Tri-Tone Substitutions and Endings

Tom Quayle
Standard tuning
Standard II-V-I Progression

Dm7

G7

Cmaj7

6
5
7
5

3
4
3

5
4
5
3

(5)
(4)
(5)
(3)

Tri-Tone Substituted Progression

Dm7

D 9

Cmaj7

6
5
7
5

4
4
3
4

5
4
5
3

(5)
(4)
(5)
(3)

Tri-Tone Substituted Progression with Major 7 Chord

Dm7

D maj7

Cmaj7

6
5
7
5

6
5
6
4

5
4
5
3

D maj7 #11

Cmaj7

3
6
5

3
6
5

3
5
4

(3)
(5)
(4)

(3)

Dm9

D maj9

Cmaj9

5
5
3
5

4
5
3
4

3
4
2
3

(5)
(4)
(5)
(3)

Alternative Voicings

Dm11
13

Alternative Voicings
17

(3)
(4)
(2)
(3)

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Alternative Voicings

Dm7

D maj7

Cmaj7

8
6

8
6

7
5

(7)
(5)

7
5

6
4

5
3

(5)
(3)

21

Parallel Major 7th Ending Technique

Cmaj7

E maj7

A maj7

D maj7

Cmaj7

8
7
8
6

4
5
5

6
5
6
4

5
4
5
3

25

5
4
5
3

(5)
(4)
(5)
(3)

Alternative Voicings

Cmaj9

E 6/9

A 6/9

D 6/9

Cmaj9

6
5
5
6

4
3
3

4
3
3
4

3
4
2
3

E maj7

A add9

D add9

Cadd9 #11

4
6
8
6
4

0
3
0
4
3

29

3
4
2
3

(3)
(4)
(2)
(3)

Alternative Voicings

Cmaj9
33

7
5
7
5
3

10
8
10
8
6

4
5
8
6
4

(3)
(0)
(4)
(3)

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