 E 4 2 9 4 3 @ E @ G C 7 E 4 G 2 G 4 3 4 G 5 2 B B B 8 4 @ 0 s 8 G 6 2 9 F 9 4 4 8 4 @ 0 s 8 G 6 2 9 F 9 4 4 G C 0 w 2 9 2 9 4 2 7 4 G @ C 2 ) 4 G 8 4 @ C 4 B B B
top-grade champions
5 7 G x @ 4 2 2 9 6 C 0 w G 9 @ 3 4 G 4 6
nags pretty movers good

9 G G 4 6 7 G 2 9 4 ) 7 7 G 2 G F 2 G 9 G 7 G 2
disposition, no bad vices

) w 2 9 9 G x @ 4 2 4 7 7 F G 4 G ) 9 E 2 2 G 9
flashy
4 G C B 7 2 9
38
What Currency "Buys" a Good Partner?

a G 2 7 2 9 x @ 2 6 G C 2 H 3 2 9 C 9 4 G 4 2 2 9 3 4 G 5 2 9 B B B B 8 G F 9 @ E 4 G 7 9 F 0 B B
a X 0 9 6 C 4 4 4 G 4 C
a V 0 G 3 6
` 2 9 2 I 2 4 2 )
p 4 4 4 ) G 3 4 6 ) q 4 4 b 9 2 9 4 2 3 4 3 @ @ 4 6 @ 3 4 G G 6 F
10 39
0 T i G B 3 6
same
2 9 4 2 4
p P 4 C 5 2 9 X U W R 8 G 4 4 5 4 ) 4 7 G 4 ) @ C 4 2 G E G 8 7 7 2 9 S 4 H 2 9 S F G 4 F G
` 8 2 9 6 @ 0 D 2 9 C 4 7 2 9 4 2 2 G E @ 2 2 9 4 2 C 4 2 E F @ 6 F G 4 2 6 9 4 C @ C 9 4 6 @ G
perception
2 6 C 9 C 5 G F 4 ) 4 D
Because balanced benefits make happy campers

) G 9 2 9 G 4 2 x @ 4 @ 2 0 2 E 4 C 5 4 7 4 B C 9 C 5 9 3 @ C 9 6 @ 4 2 2 3 4 @ 4 2 2 0 d 9 ) B
a C 4 6 2 9 F G @ 0 4 G
25 How Can I Use the Equity Principle to Find Love?

You Really Don't Want to Marry the Handsome Prince or the Beautiful Princess
a G 4 C 2 C 4 6 8 G 6 6 @ F w 3 G C 4 F G 7 3 6 F G 4 2 2 @ C 5 2 9 C 8 G 4 2 6 4 G @ 9 G 7 8 G 6 F 9 2 G 4 3 F 7 2 9 9 4 3 G C 9 4 3 4 6 F F 2 C 3 G F E 6 9 B
a d 9 G C 2 4 4 6 9 4 8 2 E 4 9 4 3 G C 0 1 C @ E 4 G C 9
a G C ) 4 G 7 @ 6
a 5 G C ) G 4 2 G F 4 2 8
a G C 0
a G 9 4 ) G 4 3 ) @ G G C @ E 4 2 ) G
a 4 4 G 2 2 ) G 3 4 6 E 4 7 4 3 @ 4 C 2 G G C 0 w F G G ) @ G G 4 3 2 C 9 4 F 0 3 6
prince
2 4 2 F 8
you don't
want to him to come
better
F 0 d 9 x @ C 5 G
"Why Don't I Want to Marry Up?"

D 2 4 6 2 @ G 2 4 9 6 ) 4 x @ 2 4 E G 4 2 9 ) 2 9 @ G G 4 G 2 G 3 F 9 2 E 4 2 7 0 B B B w 7 2 G 2 9 7 G 2 E @ 9 7 8 4 G 7 7 ) 9 G 9 5 4 G @ 4 7 G 8 F 7 4 3 @ C 9 E 2 2 G
40
3
a G C v 4
p 9 4 G C G 2 4 6 2 9 G E 2 2 2 G 6 2 9 3 6 2 9 7 2 9 6 7 3 4 G G 6 F 2 9 G C 0
a P @ 2 I 2 8 @ 3 E G 9 4 G 0 w 2 3 F E 6 ) 9 F C 4 2 2 4 5 2 0 s 8 2 9 @ F 9 9 7 2 @ C 5 6
inequity
7 7 9 0 B
"What Happens if Inequity Strikes After We're Married?"

I 3 2 3 C @ 2 4 G 2 @ 2 E 4 4 C ) 4 x @ 2 6 2 G 5 B
after
) G E B 9 7
p E @ 0 d 9 6 3 4 G G ) 4 4 @ G 4 4 9 4 6 F 8 F @ 9 G Q G 5 E 4 3 8 F 2 4 7 G 4
` 9 2 9 6 C 4 4 7 7 G 2 9 4 G 7 4 G b 0 P E 2 C 4 0 P @ 2 ) 4 6 ) D 9 4 G 4 7 7 G 2 2 9 G 8 C 0
little
F 6 @ 4 C 9 4
26 How Important Are Looks?

1 3 G 2 4 2 4 G 5 2 3 @ 2 2 2 9 4 6 0 w 7 2 G F 2 4 G 4 G C 9 7 G 2 9 C 9 4 2 G ) 2 4 B B B 4 2 @ F 9 C 9 C E 2 4 2 C @ G F G 6 G @ C 0 G 2 ) 2 F 2 2 9 E 4 @ 2 7 2 9 4 6 7 G B
Looks count
@ G E 2 7 G F 9 2 ) 5
perception
) 4 G 2 3 2 ) B @ 4 G G 6 7 G 2 3
` C 8 G 2 C 9 x @ 2 9 4 2 9 4 8 4 2 3 G 2 2 9 6 @ G e G 7 6 @ 6 @ G E 6
` 0 Q 2 7 G 2 9 I G 3 7 G 3 P 8 4 9 C 2 4 2 6 F G F 2 9 3 8 2 E C 3 4 C
p 7 4 2 4 G 3 7 @ 7 G 2 9 G 3 0 b w 3 G C 4 3 G 7 G 2 5 F 9 2 6 C @ G 8 @ S E 0
` Q 2 7 G
What Type of Looks Do Women Like?

1 G 9 4 2 4 F G @ 7 G 4 G C 9 G 7 @ 2 9 4 2 3 3 2 5 4 3 4 7 4 C B t
&
41
G 4 6 G 7 G 3 7 4 8 G 4 F E @ ) E @ 2 B
42

p 2 9 C C 3 C 2 2 3 G 7 G 3 @ C 3 0 8 G 6 ) 9 F 9 6 4 G 7 4 3 7
Wall Street Journal

G 4 F 2 4 G 2 F 4 4 G 6 X V 0 c 4 ) 4 4 G 2 6 2 4 G 2 B B
` G G 2 2 9 4 2 2 4 G F G 4 @ 4 2 F C F 2 @ 2 f V
` 2 3 ) 4 5 F 7 y 6 ) 2 9 y 7
it
4 2
` @ 4 G 3 4 3 4 F 4 y C 4 D P F r 6 P 2 2 G d 9 4 G 2 C x @ 8 C 4 2 2 G 4 G
What Type of Looks Do Men Like?

9 4 G F G 4 G C 9 G x @ 2 4 E @ 2 3 5 ) 3 G 4 G 2 C @ 4 2 0 w 2 6 C 4 B 4 G 4 ) 9 ) F ) ) 6 @ 5 F G @ 2 ) F G @ 2 ) @ 9 ) F S 5 F 0 1 8 G ) 4 F G @ 7 B
43
3
` G 2 9 9 4 6 G 4 2 G 6 2 2 9 E 4 C 5 4 2 7 2 9 G Y G C b 0
the look
4 F 4 2 ) G 7 G
the look
F G 4 y 4 ) 4
"How Can I Make My Quarry Think I'm Better Looking?"

P 4 @ 2 6 2 4 E C 2 8 2 2 6 0 5 2 9 G 8 G E 4 @ 2 9 7 G 2 9 C 9 3 @ 2 E 9 4 G 2 E 4 B @ ) E 4 @ 2 6 9 4 2 E E 9 E 6 3 2 E E 4 @ 2 6 0 P 4 @ 2 6 4 G C 2 ) 4 @ F 3 2 C 4 0 B B
` 1 4 G 2 6 ) C 2 9 F ) 4 3 4 5 @ 4 D 4 8 2 9 4 2 2 2 9 G E 5 b ) 9 G 9 6 @ C 4 3 4 @ 4 2
20/20
` 4 4 C a 4 F C
p 2 G 9 G E 6 w P b 2 2 9 7 2 9 9 F 9 4 6 E 6 9 G @ 6
Now
F C 4
move
@ G 5
TECHNIQUE #47 (FOR HUNTRESSES): MOVE LIKE A 10

p 4 6 @ 7 Y 2 9 G Q 4 2 @ G Q 0 P @ 2 6 @
can
4 @ 2 7 @
p 8 C 6 @ G 7 2 9 4 2 6 @ 4 G 2 9 3 2 E
move
TECHNIQUE #48 (FOR HUNTERS): MOVE LIKE A HUNK

Y ) 3 4 5 2 G F ) 3 2 9 ) E 3 8 3 2 0 4 5 2 G F 0 5 5 6 @ 5 9 G 6 @ G F F 4 9 6 0
p @ 2 2 @ C @ C 2 9 6 @ G 9 6 C 4 4 4 G 4 C 4 7 7 C 2 6 @ G @ C C 8 4 @
How to Beef Up Your Odds on Making the Kill

D 7 D 2 6 @ 2 9 4 2 ) E 6 9 F 2 9 G @ 2 7 2 9 2 @ ) 6 @ C @ 3 G 2 9 4 @ E 6 @ G C 9 4 C 7 @ C C 2 9 H 2 2 3 6 @ 2 G 6 2 C 5 @ 4 g h g ) @ 6 @ E 8 2 P 8 2 B B
` I 2 4 G 2 E 6 2 4 5 F 4 F 5 4 2 6 @ G 7 2 9 3 G G G 0 4 9 4 ) 6 @ C 4 C 9 4 2 0 2 4 F @ @
10
Q 2 9
` C 4 0 D 7 6 @ 3 9 ) 4 5 6 @ G
TECHNIQUE #49: MIRROR, MIRROR, ON THE WALL

d G 4 3 4 2 C 4 6 C G 4 6 @ G C 9 4 C 7 @ C C 2 9 e @ 4 G G 6 ) 6 @ G @ G 6 2 9 G 2 2
` Q 2 2 3 2 3 8 2 2 9 H 2 2 C 3 3 2 2 9 x @ 2 6 C 4 G 3 6 b
` 4 2 4 2 @ G G 2 F b 0
27 Pursuing Rich and Famous Prey

9 G 2 F 2 9 E 5 ) D H C 2 6 2 4 6 9 @ 2 2 9 4 2 D 4 H G F 9 4 2 C C B 4 6 3 4 5 7 4 8 0 D 7 3 6 2 G G F 4 4 G C 9 F ) D 2 9 4 5 2 9 3 9 4 2 2 6 B B B
The Look of Money

9 4 2 C 4 9 @ 2 F @ 2 7 2 6 @ 2 @ G @ F G G 6 E 8 @ 6 ) 6 @ G F F 2 4 8 B B B B 6 @ G 1 4 4 4 9 G 2 4 6 2 G 4 2 @ 2 2 9 C 2 0 r C 9 E G 9 4 8 4 C 4 4 F B B B
TECHNIQUE #50: LET YOUR RAGS SHOW RICHES

2 3 ) F 7 G 9 4 3 4 @ 2 0 Y 4 5 @ G 6 @ G 2 4 G H G 2 2 9 F 9 2 7 @ 6 4 G C 4 2 4 7 7 4 )
The Sound of Class

w 2 9 G E 8 @ C 4 2 G 3 4 2 4 F @ 4 F 0 d 4 5 F G C 9 2 3 4 7 F F @ 2 7 4 5 G 5 ) 9 3 6 C 9 4 @ 7 7 @ G G 8 3 2 s y 4 E 2 9 w G 2 9 3 G F 3 6 P 2 6 0 0 0 D 2
does
4 G 3
` C C @ G 4 2 4 2 3 E 4 G G 4 b 4 E @ 2 3 4 2 2 G C C G F C 4 ) 4 G 2 G 4 3 Q 4 C 6
U
6 E
` 7 G
Non-U
4 F 4 y 9
` 7 G S @ G S C 4 ) G G S C 4 b 4 F @ 4 F 0
44
a 9 d @ 2 2 B B
London
q
Observer
) H 4 3 B 2 G @ C )
a 2 9 4 5 6 @ ) G ) G ) 4 2 3 2 6 @ ) D 3 @ G 0
wealthy paper
) ) v 0 D 4
rich
@ F 3
lavatory
4 2 6 )
toilet paper
G S C 4 2 4 3
p 9 @ G @ F F G G 6 ) 3 6 2 4 3 @ 2 @ 9 3 3 0 4 4 4 4 4 0 D 2 2 2 ) 2
little boys' room

) 2 9 w 3 G C G @ ) G G 2 2
penis
C G C 9 0
vagina
G 7 G G @ 2
pecker
2 9
pussy
2 9 4 7
Backside
Derriere
TECHNIQUE #51: LET YOUR TONGUE SHOW RICHES

d 2 G 4 F G G 6 ) 6 @ 2 C C 2 @ G S C 4 B B B B B G 4 3 3 G y 2 9 3 ) E @ 2 C @ 2 2 9 @ 9 3 3 0
` v 2 7 G F 2 2 @ 2 9
Echoing
7 4 @ H 4 0 b B
clear
) P 4 G E
TECHNIQUE #52: THE SOUND OF CLASS

d 9 C G 2 2 4 S 9 2 F @ ) x @ 2 3 6 ) 2 B G @ C 4 7 6 @ G 6 4 E 4 7 9 8 G 6 G 2 9 4 2
What Does the U Crowd Talk About?

D 7 6 @ 2 2 3 @ C 9 G C 2 F s 4 6 I 2 G 2 ) 4 G 2 9 2 G 2 4 F @ 4 F 7 2 9 G 2 0 B B 2 4 2 2 2 8 6 2 F 2 2 9 G 7 2 7 C 8 G 4 2 0 @ 2 9 4 2 3 2 C 4 G ) 2 9 G B
` 4 G @ 2 0 G H 4 3 ) 2 9 4 G 2 4 G 0 1 3 @ C 9 3 2 9 F C 2 @ 2 0 w 7 2 G 4 ) 2 9 G C 9 C 4 9 4 8
p 9 4 2 8 G 2 9 6 4 2 ) 9 8 G 2 9 6 4 2 2 ) 4 2 9 C 5 2 9 2 9 C 2 0 b @ G G 2 8 2 4 G 0 I 2 G F
` G 4 G C C 4 ) D F 2 8 2 4 2 9 2 5 G 5 F S C 4 G ) D 3 @ G b 2 4 G 2 2 @
do
@
know
TECHNIQUE #53: DON'T ASK "WHAT DO YOU DO?"

v 8 4 4 G 7 G 4 G G 4 2 2 C 7 C 8 G 4 2 0 B B B B B a F G 4 2 9 G G 2 F @ G 6 9 4 8 8 G 6 2 8
Use Status Words with Status Prey

a 7 G 3 G C 9 G E 4 C 5 F G @ 9 4 8 G C 9 G C 2 9 ) G C 9 G 9 @ ) G C 9 G C 4 G ) 4 G C 9 G B 8 C 4 E @ 4 G 0 d 9 6 2 C 4 G 6 9 4 8 E F C 4 G ) E @ 2 2 9 6 2 2 4 8 2 9 C 3 3 2 2 0
personal thesaurus smart

0 D 2 8 G 6 ` 4 5 4 2 9 4 @ G @ 4 @ 7 y 7
your good

smart
G 7 @ 3 2 6 @
good
G C 4 6
ravishing
) 0 E 6 2 F 9
stunning
3
striking
1 @ 2 G D 2 4 )
elegant
e @ 4 G G 6 @ ) G 9
clever
resourceful
)
ingenious
astute
p 8 9 F 9 G G 9 F 9 S G F C 3 3 2 0 @ 2 8 4 2 6 @ G G 4 2 9 4 @ G @ 7 2 E F G )
TECHNIQUE #54: YOUR PERSONAL THESAURUS

d C 8 6 4 G C 9 E 4 C 5 F G @ ) C 9 G C 9 G 7 G 3 2 9 2 9 4 @ G @ 0 5 4 E 4 @ 2 7 @ C 5 4 C ) 2 G 6 2 9 3 ) 2 9
28 Upping Your Ante in Other Assets

Knowledge, Social Graces, and Inner Beauty Are Tangible Assets
I 7 4 G ) 8 2 4 5 4 E @ 2 C G 4 F 6 @ G 3 4 G 5 2 8 4 @ 2 9 G @ F 9 3 4 @ 4 2 F 6 @ G e @ 4 G G 6 B 3 G 7 6 @ G 9 6 C 4 4 4 G 4 C ) G 3 6 ) 4 2 4 2 @ G G 2 F 0 d 9 4 G B B B B B B
a d 9 7 4 4 2 2 9 2 ) E @ 2 E 6 3 4 2 9 4 2 ) 6 @ G G 4 2 @ G 0 G 9 4 2 9 2 9 3 2
TECHNIQUE #55: UP YOUR ANTE IN INTANGIBLES

d @ 6 @ G 3 4 G 5 2 8 4 @ ) 8 G 2 4 G F ) 8 G 2 B B B 8 F 6 @ G G 4 2 6 4 C 4 5 ) 4 4 4 6
29 Help Them Convince Themselves That They Love You

Let Your Quarry Do Favors for You
8 F 3 ) 4 E F 8 E 6 2 9 G ) 4 C 8 @ 2 4 2 2 G 7 G 4 G 4 @ 9 3 2 0 B B B 4 G 9 4 6 9 2 9 G 8 F 8 @ F 7 2 G 7 4 8 G 7 G @ ) 4 G C 8 x @ 4 6 B B B
scorecard
0 d 9 2 2 C 4
enjoy enjoy
8 9 G 7
want
9 G 0
cognitive-consistency
theory
C 2 B B
p 0 F 2 8 C 2 C 6 4 6 2 9 4 2 8 @ 4 2 G 8 2 5 2 9 G C F 2 6 C 9 F C 4 6
had
4 C 2 )
a 4 2 C 9 2 9 G 4 2 9 2 C 2 8 6 4 @ 2 2 9 G 9 9 6 4 7 F 2 3 4 2 C 9 0
&
45
3 8 0 w F G 4 2 4 G 2 7 @ G B
a 2 6 E G 8 2 9 G 0 d 9 6 E G 8 2 9
46
4
TECHNIQUE #56: LET HIM OR HER DO FAVORS FOR YOU

2 6 @ G e @ 4 G G 6 2 2 7 4 8 G 7 G 6 @ 4 F 8 6 @ F 7 2 0 d 9 4 5 9 3 G 9 G ) E @ 2 2 4 4 G
too
@ G e
cognitive consistency
) 2 9 4 2 9 G 9 3 @ 2 G 4 6
too
Hey! What About "O Lyric Love, Half Angel and Half Bird"?
9 G ) 6 @ 3 F 9 2 4 5 ) 2 9 @ G 2 6 ) 2 9 E 4 @ 2 6 ) 4 2 9 7 5 7 8 C 3 B 9 4 2 4 E @ 2 C @ 9 F 2 G 4 8 ) 2 4 2 9 @ 4 G 2 h 4 3 4 2 B B B
can
G @ F 9 0 d 9 )
a 2 C 9 x @ 2 9 E 5 4 G F 2 E 2 6 @ G 8 4 @ 8 G 4 2 9 2 3 4 5 6 @ G 2 2 4
a 8 4 G 2 G 7 4 9 4 G G ) 7 4 2 G 0
PART FIVE
EARLY-DATE GENDER-MENDERS IS THERE LOVE AFTER EDEN?

i d
30 ''I Hope He or She's Not a Jerk Like All the Others''

v 6 @ 2 9 X U g g 3 8
Annie Hall
@ 2 7 9 G 9 4 ) 6 @ ) 6 @ G e @ 4
p @ G F 7 4 5 ) 4 @ 2 @ 2 ) 4 C 4 4 E G 2 2 9 2 4 5 7 7 4 4 8 4 G 4 2 9
perceptions
@ 4 G
"I Want a Man I Can Talk to, a Woman Who Thinks Like a Man"
2 2 9 F G F 4 8 G 6 4 G 6 ) @ G G 6 C 9 4 5 G F 4 G 2 4 4 C G w 3 G C 4 0 D 2 9 B B 3 7 2 9 G 3 )
be sensitive
3 4 7 4 8 5 4 3 4 h
think
4 2 C
` 4 3 7 7 G 2 0 G 7 ) 4 1 3 ) 1 G 4 y x @ 2 9 7 7 G 2 1
love
31 What is "Man Talk" and What is "Woman Talk"? (Does it Exist?)

v C 4 7 4 4 ) 3 4 3 6 C @ F 7 7 G 2 @ E C 2 0 w F G C 3 3 2 4 G F G 4 y 4 2 ) 2 E @ G ) E @ 2 ) @ @ 4 6 ) 3 4 G 3 G S C 2 G 4 3 B B
things
7 H 2 9 C 2 4
` 2 9 4 E 6 C 4 2 9 3
boys
2 2 4 5 4 3
guys
b 7 G y G 7 G
TECHNIQUE #57 (FOR HUNTRESSES): BRUSH UP ON MAN-TALK

d 4 5 4 C 8 G 4 2 4 C G @ 4 C G 2 9 F G F 4 0 B 1 @ 2 G ) E C 3 C 8 G 4 2 C C 2 ) 2 C )
too
a @ 2 9 G @ F 9 9 0 P 2 2 G 2 9 4 2 9 P 4 G 6 I 2 ) 9 E @ F 9 2 3 4 E 5 C 4 G h 4 2 9 C @ G G 2
p 3 0 D E C 4 3 3 2 9 F 7 4 H G 2 2 9 7 7 G C E 2 9 8 6 ) G ) 4 P @ C 5 0 D
` C 8 G 4 2 9 2 9 @ E C 2 2 @ G 4 2 8 2 4 E 6 b 2 C 4 G E @ G 2 G ) 4 2 G 4 2 G ) C 4 3 9 4 7 2 ) 4
he
e @ 4 0 D
TECHNIQUE #58 (FOR HUNTERS): BRUSH UP ON "WOMAN-TALK"

1 @ 2 G ) 3 4 5 6 @ G C 8 G 4 2 3 G 6 C 9 F C 4 6 B p G 2 0 8 G 2 9 6 @ G e @ 4 G G 6 2 G 3 7 )
Psychology Today
) 2 E G @ 9 @ 9 4 2 B E @ G 0 d 9 G 4 4 6
32 "How Do You Feel About That?"

s 8 G C 2 9 6 G 2 2 F G ) 3 9 4 8 9 5 6 2 @ 2 9 C 5 F @ @ E 2 B B B 2 7 8 C 4 7 4 C 4 H G 0 d 9 F 2 H G 6 H G 2 4 2 5 F 9 3 7 0 B B
a G 9 4 2 9 4 2 9 6 3 C @ 7 F 4 3
` E C 4 @ 2 9 6 G 4 G F 4 2 2 b 3
` 4 E @ 2 4 C G 2 4 2 @ 4 2 0 d 9 4 2 2 3 3 3 @ 2 9 G
feel
feel
9 G 9 E @ 2 9
TECHNIQUE #59 (FOR HUNTERS): "HOW DO YOU FEEL ABOUT THAT?"

1 @ 2 G )
whatever
4 E @ 2 2 9 @ 9 G
tromp
G 9 3
feel
2 9 7 G
TECHNIQUE #60 (FOR HUNTRESSES): DON'T EXPLORE ''FEELINGS'' TOO EARLY IN A RELATIONSHIP
1 @ 2 G ) @ 2 2 9 G 4 2 9 4 7 4 2 G G 6 @ B 2 C 2 2 9 4 2 6 @ G e @ 4 G G 6 2 9 2 8 2 6 ) 2 F
33 "Excuse Me, Could You Tell Me Where . . ."

Q H G 4 2 7 2 9 G @ 7 7 G C E 2 1 3 4 3 0 4 1 3 4 B B B
f
G 4
` E C 3 2 2 9 @ 2 4 G F 2 9 7 G 3 G 3 b 9 2 4 C 2 4 5 G C 2 0 7 2 9 4 )
NASA
2 9 6 F 4 G 8
TECHNIQUE #61 (FOR HUNTRESSES): STAY LOST!

1 @ 2 G ) 7 6 @ G e @ 4 G G 6 F 2 2 ) E 2 6 @ G 2 F @ @ 2 2 E 7 6 @ 3 @ 2 ) E @ 2 2 @ F F 2 9 4 5 7 G
Never
TECHNIQUE #62 (FOR HUNTERS): JUST ASK!

1 @ 2 G ) 7 6 @ F 2 2 ) 2 9 4 6 4 7 4 8 G 0 C 5 6 @ G F 2 9 F 8 C 3 4 G 2 3 2 4 F 2 9 2 9 3 4 0 q @ 2
34 "Please, Spare Me the Details"

w 2 2 F G ) 3 G 4 E 2 4 8 F G 4 2 E 7 7 4 G 6 S 2 4 7 4 2 4 4 E @ 2 2 9 8 7 @ G ) 9 2 2 E 6 C @ 2 4 E 4 H C @ 9 C 4 @ F 9 2 G S 9 4 2 9 2 9 G 7 2 2 9 C 5
p d 9 C 4 F 4 E C 4 3 8 2 2 3 @ 2 4 2 7 4 0 D 4 E C 6 C F 4 F 4 F 4 2 9 4
p ) Y 4 4 C 9 @ 2 2 ) 2 9 3 6 E @ 6 )
a 9 0 2 2 C 4 C @ 4 2 9 G G 2 9 3 4 0
a w 9 4 D G 7 7 @ G E C 6 C ) D C @ 9 4 G @ 7 2 9 C @ 4 G F @ F 7 4 F 2 9
a 9 D C 4 3 @ 2 7 3 6 G 8 G ) D 4 5 9 9 0 I @ 9 9 4 E E C 6 C F 4 4
a 9 4 2 @ 9 9 4 8 5 9 4 G F G 2 7 4 ) 9 4 ) 4 2 4 4 C C @ F 6 ) D @ 2 9 4 8 4 5
had
2 9 4
p G 3 6 ) ) D 2 5 P @ 2
a 9 C @ 2 7 G 3 3 6 H G D 4 2 G 3 2 7 @ 2 0
a ) 9 3 @ ) 9 3 F 9 2 4 6 3 2 9 F 5 ) D 2 4 F G 0 0 0 E @ 2 6 @ 5 5 6 @ G @ 7 G
a Q ) G 4 6 ) 9 4 0
TECHNIQUE #63 (FOR HUNTRESSES): JUST THE FACTS, MA'AM

1 @ 2 G ) 9 2 4 5 F 4 2 4 5 F 2 9 3 4 e @ 4 G G 6 ) 5 6 @ G H 4 4 2 9 G 2 0 I 9 4 8 2 9 2 4 0
TECHNIQUE #64 (FOR HUNTERS): PAINT A PRETTY PICTURE

1 @ 2 G ) 2 4 7 G G 6 F 4 E @ 2 9 6 @ C 4 C G 2 9 4 F G 4 2 9 6 @ 3 2 4 3 4 ) 3 6 7 9
a 3 0 4 2 4 G 2 2 6 C 2 @ G 7 G 9 G 2 6 0
35 "Tell Me (Don't Tell Me) About It"

d 9 G 4 G 4 7 3 G G 2 4 G 2 9 9 4 5 6 E G F 2 9 4 2 4 2 9 G @ C 3 3 @ C 4 2 F 4 0 B B B B 7 2 9 3 C 8 G F 9 2 5 2 9 8 5 2 2 8 9 6 @ G 4 G 2 G @ 2 0 B B B
talk
p G 8 G 0 I 4 6 ) 3 ) D 5 6 @ 7 E 2 2 G 7 6 @ 2 4 5 4 E @ 2 2 0 D G 4 6 5 6 @ 2 9 4 G
TECHNIQUE #65 (FOR HUNTERS): TELL ME ABOUT IT

1 @ 2 G ) 9 6 @ G e @ 4 G G 6 @ 2 ) E F 9 G 2 2 6 @ B 4 E @ 2 2 0 d 9 2 h 5 4 3 4 2 0 D 2 3 4 5 6 @
a G 0 d 9 @ 2 F 4 E @ 2 6 @ G E @ 0 v 2 E 9 @ G 2 7 9 C 9 2 9 4 G 2 2 9 6 @ 0 D
TECHNIQUE #66 (FOR HUNTRESSES): WHEN HE'S MAD, STAY MUTE

1 @ 2 G ) 7 6 @ G 3 4 e @ 4 G G 6 @ 2 4 E @ 2 3 2 9 F B 2 9 4 2 9 4 2 9 F 2 2 9 6 @ ) 2 3 5 9 3 @ 2 7
36 "What's the Best Way to Get from Point A to Point B?"

"A Straight Line!" He Declares; "A Gentle Curve?" She Asks
w 2 9 G F 2 9 4 E 2 7 2 9 F 2 H 2 9 4 2 ) @ 7 G 2 @ 4 2 6 ) G 8 3 2 4 G 5 G 4 8 F E G G 5 2 9 4 2 9 9 2 4 2 3 2 9 F 9 4 2 ) G 9 2 @ G 2 2 2 9 7 G 3 7 4 2 2 4 2 8 F 2 x @ 2 0
p 8 3 4 2 G q 4 5 9 y y E 6 4 G 2 2 2 9 4 E F G 9 1 2 7 7 F @ 2 7 G 2 0 I @ 4
p 2 9 6 4 2 9 4 2 4 6 @ E 8 2 9 E G @ 2 5 9 G 7 4 C 0 I 9 4 E 4 C 5 4
a G I @ 4 0 D 7 4 6 C D 9 @ 4 5 @ 0 9 ) q 4 5 ) D 4 ) D 2 9 5 I @ 4 4 2 2 2
a 9 3 4 G 2 2 @ G 2 F 2 4 G ) 2 9 6 4 G 4 2 2 G C 9 2 4 8 E F 9 @ E 6 2 9
a 4 G 4 0
TECHNIQUE #67 (FOR HUNTRESSES): DON'T HINT-SAY IT STRAIGHT

1 @ 2 G ) G 4 y 2 9 4 2 6 @ G e @ 4 G G 6 2 4 5 6 @ G x @ 2 2 G 4 6 0 9 6 @ 4 2 3 2 9 F ) 4 6 D
I
) 2 9
you
you
Then
TECHNIQUE #68 (FOR HUNTERS): PUT SOME SOFT CURVES IN YOUR CONVERSATION
1 @ 2 G ) 2 4 7 2 F 9 G 9 4 2 2 9 2 7 6 @ 4 G F F 2 ) 4 5 9 G 7 G 2 0 w ) 9 6 @ G
she
37 "Could You Give Me a Hand with This?"

9 4 2 F 7 G 2 9 F 4 G C 4 E F 9 4 2 6 7 G 2 9 F 0 I 8 G 4 6 4 G 4 F D 4 G 2 9 2 9 9 4 G 4 6 0 w 7 G 7 3 ) G F ) 4 4 2 3 6 9 @ 9 F 3 2 9 G 8 4 2 0 2 9 4 2 I 4 2 @ G 4 6 B
a D G 2 9 5 2 C 9 4 2 9 3 2 2 F C 2 4 C G S F F 2 9 7 G 0 G G F 4
` E G @ F 9 2 @ 2 9 @ E C 2 E 6 2 F G F 2 9 4 3 4 7 H 0 Q 2 9 4 5 2 9 3 ) D G 2 4 6 F 0 b
trust
2 9
p 4 2 8 2 F 4 C C 3 9 F @ C 9 3 G 3 2 G S 5 2 4 5 ) E @ 2 2 9 6 0 8 G 6 ) 3 6 4 2 F
trusted
2 ) 4 @ F 4 8 C
cared for
2 6 C 4 3 4 B 7 3 3 2 @
never
4 6 2
TECHNIQUE #69 (FOR HUNTRESSES): ZIP YOUR LIP AND LET HIM BOTCH IT ALL BY HIMSELF
1 @ 2 G ) 9 6 @ G e @ 4 G G 6 F 3 2 9 F 7 G 6 @ ) 8 7 9 E @ F F 2 E 6 E 7 ) y 6 @ G 0
` 2 4 C 2 0 @ C 4 4 4 6 C G 2 6 C 4 4 @ 3 E G 2 9 H 2 4 6 0 b @ G e @ 4 G G 6 8 G 2 6 @ 9
TECHNIQUE #70 (FOR HUNTERS): UNZIP YOUR LIP AND LEND A HELPING HAND
1 @ 2 G ) 9 6 @ 4 3 4 2 G @ F F F ) F 2 9 G 4 4 5 7 9 @ 5 6 @ G 9 0 5 6 @ G 3 4
38 Little Words to Win Your Quarry's Heart

1 @ 2 G ) 9 6 @ 4 5 6 @ G e @ 4 G G 6 2 F 8 6 @ 4 9 4 ) 4 2 C 9 6 @ G G 0 d 9 @ E 2 2 2 9 4 2 @ @ 2 7 2 9 3 G F C 3 3 @ C 4 2 F 4 4 G 0 G H 4 3 ) 1 @ 2 G ) @ B B B B B B
p E 6 7 G 4 4 6 2 6 ) @ 6 @ 7 H 2 9 7 G 3
TECHNIQUE #71 (FOR HUNTRESSES): ASK WOULD NOT COULD

1 @ 2 G ) 2 9 @ E 2 2 @ 7 7 ) E @ 2 4 6
would
G 7 4 8 G 0 9 4 G 4
could could
9 4 G ) 2 9 H G 2 B
could
C 4 4 E B I 4 6 )
able
4 9 4
would
@ 4 G 4
` 9 4 G F 2 9 2 G 7 G 3 4 3 4 2 9 4 2 9 3 4 6 2 8 G 0 w G E 4 E 6 0 0 0 G F 9 2 2
I'm sorry
4 6 2 9 4 6 F
` 3 G 7 2 ) 7 4 C 2 2 3 @ C 9 0 Y 8 G 4 6 2 9 3 0 d 9 4 2 G C G 2 4 C
TECHNIQUE #72 (FOR HUNTERS): I'M SORRY

1 @ 2 G ) 9 6 @ 3 @ ) 3 6 9 4 8 2 9 C @ G 4 F 2 B B 4 6 D 3 G G 6 0 9 6 @ 9 6 @ G e @ 4 G G 6 4 G 3
39 Are There Dangerous Waters Ahead in the Gender Gap?

1 @ 2 G ) 9 @ 2 G ) 9 4 8 @ 2 8 2 9 2 7 2 9 C E G F 7 F G 7 7 G C 0 w 7 2 G C 4 B 7 4 ) C 2 2 4 G 7 4 6 4 3 F 2 9 G 2 G @ 3 2 4 2 2 9 4 C 2 3 4 G 8 0 d 9 G 2 9 6 G E ) B B
PART SIX Rx FOR SEX HOW TO TURN ON THE SEXUAL ELECTRICITY

40 Your Quarry's Hottest Eroqenous Zone

4 G 4 F ) 9 8 G 6 @ F 2 6 @ G G 8 @ 2 2 G 2 9 4 4 H 6 8 ) 6 @ 7 @ G 2 8 6 7 B B 4 F 2 7 2 9 G 2 6 4 G 2 D 7 ) 6 @ G F C 3 4 6 0 @ ) D ) 4 4 9 @ G 3 2 9 G B B B

2 G 5 F ) 3 4 4 F F ) 4 2 G 4 2 F 4 3 4 4 B 4 E @ 2 4 2 9 C G 4 4 7 7 2 9 9 @ 3 4 E
really
) 6 @ E 4 5 G
your
4 ) 2 9
partner
G 3 B
41 No Two Sexualities Are Alike, as No Two Snowflakes Are Alike

9 4 8 8 4 G 6 F 2 4 2 7 ) 3 8 ) E 5 ) 9 E E ) 4 8 4 C 4 2 2 0 D 7 4 C 2 ) H 2 @ G B @ x @ C 9 C C @ 4 C @ 2 @ G 4 G 7 G C 0 2 4 3 2 8 G 6 E 6 9 2 4 2 2 2 2 9 G B
wish
3 5
a D C 4 3 @ 2 9 4 4 G x @ 2 E 6 4 C C 2 E 4 C 5 2 9 X U g R 9 D 7 @ d 9 G C 2 0 d 9
a G C 2 4 4 Q G 5 I 2 4 2 2 S 7 G S G 7 2 C G G 4 2 C G 4 2 7 G 2 9 @ G 7 C C 2 F 4 2 4
` 7 G 3 4 2 2 2 9 G @ F 9 x @ 2 4 G ) E @ 2 E 6 9 4 8 F @ 2 4 2 2 G 4 2 9
a @ G 8 6 4 G 2 C 4 2 d 9 G C 2 0
p @ G ) 4 d 9 G 4 2 ) 4 2 9 I C 2 6 7 G 2 9 I C 2 7 C I 2 @ 6 7 I H 0 Y 4 G 3 4 5
Time
@ G
Psychology Today
) 4 @ 2 9 @ @ F 9 2 @ E B G 4 3 G B B
London Times
) C 2 6 3 9 4 y 2 9 B 2 C 3 7 G 2 4 E G 8
a G C 2 ) 3 7 4 F 2 9 G 2 G 2 @ 0 d 9 @ 4 7
a 2 2 G 7 2 d 9 G C 2 ) 4 C 9 2 4 F 2 9 H @ 4 4 2 2 2 @ 4 4 2 2 9 4 @ 2 9 G @ 5
How Do Men's and Women's Sexual Desires Differ?

1 3 4 3 H @ 4 G 7 7 G 4 2 6 ) 9 2 C 4 3 2 2 9 G H @ 4 7 4 2 4 ) 4 8 3 G 8 4 2 6 9 4 2 G 2 9 6 4 2 2 9 G 4 G 2 G 2 4 6 2 9 G 7 4 2 4 0 B B
` 4 6 4 C 2 F 2 9 4 3 C 4 0 1 @ 2 G ) 2 9 C @ 4 G 2 6 C 3 2 4 6 9 9 4 G C 7 C
` 4 G 2 G 2 C 4 G 6 2 9 2 9 6 G E 2 9 b 4 3 9 4 y 2 9 G 4 2 9 E 2 2 9
` 9 4 G 2 9 G 7 4 2 4 2 9 2 9 G 4 G 2 G 0 1 @ 2 G ) 4 6 4 2 2 2 I 2 4 3 6 3 2 4 8 2 G 4
Why Are Men's and Women's Fantasies So Different?

9 6 3 C C 2 8 4 H 3 G C 6 2 9 4 3 w 2 9 G F 2 H 4 2 B B F 2 C 2 G 3 0 d 9 7 3 4 3 @ 2 7 F 9 2 2 5 2 9 7 4 3 6 2 F 2 9 G 7 7 G F C 4 F G @ S 7 B B B
pul-eeze
@ 2 @ 6 @ G B 9 4 6 4 B B
a 4 4 ) ) E @ 6 0 @ 5 0 d 9 6 9 4 4 4 6 7 @ E H F 3 4 2 C 9 7 G 4 7 C
Yet More Differences

d 9 3 2 2 G 5 F 7 7 G C E 2 3 4 3 ) 9 8 G ) 4 @ 2 G 4 2 E 6 2 9 2 2 G d 9 a G C 2 G C 8 ) 2
do
G 2
How to Use Differences to Make Your Quarry Fall in Love with You
1 @ 2 G ) 3 C C 2 H 4 F 8 G 6 2 F 9 2 6 ) 3 @ C 9 3 G 2 9 4 3 0 Y G 4 S G ` 2 9 @ F 9 2 9 4 2 F F 2 9 G 4 2 9 9 G 2 F 1 D 7 4 E @ 2 3 6 4 G 2 G B B
potency
6 F F 4 G 7 G 3 B
raw sex
9 3 G ) 9 G 2 9
p 2 9 G H ) E @ 2 2 9 6 4 G 9 2 4 2 2 2 6 @ 9 2 2 E 2 2 G 7 G 7 4 G 7 9 @ G 2 F 6 @ G F 0 C G F
steamy sensuality
2 9 9 S 2 2 9 2 6 @ C 4 F
gender
@ G e @ 4 G G 6
differences
S 7 S 4 S 5 d 9 7
42 Forget the Golden Rule Between the Sheets

d 9 r @ 2 @ ) v @ 2 2 9 G 2 9 4 2 9 C 9 6 @ @ 9 4 8 @ 2 6 @ 0 4 8 C 2 9 6 @ G C G 5 G S 2 S 7 8 4 6 2 3 4 2 9 6 @ G 7 G 7 8 S 2 S 2 9 8 F 0 P @ 2 4 7 2 G
forget
4 6 4
it
d 9 3
` 4 5 2 3 2 3 2 C G @ ) 2 x @ C 5 ) 2 @ G 3 4 2 C b 4 4 3 4 3 4 5 8 2 4 3 4
` 2 9 4 6 4 3 4 4 2 2 3 2 3 2 ) 2 G 3 4 2 C ) 2 3 2 4 b 0 C 6 @ G @ G
man
8 F 0
woman
3 8 6 7 4 E
Men in Lust, Women in Love

1 @ 2 G ) 2 9 4 2 2 3 6 @ C G 2 9 7 4 8 G 2 3 4 G 7 G 4 ) 4 2 F 7 G 6 @ 2 ) 9 6 ) 9 G E 4 E 6 3 @ G 3 @ G ) 3 3 3 ) 2 4 F G 4 2 0 P @ 2 9 3 4 2 I 9 3 F 9 2 9 4 8 E 2 9 5 F ) B
really
6 @
think
I 9 G B 4 9
a 2 9 G @ F 9 9 G 3 2 9 4 C 9 G 4 @ G 9 6 @ G 9 4 6 2 9 G @ 2 F 4 4 6 0 G 9 4 6 @
and
want
3 4 2 2 G 7 4 7 G
want
G 7 8
43 Hunters, Make Love to a Woman as a Woman Wants It

2 3 G 7 4 C 2 9 E 6 4 6 F 2 9 4 2 D @ 7 7 G @ 2 9 4 2 4 7 3 G 4 G 4 F G 4 9 2 4 F 9 4 2 B B B 3 4 2 E F F 2 C 9 4 F 3 4 9 4 E 2 7 G 3 4 5 0 s 8 2 9 H 3 4 @ 4 H C 2 B
How to Make Love to a Woman

C 4 3 4 2 2 9 G @ 2 F 4 4 6 7 G 2
How to Satisfy a Woman

3 @ 2 G ) 9
Every Time
) 3 G 9 0 1 B
The One-Hour Lesson That Will Change Your Life

w C 2 @ G G 2 9 4 2 9 @ 4 G 0 w 3 8 F C 2 @ G G 2 9 4 2 9 @ 4 2 C 2 @ G 0 Y ) B B B 6 @ G 3 4 2 9 0 d 9 9 @ G S F H G C D 3 4 E @ 2 2 @ F F 2 E G 2 9 4 3 G 2 6 @ 0 B
Fem-porn
6 @ 9 4 0
p 4 G 2 G ) 4 4 7 7 C 2 0 @ 7 4 C G 7 C 2 2 9 4 G 2 G 7 F 0
` d 4 5 2 ) F 2 3 @
p w 5 7 G G 5 E 6 G C 2 G @ C 9 4 4 4 r 6 4 ) G 4 4 G ) 4 v E G 4 9 I 9 4 3 ) 2
p 4 4 r 6 4 7 3 ) 6 @ 3 4 2 G 2 C 9 x @ 9 2 2 @ C 9 4 C 4 G 4 3 4 0 D G 4
is
2 G 4 G
is
she
2 2 9 2 G
make it last
2 C E @ @ 2 2 9 B x @ 0
TECHNIQUE #73 (FOR HUNTERS): LEARN STEAMY SENSUALITY FROM LADY PORN
1 @ 2 G ) 2 9 G 4 E G 7 3 4 @ 2 2 9 G ) 4 9 2 2 F 2 9 G 5 9 4 2 9 2 h 4 9 4 2
a 3 7 G 3 4 2 6 @ 4 G 4 6 9 4 8 0 3 7 3 E 6
artistes
2 4 5 C B
Christine's Secret
A Taste of Ambrosia
)
Another Crash Course in Steamy Sensuality for Men

2 3 ) 7 6 @ 2 9 4 8 4 ) 4 2 2 0 w 2 9 G F G 4 9 C C G 4 9 C @ G 2 @ G F 4 3 4 B 7 @ 2 H 3 4 @ 4 ) 2 9 S 2 E 5 ) E @ 2 9 2 8 ) 7 3 4 2 6 0
47
4 2 3 3
p 2 4 2 H 6 S 4 S I 4 3 G 0 w 7 2 G 3 @ C 9 4 8 4 C 7 I 4 3 ) s 4 C 2 9 4 8 H 2 9
&
&
&
&
"
&
&
&
&
talk
) 2 G
romantic
)
love
"
&
"
"
me
x y v x y s t
&
&
&
&
&
&
&
&
&
&
her
2 9 9 G )
&
` 8 I 4 3 6 4 9 b C 4 3 C G 4 9 F 2 s 3 3 4 C C @ 2 9 G @ F 9 2 9 @ F G 4 0 w 7 2 G
TECHNIQUE #74 (FOR HUNTERS): READ A HARLEQUIN ROMANCE

) 1 @ 2 G ) D 3 G @ 0 @ 3 4 6 C 9 @ C 5 ) F @ 7 7 4 ) F 4 F ) G 6 @ G 6 ) G @ E @ 2 9 7 G C 9 5 F
love
2 9 4 ) d @ C 5
p 4 F 6 ) 4 2 9 G H 2 C 1 4 G x @ 1 @ 2 G @ 2 2 G 4
p G 6
a G 9 4 0 P @ 2 C G 2 4 6 3 G @ G 4 2 C G 9 7 @ 2 9 5 F 2 9 4 2 9 9 2 4 3 4 2 C 7 3 4
a 1 @ 2 G ) 3 3 G y 4 7 7 2 9 9 G 4 4 2 @ 6 2 9 C 9 G F G 4 9 6 7 2 9 3 8 0 G 9 4 6 @
44 Huntresses, Have Sex with a Man as a Man Wants It

1 @ 2 G ) 2 @ G 4 E @ 2 7 4 G 4 6 0 D 7 H C 2 2 9 3 4 2 @ 2 3 G G 3 4 C 9 H ) 2 6 B B B 7 4 G 7 G 2 9 3 4 2 @ 2 3 G H 9 G G 3 4 C 0 B
a 4 2 2 G 4 C 2 4 3 4 P 9 2 2 G P H G P G 1 4 8 3 G 7 @ E 4 6 D 7 6 @ 9 4 8 G @
p 9 G ) 2 4 G 4 7 @ 4 4 @ G ) 2 2 9 G 3 4 F 4 2 G @ 0 d 9 6 2 @ G 2 9 G
p G 4 H 0 @ G @ G 4 C @ G @ G ) 4 w C @ 4 6 ) 2 9 7 4 C 2 2 9 4 2 4 7 2 G 8 G 4 F G 4 2 7
Let's Go to the Videotape

d 9 8 2 4 x @ 2 4 G C 4 G 7 C 5 0 d 9 6 4 G 7 2 9 6 ) 2 9 6 4 G F @ 2 F ) 4 2 9 6 4 G 4 B B G C C G 4 9 C @ G G 4 H 0 s 8 G 6 2 F 2 3 4 9 @ @ @ F 3 2 ) 7 G 3 6 4 2 9 G B B B
` 2 G w 3 G C 4 0 D 7 6 @ 3 @ 2 ) 4 3 4 2 G C 9 C 4 2 7 G 2 4 @ 9 G 4 9 4 2 8 G 6 @ G
a E 8 @ 6 ) 6 @ 3 @ 2 E C 4 G 7 @ 6 @ G C 9 C 0 G 7 3 C 3 9 @ G 7 7 4 8 G ) 2 G 4 F 9 2 4
` 5 5 6 ) 2 9 8 G 6 E C 3 E 4 2 7 3 4 3 E 0 I 3 2 3 8 F ) 9 G )
p 9 4 2 2 9 G 2 G @ C 2 4 3 4 2 G 4 C 2 4 2 9 G 9 G F G 4 9 6 0 @ 7 2 6 C 8 G 3
` 8 3 2 ) 4 2 2 G 4 2 6 4 G C 4 2 0 I G 2 7 2 9 4 6 3 3 5 H d 9 4 2 @ 7 4 G 0 b
A COMPARISON OF FEMALE PORN AND MALE PORN Female Porn Stars

% y x } z s } s ( } s { u v t w z y u w s s w { s s x }
Male Porn Stars

x x } x y x } x s x }
Female Porn Script

% } s ( u x } ( y s x } x y u x { w s } } u s | } } w
Male Porn Script

| | t { | y ~ y x } s x {
Yeeeeeeeees

"
&
&
&
Female Porn Story Lines
Male Porn Story Lines
Female Porn Story Lines

# } s ~ t u ~ | } ~ s x s y } y } w x ( } ~ } y x v
Male Porn Story Lines

} s v y x ( y x } x } ' s t w w z u
rape
Female Porn Locales

w ~ u s w s z t v t w u | s z x u s w } ~ s { } s ( y s s x y
Male Porn Locales

| s y x x s ! } ~ z } u x t u | z } v w x x y
Female Porn Flavor

' } ~ w t ~ ( } w w
Male Porn Flavor

( y v w ( x y } | x x } ~ | } v } x x
Female Porn Ending

~ s s w x w x t x } | v } w s s v y t t w w v t w v w w }
Male Porn Ending

w s y u w s t s } ~ | s { x } u
TECHNIQUE #75 (FOR HUNTRESSES): LEARN "RAW SEX" FROM MEN'S FLICKS
` 1 @ 2 G ) 6 @ 3 4 6 4 @ F 9 6 @ 3 4 6 4 2 @ G F G 4 F 4 F b ) E @ 2 2 @ 6 3 G 7 C 5 2 C 5 @ 3 9 2
Additional "Coarse" Materials for Your Raw Sex Curriculum

1 @ 2 G ) 7 6 @ 2 9 4 8 4 ) 4 2 2 7 G 6 @ ) 2 9 G 0 @ C 4 F 2 4 F C G S F G H G C E 6 F G 4 E E F 4 9 4 7 @ 7 3 3 4 F 4 y 5 B
Penthouse, Playboy
) 2 9 3 2 @ C 4 2 4 4 G B
Gallery
G 3
large, huge, immense, enormous

) @ 2 8 4 8 4 4 E 4 G 2 G 7 4 B 6
massive
8 ) 2 9
TECHNIQUE #76 (FOR HUNTRESSES): READ THEIR RAGS

1 @ 2 G ) G 4 4 7 3 3 4 F 4 y 0 @ 7 2 9 9 2 2 2 G 7 G 3 9 2 G 4 G 7 C 4 2 G 2 0
45 A Quiz: Who Loves More, Men or Women?

` 1 @ 2 G ) 6 @ D 9 b G 4 y 2 9 4 2 2 9 F G 4 y 4 2 ` 3 4 6 b ) 2 9 H 4 F F G 4 2 ` F 9 2 b ) 4 2 9 B ` 9 @ 3 G 4 5 b 2 9 G 8 @ C 9 4 2 G G 3 6 2 3 4 5 4 2 0 2 6 @ 2 9 5 D 4 B B B B
48
4 G 2 9
` 5 4 F 4 F 3 2 G F b 0 P @ 2 9 2 C 3 2 2 9 2 G @ 6 4 3 G 2 4 2 7 2 7 G 3 4 C )
` w 2 3 2 6 @ G 7 ) F 2 3 ) 2 9 3 4 7 6 @ G G 4 3 G E 4 E 6 4 6 4 C C @ F 6
unromantic
4 C 5 4 F 2 B 9 G 4 6
QUESTIONS
| x v w w s } w x ( v s y
MEN

WOMEN

Who Falls In Love Faster? Men!

D 2 @ 6 ) 8 9 @ G 6 @ F 8 G G 4 5 ) 1 4 G 6 6 @ G 4 y 6 @ G 8 Y 7 8 7 4 2 G 0 P 7 G 2 9 7 @ G 2 9 4 2 ) V R G C 2 7 3 9 4 2 4 5 2 9 2 @ 3 E ) B
p 9 G 4 6 X i G C 2 7 2 9 3 G 4 y @ 9 4 2 @ F 2 9 3 c W G C 2 7 2 9 3 2
49
Who Is More Idealistic About Love? Men!

w 2 9 G 2 @ 6 2 G 3 2 9 4 2 3 9 4 4 7 4 G 3 G 4 2 C 4 G 4 C 2 C 4 8 7 8 0 B
50
0
Who Usually Initiates the Breakup? Women!

w F G @ 7 1 4 G 8 4 G C 2 2 8 F 4 2 6 7 2 9 4 7 7 4 G 7 V W X P 2 C @ 0 7 2 9 9 B B 2 @ ) @ @ 4 6 2 4 2 9 3 4 9 @ F F 2 2 9 4 G 4 2 0 d 9 3 4 2 2 2 C 5 2 @ 2 2 B B B
51
Who Suffers More From a Breakup? Men!

d 9 3 7 2 G ) 3 G G ) @ 8 ) 4 4 2 7 G 4 7 2 G 4 2 0 d 9 3 G G 2 2 9 4 2 B B B 2 9 6 7 @ 2 H 2 G 3 6 9 4 G 2 4 C C 2 2 9 4 2 2 9 6 G F G 8 4 2 9 4 2 9 9 4 G 4 6 F 0 B
Who Loves Their Lovers More? Men!

Y 8 2 9 G 8 G 3 G G 4 2 2 2 9 G 2 9 G 7 0 I 8 G 4 G 4 G C 9 G 4 2 4 8 G 2 6 3 4 4 7 3 4 4 G 2 C 4 2 7 G 3 4 F X T 2 g R 4 4 5 ) 9 6 @ 5 ) 4 9 B B B
52
` d 9 C 9 C G 8 G G @ b ) E 2 7 G ) 4 G 2 ) 4 E F 0
and
x @ 4 0
huh
2 E 3
` C 2 9 @ F 9 2 ) @ 2 4 6 ) @ 5 )
46 Your Quarry's Sexual Desires Are as Individual as a Thumbprint

1 @ 2 G ) 9 @ 2 G ) 2 3 4 4 C G 2 4 G F 4 E 3 6 G 8 @ G C 3 3 4 2 7 B B 4 2 C 9 F G 7 C 5 0 @ 3 F 9 2 F 2 2 9 4 2 9 4 2 8 G 6 3 4 4 2 4 4 2 3 4 2 9 G F 4 B
No two people are alike sexually

D 4 G 2 9 2 9 9 4 G 4 6 ) 2 9 7 G 2 2 9 2 G 3 @ 8 G 2 6 H @ 4
a 2 3 D 7 8 ) 8 E 7 G d 9 G C 2 G 4 G C 9 C 7 G 3
p G 0 I 3 6 4 G 4 F ) D 4 8 2 F 4 4 G 2 F 4 G 6 9 C 4 F 0
p 9 G 2 9 G 4 9 4 2 E 8 2 F 2 9 6
p 2 6 2 9 4 2 4 6 ) 2 4 F 4 9 7 9 4 G 2 0 D
p P F w 0 D 2 4 2 F E 7 G D 7 8 2 9 9 G 2 9 G 0 7 C @ G ) D 4 2 2 8 G 6 2 9 F
p D C @ 2 3 4 5 9 3 G 2 @ G 2 9 2 3 2 0 Y 6 G 4 2 9 2 9 9 G 2 9 G 4 4 3 2 4 0
p 4 C 6 C F 0 I 3 2 3 @ 2 4 6 4 4 5 4 F 9 2 2 4 5 F 0 D 7 2 9 G 2 9 G 4
the one
4 4
p 9 G 2 9 G 8 G 4 ) D 8 6 @ ) E @ 2 C 8 G 6 2 9 F 4 E @ 2 @ G G 4 2 9 ) D
p 7 F @ G @ G G E 3 3 @ 2 9 4 8 E 2 9 H 0 9 G 2 9 G 8 G 2 9 3 7 2 9 2 9 G 7 4 0
p 2 4 5 F 0 w 2 3 2 @ G C 8 G 4 2 ) 9 G 2 9 G @ F 2 4 C @ 2 2 2 F G 9 7 4 C ) @ 2 9
p 4 6 ) 3 ) 2 2 F G 0 d 9 9 @ 4 3 2 2 4 2 8 6 2 2 9 E G 3 0 1 4 C 2 4 2 9 @ F 9 9
` 9 4 2 G C F 2 6 ) C 4 @ 2 @ 6 2 9 2 9 @ C 2 0 w 7 D 4 6 b
p 9 G 2 9 G 8 3 4 5 F 4 4 G 3 4 8 F ) E @ 2 4 G C 2 4 E 4 4 C 5 F 4 0 D 7 F @ G
Village
2 3 C B @ F 9 2 0
Voice
6 @ G D
p 9 4 ) 2 5 2 9 2 G 4 2 G 4 F 9 2 2 9 G 2 9 G 4 4 G 2 3 2 0
p X R c i ) 2 9 C G G 7 9 2 @ 0 3 ) 2 2 F G ) 9 4 4 9 2 5 3 6 9 4 4 2 4 G 2
p 2 4 G 2 9 E G 3 0 P @ 2 2 F 9 2 4 7 7 G 2 0 d F 9 2 ) D 9 4 4 @ G G 7 G 9 G 2 9 G 0
a G G 0 ) 2 ) 2 9 G 0 4 S 8 4 S 8 3 0 5 4 E ) E G 4 2 0 @ G ) 7 8 ) H 0 4 S 8 4 S 8 3 0
a 5 4 E ) 2 9 2 9 G E G 4 2 0 d 9 3 6 E G 4 2 C 4 G F C @ 8 G C @ 4 C G 2 9 E G 3 ) 3 4 5 F
p C 2 4 C 2 2 9 6 @ G 4 @ C 2 5 9 6 @ G F 0 w D 4 G 2 9 F 4 G @ 9 G 2 9 G
p 9 G 2 9 G C 4 3 6 2 @ 4 4 5 @ 2 7 2 9 E G 3 4 @ 2 7 2 9 4 4 G 2 3 2 0 D 2 4 G ) D
p D 2 9 4 G 7 G 3 9 G 2 9 G 7 G 4 5 0 4 6 D C 4 9 3 4 4 5 )
p 4 2 4 5 3 2
p 7 G G ) 4 2 4 5 0 1 4 8 G 6 7 G 2 9 G F 9 2 0 D 4 G 2 9 4 2 9 G 2 9 G 4 7 H 4
being
p 9 G 2 9 G ) 2 2 @ G @ 2 ) 4 2 2 7 5 2 9 8 G @ C G 0 Q 2 ) 4 9 4 ) 5 3 6
` 4 @ 3 2 4 E @ 2 4 3 4 H @ 4 G 0 s 8 G 6 3 4 7 7 G 2 0 I 8 G 6 3 4 ) 4 2 4 5
Sex Is Like a Steak

1 4 8 6 @ 8 G E 9 @ F G 6 7 G 4 C E F @ C 6 2 4 5 2 4 6 2 4 6 6 @ 4 G 7 4 3 9 7 G 4 2 G @ 6 F G 4 2 0 w 4 F @ G 3 2 2 4 5 8 G ) 6 @ 5 2 9 G 4 G H 2 6 S F 9 2 9 4 E 2 8 G 6 G 4 G 4
a d 9 4 2 2 9 4 6 3 4 6 7 @ 4 G 4 E @ 2 H 0 s 8 9 @ G 2 2 4 8
a 4 G 2 G 3 4 6 9 2 4 2 3
The Number One Sexual Wish

d 9 G 6 H @ 4 7 4 2 4 6 4 3 4 3 9 4 G 0 D 2 2 7 3 G 7 @ E 0 e @ 2 9 G 7 @ w G I 3 9 7 @ 7 4 @ G H @ 4 G ) 3 9
Without our having to give step-by-step guidance

4 G 9 2 4 2 2 3 4 @ 2 2 4 G C 2 7 G 2 9 G 4 B B 6 E 8 2 9 4 2 9 2 9 G F 9 2 G C 3 4 F ) 9
p D C 9 4 4 7 G 4 3 9 0
p 9 G 2 3 4 8 ) 9 4 D G 4 @ F 9 F 4 E @ 2 @ G C 9 9
p H G C 4 9 @ 2 E 8 I 4 2 4 4 @ 0 I @ 6
p 9 7 4 C 7 7 4 2 ) 4 9 4 )
p Q 2 8 4 7 2 G 6 @ 7 @ @ 2 2 9 4 2 I 4 2 4 4 @ 4 G 4 6 6 @ G
mother
p P C 4 @ ) 9 H 4 ) 7 9
really
3 4 6 4 6 ) @
"Why Did He or She Lose Interest?"
a w @ G 8 6 2 5 4 2 d 9 G C 2 4 5 F 4 8 G C 3 4 3 9 6 2 9 G G 8 @
real
2 G
might
` 9 G 0 d 9 F @ S 9 6
"Is This Woman Enough for Me Sexually for the Rest of My Life?"
a r F G 4 2 6 C 4 7 2 9 3 4 6 3 D 2 G 8 4 2 d 9 G C 2 0 1 4 2 H 2 E F G 4 2 2 9 2 9 B 3 4 9 @ 3 4 G G 6 E @ 2 ) 5 7 G 3 4 6 3 ) 2 9 7 4 2 4 6 3 4 9 4 2 H 2 9 2 9
p C 3 C h 2 2 9 3 2 G ) 8 4 3 G ) F 9 @ ) 4 y 3 E 2 9 C 3 C ) E @ 2 G 4 2 9 G 2 9 9 4 G
` w 2 4 4 2 9 E 4 C 5 C 8 G D 2 9 3 2 2 G G G S @ C F 4 ) 2 9 3 2 9 G 4 G ) 9 G 2
ex
4 4
` S F G 7 G 2 4 @ 4 7 2 9 3 @ C E @ 2 G 4 F G 0 0 ) 2 9 3 4 9 2
would
9 3
really
47 Huntresses, Become a Sexual Sleuth

1 6 @ 7 @ 2 9 4 2 G 4 6 2 @ G 4 3 4 E Y 2 1 @ 2 G @ 2 F 2 2 9 9 4 2 @ 2 C 4 2 9
peter-meter
G G 4 G C 9 3 4 F s 2 G B
a 3 2 0 C 5 @ 9 2 0 Y 2 3 G 2 4 2 ) 8 4 4 G 7 G 4 6 H @ 4 G 7 G C 0
a s 8 G 6 H @ 4 G 4 G 6 E @ G 2 9 G 6 C 9 0 G C 6 9 4 2 2 9 G 6 @ G e @ 4 G G 6 F
` 4 6 E 4 C 5 2 9 C 9 9 0 9 2 9 G 6 @ G e @ 4 G G 6 4 2 6 @ 2 E 4 H 6 G 5 r F G b
` G 4 2 6 @ F 2 9 F 5
p 9 G 2 9 G G 7 G G b F 2 G F G 4 3 3 2 9 6 C 9 9 9 4
p 4 F s F 9 2 9 w 8 @ Q G 5 2 6 ) 4 7 4 8 G 2 9 4 F @ 2 7 G 2 2 @ 2 0 w 2 9 6 4 ) 4 6
p 7 2 9 F 9 2 9 @ 2 @ 2 2 9 7 4 2 9 G ) 1 6 ) E F E 6 ) 4 4 7 3 ) 7 3 r F G 7 4 2 9 G
f
G
me
2
meant
a 8 G 7 2 E 7 G 0 G ) 2 4 3 4 ) 8 G 6 9 4 6 2 @ 7 7 0 d 2 9 4 6 ) 2 9 4 2 9 6 r F G G
Let Your Quarry Know You're a Sexual Adventurer

a G 4 C 2 C 4 6 4 3 4 2 2 C 2 @ H G F 2 9 G H @ 4 2 6 0 d 9 6 4 G 2 G 3 @ 6 2 @ G E 6 4 B 3 4 9 3 @ F 9 2 4 6 0 B B
a w 2 d 9 G C 2 D 2 G 8 4 3 4 9 9 4 G C 2 6 2 4 G 2 4 2 F 9 F G 7 G ) d 4 4 0 q 9 4
` 9 4 8 G @ 7 F 0 0 ) 8 b 7 G 9 G 0 I @ 4 6 2 9 6 G 2 4 5 F 4 C @ 2 G 6 G 8 4 F )
Uncover His Core Fantasies

d H 2 G 4 C 2 4 3 4 C G H @ 4 G 7 G C ) 6 @ 3 @ 2 E 4 C 5 2 9 G 2 C 2 8 4 6 G 9 2 B B B B 6 4 G 3 2 C @ @ 6 C 2 G @ C 2 F 4 G @ 2 9 3 0 D 2 C G E 9 C 4 @ 4 6 4 5 4 3 4 4 E @ 2 9
What turns you on

8 G ) 2 9 4 @ 2 E @ G 2 2 9 2 3 ) 2 9 4 C )
time
3 3 2 4 5
place
@ C 8 2 6 7 @ ) 3
atmosphere
E 8 4 ) 6 @ G
attitude
9 4 2
p @ C 9 2 9 x @ 2 4 4 6 2 9 4 2 4 8 @ E 2 9 3 2 9 4 2 6 @ 4 G 4 5 F
really
9 3 2
anything
Make Your Quarry Feel Safe Sharing His Deepest Desires

D 7 6 @ 4 2 6 @ G e @ 4 G G 6 2 2 9 E 4 ) 6 @ 3 @ 2 3 4 5 9 3 7 4 7 F 8 F 6 @ 4 9 2 4 G B 2 2 9 x @ 2 )
her way
3 8 4 7
But
D 2 9
` e @ 4 G G 6 3 4 6 E S 6 4 4 5 7 6 @ @ 5 2 E G 4 G 9 4 2 8 G 9 4
TECHNIQUE #77 (FOR HUNTRESSES): WHAT TURNS YOU ON?

1 @ 2 G ) @ G G 3 6 2 G @ 6 4 E @ 2 9 6 @ 5 B 3 4 F 4 2 8 H 0 d 9 3 4 2 G 6 5 w C 4 ) 2 9 ) 2 9 4
you
1 4 F
The Hot Purr Follow-Up

1 @ 2 G ) 6 @ G G 5 2 8 G 6 2 h 7 4 G 7 G 3 2 0
Whatever
4 6 E E 2 6 F @
a 9 4 G ) 7 F H C 2 3 2 0 @ 2 4
a 2 9 G ) 4 C G ) d 3 3 G 0 @ C 2 @ 4 2 9 3 2 9 4 G G 4 2 9 4 4 4 9 ) 4
TECHNIQUE #78 (FOR HUNTRESSES): THE HOT PURR RESPONSE

1 9 @ 6 @ G 9 6 @ F 2 6 @ G e @ 4 G G 6 B 2 4 5 F 4 E @ 2 H
Do All Men Have a Sexual Secret?

2 G 4 6 7 G 4 G 2 2 6 @ G G F 2 4 2 2 C 0 d 9 G 4 2 G G 2 2 9 4 2 4 E @ 2 U R G C 2 7 3 9 4 8 4 B B B B B C G 2 G 2 9 6 8 8 G 9 4 G 2 9 2 9 G 8 G F 7 C 4 2 2 9 G 0 d 9
New York Times

@ E C 2 4 2 G ) E @ 2 7 G 2 9
a G G 2 4 9 4 2 9 4 2 Y @ C 9 D @ G 8 G 0
53
6
What Turns You On

@ 4 6 C 3 4 2 E 2 9 B 2 8 2 ) E @ 2 6 @ @
p @ 9 4 8 2 G C 5 9 3 2 2 F 6 @ ) 4 6 @ 3 @ 2 4 6 7 4 G 0 9 4 C 4 G 6 @ G e @ 4 G G 6 C G 2
Ask Knock-His-Socks-Off Details Questions

a Q 2 9 2 3 2 G 2 6 @ G 2 C 4 I C C E @ 2 G C 4 0 d 9 6 @ G 7 4 H 4 3 9 B ` F 6 @ C 4 5 4 3 F @ 9 b F F 0 w 5 6 @ G e @ 4 G G 6 8 G 6 C C 8 4 E x @ 2 4 E @ 2 9 B
What Turns You On

2 F 2 9 G 4 9 E F
Hot Purr Response

7 0 @ 1 3 3 3 0 @ @ G G
TECHNIQUE #79: THE X-RATED INTERVIEW

w 9 2 F 6 @ 9 4 2 G 4 6 2 @ G 9 3 ) 5 6 @ G B e @ 4 G G 6 2 4 5 F ) 4 2 4 5 F ) 4 2 4 5 F 0
a G 2 6 @ G 4 d 9 2 2 G 8 F 4 3 8 2 4 G
a x @ 2 4 E @ 2 9 9 2 7 4 2 4 0 @ C 2 @ 4 2 9 4 G
prefer
Huntresses, Discover His Trigger Words

1 @ 2 G ) 9 4 8 9 4 G 3 4 6 2 3 2 9 4 2 4 3 4 8 @ 4 9 2 C 3 2 H ) E @ 2 6 @ 5 9 4 8 G 6 4 @ 2 G 6 5 4 2 2 5 2 F 2 E 2 3 2 G ) 4 3 4 8 2 9 4 G 2 9 3 4 F C
trigger words
4 2 4 3 4 G 4 3 4 2 4
` 9 4 2 9 4 4 2 6 C 4 9 2 2 4 5 U R R S @ 3 E G C 4 w 3 4 2 9 4 H 6 8 C 4 5 4 7 2 G
hottest
9 3 G 3 3 3 ) D
Echoing
2 F E I @ 4
his
H 2 F 2 9 G
blonds
@ 9 6 ) 9
` 0 Q 2 C ) 2 9 9 S H G 2 4 6
go at it have sex, make love

) 9 3 3 3 D ) C 4 G @ G E G B 3 0 @ 6 ) 2 9 4
go at it
2 2 2 9
gone
2 9 F 2 4
blonds
1 G C 4 9 ) 6
you
4 0 B 7 2 G 4
tall
blond hot for her

9 4 G 0
But these details don't matter
fantasy
trigger words
)
TECHNIQUE #80 (FOR HUNTRESSES): TRIGGER WORDS

2 C 4 G 7 @ 6 9 6 @ G e @ 4 G G 6 9 4 9 9 9 E 2 4 2 4 5 F 4 E @ 2 H 0 v 9 4 6 3 4 ) 7 3 4 )
erotically
9 9 E E ) 2 2 2
he
` 9 4 2 9 2 9 5 4 E @ 2 9 9 3 4 2 @ G E 4 2 4 3 b 0 w 5 9 3 9 4 2 @ E 2 9 3 2 H C 2 F
hot
a G
don't
9 9 4 G
screwing
)
making love
0 P @ 2 9 F ) F 8 6 @ G e @ 4
screw
@ @ 4 6 F 2 9 9
Give Your Quarry Good Bed Rap

d 9 4 C 4 @ 2 G 6 H @ 4 H G C 7 G 6 @ G e @ 4 G G 6 9 4 G F 9 C 4 9 2 G B B B C 3 F 4 C G 2 9 7 G 3 6 @ 2 9 3 @ G F H 0 w E 8 4 ) 9 2 9 2 7 6 @ 4 G E B
his
S 7
TECHNIQUE #81: BED RAP

1 @ 2 G ) G 3 3 E G 4 2 9 2 4 7 9 4 G 9 6 @ 4 5 9 3 ) 9 4 2 2 @ G 6 @
you
) C 2 F 0 0 1 @ 2
bed rap
S 7 4 9
48 Hunters, Do These Techniques Work with Women?

p 9 4 5 2 @ 4 6 2 4 2 9 G G 2 9 8 G S H 4 F C 4 7 F G 7 7 G C 0 @ 2 2 9 G B B B 4 3 4 7 ) 6 @ G 7 G 2 4 2 ) 6 @ 3 E 4 G 5 4 x @ 2 4 E @ 2 9 G H @ 4 7 4 2 4 0 w 3 4
` G 4 2 9 2 9 9 G ) 4 5 6 @ G e @ 4 G G 6 2 9 C 4 @ 2 b 4 E @ 2 G 8 @ G 4 2 9 h 9 4 2 9 5 )
a 9 4 2 9 2 5 0 G C 6 ) 4 2 9 G 5 6 @ G 3 2 8 4 2 0 @ 4 G 2 E F 6 0
brilliant, sensitive, responsible, honest

2 2 9 9 4 2 F @ G 2 9 9 2 9 2 9 F 9 2 4 G @ 2 0
Peel Back Her Layers and Lay Bare Her Deeper Fantasies
1 @ 2 G ) 3 ) 2 ) 9 4 8 9 2 H @ 4 7 4 2 4 h 2 H @ 4 7 4 2 4 ) G C @ G G F H @ 4 7 4 2 4 0 2 3 ) 7 6 @ 3 4 4 F 2 7 @ 7 4 3 4 H @ 4 7 4 2 4 ) 6 @ 8 2 4 5 4 E F 2 2 4 G B
relationship
9 4 8 2 9 B C
sexual
2 9 G 2 6 S H 9 G 2 4
relationship
9 9 4 4 F 3 4 C C 5 2 4
a w 2 9 @ F 9 9 3 2 9 @ G 7 3 8 G 6 6 4 G ) 9 9 4 2 7 @ 9 G G C
p 9 4 G 3 F 0
he
2 9 @
sings like an angel

F v 4 4 3 4 C 9 6 G 0
siren that could

F @ 0 d 9 G
drive him to destruction

E 8 @ 6 9 G 4 2 9 4 2 2 G F F B D E F 4 2 G 4 y 2 9 4 2 v 4
a d 9 G C 2 ) 3 4 6 3 9 4 8 4 x @ 4 6 @ @ @ 4 2 2 2 9 2 9 6 4 2 2 E 8 0
in the way she needs to be loved

a 2 4 2 d 9 G C 2 G 4 G C 9 E 6 4 2 @ E 6 2 9 8 G 2 6 7 2 9 G 4
number
8 G 9 G
one
4 G I
woman
) 4 4 7 4 C 2 2 9 4 2 P
number one
4 3 4 4 3 v 3
number one
4 G 2 B B 4 G 8 3 G
` 5 4 2 4 2 9 G 3 4 ) 4 E 7 4 2 9 7 @ 7 G 8 G 0
p 3 2 2 9 5 7 2 ) 9 G 4 2 C
that
Love Her as She Needs to Be Loved

3 4 G 3 G 3 4 F 2 9 4 3 2 9 x @ 4 2 2 9 G 4 G 2 G 3 @ 2 9 4 8 0 d 9 G C @ G G F C G 6 B d 9 G 4 G F 3 @ 2 2 9 G 2 2 G 4 6 3 4 2 9 G 4 G F 3 @ 2 2 9 G 0 D 2 3 4
good
wished
4 6 q 9 C G
54
9 4 G 2 C 4 2 2 9 2 @ 6 0 G 3 2 9 G x @ 2 4 G ) B B
in the ideal way she wanted to be loved

) G 9 4 2 9 2 9 6 7 2 2 9 G 4 G 2 G B B B 8 0
how
9 4 6 2 G 2 9 4
Magic Words to Make Her Love You

q @ 2 4 @ F 2 9 G F 9 2 G 2 7 4 3 4 H @ 4 7 4 2 4 6 C G @ C 4 ) 1 @ 2 G 3 @ 2 @ 2 9 G F 9 2 G 2 7 4 3 4 G 4 2 9 7 4 2 4 6 0 1 6 @ 7 2 9 G F 9 2 G P 6 4 5 F ) B
a 2 F ) 4 5 F 6 @ G 4 2 4 4 4 6 2 @ 0 C 5 @ F 4 9 9 2 4 5 F 4 E @ 2 4 2
p 7 8 0 w 5 6 @ G e @ 4 G G 6 9 4 2 8 3 4 2 9 G 0 9 4 G 4 H 3 3 2 ) G 9 4 8 G 4
beautiful voice drives me to destruction number one

4 2 9 4 G ) 6 @ 4 G 3 6 7 2 9 G 4 G 2 C @ 4 G 9 4 G 2 0 B
TECHNIQUE #82 (MORE FOR HUNTERS): RELATIONSHIP TRIGGER WORDS

G 2 ) 4 5 9 G 9 4 2 8 2 7 @ 2 9 6 @ G e @ 4 G G 6 @ 3 2 5 2 E 8 0
Huntresses, Relationship Trigger Words Work for You, Too

Y 4 9 4 8 C 7 C 4 6 7 4 2 F 2 E 8 0 1 8 G ) 2 9 G 4 4 2 4 2 2 6 @ C 4 B @ 2 7 @ 2 9 6 @ G e @ 4 G G 6 4 2 2 E 8 0 C 8 G 9 @ G C 7 G ) 4 @ 2 9 3 4 F C B
a 4 2 9 G 3 F 9 2 6 4 G 2 E 2 G
a 4 ) 9 8 7 G 9 E 6 9 0
brought myself up by my bootstraps

G 4 6 4 3 G 2 9 4 2 G 4 4 8 G 6 3 C D 9 4 4 2 4 2 ) 4 9 4 3 6 @ F
a G C @ G G F 9 G 4 4 ) D 2 9 5 9 G 4 6 F 3 6 2 6 0 G E 4 E 6 7 2 9 F G 9 4 4 2 F
dig your style

) 9 2 E @ 2 2 0 @ 8 4 4 3
p 1 @ 2 G ) 3 4 5 4 3 4 7 6 G 9 3 7 G 2 9 x @ 4 2 9 3 2 G @ 7 0 9 4 C
a 4 G 6 @ G e @ 4 G G 6 9 4 8 4 8 G 2 2 6 7 6 @ 2 9 G F 9 2 G 2 @ 9 3 0 G 4 C 2 C 4 6 8 G 6 E 6
brought myself up by my bootstraps

8 0 s C 9 F 2 9 9 G 4 E 4 C 5 2 4 5 B
digs my
3 4 2 2 9
style
3
p 9 4 G 2 2 9 6 @ G @ E 0
49 Finally, Snarinq the Confirmed Bachelor

s 8 G 6 4 2 9 1 @ 2 G 4 2 2 9 G 9 4 G 2 @ 2 4 2 4 G 2 9 G 9 4 G @ 2 8 G C 7 G 3 E 4 C 9 G e @ 4 G G 6 h 2 9 G ) 4 2 2 G 4 C 2 8 3 4 9 F 4 8 G E 3 4 G G 0 @ 8 3 2 2 9 2 6 0 B
sexually
S 4 E @ 2 S 2 6 4 2 9 3
a D 3 2 q G G 6 9 D 4 G C 2 F H @ 4 G 4 G C 9 4 2 d 9 G C 2 0 D 4 4 7 G x @ 2 F @ 2 H G 2
very carefully
does
2 9 9 2 9 F @
Why Do Jerrys Want Such Far-Out Sex?

w 8 ) 5 2 9 G 2 7 @ G G 4 2 ) G 4 C 2 C 4 6 4 7 @ G H @ 4 4 G 9 4 8 B B 2 9 G G 2 C 9 9 0
A Walk on the Weird Side

I 3 C 7 G 3 E 4 C 9 G 9 4 8 8 G ) 4 G 5 G C G 2 0 5 2 9 @ C 5 F 9 2 7 4 2 B 3 2 9 G 2 9 7 G 2 3 8 F E C 2 2 C 2 4 8 2 9 F F ) 3 6 @ F E 6 C 4 G G 6 2 9 G @ F 9 @ 2 2 9 G
p 4 6 @ C 9 4 F 6 @ G e @ 4 G G 6 G ) 9 9 3 F G @ 2 7 2 9 3 Q ) 2 9 G 4 2 2 @ 0 q @ 2 4 2
50 On Looking at Other Women

2 @ 5 @ G 7 4 C 7 G 3 2 9 @ G F G @ 2 Y 4 I 2 G 2 ) s 8 G 6 2 ) I w ) 4 4 G E 3 2 9 4 2 B
all
@
voom
) D @ 2 9 4 B
TECHNIQUE #83 (FOR HUNTERS): NO LOOKEE-DISHEE

1 @ 2 G ) 2 2 9 9 4 G 2 7 6 @ G e @ 4 G G 6 ) 9 G E G 9 8 G 6 @ G 2 9 9 G 0 6 @ G 6 E 4
Make him look at other women

8 0 I 4 G C 9 7 G 2 9 3
a 2 @ 2 2 9 G 3 2 9 2 G 2 ) 4 2 4 4 G 2 6 ) 2 C G 4 3 4 5
TECHNIQUE #84 (FOR HUNTRESSES): LOOKEE-DISHEE

1 @ 2 G ) 2 @ 2 4 2 2 G 4 C 2 8 3 2 6 @ G e @ 4 G G 6 2 B F 8 9 3 G 3 2 5 4 2 2 9 3 0 I 4 6 2 9 F 5 )
51 The Final Stone Unturned

Q 8 G 2 2 E 4 2 9 4 2 2 6 E E 4 7 2 @ 2 @ G 2 9 H G 4 2 7 B B
How to Make
2 9 @ 2 H 4 3 F
Anyone Fall in Love with You

4 2 9 G 4 4 F 2 @ G e @ 4 G G 6 B 9 4 2
Pheromones
d 9 G 9 4 E 9 G 3 9
p 0 9 3 C 4 E 6 H C G 2 0 P 6 G 0
` D 9 @ 3 4 4 3 4 ) 4 2 ) 7 2 G ) 4 8 4 F 4 7 @ 2 9 G 2 9 4 2 w 3 G C 4 F G 4 2 7 @ 6 4 6
p G 2 4 9 @ 3 4 6 G 2 E 6 G 0 Y 4 6 3 5 2 9 C 2 7 4 3 4
a 6 2 4 2 2 G 2 9 E 8 q 9 3 G F 9 G ) D E 4 G G 8 F 4 G 2 3 G G
vomeronasal organ
) C 2 @ G 0 Q G h 8 F 2 9 0 d 9
` C 2 @ 2 9 G G 4 G C 9 0 d 9 9 4 2 9 9 6 b 2 9 4 2 E 6 E 2 2 F 4 7 G 3 7 9 @ 3 4 E 6 G )
TECHNIQUE #85: WHO NOSE?

v 2 H C 2 6 @ G e @ 4 G G 6 2 7 4 8 G 9 8 B 2 9 6 @ @ 2 E C 4 @ 7 6 @ G C 2 0 1 8 G ) C
AFTERWORD
2 G 2 9 G 7 G 3 @ G 3 2 9 G 3 E ) 4 0 8 @ G 8 4 2 @ 7 E 6 2 9 E @ 4 G 6 7 @ G 3 4 @ G E 6 0 w H 2 2 9 4 G 2 9 6 H 2 C @ 4 C C 3 4 0 D 7 ) B
why
7 4 C
p G F G 2 4 2 2 G 2 7 9 4 F @ ) D E 8 2 9 @ 7 7 8 9 @ G I G D 4 4 C
first impressions similarity

z } u x v | s ~ y u x | } y u
equity ego
v z } t ~ |
gender differences
} ~ } y { t y } x
sex
magic
2 F 9 2 B 2 2 9 3
NOTES
a X 0 G 2 2 ) a 2 G R 0 ) 4 C 9 @ ) 1 0 X U T U 0 D 7 @ C 7 8 d 6 7 Y @ C I C 4 B B B
Psychological Studies
a ) 4 r C 5 ) 9 q 0 X B 4 0
` W i V b U T X R W 0
a V 0 r 3 4 ) q 4 2 9 4
p U T U 0 I H @ 4 w 2 2 G 4 C 2 2 G w
a 6 C 9 4 2 G C
Bulletin of the American Academy of Psychiatry and the Law

p G C 9 F 2 9 I H @ 4 s H G C 7 @ d 9 w 4 d G 4 2 0
` X g V b X i W X f W 0
Journal of Sex and Marital Therapy

p c 0 r 4 ) 4 G r 4 3 E ) 4 s ) p 4 G 6 0 2 9 d 4 E v 4 C G 0
` X g W b V X c V X U 0
Journal of Contemporary Ethnography

a 9 0 v 0 X U U R 0
` X T W b V g X V U T 0
You Just Don't Understand
p 3 4 6 0
a f 0 G 4 6 ) q 9 ) 9 0 v 0 X U U V 0
Men Are from Mars, Women Are from Venus

G 0 f 0
p 1 4 G G
a @ E 9
a g 0 Y 6 ) q 9 ) 9 0 v 0 X U T
Lovemaps
a 0 Q G 5 D G 8 F 2 @ E 9 G 0
a T 0 v 2 2 ) 4 @ 4 Y G F 9 4 F 0 w 2 9 6
a 0
American Demographics
8 0
American Sociological Review

Y 6 2 9 0
a X R 0 Y @ G 2 ) P G 4 G D 0 ) 9 0 v 0 X U T R 0 8 4 2 G 2 I F 9 2 w
Medical Aspects of Human

6 2 9 0
Sexuality
X X 0 P G C 9 )
` X c U b 0
p s 0 X U T R 0 3 3 2 F 8 4 2 G 2 I F 9 2 w Y
Medical Aspects of
a 7 G 4 2 6 0
Human Sexuality
X V 0 Y C 4 C 9 ) 0 q 0 X
` X c U b 0
Journal of Social Psychology

X W 0 Y 4 2 9 ) w 0 Y 0 ) 2 4 0 X U g V 0 d
a 9 G C 4
p 3 2 7 I H @ 4
a G 7 G C 0
British
F 7
Journal of Social Clinical Psychology

X c 0 G 3 4 ) q 4 ) 2 4 0 X U T U 0 5 F 4 r 3 4 2 C 8 0
Journal of Research in Personality
` V W V b X c i X f X 0
Ibid
9
Anatomy of Love
4 @ G 3 2 7 r 3 V g W 0
p 0 Q G 5 4 C 2 2 @ 3 E 0
Journal of Personality and Social

F F G 7 Y 4 I H @ 4 w G @ 4
Psychology
X T 0 4 5 5 )
p D 5 5 4 ) 2 4 0 X U U W 0 s 6 2 4 C 2 4 4 d G
Folia-Primatologica
0 Q
` W b X T X X T c 0
Anatomy of Love
p G 5 4 C 2 2 @ 3 E 0
Ibid
Y
p V X 0 G ) Y 0 Y 0 X U T i 0 Q 8 G E 4 @ G 2 9
a 4 2 2 G 3
p 2 H 2 4
p x @ C 0
Ethnology and Sociobiology

p V V 0 5 ) Y 4 G 5 0 X U g g 0 4 y 4 f i W V T W W W 0
American Scientist
a V W 0 G G ) d 3 2 9 6 0 X U T i 0
Sex Signals: The Biology of Love

a 0 d 9 s 7 7 C 2 7 4 G 4 2 7 4 D C G 4 c V V g V V T 0
a 0 9 4 9 4 D I D
a G 0
Psychonomic Science
V i 0 4 2 G ) s 0 ) 4 2 G ) 0 a 9 3 0
a 0 ) 2 4 0 X U g W 0 4 6 F 1 4 G 2 2 G 2 4 F 4 s @ 8
Journal of Personality and Social Psychology

a ) 4 w G ) w 0 0 X U g c 0 I 3 s 8 C 7 G 1 F 9 1 F 9 w H 2 6 0
p 2 7
Ibid
Y 4
Journal of
v 2 6 4
Psychology
V U 0 G 7 7 2 2 ) ) 4 d 3 G 4 2 @ G
p 2 C 9 ) r 0 X U g X 0 1 2 4 G D 7 @ C 7
a @ 4 2
Journal of Personality and Social

a a 2 2 4 4 G 2 G a 9 6 C 4 7 7 C 2 7
Psychology
W R 0 d ) q w 2 2 G 4 C 2 8
a 4 I C C 3 C I 2 4 2 @ I H @ 4 2 6 4 4 G 2 G I C 2 0
Archives of
0
Sexual Behavior
W X 0 P 6 G ) v 0 X U g
` 0 X U V b X c U X f c 0
The Attraction Paradigm

2 G ) 4 3 0 ) 4 P G C 9 6 4 P 4 C 0
a 0 Q G 5 w C 4 3 C G
Equity: Theory and

2 @ 6 7 w 2 2 G 4 C 2 4
Research
W W 0 P 6 G ) v r 4 S 7
p ) 2 4 0 X U g R 0 2 @ 2 6 P 2 2 9 s H G 3 2 4 I
p 3 @ 2 G v 4 2 F 0
Journal of Personality and Social Psychology The Triangle of Love

a 0 I C G 4 2 ) 6 8 4 4 P 4 t
p W i 0 G C 5 9 7 7 ) 0 ) 4 v 4 8 ) 0 s 0 X U f V 0 4 @
p @ 4 Q
p 3 3 2 4 G 2 6 Y 4 2
American Sociological Review

G 5 ) 4 Y C 1 G 6 ) r E G 2 0 X U g T 0
p W f 0 5 ) Y 4
Sexual Attraction
2 8 4 I 7 s
a 0 Q G 5 G F 4 3
a G 0
a W g 0 Y 4 G ) P G 4 ) 2 4 0 X U T c 0 9 6 C 4 w 2 2 G 4 C 2 3 w 2 2 G E @ 2 7 G
a G 4
Personality and Social Psychology Bulletin

4 3 0 ) 4 P G C 9 ) s 0 X U g T 0 P 4 C 0
` X R X b c W i R 0
Equity: Theory and

I 2 V V V i 0
Research
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Social Forces A New Look at Love

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ABOUT THE AUTHOR

LEIL LOWNDES
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How to Make Anyone Fall in Love with You

Library of Congress Cataloging-in-Publication Data

To fulfill the promise of the title,

Want a Lover Just Like Dear Old Me (Well, Almost)!

Part Five: Early-Date Gender-Menders Is There Love After Eden?

Part Six: Rx For Sex How to Turn On the Sexual Electricity

Afterword Notes About the Author

1 Anyone? Yes, Practically Anyone

Make Anyone Fall in Love with You

Science "Discovers" Sex

National Science Foundation Tackles Love

New York Times

How More Research Was Compiled

How the Techniques Were Developed

How I Tested the Techniques

Potential Love Partner

2 What Makes People Fall in Love? The Six Elements

III. Equity The "WIIFM" Principle of Love

What can they do for me?

worth cost-benefit ratio assumed depreciation

comparable maintenance fee

How to Make Anyone Fall in Love with You

V. Early-Date Gender-Menders Is There Love After Eden?

VI. Rx for Sex How to Turn on the Sexual Electricity

3 The Physical Side of Falling in Love

"Does Somebody Have to Be Pea-Brained to Fall in Love with Me?"

"Why Do We Fall in Love with One Person and Not Another?"

"How Can These Little Things Start Love?"

Make Anyone Fall in Love with You

4 Where Are All the Good Men and Women?

5 Does Love At First Sight Exist?

Medical Aspects of Human Sexuality10

6 How to Make A Dynamite First Impression

Be Ready for LoveAlways!

TECHNIQUE #1: DRESS FOR "THE KILL"EVERYWHERE

Stay Psychologically ''Fit to Kill"

TECHNIQUE #2: STAY PSYCHOLOGICALLY "FIT TO KILL"

insides go all funny

7 How to Ignite Love at First Sight

Journal of Research in Personality15

How Much Eye Contact Does It Take to Imitate Love?

The King and I

TECHNIQUE #3: INTENSE GAZE

How to Get Sexy "Bedroom Eyes"

TECHNIQUE #4: BEDROOM EYES

How to Awaken Primal, Unsettling, Sexy Feelings in Your Quarry

except his eyes off her

TECHNIQUE #5: STICKY EYES

Naughty Eyes Are So Nice

TECHNIQUE #6: A VISUAL VOYAGE

intense gaze, bedroom eyes, sticky eyes

8 Your First Approach

Hunters, Make the First Move . . . Fast

This does not

mean she is not interested

move fast, every

TECHNIQUE #7 (FOR HUNTERS): MOVE FAST

Make eye contact

Give her a nod

Move within her range

How to Pick up Girls

Huntresses, Make the Fast Move . . . First

First Moves That Work for Women