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LIBKAMY
Brignam Young University

j.^'o'!^

172092

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Digitized by tiie Internet Arciiive


in

2012

witii

funding from
University

Brigiiam

Young

http://archive.org/details/sixtystudiesfortOOkopp

Mr

C.

KOPPRASCH

SIXTY STUDIES
for

Trombone
Published in two books

i^ t

^Vf^^a^

252 Tremont street

Cooper Square

Oflrl P lSCn6r IllC. sog SA.Wubnsh Are. NEW YORK

0S89S

''Sixty Studies for Trombone"


by
C.

Kopprasch.

BOOK
Comparative Table of the Clefs.
Bass.
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1

I,

ft

* '

pO

*>

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Tenor
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1 1

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Al

C~

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AX

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11.

i.9

--

xr

-*-

xr

^
'

Alto.
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rv

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C9
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ii.

fv if

tt

tV

%%
1

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XT

TT

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r
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i

ri'frJ

CI esc.
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/
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S
^F^
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lit

l>p

rrrf if, iff ff

^
7
i

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^w
/r^

Wi
i
I

^m

NOS.Moderato.

ns

rr ff fF

frmr

^
^
i

^ IP ^m
cresc.
"if^

/T\

mrrfrir
^rfirrfr rrfr
Fuhli>ihcd
i

F=F^=;?

jT rrrT rff^
i

creac.

f'P ^P

rr

#ff^ ^5^ ^
P'.
^

SI

Take breath wherever sign


6 648 _

occurs.

25

MCMV by

Carl Fii*eher

New York

N93.POCO Allegro.

^j',\''i!T^\J7Trn\J7T^
P sempre staccato.

v=^

"m

^\^^
. F

^\\\

^^^^

^
^
i

PI*

^
i>1

< '
*

^S

^ ^ ^^
p
\

^m
f-

^g

^r^rnrrrrfifrrfffiFffrrrirrlffr -frrrTTi

?)si'^frrrr[^p

p
in the

"""?

^
^

NOTE*.- Exercises marked thus * should be practised

various ways indicated.

*N9 4. Allegro.
sempre staccato

9648.25

:*R

^ Crrra'^afi^^^r.r[5yrtfi^tt r^rj'^
t
,1,

>y

r ^trragp

&
I

^^ ifjg ^^r Lcr [^^


^ik''i!j;
i

Example for N9 5* 1. ssa


>hi' ijs
i

.2. ^^inp^
Jffl

J5^^

ii

ki'iji

i^^ii'-Mjiip

*N9 5. Alio vivace


.^>'-

\)'

frrrrr rr

ffrTL,4.^

J',

N?6.Aclagio.

^^

^
<:>
j>

/Ts

n~
i>==r

irf
p

^
a.
^2?

o
<:

j>

^^

re

*
P

^
i

frf^ir ai ^^ /
^

^
/
III
!>

irrff ^Frf ffiUr ?


7^

''i'in'iii|iiiriii|
9648.35

ij|ir|fri||i| ijij

Example
1

for

N97 *

*N9 7. Allegro.

9648.25

Example
1.
118

for

N9 9*

.-^-^

\\i%

iJJliJjJJ\fhr>J]JjfJi[J\^^^

^ 2.
L

rf

2k

1^
mh
\

*N9 9, A119 vivace.


1^
jp

r?rr^

^
'
' '

cresc.

iE^^K

^Yr

^
i

p^

p>f
cresc.

frrr?i:r

r"dira:r
i

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^^

t^

-^ r^

'"

^-*"

<5

U^hW^

cresc.

j^
1

CLrd!rri [lj:rrFfffi^
y^

mm
j

^
i^S
.oc

tip

m w Fmr ^
cresc.

m
?

22

^^ ^ Tu rn
Execution.
Il

nj^

g
1

rir^rn nj
,<agp.

1)

NO 10. Andantino.

^,i h
mf
C!0
=lf

UL'> U
^ y

Pi /

mf
y^

fe

1>

?^

9648 . 8R

N911. Adagio.
f'i)'!

fP
semjfre staccato.
i

F.,.rHrrf.
i
I

Jr

r f

d*

,?ni'Frri
mj

rritpl-t^
'lL''[

m-^=-

."

mf

m
wf
#-1:

t
*

ei4

m!^|^^^^"^"''^J^:",
^

S
^yj^nirrf
E
Example Examgle
for

fee *
bo^

rr 'T

f
cre.sc.

fff

r mW~^

=1

^^^
-=

tr

ii

r,|>r'

r
|

ji

^'^

/i

^ ^^
^
/
Nq
12;

S.^^*t

^
f

# N?12.A11<? moderato.

9648.25

^rg'Tr

Jiiv^

^4^# s

N9 13. Moderate.

9648.25

r
10

N9
*)

14. Allegro. :. m ~^ m
fffr

H(

r r
cresc. _

rif>rrfr
i>
cresc. _

^
^p
r

;r-

^^^^^'WrrrrTrrrr rrrrf
i

^
i*

rnrTrrrrr

f^^^

^^^^f^^^^^rf^

-3"^

i'

::f^

cresc. _

9648_6

11

cresc.

^^
Turn.
Execution.

w=s=m

rr>r?rffrirr^
f

1 M
y

m
f

y:

N915.Adag^io.
Alto.

I^^^B^

/
i>

^
is:

^ ^

r\i\ B'>[jf>JO' fj'[Je


I

t)

<ti*

fe^
3S ^
/

3 *^^

S
5?^

a^
^

1^^^

^5
tir

^5 ^
1.1^
*

S
ipttrt

ee

H^^aI'i

Ji^

^rn

' ^'

-*

esj^7-esszvo.

^
,r

"gr^Qij;;^^^
m

Ek ^r7]j
9648.25

v5

f3 \\>rB
dint.

m
I

'-

^ -VP

m m ^
1

12

N916. All**" vivace.

^^
mi
.^
i

fir'f-TrfXffXr
ei^

rr^ffrf

--f

i
i

Mi El rttrfXruT

/to ELi
i

'SrSrSr
s
>

^M.Crrarflrtir rirCffErj'^ciirto^f.r

>):<t<i

"i!rrrrLfj|r

li

fjjtf^iSrfirQrllr

vrir'^

^^^^^^s
.

it>^ .1^"^.1>:...g'^Jg;^-j^.j^"

JtfjtrrtrrL
cresc

vi^y lisHiiis
>'^i
i

''arQl;''Qir

rftj^Cirir

^e

9648.2S

13

N9 17. All? plsoluto.


##-^

i
I'

S^ S

i
~

i
ufpf
P

mf

f-

f-

^^
'n'

<

0-

i
r-r

rrir

:ljdijU UjUjLuji ^ '^i^'r'

9648. 6

14

N9 18. Vivace.

N9 19. Adagio.
Tenor, espres sivo

'l^tt^t ^'./
i

fSrr^

f^^T^^

^^^^^^g
^

^^T

Ite &

li

J^

<rV"^ ^^^^ m ^^ 2
^

-^

U^-.

^^^F^

<^=~-

*'

J^^

m Pm


^-

^^
9648.2 5

M^aM

-P-^

^ff/

^^-

:|

^^^^^
w^
_
i

N9 20. AllOmolto.

J sempre staccato.

l^*^

'Hii,f.jrrrir

^j vitfr, rrijjr^j

n ^i^tij


15

'MAijir'

dJ

^^^ Prf^Ut m
i

jiS

N92l.xModtP risoluto.

cresc.

^*:

^e

ftl^

^ C^

f:"N

^
i

e^
^

!;=!,''

PyF p^r ip>r pv

ipr j^yf

Jiipyf jryi

pj
J

i
p

V^r.
r;=i,i'1)y'
i

/?\

rpyilp>

rp>,
J
i

J'y j-^^

jTnH'~pv
/TN
^4

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ir=^

^^

d
_

J'
_

al

cresc.

i^-"^

-'^

W^Zy
"

^"~^

9648.25

16

N9 22. Allegro.
>>:
,

g r?

]Srf^gfB6^iffl!raf |.i^ ^7 igprf^

-*>'t-

arrrrriJ '^^

^
r
^

iif

^1 1

N9 23. A119 moderato.

9648.25

17

jpoco
^fffi

rlt.

n\

i
dimin

->=^i

^a

:rp

^
9648_25

ffi

18

N? 4. Presto.

^
9648. 25

/J!

m^rmMmm p

^
19

^
fW

N935. Moderafo.
tf

m/
i

jT^JiUTr

t
/

^
'

^'-^

^iij'f'

^
i

l^-tV

^ rrr^JU"rJJiijrr<tJjjiirr^jji/r^iiJjtjijfJ #
J

Jg

^
's- y

^^

1^
1

-/:^

^ P
#.
fc?^^=;^:f^

^
m /

ib*-^

i^

4'ifrrJjLrrJjiijJjx^
JtlL-j
[;

^
i

^^^
^
>
i',

^^ ^
V=bi'i>,

N9 26. Maestoso.

rj

_.

/
'iCiT,!/^

^S ^^ ^

^
:^

crest:

< ?

^ ^^

^--^

^fte>#->:
creac.

^
9648-25

^
i

iif.pi'ff-

>.

^LI
i*

te^
i>l

te /
M3=ZJE

^^rtSM ^
cresc.

|J.J

^J^;

20

^
^^
iBj^ii^i

N9

27. Alio vivace.

fiempre staccato.

J
'

rrrrrriJ^:rm

J J

Jul

J.J

**^

-^

lf

^e
i

^fe M

rrfrrrirrrrrrirr[Lr; r^'c:J'LIL[!i
tf

^T * M

^ ^
i

r^ ^p ^<i-[I^ir^ JilPir^j^i[f<t^f^i-T7T]}
i

^
^i;

1^

^
i
-#
cresc.
;::

ii')jiJ.ii.ii
(

gjtf ?^

Ify?*?^

i
I#

'^H

s
?Wl

J #

?^

^y i^^
^*t*ii^'

i
^

^rrcifi^

H^

^p\(\x2

^^

^jjy

9648.26

21

M^ji^

r^
*^

i
/

jj;jj]i.nj jj ^ '

] jjjj^
i

^jj^

1^ ^
N928. Andantino.
''y esjyi'essivo. esp^'essivo.

m ^nLii|^ijjjjjjiJjii
~

^
/?/.
^*-^

^Y

l#<t*i

fIJlT

1:

^
[f
I

tetupo.

ifX \ "

/
r
I

^
/T\

0:

<iiiiiitii

jp

r^a^ ^ ^ r ^-J^

tr f fj

K\^

V'

;?rJ rt tii^J'MUTl^
i
i

V=tftL^''t^
cresc.

^
^a

c;i=F

rE

jCTi jTJfr
"'
if

^e *

^
XjE

a tempo.

-H#
>)=

Lif CJlJ^Ttiiaf ift

r^x,

"fr pj

ffl
cresc.

tfiirffTJl!r^

ir

i
^j
i

v=

<'it"<t'*<i

J7?

it

^^

w \^i^\l^r^
p

y^-

9648.26

22

^
=CII

N^29. Moderato.
'-

^=A-A
sempre staccato

^^ ^
*

i
f^

t%t t

^
i^

^
D2J
*

^^
i.^ E * ^^ ^^
,

.,

rf ^. |ti J

^^ ^S
?>!>

U
^

OJJJ
^-9

jFF^

m^
.LJ
*

f ^
:-

^
#- #

^
-

f j,

,^,^f,r

&

Fr^r

^ u1U;ILj
;

rrpfTp

^
y
^

r^

V
C.
1

r
^\

<r

f l t.U f

^m
1.
;

f
t

-9

9
:

n
w

E.

^
p

t
V

p^

^
f - p

t
P

t.

=
..
.

t.

^1

g-_t-

-c

-iz

i=

^^^^

9648-25

'

23

^
r
ii-

pi

ri

i^T^j'-j

^
9

N930. Andante.

V^rni/TTinrg ^ ^V
.^Mii

rrn
i

Jm
jp

*^

/
:^

^
9

ifrr^^
/
^

38

i'

f
#--'^

Eh

:i}rr

k V

S^=^==-

IP'S "frrJ
p

^^
Cs
d 9

_ r ^

J J

i
[_
j

LT

I
f

^^gi
P
II

I
\

E
P

j^\hh^ iy^-mUiiu
Fine, dolce

H H

^
*i

7li^ luuilu
EH
i

m
-9

^m

^^^^Q^:?^[Xr

cI:cI;^P

J^Ji^OiriJ^L^
3;=P =^ f
af^ V

^
i

^^ ^
5

^ 9

2
(^ -^v

1^^
H
4

9 A *

es:

IXS"

^' C-CJ

LJLU

^^

9648_25

24

N9

31. Allegro.

^rkti^:^
?y
Oil

:_

:i.

s=
1^

eJ

m'/

^
r::=i

i
r*.

^^
^a
_aAl
ffi

* riric^p^^
ift

ii

^rJfVJfirifriJ
^c

rtfrrJ|ii
|

>M)irtfCr|tirjf Lffirtfp
i*

^^^
^^
^S
'>"
i

gi
'

>

^s^
r>
i'

s
a:^

^
*jf
i

:=

*:=

Uj

i|

,u

frJUr LJ;is

ijiurnii

ji

9648.25

25

N93. Adagio.

cresc.

J
Allegro.

^
cresc.

~~^

dimin.

i^

^M
/I

ff
Adagio.

^^

Ff fr^

dimin.

i*

cresc.

^ t n'lp^^'V' y ^L
i
'

^
j

y-

tf

i^ y

^-W^ ^^
cresc.

\^

l^

^n"ni>
-y

fi

*^^t4h

^^

^> l>
.

^^

JLT^

^'O

M^
M
^
cresc.

Allegro.
?> ^tjii'it^ii
I

'

^ ^

t^

'

^
P

cresc.

^M

i
dimin.

^ ^B
9648.1^5

E
t^

26

N9 33. Allegro.

^E=^
w/

m^m^

Pw^#

^rmtt
|

^>^-^^rrrrr

f
i

f^ ^^^^rTf

rrrrrr

dimin.

9648.25

27

Pratice the trill very slowly at first and in an even tempo,- every note must be distinctly and evenly

played and of an equal duration.

m 34 The
2

Trill.
0t.

ft

t^

t^

ft.

3
,

3
.

ft

Pj

ft

.JL-9U

PI

PI

T"
ft

ff^fffFf^ffffffF e^^

?ni' -

!r J

H r r r n
i

^
9648.25

is^^i

I 1
ir-^

V.

iTl. Siazeoiclt

SEQ UENCES
FOR

iombone licmb

26

MELODIC STUDIES
IN

Varied Rhythms
AND

Keys

CARL FISCHER,
Boston

Inc.

COOPER SQUARE, NEW YORK


Chicago

Dallas

Los Angeles

W53

17292^

00383 1606 3 11 97

BTie
V
z 4

W
4
1911

DATE DUE

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