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->>>~>>->>>>OH>>>-X-<-<-<-<^^-<^^^
Biehl.

Op. 30

THE ELEMENTS OF PIANO-PLAYING

Piano

SCHIRMER'S LIBRARY
OF MUSICAL CLASSICS
VoL 530

EHL
Op. 30

The Elements of
Piano-Playing
$1 50
PRicr

IN

U.S.*.

->^K>-i>^^^wv^^'t>^ww;t-^^^vy^-f--f-<<-f-<f-<f^-f-^-<-<-t^-tr<^^

Mu^

SCHIRMER'S LIBRARY
OF MUSICAL CLASSICS
Vol.

530

ALBERT BIEHL
Op. 30

The Elements of
Piano-Playing

G.

SCHIRMER, INC
New

York

Copyright, 1898, by
PrlMd

In

li

Schirmer,

U. S.

A.

Inc.

~m

311-1

(9Z3*^3

The Elements

of

The elements of piano -playing, the fundamental requirements for the performance of any given pianopiece, consist in the player's complete control over
the movements of his fing'ers and hands. Not until
this is obtained, can he convey to his hearers his own
mental and emotional onctption of a composition.
Ia
2
1
(

Piano -playing.

The surest way

of obtaining such perfect control over

the fingers, as to make them act on the keys with
precisely the greater or lesser degree of force desired,
is by practising the following carefully arranged exercises. They should be practised daily, and repeated as
many times as possible.
A. BIEHL. Op. ;K).
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4>.vv-w^v^w^^^:>->-^>->->:-<

ScHiRMER'S Library
of Musical Classics

I
Y
Y
V
Y
y

PIANO METHODS, STUDIES, AND EXERCISES

SERIES ONE
CKAMF.R,

BKKKNS, H.
L. 1070

Op.

L.50i

Op. 70.

L. 508

L. 526

Op. 79.
Op. 88.

L.1031

Op. 89.

61.

School of Vclofitr. 40 SludiM. Complett.

The ^tmt. L. 259, Bk. I; L. 260, Bk. II;
L. 262. Bk. HI.
SO I'iKtt without OcUtcs. For Begin-

20 Children Sludiri without Octave*.

The School of .^calea. Chords, and Embelltshmenti. 28 ."Studies.
TraininK of the Left Hand. 40 Exercises

and 25 Studies.
L. 137
L. 138

Op. 29.
Op. 32.

24 Studies. Treparatorr to the Cramer

Studies (VoKnch-Buonamici).
24 Studies. A sequel to Op. 29. (Vogrich-

Buonamici).
I.. 136
Op. 100. 25 Easy Studies. (Vogrich-Buonamici).
1.. 758
Op. 101. 24 .Melodious Pieces.
50 .Selected Studies from Op. 100, 29, tnd
1.. 795
32. (Germer).
I.. 691
Op. 166. 25 Primary Eludea. (Osterle).
50 Selected Studies from Op. 29, 32, 100,
L. I5b8
134 (Buonamici-Cornell). Bk. I;
L.1589, Bk. II. sp. .
530

I..

L. 497

Op. 30.
Op. 44.

I..

The Same.

1178

CROISKZ,
L. 1438

A.

Op. 100.

L. 153

Op. 139.

100 Progressive Studies without Octaves.

L.378

Op. 261.

125

(Vognch).

L.149
L.383

L.402

Op. 337. 40 Daily Exercises. (Buonamici).

Op. 365. School of the Virtuoso. Studies in bravura and style. (Buonamici).
Op. 453. 110 Easy and i'rogressiTC Exercises.
(Buonamici).
Op. B53. 6 Octave Studies in Progressive Diifi-

SI Exercises.

L. 115

Op. 599.

12 Studies for

L 148

Op. 63G.

L.60

Op. 718.

L. 151

Op. 740. The Art of Finger Dexterity. 50 Studies

in Brilliant Style. (Vogrich). Complete.

I;

reference
L.498, Bk.

to

the

left

hand.

II.

49

I,.

i!i

h(,mlllf:r,

L. 500

Op. 100.

Development of Velocity.

F.
25

Easy and Progressire Studies. (Oes-

L.749

L. 977. Bk. I;

L. 97b. Bk. II.

and .Meldioua Studies. (Oc-

L.7j3

Op. 105.

12 Brillian*

7'.:

Op. 109.

18 Characteristic Studies

L. I5j, Bk. I.; L. 156. Bk. II;

L. 157, Bk. III.; L. 158. Bk. IV.; L. 159,

(Oettcrle).

tlloiMN, F.
Etudes (Mikuli).
Etudea (Kriedhcim.)

-.51

CI.KMKNTI, M.
Cradus ad Parnasnum. 100 Exercises.
(VogrirhK Bk. I I.. 168, Bk. II.
Cradus ad Parnassum. 2'J Selected Stud-

L.167

Ln780

ies.

(Tausig).

.Same. iip. f. e.
I'rrludro and I'.irrcine* in all the
and .Minor Keys. (Vognch).

t..

139
141

Op. 24.
Op. 25.

I,.

110

Op. 30.

1371
226

Op. 31.
Op. 37.

1030
25

Op. 44.

I..

I..

I..
I..

L.n58

Op. 755.

L. 192

L.H7

Op. 802. Practical Finger Exercises. (Relic).

Complete.
Op. 821. 160 Eight-.MesBure Exercises. (Buona-

L. 51

Op. 823

mici).

Ma]or

()>TONF, C.
I,.

Bk. v.; L. 160. Bk. VI.

Perfection in Style. 25 Finishing Studies.
(Hcriug).

and Minor Kr). for Small llandi.

15 Sludir in Kpreion. (von Ioenho(T)
30 Selected Studiea. (Uotcrle).

G. SCHIRMER, INC,

I
A
?

Little Pianist. 75 Exercises, beginning with the First Rudiments. Com-

plete.

The Same.
I..

25 Melodic Studies. (Ocsterle).

15 Studies in Style and Expreaaion.
(Oenterle).
20 Studies on the Singing Touch.
(Oeslerle).
15 Studie. in Style. (Pein).
24 tinliiant Prrludeo in all the Maior

T
A
A

The

The

L.1112
L.3-6
C

24 Studies for the Left Hand. (Scharfcnburg).

The Same.

terle.

L, 33

Practical .Method for Beginners. (Buonamici).

Preliminary School of Finger Dexterity.

(Buonamici).

Complete.

The Same.

L.I

L. 165. Bk. IV.

tulty. (Schultie).

terle).

T,.

y
y
y
y
y
y
y

mici).

Elenientfi of Piano-Playinir.

Easy and Proures-tire Studies. With

25

L. 164. Bk. Ill

HHAl KR,

F.
Op. 15.

Passage-Playing. Ele-

Exercises in

mentary Studies. (Buonamici).

J.

IftOO

23 .Melodious Etudes. (Deis).

Op. 335. The School of Legato and Staccato. 50

Studies. Sequel to Op. 299. (Buona-

The

Y
y

Complete, sp.

L. 1178.

L.150

Bk.

I..

L. 827

L.828

Op. 299. The School of Velocity. 40 Studies. (Vogrich). Complete.

The Same. L. 162, Bk. I.; I.. 163. Bk. II.;

special

HRVUMS,

lik. I
I.. 143. Bk. II.; L. 114,
Bk. 111.; L. 145. Bk. IV.
50 Selected Studies. (Bulow). Complete.
The Same. L. 828, Bk. I.; L. 829. Bk. II.;
L. 830, Bk. III.; L. 831. Bk. IV.

84 Studies,

L. 161

MI^ A.

HII

B.

CZKKN'i , c.

KTiM. n.

Id

J.

L. 112

272

Op. 849

30

New
to Op.

L. 5a, Bk.

I.;

L. 56, Bk. II.

Studies in Technics. Preparatory

2'.''.'.

(Buonamici).

Studies. An Anthology. (Oesterlc). Hk. I; Vpper Elementary and

Ixjwcr t;r8ile. L. 995. Bk. II: Middle
Ipper and
III:
Grades. L. 996, Bk
Middle (;radeii. L. 997, Bk. IV: Ipper
and Advanced tirades.

L.99I

Selected

L.44S

First

Instruction in Piano-Playing.
Recreations. (Ruthardt).

100

A
A
X

NEW YORK

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